- I DON'T WANT TO GO BACK. DO YOU WANT ME TO STAY?
- YEAH.
- IF MY WIFE WAS STILL ALIVE
AND SHE ASKED ME TO TAKE A TRIP TO ITALY,
I'D BUY TWO FIRST-CLASS TICKETS AND BEAT HER ASS TO THE AIRPORT.
- I WAS READING THIS BOOK FOR MAX, AND THEN ALL OF A SUDDEN
I'M NOT READING ABOUT THE KID ANYMORE, I'M READING ABOUT ME.
- I WAS THINKING THAT WE SHOULD
TRY AND SEE A MARRIAGE COUNSELOR.
- I DON'T WANT TO SEE A MARRIAGE COUNSELOR
BECAUSE THE MARRIAGE IS NOT THE PROBLEM.
THE PROBLEM IS YOU.
- I KNOW THAT IF YOU LET THIS KID GO
AND YOU DON'T SAY GOOD-BYE,
YOU'RE GONNA REGRET IT FOR THE REST OF YOUR LIFE.
[Joy Division's Isolation]
♪
- ♪ BUT IF YOU COULD JUST SEE THE BEAUTY ♪
♪ THESE THINGS I COULD NEVER DESCRIBE ♪
♪ THESE PLEASURES A WAYWARD DISTRACTION ♪
♪ THIS IS MY ONE LUCKY PRIZE
♪
♪ ISOLATION
- HEY. SCRAMBLED EGGS AND BACON.
WHO WANTS BACON? - I WANT BACON.
- YOU WANT BACON. YOU WANT BACON?
- WHERE'S DAD?
- DAD, UH, HAD TO GO TO WORK VERY EARLY THIS MORNING, SO...
- BUT IT'S SIGN-UP FOR THE JOG-A-THON AT DROP-OFF.
- I CAN SIGN YOU UP. - NO, YOU CAN'T.
DAD AND VICTOR ARE RUNNING WITH TEAM COYOTE.
YOU HAVE TO SIGN UP IN PERSON TO GET YOUR OFFICIAL APRON NUMBER.
- OKAY, WELL-- - HE PROBABLY FORGOT.
- HE DIDN'T FORGET,
AND I WILL SIGN YOU UP AND I WILL MAKE SURE
THAT I GET DAD'S OFFICIAL NUMBER.
- NO, YOU CAN'T. I KNOW THE RULES, MOM.
- HEY! - DAD?
- MOM SAID YOU HAD TO GO IN TO WORK EARLY.
- WE THOUGHT YOU FORGOT ABOUT THE JOG-A-THON.
- I WOULDN'T FORGET ABOUT THAT.
NO, I WENT OUT TO GET DOUGHNUTS!
- I CALL BOSTON CREAM! - I WANT BOSTON CREAM!
- BOSTON CREAM. THERE'S PLENTY-- - THAT ONE'S MINE.
- ALL RIGHT, YOU TAKE THAT ONE.
- I'LL JUST TAKE IT TO THE TABLE.
I GOT IT FIRST. - THAT'S THE ONE I WANTED.
- COME ON. - GO GET YOUR PLATE.
- HELLO.
- HEY. HANK. - HEY.
- NICE TO SEE YOU. WHAT BRINGS YOU UP HERE TODAY?
- YEAH, I WAS JUST, UH...
JUST LOOKING AROUND MY STORE. I FOUND THAT.
THAT SHOT I TOOK A WHILE BACK OF BOB DYLAN.
- OH, WOW!
YOU TOOK THIS? - YEAH.
YEAH. IT WAS A WHILE BACK. - WOW.
THAT'S A GREAT SHOT. - I THOUGHT, YOU KNOW,
YOU COULD USE IT HERE
AT THE RECORDING STUDIO IS WHERE IT SHOULD BE.
- WE CAN, FOR SURE. THANK YOU VERY MUCH.
THAT'S VERY GENEROUS OF YOU.
- AH, IT'S NOTHING. IT'S OKAY.
YOU KNOW, WHILE I'M HERE, SARAH TOLD ME THAT MAX
WAS GOING TO THIS FAMOUS ASPERGER'S DOCTOR.
- YEAH, DR. PELIKAN.
- YEAH. YOU GOT HIS NUMBER HANDY?
- WHY, IS SOMETHING GOING ON WITH MAX?
- NO, NO. NO, NO, NO, NO. HE'S--MAX IS GREAT.
HE'S DOING GREAT. - GOOD.
- YEAH. NO, NO. IT'S--IT'S ANOTHER MATTER.
- OH, YEAH. UH, YEAH.
YOU WANT ME TO JUST FORWARD HIS CONTACT INFO TO YOU?
- YOU CAN JUST WRITE IT DOWN.
- OH, OKAY. ALL RIGHT. SURE. JUST WRITE IT DOWN FOR YOU.
- [chuckles] OH, MY GOD.
I CANNOT BELIEVE YOU STILL HAVE YOUR MODEL CONGRESS T-SHIRT.
- I'M VERY PROUD OF MY FAKE SENATE RUN.
- [laughs] WHAT?
- THANK YOU. I'LL FOLD THIS.
- DUDE, I THINK IT'S TIME TO TRASH
THE EVIDENCE OF YOUR NINTH-GRADE ACCOMPLISHMENTS.
- I HAVE TO AGREE WITH BERTO. - WELL, I'M FEELING
HARASSED, BUT STILL PROUD. [phone rings]
- IT'S MY MOM.
HEY, MOM.
YEAH. YEAH, IT IS. IT'S SNOWING.
IT'S FREEZING HERE.
- YOUR GIRLFRIEND HASN'T TOLD HER PARENTS
THAT SHE DIDN'T GO BACK TO TUFTS?
- UH, YEAH, NO.
NOT YET.
- DUDE, THIS IS GETTING WEIRD.
IT'S BEEN TWO WEEKS. HOW LONG IS SHE GONNA STAY?
- YEAH, I DON'T--I DON'T KNOW. WE'RE FIGURING THAT OUT.
- OH. - YEAH.
- HOME, SWEET HOME. - HOW'S IT FEEL?
[chuckles]
NO, NO, NO. WAIT, WAIT, WAIT, WAIT.
HOLD IT.
ALLOW ME. [both chuckle]
- YOU REALLY MISSED ME, HMM?
- YOU'RE TELLING ME.
- I MISSED YOU TOO.
- WELCOME HOME, SWEETHEART.
- JUST THE SAME. - WELL, UH...
A LITTLE DIFFERENT INSIDE.
all: SURPRISE!
- WHOO! - WELCOME HOME!
- HI, SWEETIE. [all talking]
- YOU LOOK BEAUTIFUL, MOM!
- LOVE YOU. WELCOME BACK. WE MISSED YOU.
- MOSTACCIOLI! HEY, THERE.
- MWAH, MWAH!
- MOSTACCIOLI. - [laughs]
- WOW.
- AMBER, SWEETIE.
- GRANDPA TOLD ME. - MOM, SHE'S FINE.
- IT'S OKAY. MOM, MOM, IT'S FINE.
- DID YOU BRING US PRESENTS? - DID I?
- YES! - [speaking Italian]
SWEETS FOR THE CHILDREN.
- OH, NO. OKAY...
- YES! - THAT'S IT--HEY, HEY.
THAT'S FOR AFTER DINNER. THAT'S DESSERT.
THAT'S FOR AFTER DINNER.
[overlapping chatter]
- OH! - I'LL TELL YOU WHAT.
I'LL HAVE FOUR NOW, THEN FOUR PIECES OF BROCCOLI.
THAT'S A DEAL. NO, THAT'S A GOOD DEAL.
[overlapping chatter]
- IS IT GOOD TO BE BACK?
- MM.
- OH, MY GOSH!
[chattering]
OKAY, YOU HOLD ON TO IT. WE'RE GONNA EAT IT LATER.
♪ MAY GOD BLESS AND KEEP YOU ALWAYS ♪
♪ AND MAY YOUR WISHES ALL COME TRUE ♪
♪ MAY YOU ALWAYS DO FOR OTHERS ♪
♪ AND LET OTHERS DO FOR YOU
♪ MAY YOU BUILD A LADDER TO THE STARS ♪
♪ AND CLIMB ON EVERY RUNG
♪ AND MAY YOU STAY
♪ FOREVER YOUNG
♪ MAY YOU GROW UP TO BE RIGHTEOUS ♪
♪ MAY YOU GROW UP TO BE TRUE ♪
♪ MAY YOU ALWAYS KNOW THE TRUTH ♪
♪ AND SEE THE LIGHTS SURROUNDING YOU ♪
♪ MAY YOU ALWAYS BE COURAGEOUS ♪
♪ STAND UPRIGHT AND BE STRONG ♪
♪ AND MAY YOU STAY
♪ FOREVER YOUNG
♪ MAY YOU STAY
♪ FOREVER YOUNG
- [coughs]
UGH, HEY, GUYS. ADAM, CROSBY, IT'S AMBER.
UGH. I WOKE UP WITH THIS REALLY BAD COUGH, COLD THING.
I THINK I NEED A COUPLE DAYS TO REST IT OFF.
I'LL CHECK IN SOON AND LET YOU KNOW HOW I'M FEELING.
ALL RIGHT, I'LL TALK TO YOU SOON. BYE.
[turns up volume]
[rock/pop music]
♪
- HEY.
AMBER JUST CALLED IN SICK. - OH, NO. I HOPE SHE'S OKAY.
- YEAH, ME TOO. - WHAT DO YOU THINK?
- IS THAT WHERE YOU'RE GONNA HANG IT?
- YEAH. YOUR MOM WORKED SO HARD ON IT.
IT'S SO CUTE. - OH, HEY, I FORGOT TO TELL YOU.
HANK STOPPED BY THE OFFICE THE OTHER DAY
TO DROP OFF THIS BOB DYLAN PHOTOGRAPH THAT HE TOOK.
- OH, THAT'S NICE. SO NICE.
- YEAH, THAT'S NOT WHAT I'M GONNA TELL YOU, THOUGH.
THEN HE ASKED ME FOR DR. PELIKAN'S PHONE NUMBER.
- OKAY. DID SOMETHING HAPPEN WITH MAX?
- NO, THAT'S WHAT I ASKED HIM.
BUT THEN HE SAID IT'S FOR ANOTHER MATTER.
- ANOTHER MATTER. AND YOU'RE JUST TELLING ME--
- YEAH, AND I'M GUESSING THE OTHER MATTER...
IT'S GOTTA BE HIM, RIGHT?
HANK. - WAIT A SECOND.
- WHAT? - YOU THINK HE HAS--WHAT?
- I DON'T KNOW, I MEAN, HE'S QUIRKY.
- HE'S VERY QUIRKY. - RIGHT?
- AND SOCIALLY AWKWARD. - HE'S VERY FOCUSED.
HE'LL TALK TO MAX ABOUT LENSES FOR HOURS.
- HOURS. - EXPOSURES FOR HOURS.
CAMERAS FOR HOURS. - HOURS, YEAH, I KNOW.
- JUST LIKE BUGS. - BUT THAT DOESN'T MEAN HE HAS--
- NO, BUT I CAN'T HELP BUT THINK THAT IF HE DOES,
THEN MAYBE MAX COULD TURN OUT TO BE LIKE HIM.
THAT'S NOT SO BAD.
- NO.
- HANK'S HAD A BUSINESS. HE'S HAD RELATIONSHIPS.
- FAILED RELATIONSHIPS. - WELL, HE'S HAD THEM.
- HE'S HAD THEM.
WITH YOUR SISTER. - YEAH, WELL...
- THAT WAS OKAY. - HE'S GOT A DAUGHTER.
- HE HAS A DAUGHTER. - RIGHT?
- OH, YEAH. BUT THEY DON'T GET ALONG.
- HE'S A FATHER.
WELL, SHE EXISTS. - SHE DOES EXIST.
- WHEN I LOOK AT THAT, THAT'S A PRETTY BRIGHT FUTURE FOR MAX.
- HMM.
- SO...
- ARE WE... - WHAT?
- HOPING THAT HE HAS ASPERGER'S?
- NO. NO, OF COURSE NOT. THAT'D--
I MEAN, MAYBE ON SOME LEVEL.
- THAT WOULD BE UNBELIEVABLE. - THAT WOULD BE GOOD.
- WOW. - YEAH.
- HANK.
- HEY. - HI.
- OH, YOU COULDN'T FIND A PLACE FOR IT?
- OH, NO, NO, NO, NO, I LOVE IT.
I JUST-- I WANT TO GET IT FRAMED.
- YOU WANT ME TO FRAME IT?
- UH, YEAH. I INTEND TO PAY YOU FOR IT.
- ALL RIGHT. - BUT I WAS THINKING
RED WOULD BE REAL BOLD. KIND OF FUN.
- NO, IT'S HORRIBLE. HORRIBLE CHOICE, RED.
YOU WANT TO GO SIMPLE. BLACK. KEEP IT SIMPLE.
- YEAH, YOU KNOW WHAT, I THINK THAT'S PROBABLY RIGHT.
- YEAH. - GOOD THING I CAME TO YOU.
- ALL RIGHT, I GOTTA DO A COUPLE THINGS HERE.
I GUESS I COULD GET IT TO YOU LATER TONIGHT,
IF THAT'S ALL RIGHT.
- THAT'S FINE. THAT'S FAST. THAT'S GREAT.
- ALL RIGHT, I'LL GET ON IT LATER.
- OKAY.
UH, HEY, HANK.
JUST SO LONG AS I'M HERE...
YOU DON'T HAPPEN TO PLAY POKER, DO YOU?
- YEAH, I PLAY POKER.
[phone rings]
- HELLO? - HI. HOW ARE YOU?
UNCLE ADAM SAID YOU WEREN'T FEELING WELL,
SO I GOT YOU SOME CHICKEN SOUP.
- OH. I'M NOT HOME RIGHT NOW. - I KNOW YOU'RE NOT AT HOME,
BECAUSE I'M STANDING OUTSIDE YOUR DOOR
WITH A BIG PILE OF CHICKEN SOUP.
WHERE ARE YOU? - I'M AT THE DRUGSTORE.
I'M JUST GETTING SOME MEDICINE AND STUFF, SO MAYBE--
[seagulls cawing] - MM-HMM.
OKAY, WELL, UM, SHOULD I JUST WAIT FOR YOU, THEN?
- UM...
I'M NOT AT THE DRUGSTORE, MOM.
- UH-HUH.
AMBER, WHAT'S GOING ON?
- I DON'T KNOW. I'M--I'M DRIVING AROUND.
I'M AT THE BEACH RIGHT NOW. - HONEY, WHERE?
WHAT DO YOU MEAN DRIVING AROUND? - UH, I DON'T KNOW, MOM.
- LOOK, I'M WORRIED ABOUT YOU.
YOU SHOULDN'T JUST BE OUT THERE DRIVING AROUND.
LET ME MEET YOU SOMEWHERE. WE'LL HAVE A SOUP OR SOMETHING.
- I DON'T REALLY KNOW, MOM.
I JUST NEED TO BE ALONE RIGHT NOW.
- AMBER, I JUST WORRY ABOUT YOU.
YOU SHOULDN'T BE IN THE CAR IF YOU'RE UPSET.
- I'LL BE SAFE. I PROMISE, OKAY?
- YOU SOUND TERRIBLE. THIS MAKES ME VERY WORRIED.
JUST COME HOME. - I GOTTA DO THIS, OKAY?
BUT I'LL TALK TO YOU SOON.
- I'M GONNA CALL YOU IN AN HOUR.
[sighs]
- THOSE KIDS ARE WIPED OUT.
- WELL, THEY WERE REALLY HAPPY
THAT YOU WERE HOME TONIGHT TO PUT 'EM TO BED.
ARE WE JUST NOT GONNA TALK ABOUT IT?
- [exhales] TALK ABOUT WHAT?
- ABOUT WHERE YOU SLEPT THE OTHER NIGHT?
- SERIOUSLY? - I HAVE A RIGHT
TO KNOW WHERE YOU'VE SLEPT. - YOU KNOW, I DIDN'T--
I DIDN'T MAKE THIS MESS, JULIA. I DIDN'T--I DIDN'T MAKE IT.
- OKAY, I'M...
BELIEVE ME, I WISH I COULD GO BACK AND I COULD
DO THINGS DIFFERENTLY,
BUT I NEVER JUST DIDN'T COME HOME.
- I, UH...
I WENT TO THE TRAILER AND I GOT DRUNK AND PASSED OUT.
- WHAT ARE WE DOING?
UM...
I--YOU KNOW, I DON'T KNOW. I DON'T KNOW.
I KNOW WHAT I'M DOING. UM...
I'VE GOT, UH, AN 8:00 A.M.
I'M MEETING WITH PEET TO GO OVER THE GROUNDS.
AT 4:00 I'VE GOT TO TRAIN WITH VICTOR FOR A JOG-A-THON,
AND, OH, THIS IS GONNA BE GREAT.
POKER WITH YOUR BROTHERS TOMORROW NIGHT.
- YOU DON'T HAVE TO GO TO THAT.
- I DON'T HAVE TO GO? THAT'S NOT GONNA BE A BIG ISSUE.
THE BRAVERMAN HOTLINE WON'T BE
RINGING OFF THE HOOK OR ANYTHING LIKE THAT.
WE GOT ENOUGH RUMORS FLYING AROUND.
I DON'T KNOW, JULIA.
I DON'T KNOW WHAT WE'RE DOING WITH OUR LIVES.
I'VE JUST GOT TO...
[sighs] JUST GOTTA GET ON WITH MINE.
- GOSH, YOU'RE UP EARLY.
- [chuckles] IT'S 10:00.
- RIGHT. WELL, OKAY.
SO WHAT ARE WE GONNA DO TODAY?
- OH, UH, THIS GAL I MET ON THE TRIP,
SHE PINGED ME.
SHE'S AT MOMA FOR THE LUCIAN FREUD EXHIBIT.
I KNOW IT'S BAD TIMING, BUT SHE'S ONLY HERE
FOR THE ONE NIGHT AND I WANTED TO SEE THE SHOW ANYWAY, SO,
YOU KNOW, IF IT'S OKAY WITH YOU...
- YEAH, YEAH, SURE, WELL, I GOT STUFF TO DO AROUND HERE.
IT'S OKAY, YEAH.
- WELL, I'LL BE HOME WAY BEFORE DINNER.
I'LL FIX US SOMETHING LOVELY.
- OKAY, WELL, HAVE FUN. - OKAY.
THANKS FOR UNDERSTANDING.
- YEAH. - ALL RIGHT.
SEE YA. BUONGIORNO.
- SO, YOU KNOW, I'VE BEEN THAT WAY
JUST FOR AS LONG AS MY EARLIEST MEMORY.
FIVE, SIX, WHATEVER IT WAS.
I JUST KIND OF DECIDED
VEGETABLES HAD TO BE ON THE LEFT SIDE OF THE PLATE
AND THINGS HAD TO BE JUST A CERTAIN WAY
OR I JUST COMPLETELY FREAKED OUT.
BUT I GOT BETTER, THOUGH. OVER THE YEARS,
I GOT BETTER.
I MEAN, STILL,
I BASICALLY HAVE TWO GEARS.
I COMPLETELY SHUT DOWN OR I GO FOR IT.
TENACIOUS WAS THE WORD THAT MY EX-WIFE USED
TO DESCRIBE ME WHEN WE WERE MARRIED.
LATER IT WAS "BULLDOG."
OR "BULLY."
OR SOMETHING WORSE THAN THAT, YOU KNOW,
BUT, HEY, I'M SURE A LOT OF PEOPLE
WOULD DESCRIBE THEIR EXES LIKE THAT.
- [chuckles] YES, THEY WOULD. - YEAH.
BUT ANYWAY, SO I WAS READING A BOOK THAT ADAM GAVE ME
ON ASPERGER'S, AND SOMETHING CLICKED.
- HMM.
- YEAH, I MEAN, I DON'T WANT TO HAVE ASPERGER'S.
YOU KNOW, COME ON, IT'S JUST...
ANYWAY, SO I TOOK THE TEST. I TOOK THE TEST ONLINE.
- OH, YOU DIDN'T SAY YOU TOOK THE TEST.
HOW DID YOU SCORE?
- YEAH, I DIDN'T TELL YOU THAT? YEAH, I DID.
I SCORED, UH, HIGH. 40...
2.
42-ISH, YOU KNOW. SOMETHING LIKE THAT.
BUT IT'S AN ONLINE TEST. HOW ACCURATE CAN THAT BE?
- IT CAN BE PRETTY ACCURATE.
HOW DO YOU THINK THAT THESE BEHAVIORS
AFFECT OTHER PARTS OF YOUR LIFE,
BESIDES THE RELATIONSHIP WITH YOUR EX-WIFE?
- WELL, I HAVE A VERY SUCCESSFUL BUSINESS, I-I...
I HAD TO DOWNSIZE LAST YEAR.
THAT'S BECAUSE I MOVED TO MINNESOTA, THOUGH,
TO BE WITH MY DAUGHTER. - MM-HMM.
- YEAH, I MEAN, IT DIDN'T WORK OUT.
EH...
I GUESS, UH, I GUESS...
THINGS COULD BE BETTER
WITH RUBY, MY DAUGHTER.
I GUESS I WANT TO KNOW IF THERE'S A REASON
WHY I'VE BEEN BLOWING IT
WITH THE PEOPLE THAT I JUST
CARE ABOUT THE MOST IN MY LIFE.
YOU KNOW? IF I KNOW, THEN MAYBE...
MAYBE I CAN STOP BLOWING IT.
YOU KNOW? MAYBE I CAN CHANGE.
- WELL... ASPERGER'S IS NEUROLOGICAL.
AND SOMETIMES KNOWING THAT YOU HAVE IT CAN NOT ONLY
BE A RELIEF BUT A PATH TO ACQUIRING TOOLS
FOR HEALTHIER SOCIAL RELATIONSHIPS MOVING FORWARD.
- WHAT ARE YOU SAYING, THEN? YOU'RE SAYING THAT I DO HAVE IT.
- IT'S IMPOSSIBLE TO KNOW IN AN HOUR.
I'D NEED TO SPEND MORE TIME WITH YOU,
I'D HAVE YOU TAKE SOME TESTS.
- LOOK, I KNOW, I KNOW, YOU GOT YOUR METHODS AND ALL,
BUT I'M NOT GONNA SPEND THOUSANDS OF DOLLARS.
I'M JUST--CAN'T YOU JUST--
JUST BALLPARK IT FOR ME, YOU KNOW, GIVE ME--
WHAT'S YOUR GUT ON THIS?
- MY GUT... [exhales]
IS THAT IT'S A JUMP BALL.
THE SPECTRUM IS VERY WIDE.
I CAN'T TELL YOU THAT YOU DEFINITELY HAVE ASPERGER'S.
- I GOT IT. I KNOW, I KNOW.
I KNOW WHAT JUMP BALL MEANS.
YOU KNOW, NOT THAT ASPERGER'S-Y.
YEAH. I GET IT.
CAN'T TELL ME THAT I DO,
AND YOU CAN'T TELL ME THAT I DON'T.
- DREW.
DREW, HOLD UP. - HEY.
- YOU'RE, LIKE, RUNNING. - NO, I'M NOT.
- AWAY FROM ME. YES, YOU ARE.
ARE YOU KIDDING?
THE PROFESSOR DIDN'T EVEN FINISH GIVING US DETAILS FOR TONIGHT
AND YOU'RE, LIKE, HALFWAY OUT THE DOOR.
- I LEFT MY NOTES IN-- - HIGH SCHOOL GIRLFRIEND?
IN YOUR DORM ROOM?
LOOK, I TOLD YOU I DIDN'T WANT A RELATIONSHIP.
YOU DON'T HAVE TO BE AWKWARD AROUND ME.
- [chuckles] I'M NOT AWKWARD AROUND YOU.
- OKAY, FINE. 'CAUSE I MISS YOU.
- I MISS YOU TOO.
- UM, SO I'LL MEET YOU TONIGHT AT 9:00?
FOR THE BUS.
GRIZZLY PEAK. ARE YOU DOING THIS HIKE TONIGHT?
- OH, I HAVEN'T DECI-- IS THAT MANDATORY?
- NO, BUT DREW, COME ON. WE'RE TAKING ASTRONOMY.
THE EARTH IS, LIKE, INTERSECTING WITH A COMET TONIGHT.
- YEAH.
- YEAH, I DON'T REALLY KNOW WHAT THAT MEANS.
I'M REALLY BAD AT SCIENCE. - YEAH, ME NEITHER.
I'M GLAD TO HEAR YOU DON'T EITHER.
- YEAH, WELL, THERE'S GONNA BE AN AWESOME METEOR SHOWER.
I'VE NEVER SEEN ONE.
HAVE YOU?
- NO. THEY HAPPEN EVERY YEAR, THOUGH.
- OKAY.
NO, THAT'S COOL.
JUST GO DO LAUNDRY WITH YOUR HIGH SCHOOL GIRLFRIEND.
I GET IT. - [sighs]
- YEAH, BERTO MENTIONED THE WHOLE LAUNDRY THING.
IT'S PRECIOUS, THOUGH. - YEAH, SOUNDS LIKE IT.
HE'S NOT VERY LOYAL, BUT-- - NO, HE'S JUST IN COLLEGE.
SO ARE YOU.
COME ON, MAN.
- YOU INVITED HANK.
- YES. - SARAH'S EX-BOYFRIEND HANK.
HANK-HANK. - YEAH. WHAT?
WE'RE ALWAYS LOOKING FOR GUYS TO INVITE TO THE POKER GAME.
- YEAH, NORMAL GUYS.
- WHAT IS THAT SUPPOSED TO MEAN?
- LOOK, I LIKE HANK, DON'T PAINT ME OUT
TO BE A BAD GUY FOR STATING THE OBVIOUS.
- WHICH IS WHAT?
- THAT HE IS A LITTLE WEIRD.
HE DOESN'T MAKE EYE CONTACT, HE MUMBLES,
HE IS NOT A GOOD CONVERSATIONALIST.
MINIMALLY, WE CAN AGREE ON THAT.
- WELL, NOT EVERYBODY IS A MASTER
OF SOCIAL INTERACTION, CROSBY.
- OKAY, I'M NOT ASKING THAT HE BE A MASTER
OF SOCIAL INTERACTION, I'M JUST SAYING HE COULD BE...
NOT A FREAK AND WE COULD MAYBE ALL HAVE SOME BEERS
AND SOME CIGARS... - LOOK, CROSBY, I INVITED HIM.
- JOKE ABOUT SEX... - YOU INVITE GUYS ALL THE TIME.
- YES, I INVITE GUYS WHO GET IT.
- HE GETS IT. HE PLAYS POKER. HE'S COMING. THAT'S IT.
DEAL WITH IT.
- WHOA, HEY, WHAT ARE YOU SO REVVED UP ABOUT?
- HE HAS BEEN A GODSEND FOR MAX,
AND I THINK THAT YOU COULD BE A LITTLE NICER
ABOUT INCLUDING SOMEBODY WHO MIGHT BE SLIGHTLY DIFFERENT.
THAT'S ALL. THAT'S MY PROBLEM.
[Cowboy Junkies' Lost My Driving Wheel]
- ♪ I FEEL LIKE SOME OLD ENGINE ♪
♪ THAT'S LOST MY DRIVING WHEEL ♪
[turns up volume]
♪ FEEL LIKE SOME OLD
♪ ENGINE
♪ THAT'S LOST
♪ MY DRIVING WHEEL
♪ SOME OLD
♪ ENGINE
♪ THAT'S LOST
♪ MY DRIVING WHEEL
[low conversation]
♪ I FEEL LIKE SOME OLD ENGINE ♪
♪ THAT'S LOST
♪ MY DRIVING WHEEL
[door closes]
- ZEEK?
- YEAH. - HONEY, I'M BACK.
- I'M IN HERE. HEY.
- OH, I AM SO SORRY THAT I'M SO LATE.
THE B.A.R.T. WAS ALL MESSED UP.
- NO, THAT'S ALL RIGHT. THAT'S ALL RIGHT.
DID YOU HAVE FUN?
- OH...
LUCIAN FREUD IS JUST AMAZING.
- HMM. - HIS PAINTINGS,
THEY'RE JUST SO RICH AND LAYERED,
VISCERAL, EROTIC.
YOU'D REALLY LOVE HIM. - HMM.
- OH, SHOOT.
I DIDN'T REALIZE WE DON'T HAVE ANY FOOD.
- YEAH. WELL, THAT'S OKAY, MILLIE.
- WELL, I COULD THROW SOMETHING TOGETHER.
MAYBE SOME TUNA FISH? - NO, HONEY, SWEETHEART.
WE'RE GOING OUT TONIGHT.
I'M TAKING YOU TO DINNER.
I MADE A RESERVATION AT TIVOLI'S.
- TIVOLI'S. - MM-HMM.
- IT'S MOLTO COSTOSO. VERY EXPENSIVE.
- YEAH. AND IT'S ITALIAN.
JUST YOU AND ME. AND I INSIST.
- OKAY.
- YOU CAN USE MY I.D. CARD JUST TO SWIPE IN AND OUT OF THE DORM.
- OKAY.
- AND THEN IF THERE'S ANY PROBLEM
JUST CALL BERTO, AND HE CAN SIGN YOU IN AS A GUEST.
OH, WAIT, ALSO YOU CAN...
UM, YEAH, YOU CAN GET BREAKFAST WITH THIS.
YOU JUST SCAN IT AT THE DINING HALL.
- OKAY, OR I HAVE SOME MONEY,
SO I CAN JUST GET A BAGEL OR WHATEVER.
WHAT TIME ARE YOU GETTING BACK?
- WELL, WE'RE WATCHING THE METEOR,
SO WE'RE JUST GONNA STAY IN A HOTEL.
'CAUSE IT'S LATE.
- OH, YOU'RE NOT COMING BACK UNTIL TOMORROW?
- YEAH, NO.
WHAT? WHAT'S WRONG?
AMY, I'M...
I'M WORRIED ABOUT YOU, YOU KNOW?
YOU'VE BEEN MISSING A LOT OF CLASS.
- I CAN'T GO BACK.
- TO TUFTS?
WHAT DO YOU MEAN? - I HATE IT THERE.
I MEAN, THE GIRLS ARE SNOBBY AND COLD,
AND THE WEATHER'S DEPRESSING, AND EVERYONE IS SO SMART.
- SO ARE YOU. - YEAH, WELL, NOT LIKE THEM.
AND MY ROOMMATE IS AWFUL TO ME.
- THE ROOMMATE THING IS DIFFICULT.
I UNDERSTAND. I MEAN, LOOK AT THAT POSTER.
- AT LEAST YOURS TALKS TO YOU.
MINE DOESN'T EVEN SAY HELLO TO ME.
SHE ACTS LIKE I DON'T EXIST.
- SWITCH ROOMMATES.
- YOU DON'T UNDERSTAND.
- WHAT?
- I STARTED TO FEEL ALONE, LIKE...
LIKE SCARY ALONE.
- SO YOU'RE NOT GONNA GO BACK?
- I CAN'T. I CAN'T GO BACK.
'CAUSE THE ONE THING THAT GOT ME OUT OF THAT SCARY ALONE PLACE
WAS YOU.
YOU'RE THE ONLY THING THAT MAKES SENSE TO ME RIGHT NOW.
YOU'RE KIND OF ALL I HAVE.
[knock on door]
- HI! WHAT A SURPRISE. HI!
- HI. - WHAT'S GOING ON?
- UM... - UH-OH.
- I HAD A FRIEND...
A FRIEND.
BUT HE KISSED ME.
AND-- - WAIT, HE KISSED YOU?
- HE KISSED ME.
- AND YOU DIDN'T KISS HIM BACK?
- I DON'T--
I PROBABLY SHOULD'VE PULLED AWAY
A HALF A SECOND EARLIER... THAN I DID.
BUT I C--
IT'S N--IT'S--WE'RE NOT EVEN FRIENDS ANYMORE, YOU KNOW?
IT WAS JUST, LIKE, A...
AND THEN I THOUGHT THAT I SHOULD TELL JOEL.
BUT THEN WHEN I TOLD HIM, HE DIDN'T COME HOME.
HE SLEPT AT WORK IS WHAT HE SAID.
- FOR HOW LONG? - JUST FOR ONE NIGHT, BUT...
I DON'T KNOW, HIS BOSS IS ALSO--
I DON'T KNOW, IF YOU MET HER OR SAW HER...
- DO YOU THINK THERE'S SOMETHING GOING ON?
- I DON'T--
I HOPE...
NOT, BUT HIS REACTION WAS SO...
DRAMATIC TO MINE THAT I DON'T KNOW
IF HE'S TRYING TO JUSTIFY SOMETHING ON HIS END.
- I THINK THAT MIGHT'VE JUST BEEN A SHOCK
THAT YOU LET A HALF A SECOND TOO LONG GO BY,
BUT I DON'T THINK THAT IT'S IRREPARABLE.
I THINK HE SOUNDS LIKE HE GOT REALLY MAD, AND...
- YEAH. - THAT MAKES SENSE.
AND HE NEEDED SOME TIME AWAY, AND THAT MAKES SENSE.
- I HOPE YOU'RE RIGHT. THAT'S--
THAT'S WHAT I'M HOPING. I JUST--
- JULIA, PEOPLE HAVE THEIR UPS AND DOWNS AND MAKE MISTAKES,
AND I JUST CAN'T IMAGINE THAT JOEL WON'T
FORGIVE YOU AND UNDERSTAND.
ALL YOU HAVE IS NOT GONNA GO AWAY BECAUSE OF HALF A SECOND.
- YEAH. I REALLY HOPE YOU'RE RIGHT.
I'M GLAD TO HEAR YOU SAY THAT.
I JUST DON'T WANT HIM TO LEAVE ME.
YOU KNOW? - WHO'S GONNA LEAVE YOU?
NOBODY'S GONNA LEAVE YOU.
- OKAY, OKAY. THANK YOU. - NO.
- GIMME A HUG.
- YOU JUST MADE A LITTLE MISTAKE, THAT'S ALL.
- YEAH. THANK YOU.
[blues music playing, background chatter]
♪
- NOW, UH...[clears throat] YOU BEEN OVER TO DONNIE'S?
- NO, I HAVEN'T BEEN OVER TO DONNIE'S.
I HAVEN'T BEEN ANYWHERE,
AS I'VE TOLD YOU THE LAST 47 TIMES.
JUST GOT HERE A COUPLE HOURS AGO, SO...
- [chuckles]
YEAH, WELL, YOU GOTTA GO OVER TO DONNIE'S.
THEY GET GREAT BANDS
AND THEY GOT A MECHANICAL BULL.
- OH, MY GOSH. - [laughs] YEAH.
'CAUSE YOU AND ME, YOU KNOW, WE COULD GO OVER THERE
AND DANCE AND RIDE THE BULL. - MM. YOU KNOW WHAT?
I THINK A MOVE IS A GOOD IDEA.
IN FACT, I THINK I'M GONNA MOVE DOWN TO THIS END OF THE BAR.
AND YOU CAN STAY HERE... - JASON.
[both chuckle]
IT'S BEEN SO NICE.
YOU JUST HAVE THE BEST LIFE, OKAY?
- COME ON, NOW.
IT SEEMS LIKE I BOUGHT YOU THREE DRINKS.
- OH, YOU BOUGHT ME THREE DRINKS?
SO YOU THINK I'M GONNA HAVE SEX WITH YOU?
WOW.
DO YOU THINK I OWE YOU SOMETHING?
- NO.
- THINK WE'RE GONNA FALL IN LOVE TONIGHT?
- ALL I'M SAYING IS I THINK WE'RE GETTING ALONG, YOU KNOW?
- THINK WE'RE GETTING ALONG? THIS IS WHAT GETTING ALONG IS?
I THOUGHT IT WAS MORE LIKE I'VE JUST BEEN SITTING HERE
LETTING YOU TALK AT ME AND SAY A BUNCH OF STUPID CRAP
THAT I DON'T CARE ABOUT FOR, LIKE, TWO HOURS.
THAT'S SORT OF WHAT I'M GETTING FROM THIS WHOLE SCENARIO.
- YOU KNOW WHAT? YOU'RE A LITTLE BITCH, AREN'T YOU?
- I'M A LITTLE BITCH? I'M A LITTLE BITCH?
- YEAH. - I'M A LITTLE BITCH?
- WHOA, WHOA, WHOA, WHOA, WHOA! - WHAT THE HELL?
- WHAT NOW, JASON? - WHOA, CALM DOWN!
- LOOKS LIKE YOU'RE THE BITCH NOW, DOESN'T IT?
- JASON, CALM DOWN. - THROW HER OUTTA HERE.
- YEAH, JASON, CALM DOWN. - AND YOU--I THINK IT'S TIME
FOR YOU TO GO. - IT'S NOT MY FAULT.
I'M NOT THE ONE WHO'S HARASSING EVERYBODY AT THE BAR!
- AMBER!
- YOU KNOW THIS GIRL?
- YEAH, HE KNOWS ME.
IT'S ALL RIGHT, GUYS. I'M GONNA GO.
YOU GUYS HAVE A REALLY GOOD NIGHT.
SHOULDN'T BE HERE ANYWAY.
HEY, TAKE HER EASY, WOULD YOU, JASON?
GOOD LUCK, MAN.
[sobbing]
- HEY, AMBER. - JUST LEAVE ME ALONE!
- WHAT IS GOING ON?
- I'M TRYING TO JUST GET TO MY CAR.
JUST WANNA GO HOME.
- YOU'RE NOT DRIVING. YOU'RE DRUNK.
- I'M FINE! I'M NOT DRUNK! JUST STOP!
I'M TRYING TO JUST GO HOME. - GIMME THE KEYS.
- STOP IT! YOU DON'T KNOW
ABOUT DRINKING AND DRIVING, YOU STUPID ASSHOLE!
- LOOK, NO MATTER WHAT YOU THINK ABOUT ME AS A FATHER,
I AM NOT GONNA LET YOU DRIVE DRUNK.
- STOP IT! IT'S REALLY IRONIC THAT
YOU'RE TRYING TO TALK TO ME ABOUT DRINKING AND DRIVING.
JUST BACK OFF, OKAY,
JUST YOU AND YOUR STUPID-ASS MOVEMENTS ABOUT BEING A FATHER.
ALL OF A SUDDEN YOU WANT TO TAKE CARE OF ME!
YOU DON'T KNOW ANYTHING ABOUT ME, MAN!
JUST--JUST BACK OFF!
SCREW YOU!
YOU DON'T KNOW ANYTHING.
THIS IS YOUR FAULT ANYWAY!
- MY FAULT? HOW IS IT MY FAULT?
I DON'T EVEN KNOW WHAT THE HELL'S GOING ON!
- IT'S YOUR FAULT! OKAY? BECAUSE MY FIANCE LEFT ME!
AND I LOVED HIM, AND NOW HE'S GONE, OKAY?
- SO YOU'RE MAD AT ME BECAUSE YOU THINK
YOU'RE GONNA MARRY SOMEBODY LIKE ME, RIGHT?
- NO. NO, THAT'S NOT WHY!
- WHY? - IT'S BECAUSE--BECAUSE YOU'RE--
BECAUSE I'M AFRAID I'M--
I'M LIKE YOU!
I'M AFRAID I'M EXACTLY LIKE YOU,
IN THE MIDDLE OF NOWHERE AT SOME STUPID BAR.
[sobbing]
- I WAS STANDING IN THE PALAZZO COMUNALE
IN MONTEPULCIANO WHEN IT HIT ME...
THE GRANDIOSITY OF THE WORLD.
ITS SHEER BEAUTY...
MAGNITUDE... HOW LITTLE I KNOW OF IT.
HOW MUCH I WANT TO KNOW.
- YEAH, I DON'T--IT'S KIND OF A CRAPSHOOT, THOUGH, ISN'T IT?
I MEAN, YOU'RE STANDING THERE IN ALL THESE BEAUTIFUL PLACES,
AND THEN AT THE SAME TIME,
YOU'RE MISSING AMBER'S BREAKUP
AND, YOU KNOW, KRISTINA'S ELECTION THING.
- WELL, THAT'S TRUE.
HOW'D SHE TAKE IT?
HOW'D SHE TAKE THE LOSS?
- WELL, SHE WAS BEAUTIFUL. I MEAN, SHE...
SHE JUST HANDLED IT WITH GRACE.
- OF COURSE.
- I MEAN, SHE'S GONNA DO SOMETHING.
- YEAH, I THINK YOU'RE RIGHT.
AND THAT'S THE OTHER THING ABOUT GOING AWAY.
YOU REALIZE THAT LIFE JUST GOES ON WITHOUT YOU,
YOU'RE NOT REALLY NEEDED.
- OH, COME ON.
HONEY, YOU ARE SO NEEDED. - YEAH, WELL...
- NO, I DON'T MEAN IT IN A BAD WAY, IT'S...
IT'S LIBERATING. MEANS I CAN GO AWAY AGAIN.
- AGAIN? YOU'RE GONNA--
YOU'RE GOING AWAY AGAIN?
- WELL, THE CLASS IS TAKING A TRIP TO FRANCE
IN THREE MONTHS IN APRIL.
- THREE MONTHS?
- [sighs] I KNOW THIS IS A BIG CHANGE FOR US.
AND I UNDERSTAND WHY YOU DON'T WANT TO SELL THE HOUSE.
I REALLY DO.
BUT I'M NOT READY TO GIVE UP MY DREAM.
I'M JUST NOT.
BECAUSE IT'S MY DREAM.
AND, UM, I THOUGHT ABOUT IT A LOT WHEN I WAS AWAY,
AND I FIGURED OUT THAT IF I WORK AT THE STUDIO PART TIME,
I COULD PROBABLY MAKE ABOUT $300 A WEEK,
WHICH MEANS AT THE END OF THREE MONTHS I WOULD HAVE
ENOUGH TO COVER MOST OF THE COST OF THE TRIP.
- WELL, THAT--THAT IS--
OKAY. WELL, YOU GOT IT ALL FIGURED OUT.
AND THAT'S GOOD.
- YEAH.
[dinner music playing]
♪
[phone ringing]
- [sighs]
SETH. - HEY.
I'M JUST CALLING BECAUSE I THOUGHT
YOU NEEDED TO KNOW THAT AMBER'S UP HERE WITH ME.
- WHAT? WHAT IS SHE DOING THERE?
- OH, GETTING OUT SOME ANGER AT HER OLD MAN.
- WELL, SHE HAD A BAD BREAKUP.
- YEAH, SHE MENTIONED THAT. - OKAY, I'LL--I'M ON THE WAY.
- NO, NO, NO, YOU DON'T HAVE TO DO THAT.
SHE'S--SHE'S SLEEPING.
SHE WAS DEFINITELY UPSET WHEN SHE GOT HERE,
BUT SHE'S OKAY NOW.
- SETH, HOW DID SHE EVEN KNOW WHERE YOU ARE?
I DON'T HAVE YOUR ADDRESS.
- SHE JUST SHOWED UP AT MY WORK.
LISTEN, I KNOW...
MY TRACK RECORD ISN'T EXACTLY STELLAR,
AND I DON'T DESERVE THIS OPPORTUNITY,
BUT I'D LIKE TO TRY.
- TRY WHAT?
- BE HER DAD.
- YEAH.
DEFINITELY.
JUST TELL HER TO CALL ME, OKAY? AND YOU CALL ME.
CALL ME TOMORROW AND TELL ME WHAT'S GOING ON.
- OF COURSE I WILL.
- CALL ME TOMORROW, SETH.
- HEY, SARAH, THANK YOU.
BYE.
- ALL RIGHT, BOYS, WHAT DO YOU SAY WE CHANGE THE GAME
TO SPICE THINGS UP A LITTLE BIT, HUH?
- PLEASE, SPICE IT UP.
- THE SPICE IS JUST FINE FOR ME. I GOTTA BE HONEST WITH YOU.
- MT. EVEREST OVER HERE
WANTS TO KEEP THINGS JUST HOW THEY WERE.
- DEUCES AND 5s ARE WILD. - OOH! DIRTY DUCK 25.
YES, PLEASE. - DIRTY DUCK 25.
- WE'RE GONNA PLAY WILD CARDS?
WE'RE NOT PLAYING WILD CARDS, RIGHT?
- DEALER'S CHOICE. IT'S HOUSE RULES.
- YEAH, BUT THIS IS A REAL GAME, THOUGH.
WE'RE PLAYING A REAL GAME HERE, RIGHT?
- WELL, YOU KNOW, WE LIKE TO LOOSEN IT UP
TOWARDS THE END OF THE NIGHT.
- WILD CARDS, THOUGH? YEAH? - YEAH. DUCK, DUCK 25.
- [sighs]
- IF HE CALLS DEUCES AND 5s WILD,
DEUCES AND 5s ARE WILD. - MM-HMM.
- DOUBLE-D 25. - WHAT ABOUT YOU?
SERIOUSLY, I KNOW, LOOK, I CALLED YOU A DONKEY BEFORE.
I APOLOGIZE FOR THAT
'CAUSE YOU'RE OBVIOUSLY A SERIOUS PLAYER.
YOU WANT TO PLAY WILD CARDS? - I HONESTLY DON'T CARE.
SORRY. - WELL, EVERYBODY SHOULD HAVE--
SHOULD HAVE A VOTE OR SOMETHING, RIGHT?
- HANK, WHY DON'T YOU LET IT GO?
- OKAY, OKAY, YOU KNOW WHAT?
EVERYBODY'S ENTITLED TO THEIR OPINION, BUT DEALER'S CHOICE--
- JUST DEAL THE CARDS. JUST-- - WE'RE GOOD WITH WILDS.
- IT'S A GAME MY DAUGHTER COULD PLAY,
BUT HOW COULD YOU NOT CARE? - I GUESS I JUST DON'T.
- OKAY, LET'S PLAY, LET'S PLAY, LET'S PLAY. HERE WE GO.
- I'M GONNA SIT THIS ONE OUT. I'M GONNA SIT IT OUT.
- WHAT DO YOU MEAN YOU'RE GONNA SIT THIS OUT?
- I'M GONNA SIT IT OUT TOO. - NO, NO, HEY, HEY.
JOEL, DON'T SIT OUT.
YOU SIT OUT JUST 'CAUSE HE'S SITTING OUT?
- JUST LET HIM SIT OUT. JUST LET HIM SIT OUT.
SOMETIMES A GUY NEEDS TO TAKE A BREAK.
- NO, SOMETIMES A GUY SHOULDN'T TAKE A BREAK.
IF A GUY-- IF THE GOING GETS TOUGH,
THAT'S THE TIME TO DOUBLE DOWN...
- OH, PLEASE. - AND YOU STAY IN IT.
'CAUSE THAT'S WHEN YOU WIN. OTHERWISE YOU LOSE YOUR SHIRT.
- NEVER DOUBLE DOWN WITH WILD CARDS.
- I DON'T NEED A SPEECH. I DON'T NEED A SPEECH, THANK YOU.
I JUST--I DON'T NEED THAT. UM...
I DON'T KNOW WHAT THE HELL I'M DOING HERE.
SORRY, GUYS.
- JOEL.
- NOBODY LIKES WILDS.
- YOU KNOW WHAT, I'M OUTTA HERE TOO.
THIS IS RIDICULOUS. I DON'T NEED THIS EITHER.
- LET'S JUST TAKE A BREAK. - ALL RIGHT, WE'LL SEE YA.
- WE CAN PLAY FOUR.
- CROSBY, YOU WANT TO GO TO CHEETAH'S?
- I WOULD LOVE TO GO TO CHEETAH'S,
BUT I'VE GOT A BABY THAT'S GONNA WAKE UP IN FIVE HOURS, SO...
- ALL RIGHT, ANYONE ELSE?
THEY GOT TWO-FOR-ONE WELL DRINKS TONIGHT.
- I'M NOT GONNA GO. SAY HELLO TO PEPPERMINT, THOUGH.
- GUYS, I'M GONNA GO TOO, MAN. YEAH, KIDS, YOU KNOW.
MIGHT AS WELL CALL IT A NIGHT.
- OH, MY GOD, THIS IS PATHETIC.
I AM NEVER, EVER HAVING KIDS. M'KAY?
- GUYS, WE CAN STILL PLAY. JUST TAKE A BREAK.
- GAME'S OVER. THROW IN THE TOWEL.
[music end notes]
♪
[door slams]
- THAT'S WHERE YOU HUNG IT, HUH?
- YEAH. LOOKS GOOD THERE, RIGHT?
- BE BETTER OVER THERE.
PEOPLE SEE IT AS SOON AS THEY'D COME IN THEN.
- WHAT, RIGHT THERE? WELL, THAT'S--
WE GOT THE JANIS THERE ALREADY. - YEAH...
BUT THE JANIS LOOKS LIKE SOME KID AT A CONCERT TOOK IT.
- RIGHT, WELL, YOU KNOW WHAT, WE CAN SWITCH 'EM.
CROSBY'S REAL FOND OF THAT JANIS PORTRAIT, BUT...
- YEAH. - IT'S ALL GOOD.
- YOU KNOW WHAT, APOLOGIZE TO HIM, REALLY, FOR ME.
I DIDN'T MEAN TO RUIN THE GAME. - YOU DIDN'T RUIN THE GAME.
- YOUR BROTHER-IN-LAW TOO. APOLOGIZE ABOUT THE WILDS.
I GOT A LITTLE BIT TENACIOUS THERE.
BUT WILDS, WHY? I MEAN,
IT TAKES STRATEGY OUT OF THE GAME.
WHAT ARE WE HERE FOR, YOU KNOW?
- AND IT WASN'T ABOUT THE WILDS.
MY BROTHER-IN-LAW HAS SOME OTHER STUFF GOING ON.
SO DON'T WORRY ABOUT IT. IT WASN'T YOU.
- YOU LIKE CUBANOS?
- WHAT, CIGARS?
- YEAH. - YEAH.
- DIDN'T MENTION THESE BEFORE, 'CAUSE I ONLY BROUGHT TWO.
- SECRET STASH. THANK YOU VERY MUCH.
- GOT THOSE FROM A GUY WHO OWNS AN ALLIGATOR.
WAIT A MINUTE, DON'T-- LET ME CLIP IT.
LISTEN...
REMEMBER THE OTHER DAY I CAME BY FOR DR. PELIKAN'S NUMBER?
- YEAH, FOR THE OTHER THING. [cigar cutter clicks]
- YEAH, THE OTHER THING.
THE OTHER THING IS ME.
- WHAT? YOU?
- YEAH. YEAH.
I'VE BEEN THINKING THAT MAYBE I MIGHT HAVE
SOME OF THOSE ASPERGER'S QUALITIES.
YOU DIDN'T NOTICE ANYTHING?
- NO, UH-UH. NOT AT ALL.
I MEAN, MAYBE A LITTLE BIT WITH THE WILD CARD THING.
- I'M KIDDING. SO WHAT DID DR. PELIKAN HAVE TO SAY?
- JUMP BALL.
COULD HAVE IT, COULD NOT.
- HMM.
- JUMP BALL.
[Laura Marling's When You Were Happy]
♪
- ♪ HEY, THERE, NEW FRIEND ACROSS THE SEA ♪
♪ IF YOU FIGURE THINGS OUT, WOULD YOU FIGURE IN ME ♪
♪
♪ WOULDN'T IT BE A THING TO LIVE SOMEWHERE ♪
♪ QUIETLY WHERE THERE'S A BREEZE ♪
♪ AND THERE'S A REASON FOR US TO BE ♪
♪
- HEY. DID YOU FORGET SOMETHING?
- YES. - [giggles]
- ♪ HEY THERE
♪ NEW FRIEND
♪ HMM, ACROSS THE SEA, IF YOU FIGURE THINGS OUT ♪
♪ WOULD YOU FIGURE IN ME
♪
♪ I FIND
♪ THE MORE I
♪ THINK, THE HARDER IT IS FOR ME TO BREATHE ♪
♪
♪ WHEN WERE
♪ WE HAPPY
♪ AND HOW LONG
♪ HAS THAT BEEN
♪
- I'M MOVING OUT, JULIA.
- JOEL, PLEASE.
- I'LL START LOOKING FOR A PLACE TOMORROW.
- [groans] OHH...
THANKS FOR LETTING ME STAY HERE.
- SURE.
- ♪ THERE IS SOMEBODY I'M LONGING TO SEE ♪
- LOOK, ABOUT LAST NIGHT...
I JUST--I SAID SOME STUFF...
- ♪ SOMEONE WHO'LL WATCH
- I'M JUST SORRY.
- ♪ OVER ME
- REALLY...
I REALLY GOTTA STOP BEING SO MAD AT YOU.
I GOTTA LET IT GO.
- ♪ OH, HE MAY NOT BE A GUY ♪
- WELL, YOU GOT A LOT OFF YOUR CHEST,
AND THEY SAY THAT HELPS.
YOU KNOW, FOR THE RECORD, YOU-- [clears throat]
YOU'RE NOT LIKE ME.
IF YOU WERE, YOU WOULDN'T STILL BE HERE.
YOU'D OF LEFT WITHOUT SAYING GOOD-BYE.
YOU COULD NEVER BE ME.
- ♪ WON'T YOU TELL HIM, PLEASE ♪
- 'CAUSE YOU GOT YOUR MOTHER IN YOU.
- ♪ TO PUT ON SOME SPEED
♪ FOLLOW MY LEAD
♪ 'CAUSE, OH, HOW I NEED
- MM. THESE ARE REALLY GOOD.
- [chuckles]
THAT'S BISQUICK. YOU MUST STILL BE DRUNK.
[both laugh]
- I WOULDN'T BE SURPRISED.
- ♪ OVER ME
[end chords]