- YOU GOT A TEXT FROM ED BROOKS.
YOU GUYS HAVE BEEN TEXTING EACH OTHER A LOT LATELY.
- I NEED YOU TO STOP CALLING ME. IT'S NOT FAIR TO JOEL.
- I LIKE HIM. I LIKE MAX.
I'M NOT SAYING HE DOESN'T HAVE HIS MOMENTS,
BUT I'M SHOWING HIM THE ROPES AND IT'S GOOD FOR HIM,
AND IT'S GOOD FOR ME.
- ARE YOU HAVING A GREAT TIME? - IT'S JUST BEEN AMAZING.
- I MISS YOU. - GOT TO GO.
- WE CAN'T SLEEP TOGETHER AGAIN, OKAY?
- OKAY.
- MAYBE WE SHOULD BE JUST FRIENDS.
- HI.
DURING THE WEEK WE HAVE CAST PARTIES
AND ON THE WEEKEND, WE-- - YOU HAVE THEM DURING THE WEEK?
- YES, DURING THE WEEK. - JEEZ.
[smacks cards] both: OH.
OH, NO! - OH, YEAH. I WON.
- WHAT? NO, BECAUSE-- - MY HAND IS UNDER YOUR HAND.
- I DON'T THINK THAT WAS WHAT-- - BECAUSE WHAT?
[knocking at the door] - OH. COME IN.
- OH, MY GOD, I GOT SO LOST ON THE BART.
IT WAS, LIKE, SUCH A DISASTER.
- HEY.
- OH. HI.
I THOUGHT YOU'D BE ALONE. - YEAH, THIS IS MY FRIEND.
- HI. - THIS IS AMY.
SHE--SHE'S IN FROM OUT OF TOWN. SHE GOES TO TUFTS, BUT--
- I'M NATALIE. NICE TO MEET YOU.
- NICE TO MEET YOU.
- UM-- - COOL, COOL.
- WE'RE JUST PLAYING CARDS, IF YOU--YOU WANT TO PLAY?
- NO, I'LL JUST-- I'LL CATCH YOU LATER.
IT WAS NICE, UH, MEETING YOU.
- BYE. - YEAH, BYE.
- BYE.
- SHE'S CUTE.
- UH-- - IS THAT YOUR GIRLFRIEND?
- NO. SHE, UM--
NO, SHE JUST LIVES DOWN THE HALL, SO--
- THAT'S CONVENIENT. [chuckles]
- SHE DOES THAT THING, THE, LIKE, DRUNKENLY DROPPING IN.
I GUESS SHE'S KIND OF KNOWN FOR THAT.
- IT'S OKAY, I'M KIDDING.
I'M JOKING. - YEAH, I KNOW. I WAS JUST--
I WAS JUST SAYING. [chuckles]
WANT TO KEEP PLAYING? - YEAH.
- ALL RIGHT. [laughs]
[doorbell dings]
- WHO IS IT? - MRS. CRABBLES.
- WHO? - CARL.
- WHO? - HA HA. DID YOU ORDER CHINESE?
- YOU CAN SMELL THAT ALL THE WAY OUT IN THE HALLWAY?
- I HAVE A VERY SENSITIVE NOSE.
HEY, WHAT ARE YOU DOING FRIDAY NIGHT?
- WHY?
- UH, I HAVE TO GO TO THIS CHARITY THING,
AND THOUGHT YOU MIGHT WANT TO GO WITH ME.
- THANK YOU, CARL, BUT I HAVE TOLD YOU THAT I WILL NOT BE--
- SLEEP WITH ME. YES, THAT CONVERSATION
HAS BEEN SEARED PERMANENTLY IN MY MEMORY.
- [chuckles] SORRY. - THIS IS NOT ABOUT THAT.
IT'S JUST A CHARITY FUNDRAISER THING.
YOU KNOW, COCKTAIL DINNER, SOME FANCY HOUSE OVER IN SEA CLIFF.
THEY SAID I HAD TO BRING A PLUS-ONE.
NOT A DATE, A PLUS-ONE,
AND YOU SEEM LIKE THE TYPE OF PLUS-ONE
WHO WOULDN'T DRINK FIVE COSMOS AND THEN HURL IN THE SHOWER.
- GROSS. - MM-HMM.
- IS THAT WHAT THAT LAST GIRL DID, LINCOLN?
- IT WAS THE ONE AFTER LINCOLN, ACTUALLY.
- JOHNSON?
- HEY, SEE. RIGHT THERE.
YOU JUST MADE A PRESIDENTIAL JOKE.
NOT EVERYBODY CAN DO WITTY COCKTAIL BANTER.
- HMM. - YOU SHOULD COME WITH ME.
- MM, WHAT'S IN IT FOR ME?
- WOW. UH, OKAY.
I HAVE A BUDDY IN ADVERTISING WHO HIRES PHOTOGRAPHERS.
YOU WOULD ENJOY MEETING HIM AND SOME OTHER FOLKS YOU'LL LIKE.
- OKAY.
- ALL RIGHT.
TALK LATER.
- AND WE'RE IN A BIT OF A HURRY, SO LET'S MOVE IT NOW.
- HEY, DO YOU GOT A SEC? - WE'RE NOT LATE.
- UM, IT'S NOT A GOOD TIME. - I JUST WANTED TO TALK TO YOU,
THAT'S ALL. - CAN YOU GUYS WAIT IN THE CAR
FOR JUST A SECOND? - [clears throat]
YOU'RE NOT RETURNING ANY OF MY EMAILS.
- YOU SHOULDN'T BE EMAILING ME. - I UNDERSTAND, BUT I'M JUST--
[chuckles]
I WANTED TO APOLOGIZE FOR THE OTHER DAY, THAT'S ALL.
- I'M NOT GONNA TALK ABOUT IT. - I KNOW,
BUT I'M GONNA BE AT THE AUCTION ON FRIDAY,
AND I JUST DON'T WANT IT TO BE WEIRD, OKAY?
- LISTEN, I DON'T KNOW WHAT YOU THOUGHT, BUT--
- I THOUGHT THAT I FELT SOMETHING FROM YOU.
THAT'S WHAT I THOUGHT. - I'M MARRIED.
[door opening] - HANK, I'M HERE.
- HEY. MAD MAX. WHAT'S GOING ON?
- I TOOK THE LAST THREE PICTURES THIS MORNING,
AND THEY'RE AMAZING.
WHERE'S THE STUFF? - WHAT? WHAT STUFF?
- THE STUFF TO DEVELOP IN THE DARKROOM.
YOU SAID WE'D BE DEVELOPING MY PICTURES TODAY.
- UH, YEAH, I GOT TO DO THIS RE-SHOOT.
- OF WHAT, A STUPID PURSE?
- YEAH, WELL, IT'S NOT A PURSE.
IT'S A CONVERTIBLE CROSS-BODY BAG SOMETHING, I DON'T KNOW.
- WHO CARES? - I CARE.
IT'S A BIG CLIENT, YOU KNOW? GIVE ME THAT FILTER RIGHT THERE.
- NO, YOU SAID THAT WE WOULD DEVELOP MY PHOTOS TODAY.
YOU PROMISED. - I KNOW.
LOOK, I GOT THAT, BUT THIS CAME UP, ALL RIGHT?
- NO!
- MAX, I GOT TO DO THIS.
- YOU SAID THAT WE'D DEVELOP MY PICTURES TODAY!
- I GET THAT, OKAY? THIS IS A BIG JOB--
THIS JOB PAYS FOR ME TO DEVELOP YOUR PICTURES.
- OKAY, FINE, THEN WE WILL DEVELOP MY PICTURES FIRST
LIKE THE PLAN THAT WE HAD, AND THEN YOU CAN DO YOURS.
- ALL RIGHT, MAX, LISTEN. WE'RE NOT DEVELOPING
YOUR PICTURES TODAY, OKAY? - SO GREAT, SO YOU'RE A LIAR!
- DID YOU-- - YOU LIED!
- HO, DID YOU HEAR WHAT I SAID?
WE GOT TO DO THE SHOOT. - NO, YOU PROMISED!
- MAX.
- YOU PROMISED! - HEY! OH!
- SCREW YOU, HANK! [screams]
- MAX!
COME ON, MAX!
MAX, HOLD UP!
DAMN IT.
- HEY, BUDDY. - I'M GOING UPSTAIRS!
- HONEY, WHAT--WHAT IS GOING ON? - HE'S OKAY, HE GOT A LITTLE--
- HANK IS A LIAR! - MAX, STOP IT.
- HE'S A LIAR! - MAX, DON'T CALL PEOPLE A LIAR.
MAX.
I AM SO, SO--WHAT HAPPENED? - HE GOT--YEAH.
HE GOT UPSET. HE GOT A LITTLE UPSET.
I DON'T KNOW--
- WHAT WAS THAT ALL ABOUT? - HE JUST HAD A TANTRUM.
- YEAH, HE WAS AT THE STUDIO. - UH-HUH.
- HE WANTED TO DO SOMETHING. I TOLD HIM WE COULDN'T DO IT.
WE HAD TO DO THIS OTHER THING. YOU KNOW, WE HAD A DEADLINE,
AND HE FLIPPED OUT. I DON'T--
- OKAY. - DOES THAT HAPPEN?
- YEAH, SOMETIMES. - WE'RE WORKING ON STUFF
WITH HIM. I'M SO SORRY. - HE'S GONNA BE OKAY?
- EVERYTHING IN THE STUDIO'S OKAY? YOU'RE ALL RIGHT?
- NO, I'M ALL RIGHT. YEAH, HE'S FAST THOUGH.
THAT'S A FAST KID. - IT'S NOT YOUR FAULT.
I GOT TO GO TALK TO HIM. - I'M SO SORRY, HANK. THANK YOU.
- MAX. - HE'LL BE OKAY?
- YEAH, HE'LL BE OKAY.
- OOH, MAN, HE'S FAST. SON OF A BITCH, HE'S FAST.
♪ MAY GOD BLESS AND KEEP YOU ALWAYS ♪
♪ AND MAY YOUR WISHES ALL COME TRUE ♪
♪ MAY YOU ALWAYS DO FOR OTHERS ♪
♪ AND LET OTHERS DO FOR YOU
♪ MAY YOU BUILD A LADDER TO THE STARS ♪
♪ AND CLIMB ON EVERY RUNG
♪ AND MAY YOU STAY
♪ FOREVER YOUNG
♪ MAY YOU GROW UP TO BE RIGHTEOUS ♪
♪ MAY YOU GROW UP TO BE TRUE ♪
♪ MAY YOU ALWAYS KNOW THE TRUTH ♪
♪ AND SEE THE LIGHTS SURROUNDING YOU ♪
♪ MAY YOU ALWAYS BE COURAGEOUS ♪
♪ STAND UPRIGHT AND BE STRONG ♪
♪ AND MAY YOU STAY
♪ FOREVER YOUNG
♪ MAY YOU STAY
♪ FOREVER YOUNG
- [grunting and muttering]
[grunts]
AH. OW. OH!
- ♪ BUT IF MY WORD IS TO BE TRUE ♪
- FINISHED.
- ♪ LIFE IS SOMETHING TO BEHOLD ♪
♪ YES, LIFE IS HARD
♪ COME CELEBRATE
♪ LIFE IS HARD, UH-HUH
♪ UH-HUH-HUH
- HMM.
- ♪ OUR LIFE IS ALL
- ZEEK, IT WAS SUCH A BEAUTIFUL DAY HERE TODAY.
YOU SHOULD'VE SEEN THE SUNSET LAST NIGHT.
I WISHED YOU WERE HERE.
THERE'S JUST SO MUCH THAT I WANT TO SHARE WITH YOU.
- THAT SOUNDS GREAT, MILLIE.
- HOW ARE YOU?
- ME? OH, FINE, FINE, YEAH.
- HOW'S THE OTHER WOMAN?
- UH, WELL, SHE'S DOING GOOD, YOU KNOW.
I'M WORKING ON HER ALL THE TIME, AND SLOWLY BUT SURELY--
- WELL, IT WORKED OUT THEN, DIDN'T IT?
WE'RE BOTH PURSUING OUR PASSIONS.
- YEAH, IT DID.
- LISTEN, THERE'S A GAL IN OUR GROUP
WHO'S GOT A LITTLE VILLA OUTSIDE TUSCANY,
AND SHE INVITED A FEW OF US TO COME THERE AND PAINT.
IT'S JUST A WONDERFUL OPPORTUNITY,
AND I DON'T KNOW WHEN I'D HAVE THE CHANCE AGAIN,
BUT IT WOULD MEAN EXTENDING MY TRIP A WEEK.
SO I'LL-- I'LL LET YOU THINK ABOUT IT.
- OKAY. YEAH. YEAH.
- YOU'RE SURE I CAN'T JUST WEAR JEANS?
- NO, YOU CANNOT WEAR JEANS.
- WHY DO YOU HAVE ALL THESE AWESOME DRESSES?
THIS IS AN AMAZING WARDROBE. - I THINK THAT WOULD LOOK
REALLY GOOD ON YOU. - REALLY?
- YEAH. - ALL RIGHT,
I'LL TRY THAT ONE TOO. - YEAH.
HEY, UM, WHAT'S THIS GUY'S LAST NAME AGAIN?
- FLETCHER, CARL FLETCHER. WHY?
- OKAY. - WHAT ARE YOU DOING?
- LOOKIN' HIM UP. - WHAT ARE YOU DOING?
- I'M LOOKING HIM UP. - DON'T LOOK HIM UP.
- WHY NOT? - BECAUSE
I'M SUPERSTITIOUS ABOUT THAT.
IT'S TACKY AND STALKER-Y. - [laughs]
- I'M GONNA GO TRY ON MORE DRESSES.
- IT'S $1,000 A PLATE, OKAY, SO WE HAVE TO LOOK HIM UP
AND SEE WHAT'S GOING ON WITH THIS GUY.
AND YOU SHOULD WEAR THE BLACK ONE.
IT'S GONNA LOOK AMAZING.
- I DON'T WANT TO LOOK AMAZING. - WHY NOT?
- JASMINE, IT'S NOT A DATE.
I'M JUST GOING WITH THIS GUY TO--FOR NETWORKING REASONS,
AND BECAUSE HE ASKED ME TO BE HIS PLUS-ONE,
AND I THOUGHT, YOU KNOW, "WHO CARES?"
- UH-HUH. CARL FLETCHER, RIGHT? THAT'S HIS NAME?
- YEAH.
- IS THIS HIM? - UGH. IS IT POLICE RECORDS?
CRIMES? - JUST VERIFY THAT THIS IS HIM.
IS THIS HIM? - THAT IS--I--VERIFIED, YES.
- OKAY, SO... "GLOBAL MED WORLD SERVICES
"IS AN INTERNATIONAL NONPROFIT THAT BUILDS HOSPITALS
AND CLINICS IN UNDERPRIVILEGED COUNTRIES."
- BUT HE DOESN'T HAVE ANYTHING TO DO WITH--
- WELL, YEAH, IT IS, BECAUSE HE IS THE CHAIRMAN
AND EXECUTIVE DIRECTOR OF IT. HE WENT TO DUKE,
COLUMBIA MED SCHOOL-- - NO, HE DIDN'T.
- AND HE IS BOARD CERTIFIED IN NEONATOLOGY.
- YOU'VE GOT TO BE KIDDING ME. - NO, HE--
- HE'S A DOCTOR? - AND HE SAVES BABIES.
- UH, THIS SOUNDS LIKE A MAJOR EVENING.
- IT IS, WHICH IS WHY, YOU KNOW...
- I BETTER TRY THE BLACK ONE. - YOU SHOULD WEAR THE BLACK ONE,
YEAH. YEAH. - [chuckles] GOD.
- YEAH.
- EXCUSE ME, HANK. HI. - OH, HEY. HOW'S IT GOING?
- IT'S GOING ALL RIGHT. LISTEN, I WANTED TO APOLOGIZE
TO YOU FOR MAX'S BLOWUP THE OTHER DAY.
I'M SORRY ABOUT THAT. - YEAH, NO, THAT'S OKAY.
HOW IS HE--HE'S OKAY? IS HE MAD AT ME STILL?
- YEAH. - YEAH.
- UNFORTUNATELY, MAX CAN BE KIND OF STUBBORN.
BUT YOU HANDLED THE SITUATION REALLY WELL, SO--
- YEAH, HE-- BUT HE DOES THAT, HUH?
- YEAH. - YEAH.
- HE GOT IT INTO HIS HEAD THAT YOU LIED TO HIM,
WHICH I'M SURE ISN'T TRUE, AND--
- [sighs] YEAH, NO, I-- - IT'S TYPICAL OF MAX
THAT HE CAN'T LET THINGS GO.
SO IT'S IRRATIONAL, IT'S FRUSTRATING...
- YEAH, NO, I KNOW. - BUT I JUST WANT YOU TO KNOW,
DON'T TAKE IT PERSONALLY.
- NO, I DON'T. I MEAN, YOU KNOW,
TO BE HONEST, I DID BREAK A PROMISE TO HIM, SO--
- WELL, THAT HAPPENS. - YEAH.
- AND HE NEEDS TO LEARN HOW TO DEAL WITH THAT.
- YEAH. - AND I BROUGHT YOU
THIS BOOK ON ASPERGER'S SYNDROME.
I DON'T KNOW IF YOU HAVE TIME TO READ IT,
BUT IT MIGHT HELP UNDERSTAND MAX A LITTLE BIT BETTER,
BECAUSE WE REALLY WANT THIS TO WORK OUT HERE.
I MEAN, WE LOVE THAT HE COMES HERE.
IT'S BEEN REALLY GOOD FOR HIM. - YEAH, NO, I KNOW, I KNOW.
RELAX. - OKAY.
I MEAN, I'M--I LIKE HIM. I LIKE THE KID,
SO IT'S NOT THAT COMPLICATED, REALLY.
- OKAY, GOOD. - YEAH.
IF YOU WANT TO, HOPEFULLY, IT'LL BE OF SOME HELP.
- YEAH, SURE. - THIS IS COOL.
HEY, LOOK AT THAT. LONDON PUMPS.
- YEAH. IT'S WEIRD THAT YOU KNOW THAT.
- OH. - IT'S GOT TO GO BACK, THOUGH.
- OH, YEAH. OH, BOY. - I GOTTA DO THE THING, YEAH.
- YEP, SURE. OF COURSE. - YEAH, NO, THAT'S--
- ALL RIGHT, YOU'RE WORKING. I'M GONNA GO.
- I MEAN, I JUST--I SET THAT UP. - OKAY, IF YOU HAVE TIME
FOR THE BOOK, GREAT. ALL RIGHT. - YEAH, YEAH,
I'LL TAKE A LOOK INTO THAT, BUT--YOU KNOW,
SAY HELLO TO HIM, OR SOMETHING.
- OKAY. - YEAH.
- HI.
EH...
- PRETTY STUPID, HUH?
EVERYBODY IN HERE IS OLDER THAN DIRT.
YOU'D THINK THEY'D MAKE THE PRINT BIGGER.
- YEAH. - THE B.L.T.'S GOOD.
- UH-HUH. - IT'S NOT ON THE MENU,
BUT DORIS WILL MAKE IT FOR YOU IF YOU ASK HER.
WON'T YOU, DORIS?
- WANT SOME COFFEE, HON?
- UH, NO, THANK YOU. I'D JUST LIKE A BEER AND, UM...
I'LL TRY THE TURKEY MEATLOAF.
THANKS. - HOW ABOUT THOSE NINERS?
- YEAH, HOW ABOUT 'EM?
- PEOPLE ARE GONNA BE TALKING ABOUT THIS SEASON
FOR A LONG TIME. - YEAH.
- OR ARE YOU A RAIDERS FAN?
- UH, SIR, YOU KNOW, I DON'T WANT TO BE RUDE,
BUT I DON'T WANT TO CHITCHAT.
I JUST WANT TO EAT MY DINNER, HAVE MY BEER,
AND WORK ON MY CROSSWORD, IF YOU DON'T MIND.
- SURE. - THANKS.
- I GOT YOU.
WORKING ON THAT ALZHEIMER'S THING.
- NO, I DON'T HAVE ALZHEIMER'S.
- YOU WON'T IF YOU KEEP DOING THAT CROSSWORD.
GOOD FOR YOU.
CREEPS UP ON YOU, YOU KNOW.
YOU DON'T KNOW YOU'RE GETTING ALZHEIMER'S,
CAUSE YOU'VE GOT ALZHEIMER'S.
YOU DON'T...FORGET... WHAT YOU FORMERLY KNEW.
- YOU GOT ANY FRIENDS?
- WELL, I WASN'T TRYING TO GET FRESH WITH YOU OR ANYTHING.
- NO, I DIDN'T-- - JUST--
- GOD. - WHAT A PUTZ.
- WHAT? - NOTHING.
- JULES. - HI.
- WHAT'S GOING ON? - I HAVE A FAVOR TO ASK YOU,
AND I WAS IN THE NEIGHBORHOOD, SO I THOUGHT I'D JUST COME ASK.
- COME ON IN. HAVE A SEAT. - OKAY, UM,
SO TOMORROW NIGHT, YOU KNOW WE HAVE THE AUCTION AT SYCAMORE?
- YEAH, WE'RE WATCHING JABBAR AND AIDA FOR CROSBY.
- NO. NEVER MIND THEN. - WHAT?
- I WAS GONNA ASK IF VICTOR AND SYDNEY COULD COME OVER.
- OF COURSE. - REALLY?
- YEAH, WE'LL JUST HAVE A BIG SLEEPOVER.
- ALL OF THEM? - YOU AND JOEL CAN HAVE
A NIGHT OUT.
- YEP. [chuckles]
- YOU ALL RIGHT?
- YEAH. YEAH.
- JULIA. - NO, IT'S FINE.
- JULIA. - ADAM.
- SOMETHING'S GOING ON. LOOK AT ME.
- IT'S--IT'S--IT'S NOT...
BEEN GOING WELL...
BETWEEN JOEL AND I.
- WHAT'S GOING ON? - [sighs] THERE'S THIS GUY.
NO. NO, NO, NO. - THERE'S A GUY?
- NO, LISTEN, LISTEN.
THERE'S THIS GUY WHO'S A DAD AT THE SCHOOL,
AND WE'RE ON THE SAME VOLUNTEER COMMITTEE SO, YOU KNOW,
WE'VE BEEN SPENDING A BUNCH OF TIME TOGETHER AT THAT,
AND WE'VE BECOME FRIENDS, AND I DID NOT INTEND
FOR ANYTHING TO HAPPEN, BUT...
WE WERE TALKING THE OTHER DAY,
AND--AND... - OKAY.
- HE KISSED ME.
- HE JUST KISSED YOU? - YEAH.
- LOOK, THIS SORT OF THING HAPPENS.
I MEAN, BELIEVE IT OR NOT, IT HAPPENED TO ME.
THIS ASSISTANT WE HAD AT THE LUNCHEONETTE, RACHEL,
JUST KISSED ME, AND I IMMEDIATELY TOLD CHRISTINA
ABOUT IT, AND WE WORKED IT OUT. YOU'LL BE FINE.
- YOU DIDN'T KISS HER BACK?
- NO, OF COURSE NOT. - OKAY.
- JULIA? - GOOD. WELL, I DON'T--
I DON'T KNOW, MAYBE THIS IS-- MAYBE THIS IS DIFFERENT.
- DO YOU HAVE FEELINGS FOR THIS GUY?
- I DON'T KNOW. NO.
- OKAY.
- IT'S JUST BEEN...
SO HARD WITH JOEL AND I.
WE CANNOT GET ON THE SAME PAGE AT ALL.
ADAM, HE DOESN'T... LOOK AT ME...
AND SO--AND JUST-- HE SEES ME,
YOU KNOW? - OKAY. YEAH.
HEY, JULIA. - YEAH?
- LISTEN TO ME, OKAY? WHATEVER IS FEELING GOOD
RIGHT NOW ABOUT ED IS JUST RELATED
TO HOW BAD THINGS ARE FEELING WITH JOEL, ALL RIGHT,
AND IT IS NOT WORTH IT. IT'S NOT ABOUT HIM.
THIS IS ABOUT YOU AND JOEL, AND YOU'VE GOT TO FOCUS
ON YOUR MARRIAGE.
OKAY? IT'S ABOUT YOU. IT'S ABOUT YOUR FAMILY.
IT'S NOT WORTH IT, OKAY? YOU GOT TO GET THIS GUY
OUT OF YOUR LIFE AND FORGET ABOUT HIM.
FIGURE YOUR STUFF OUT WITH JOEL, OKAY?
IF YOU GUYS NEED TO GO TALK TO SOMEBODY,
YOU CAN DO-- HAVE YOU DONE THAT?
- WERE TALKING ABOUT-- WE WERE TRYING TO.
- OKAY, ALL RIGHT. YOU'RE GONNA BE OKAY, ALL RIGHT?
- OKAY. - ALL RIGHT?
YOU DIDN'T DO ANYTHING WRONG.
YOU'RE OKAY.
ALL RIGHT? YOU'RE GONNA BE OKAY.
- OH, ADAM, THANK YOU. - YOU'RE GONNA BE OKAY.
- [sighs] - IT'S ALL RIGHT.
[car engine revving in video game]
- HEY. - OH, WOW, HAND DELIVER--
WOW, LOOK AT THAT BASKET.
- THAT WAS ALL AMBER. - THAT IS AMAZING.
- I HAD NOTHING TO DO WITH IT. - JUST REALLY TOP NOTCH.
- I DON'T KNOW WHAT SHE PUT IN THERE--THAT THING'S SO HEAVY.
- HEY, UNCLE ADAM. - JABBAR, WHAT IS GOING ON?
- NOTHING. - THAT IS A QUALITY BASKET.
- CAN WE HAVE PIZZA TONIGHT?
- WHAT TOPPINGS AND HOW MANY? OKAY, THIS IS
THE BRAVERMAN SLEEPOVER EXTRAVAGANZA OF THE YEAR.
- YES. - HEY, CAN YOU GRAB
YOUR SLEEPING BAG AND ALL YOUR PARTY GEAR?
I JUST WANT TO TALK TO YOUR DAD FOR A SECOND.
- OKAY. - THANKS.
- YOU'RE GOING CLARK GRISWOLD ON THIS SLEEPOVER, HUH?
- YEAH.
YOU KNOW ED BROOKS? - ED WHO?
- ED BROOKS. HE'S A DAD AT SYCAMORE.
- OH, ED BROOKS. YEAH, YEAH.
HE'S ON THE GREEN POLICE COMMITTEE WITH JULIA.
- EXACTLY, SO DID SHE TALK TO YOU ABOUT HIM?
- WHAT ABOUT HIM?
- HE'S RECENTLY SEPARATED. HE AND JULIA HAVE BEEN
SPENDING SOME TIME TOGETHER, HAD SOME CONVERSATIONS,
AND HE KISSED HER.
- ED BROOKS? - YEAH.
- PUDGY ED BROOKS KISSED JULIA? - KISSED OUR SISTER, YES.
BUT IT'S NOT-- - DOES JOEL KNOW?
- NO. IT'S COMPLICATED, BECAUSE--
LOOK, JULIA'S BEEN HAVING SOME PROBLEMS WITH JOEL.
- WHAT KIND OF PROBLEMS? - I DON'T KNOW.
BUT SHE CAME OVER TO THE HOUSE
AND SHE STARTED TO TELL ME ABOUT IT,
AND SHE GOT REALLY UPSET.
SO ED IS GONNA BE AT THIS AUCTION.
I JUST WANT YOU TO BE LOOKING OUT FOR OUR BABY SISTER, OKAY?
MAKE SURE NOTHING HAPPENS AND...
- ROGER. - MAKE SURE HE KEEPS
HIS DISTANCE, ALL RIGHT?
- I ACCEPT. - ALL RIGHT.
JUST MAKE SURE YOU GOT HER BACK. - I'LL BE ON THIS GUY
LIKE A HAWK. I'LL-- - DON'T MAKE IT OBVIOUS.
JUST MAKE SURE YOU HAVE HER BACK, THAT'S ALL I'M ASKING.
- SUBTLE, BUT DIRECT. - EXACTLY.
- WE DO WANT TO SEND A SIGNAL, YEAH?
- OH, YEAH. - OKAY, GOOD.
- YEAH. JABBAR, YOU READY? - YEAH.
- OH, MY GOD. THE SUN, YES.
- I TAKE IT YOU MISS CALIFORNIA?
- ARE YOU KIDDING?
MY ENTIRE WARDROBE IN BOSTON CONSISTS OF PARKAS AND BOOTS.
IT'S THE COLDEST PLACE ON EARTH.
- SO TELL ME HOW YOU GUYS MET.
- UM--
- UH, W-WE WENT TO HIGH SCHOOL TOGETHER.
- YEAH.
- YEAH, BUT, LIKE, HOW'D YOU "MEET" MEET?
- IT WAS ENGLISH, I THINK. - YEAH, I THINK ENGLISH CLASS,
YEAH. - YEAH.
- ENGLISH? OH, MY GOD, THAT SO BORING.
I MET MY HIGH SCHOOL BOYFRIEND AT THIS DIRTY PROJECTOR SHOW.
HE WAS, LIKE, A HUGE MUSIC NERD LIKE DREW.
- OH. WELL, I WOULDN'T SAY I'M A MUSIC NERD.
- [laughing] NO, I'M KIDDING. I LOVE YOUR MUSIC.
JUST ONE OF THE REASONS WHY WE LOVE HIM, HUH?
SO WHAT SHOULD WE DO TONIGHT?
[knocking at the door]
- HI. - LISTEN, DO I--
DO I NOT PICK UP ON CUES? - WHAT?
- SOCIAL CUES, YOU KNOW, LIKE MAX.
- I DON'T KNOW WHAT YOU'RE TALKING ABOUT.
- [sighs] I NEED SOMETHING.
I GOT TO--I DIDN'T SLEEP. I DIDN'T SLEEP AT ALL.
I'VE BEEN UP ALL NIGHT. I NEED ALCOHOL,
ANYTHING WITH ALCOHOL IN IT. - OKAY.
- YOU DON'T GOT NOTHING. NOTHING.
NOT A BEER, NOT ONE SINGLE BEER. - I DO.
- I DON'T HAVE BEER, BUT HOLD ON.
I'LL POUR YOU SOMETHING. - WHAT KIND OF PLACE IS THIS?
- WHAT IS THAT BOOK? - HOW DO YOU NOT HAVE BEER?
- WHAT IS GOING ON? - [sighs]
MAX, HE FLIPPED OUT.
HE HAD A MELTDOWN THE OTHER DAY, YOU KNOW?
- OKAY. - AND EVEN THAT--
SEE, EVEN THAT-- I USED TO HAVE HUGE MELTDOWNS
ALL THE TIME, ALL THE TIME. ONCE THIS KID--
- WHEN? - THIS KID CHEATED ME
TRADING BASEBALL CARDS, AND I FLIPPED OUT.
I MEAN, I FLIPPED THE HELL OUT ON THIS KID.
- WHAT'S THAT BOOK? WHAT IS HAPPENING?
- IT WAS NOTHING. I WAS READING THIS BOOK FOR MAX.
I'M READING IT FOR THE KID, AND THEN ALL OF A SUDDEN,
I'M NOT READING ABOUT THE KID ANYMORE.
I'M READING ABOUT ME. THIS BOOK IS DESCRIBING ME.
- WHERE? WHAT DO YOU MEAN?
- LOOK AT THIS.
RIGHT THERE, "DIFFICULTY EXPRESSING EMOTIONS."
- HANK, THAT EVERY MAN I KNOW. - YEAH. HERE.
"INSENSITIVE TO NONVERBAL CUES OF OTHERS."
"TAKING DIRECTIONS LITERALLY."
"FAILURE TO READ BETWEEN THE LINES."
"UNCOMFORTABLE WITH THE EYE CONTACT,"
EVERYTHING. CHECK, CHECK, CHECK.
YOU KNOW, I'M SEEING MY LIFE HERE, I'M SEEING MY LIFE.
I'M SEEING EVERYTHING, THE WHOLE THING,
WHY STUFF HAPPENS. I'M SEEING MY WIFE.
YOU KNOW, MY WIFE-- I ALWAYS THOUGHT SHE WAS
THIS ROYAL BITCH, BUT YEAH, WHAT IF IT'S ME ALL ALONG?
WHAT IF SHE CAN'T DEAL WITH ME BECAUSE OF THIS,
BECAUSE OF ME, 'CAUSE OF WHO I AM,
BECAUSE--WHAT IF THIS IS THE REASON
I'M LOSING ALL THOSE BIG JOBS,
OR MY DAUGHTER DOESN'T WANT TO SEE ME,
OR YOU, YOU KNOW? YOU--
YOU GOING ON A DATE OR SOMETHING?
- KIND OF.
- SEE? I MISSED ANOTHER CUE. - NO, NO. IT'S--
I'M JUST-- I'M GOING TO A THING.
I'M A PLUS-ONE. - THAT'S ALL RIGHT.
YOU DON'T GOT TO PROTECT MY FEELINGS OR ANYTHING.
I GO ON DATES, JUST SO YOU KNOW.
NO WONDER I LIKE THIS KID, THOUGH.
I MEAN, THAT'S--IT'S-- I'M JUST LIKE HIM, RIGHT?
I'M JUST LIKE MAX.
- I DON'T KNOW. MAYBE A LITTLE.
IF YOU ARE, YOU'RE DOING GREAT. I MEAN, YOU HAVE A--
YOU'RE REALLY TALENTED AND YOU'VE RAISED A BEAUTIFUL KID,
AND NO KID AT THAT AGE WANTS TO TALK TO THEIR PARENTS,
YOU KNOW? AND YOU AND ME--I MEAN...
I DON'T BLAME YOU.
[knocking at the door]
[sighs]
[sighs and clears throat]
- HI. - HI. MY GOD,
YOU'RE, LIKE, THE MOST GORGEOUS SUPER IN AMERICA.
- AW. UM, CARL,
THIS IS MY FRIEND HANK, AND HANK, THIS IS CARL.
- HEY, HANK.
- NICE TUX.
AHH.
- [groans]
- YOU AGAIN. - YEAH.
MY GOD, WHAT DO YOU DO, YOU LIVE HERE?
- NO, I JUST EAT HERE.
[chuckles]
- NINERS.
- WHAT? - NINERS.
I MEAN, YOU ASKED ME THE-- YESTERDAY
IF I WAS A RAIDERS FAN OR A NINERS FAN,
AND I'M TELLING YOU, A NINERS FAN.
- SO I CAN TALK TO YOU NOW? I HAVE YOUR PERMISSION?
- YES, YOU DO. - GOOD. YOU SUCK.
- [laughs] - I'M A DALLAS FAN.
- MY GOD. HOW COULD YOU BE A COWBOYS FAN?
- TWO WORDS, "ROGER STAUBACH."
I'M A NAVY MAN ALL THE WAY. - OH, GOD.
SEE, I SHOULD'VE KNOWN THAT. I KNEW THERE WAS A REASON
I DIDN'T LIKE YOU. - YOU'RE ARMY, OR WHAT?
- YEAH. YEAH. - YEAH.
- WEST POINT, CLASS OF '62. - IT FIGURES.
YOU IN 'NAM? - UH-HUH.
FIFTH SPECIAL FORCES GROUP OUT OF SUBIC.
- YEAH. GREEN BERETS? - UH-HUH.
- YEAH. - HOW ABOUT YOU, YOU THERE?
- WARRANT OFFICER ON THE SANCTUARY.
- OH, YEAH. - HOSPITAL SHIP.
- YEAH. - YEAH.
- WE USED TO CALL IT "THE WHITE WHALE."
- YEAH, THAT WAS US.
"WE MAY DOZE, BUT WE NEVER CLOSE."
- ZEEK BRAVERMAN.
- I'M ROCKFORD, BUT EVERYBODY CALLS ME "ROCKY."
- SO WHAT DO YOU DO, ROCKY? - I'M RETIRED.
- ME TOO.
- SO I JUST DRINK BEER AND CHASE TAIL.
- [chuckles] - IN BETWEEN MY DIAPER CHANGES.
- [laughs]
- WHAT'LL IT BE, HANDSOME?
- WELL, YEAH, I GOT TO HAVE THE B.L.T., YEAH.
- THERE YOU GO. - THANK YOU.
- THERE'S MY MAN.
THE ALZHEIMER'S MAN. - NO, NO, NO.
NO. - DON'T FORGET TO EAT IT.
[classical music plays]
- THIS IS AMAZING. LOOK AT ALL THIS, FOR YOU,
AND WHAT YOUR ORGANIZATION DOES IS JUST REALLY IMPRESSIVE.
- SO YOU GOOGLED ME?
- NO, I DIDN'T GOOGLE YOU. I DON'T DO THAT.
I LET MY SISTER-IN-LAW DO THAT, AND SHE TELLS ME.
[both chuckle] - PERFECT.
- YEAH. - IT'S A GOOD PLAN.
I KNOW THIS GUY.
WHAT'S UP, MAN? - THERE HE IS.
- GOOD TO SEE YOU. DAPPER.
- HI. - HI.
- THAT'S MY FRIEND SARAH. - SARAH.
- WOMAN I WAS TELLING YOU ABOUT. - OH.
- MY PHOTOGRAPHER FRIEND. - OH.
- RIGHT. YEAH, CARL TOLD ME THAT YOUR WORK IS AMAZING.
- THANK YOU. - OH, YEAH, AND I TOLD HIM
THAT HE'D NEVER BE ABLE TO AFFORD YOU.
- [laughs] - NOT TRUE, AT ALL.
- A LITTLE BIT TRUE.
LISTEN, DO YOU GUYS MIND TALKING SHOP FOR A MINUTE?
I JUST HAVE TO SHAKE SOME HANDS.
- OH. - SORRY.
- NO, NO. - RIGHT BACK.
GOOD TO SEE YOU. - OKAY.
- OKAY?
- HI. - AND HE'S GONE.
- [laughs] AND HE'S--
- UM, CARL WAS TELLING ME THAT YOU WERE
THE OFFICIAL CAMPAIGN PHOTOGRAPHER
FOR A MAYORAL CANDIDATE.
- YES. [laughs] MY SISTER-IN-LAW, KRISTINA,
BUT SHE, UM--UH--I--
IT WAS MY SISTER-IN-LAW. - MM-HMM.
- HER CAMPAIGN. SORRY, I'M DISTRACTED
BY THE VERY ATTRACTIVE BUSINESSPEOPLE
HERE AT THIS PARTY. [both laughing]
- TWO MORE YEARS OF THIS, RIGHT? THEN WE'RE DONE?
- HOPEFULLY. HOPEFULLY, IT DOESN'T GET WORSE
AFTER MIDDLE SCHOOL.
- CAN'T GET ME TO THE BAR FAST ENOUGH.
- LET'S, UM, GO CHECK OUT THE REST OF THE BASKETS
OVER HERE. - I JUST WANT TO GRAB A DRINK.
- I KNOW. LET'S GET IT OVER WITH, THOUGH.
GOT TO KNOW WHAT'S THERE.
- OH. - OH, SARAH'S EXHIBIT.
- YEAH.
- OH! OH, THIS WON'T DO.
- NO ONE'S BID ON ANYTHING YET.
- WELL, I HAVE AN IDEA. - WHAT?
WHO'S ED BROOKS?
- OH, HE'S A VERY GENEROUS MAN.
"PERSON OF INTEREST," WE'LL CALL HIM.
- [laughs]
- SPA PACKAGE, HUH? - OH.
- NO, IT'S-- - REALLY? I CAN'T EVEN
TALK TO YOU ABOUT YOUR SILENT AUCTION NOW?
- ED, I CAN-- I CAN SMELL ALCOHOL ON YOU.
- JUST TALK TO ME FOR ONE MINUTE.
DO YOU REALIZE THAT IT'S ONLY TAKEN COLLEEN
FOUR WEEKS TO TURN THE ENTIRE SCHOOL AGAINST ME?
EVERYBODY HATES ME HERE. - OKAY, I'M--I'M NOT GONNA--
- SHE CLEARLY BID ON THE NAPA TRIP
AFTER THE BIDDING WAS CLOSED. - OKAY.
- THERE ARE RULES IN PLACE... - YOU MIGHT BE BEING DRAMATIC.
- AT THIS EVENT.
IF THE RULES ARE NOT FOLLOWED, IT IS CHAOS.
- [low conversation]
THAT HAS EVER EXISTED. - WHY DON'T YOU GO HOME, OKAY?
'CAUSE YOU'RE UPSET ABOUT COLLEEN, AND YOU'RE--
- NO, I'M NOT-- I'M UPSET ABOUT YOU.
- NO, YOU'RE NOT.
- DON'T TELL ME WHAT I'M UPSET ABOUT.
- I-I-I CAN'T. I'M SORRY, ED. - COME ON--JULIA--
- THAT YOU ARE PLAYING FAST AND LOOSE--
- CAN YOU EXCUSE ME FOR ONE SECOND?
YOU CAN YELL AT ME RIGHT WHEN I GET BACK, OKAY?
- ED, I DON'T-- - EVERYTHING OKAY?
- YEAH, IT'S FINE. - YEAH, JOEL.
WHAT'S UP? - ED IS GOING HOME.
- YOUR WIFE IS AWESOME. - SHE IS, YEAH.
AND IT LOOKS LIKE SHE DOESN'T WANT TO TALK TO YOU RIGHT NOW.
- WE'RE TOTALLY CHILL. WE'RE JUST--
DID YOU AUCTION ON ANYTHING? DID YOU BUY ANYTHING?
'CAUSE THERE IS SOME GOOD STUFF HERE.
- OKAY. - LET'S CALL IT A NIGHT.
- NO, I'M GOOD, I'M HAVING FUN.
I'M NOT READY TO CALL ANY-- - NO, YOU'RE NOT.
YOU'RE DRUNK, AND YOU'RE BOTHERING MY WIFE.
- I'M NOT BOTHERING HER. YOU NEED TO JUST RELAX.
TRUST ME. - DON'T TOUCH ME!
- HEY! WHOA! [people gasping]
- JOEL, JOEL, JOEL, JOEL, JOEL. OKAY, OKAY, OKAY.
- DUDE, WHAT IS YOUR PROBLEM?
- STAY AWAY FROM MY WIFE.
- [chuckles] - OKAY.
OKAY. ALL RIGHT, EVERYTHING'S GOOD.
NOT A BIG DEAL. EVERYONE'S HORSING AROUND.
GO BACK TO THE PARTY. STILL BIDDING HERE.
COME ON, LET'S GO. LET'S GET YOU OUT OF HERE.
- EIGHT BALL, SIDE POCKET. - YOU WISH.
- RATHER SIMPLE.
AND THAT WOULD DO IT, I THINK.
[both chuckling]
- LUCKY. - THANK YOU VERY MUCH.
I'LL BUY YOU A BEER. COME ON. - YEAH.
- CAN WE GET TWO MORE, PLEASE?
- SO WHEN DID YOU LOSE HER?
- LOSE WHO?
- YOUR WIFE. MINE WAS IN '99.
- I DIDN'T LOSE MY WIFE. MY WIFE'S NOT DEAD.
WHAT MADE YOU THINK THAT, FOR CRYING OUT LOUD?
- SORRY.
I GUESS I JUST ASSUMED. - ASSUMED WHAT?
- THAT YOU WERE A LONELY-HEARTS WIDOWER LIKE ME.
- I'M NOT A LONELY-HEARTS WIDO--
MY WIFE HAPPENS TO BE IN ITALY ON A TRIP WITH HER ART CLASS,
AND THEY'RE SEEING MUSEUMS AND TOUCHING STATUES.
THEY'RE GOING ALL AROUND SPENDING MY MONEY,
THAT'S WHAT THEY'RE-- I DON'T KNOW WHAT THE HELL
THEY'RE DOING OVER THERE.
- SOUNDS LIKE YOU'RE A LITTLE PERTURBED ABOUT THAT.
- WELL, I'M A LITTLE PERTURBED, YEAH.
I MEAN, IT'S BEEN THREE WEEKS. I HAVEN'T HAD A GOOD MEAL,
AND I DON'T HAVE ANY CLEAN UNDERWEAR.
I MEAN, COME ON. YOU KNOW? AND THEN SHE JUST TOLD ME
SHE WANTS TO STAY AN EXTRA WEEK. I MEAN, GOD.
- [laughs] TYPICAL ARMY.
CAN'T SEE THE FOREST FOR THE TREES.
- WHAT THE HELL IS THAT SUPPOSED TO MEAN?
- MOST WOMEN OUR AGE ARE A PAIN IN THE ASS.
MANY JUST WANT TO SIT AROUND PLAYING CARDS
OR SHOWING YOU PICTURES OF THEIR GRANDKIDS.
THEY SIT THERE YAMMERING ABOUT "MY HEARING AID THIS,"
AND, "MY ARTIFICIAL HIP THAT." IT'S ENOUGH TO DRIVE YOU CRAZY.
- WELL, YOU KNOW, CAMILLE ISN'T THAT WAY AT ALL.
- THEN BE THANKFUL.
I'M TELLING YOU, IF MY WIFE WAS STILL ALIVE,
AND SHE ASKED ME TO TAKE A TRIP TO ITALY,
I'D BUY TWO FIRST-CLASS TICKETS AND BEAT HER ASS TO THE AIRPORT.
BUT THAT'S JUST ME.
- AND NOW FOR THE HIGHLIGHT OF OUR EVENING.
- [whispering] PUT THAT AWAY. - IN 2003, DR. CARL FLETCHER
FOUNDED GLOBAL MED WORLD SERVICE WITH THE GOAL OF PROVIDING
SUSTAINABLE HEALTHCARE IN COUNTRIES
WHERE EVEN THE MOST BASIC NEEDS ARE NOT MET.
- WAIT A MINUTE. ARE YOU ABOUT TO GET AN AWARD?
- IT'S NO BIG DEAL. IT'S NOTHING.
- IT'S A VERY BIG DEAL. OH, MY GOD.
- AND TONIGHT'S RECIPIENT
OF THE HEALTHCARES VISIONARY AWARD, DR. CARL FLETCHER.
- BE RIGHT BACK. RIGHT BACK.
THANK YOU, JANE AND MELISSA. THANKS SO MUCH.
OH, THIS IS NICE.
WELL, I AM TERRIBLE AT SPEECHES, BUT I'LL JUST SAY TWO THINGS.
FIRST, IN THE NONPROFIT WORLD,
THERE'S NO SUCH THING AS AN INDIVIDUAL AWARD.
GLOBAL MED IS A TOTAL TEAM EFFORT,
AND I'D LIKE TO THANK
MY BRILLIANTLY TALENTED EXECUTIVE STAFF.
NOEL, THOMAS, ELAINE, STAND UP, GUYS.
[applause]
THANK YOU. THESE THREE MAKE IT HAPPEN.
THEY'RE THE REASON GLOBAL MED WORKS.
SECOND, I WANT TO THANK YOU, BECAUSE WITHOUT YOUR HELP...
[voice fades under music]
- [laughing] OH, MY GOD, YOUR FRIEND NATALIE
WAS SO WASTED. - YEAH, SHE WAS
IN RARE FORM TONIGHT. SHE DEFINITELY WAS.
- DO YOU THINK SHE'S JEALOUS OR SOMETHING?
- SHE'S JEALOUS OF WHAT? - I DON'T KNOW, OF ME.
SHE JUST SEEMS-- - [laughs]
- WHAT? SHE SEEMED VERY POSSESSIVE.
- WE'RE FRIENDS. I DON'T KNOW.
- REALLY? - YEAH, REALLY.
- REALLY, REALLY?
- YES, DOUBLE REALLY, I SWEAR.
- DOUBLE REALLY? OKAY. [laughing]
- EVERYONE REALLY LIKED YOU, BY THE WAY.
- YEAH? - YEAH.
- ALL RIGHT. OKAY.
- I'M SAD YOU'RE LEAVING.
- I MISSED YOU, DREW. - YEAH.
- AND I WAS THINKING ABOUT IT TONIGHT, JUST...
AND WATCHING YOU WITH ALL YOUR FRIENDS,
AND YOU'RE JUST SUCH AN AMAZING GUY,
AND I ALWAYS HAVE SO MUCH FUN WITH YOU.
I FEEL REALLY HORRIBLE ABOUT THE WAY THINGS ENDED BETWEEN US.
- YEAH, THAT WAS BAD.
YOU KNOW, I-- I GET IT, THOUGH.
I DO. - I'M REALLY SORRY, DREW.
YOU WERE THERE FOR ME, AND...
IT'S TAKEN ME A RIDICULOUSLY LONG TIME TO FIGURE THAT OUT,
BUT I HAVE NOW, AND I WISH I COULD TAKE IT ALL BACK.
HAVE A DO-OVER, BUT... I CAN'T, SO...
WILL YOU FORGIVE ME?
- YEAH. YEAH. I FORGIVE YOU.
[Vashti Bunyan's Train Songplaying]
♪
- ♪ TRAVELING NORTH, TRAVELING NORTH ♪
- THANK YOU. - YEAH, YOU'RE WELCOME.
- ♪ TRAIN WHEELS BEATING, WIND IN MY EYES ♪
♪ DON'T EVEN KNOW WHAT I'LL FIND WHEN I GET TO YOU ♪
♪ CALL OUT YOUR NAME, LOVE, DON'T BE SURPRISED ♪
♪ IT'S SO MANY MILES AND SO LONG SINCE I LEFT YOU ♪
♪ DON'T EVEN KNOW WHAT I'LL FIND WHEN ♪
- YOU KNOW, I PROBABLY SHOULDN'T DRIVE.
- YEAH. YEAH, MAYBE YOU COULD JUST CRASH HERE.
- ♪ IT'S MANY HUNDRED MILES AND IT WON'T ♪
♪ BE LONG
- [sighs]
- WHAT THE HELL?
WHAT THE HELL IS GOING ON? - I DON'T KNOW.
HE'S DRUNK, AND HE WANTED TO TALK TO ME,
AND I DID NOT WANT TO TALK TO HIM IN THAT STATE, YOU KNOW?
I'M SORRY.
ARE YOU OKAY?
- ARE YOU HAVING AN AFFAIR WITH ED?
- NO. - JULIA.
- BABE-- - IF THERE'S ANYTHING...
IF THERE IS ANYTHING GOING ON, IF THERE'S ANYTHING AT ALL,
YOU HAVE TO-- YOU HAVE TO TELL ME.
DO YOU UNDERSTAND? - JOEL,
THERE'S NOTHING GOING ON. - I NEED TO KNOW.
I NEED TO KNOW. JUST--
- THERE'S NOTHING GOING ON.
OKAY?
- I DON'T KNOW.
I DON'T KNOW IF I CAN BELIEVE THAT.
- W--
- ARE YOU SOBER?
- WHAT ARE YOU-- - ARE YOU SOBER?
ARE YOU--CAN YOU DRIVE? ARE YOU SAFE?
- YEAH.
- TAKE THE KEYS, AND YOU CAN DRIVE.
I'M GONNA FIND A CAB, OR SOMETHING.
- JOEL, YOU DON'T--
- I DON'T LIKE DANCING SO MUCH, BUT I LIKE MUSIC.
- I FEEL LIKE YOU'RE A PRETTY GOOD DANCER.
- NO! - YEAH.
- I'M NOT A GOOD DANCER. - YES.
- [sighs] SO THANKS, THAT WAS FUN.
- YEAH, GOOD. I'M GLAD YOU HAD FUN.
- IT'S NOT EVERY DAY MY DATE GETS
ONE OF THOSE CRYSTAL JOBBERS. - TA-DA.
BUT I WASN'T YOUR DATE.
I WAS YOUR PLUS-ONE. - RIGHT.
- RIGHT? - YEAH.
SO...
I'M NOT GONNA ASK YOU IN.
- I'M NOT COMING IN, BECAUSE SOMEBODY MADE ME PROMISE
THAT TONIGHT WOULDN'T BE ABOUT SLEEPING WITH HER,
AND I'M A MAN OF MY WORD. CARL FLETCHER.
- [laughs] DR. CARL FLETCHER. WHO KEEPS THAT TO THEMSELVES?
- SO THANK YOU.
- THANK YOU.
- GOOD NIGHT. - GOOD NIGHT.
- JUST SO YOU KNOW, HERE'S WHAT YOU'RE MISSING TONIGHT.
- DON'T DO THAT EVER AGAIN.
WAIT, DO IT ONE MORE TIME.
[both laugh]
[footsteps going upstairs]
- MORNING. - MORNING.
YOU'RE GOING HOME TODAY, RIGHT?
- YEAH. YEAH, I AM. - HMM.
HAVE A GOOD TRIP. - THANK YOU.
FEEL BETTER.
- HEY, YOU GOOD ON TIME? - YEAH.
MY FLIGHT DOESN'T LEAVE FOR ANOTHER COUPLE HOURS.
- OH.
- I DON'T WANT TO GO.
- YEAH.
- NO, I MEAN, LIKE... I DON'T WANT TO GO BACK.
- WHAT ABOUT YOUR PARENTS? YOU HAVE CLASS.
- WELL, MY PARENTS, THEY'RE OUT OF TOWN AS OF AN HOUR AGO,
AND PEOPLE MISS CLASS ALL THE TIME.
IT'S NOT LIKE-- - YEAH, THAT'S TRUE.
- DO YOU WANT ME TO SAY?
- YEAH. YEAH, I DO.
- [chuckles]
[melancholy ballad plays]
♪
♪ SIMPLE PLANS
♪ DON'T BE HERE
♪ OH OH OH
- AHH.
♪
- OH! ARE YOU GONNA GET ME? - GUYS, GUYS, WAIT.
- HONEY, LOOK WHO'S HERE. LOOK OUT, KIDS.
- I'M GONNA FEED YOU. HOLD ON.
- HI, HANK. - HEY, HOW ARE YOU?
SORRY I'M BARGING IN HERE. - I'M WELL, HOW ARE YOU?
- IT'S ALL RIGHT. - YOU'RE NOT AT ALL.
- JUST WANTED TO GIVE THAT BACK TO YOU.
THANK YOU. YEAH. - OH, YEAH. WOW.
WHAT--WHAT HAPPENED HERE? LOOKS LIKE YOU--
- YEAH, I DID--I PUT A FEW EARMARKS ON IT.
I DID SOME NOTES AND, UH-- - IT'S ALL RIGHT.
- MIGHT HAVE GOT SOME FOOD ON THERE, OR SOMETHING.
I READ IT A LOT.
- WAS IT HELPFUL? - YEAH.
UH, IT'S-- YOU KNOW, INTERESTING.
- YEAH. - LEARNED A COUPLE THINGS.
COUPLE THINGS. HEY, ANOTHER ONE.
- GREAT. - JEEZ, YOU GUYS.
YOU'RE LIKE RABBITS IN HERE. - [laughs] NO, IT'S--
- OH, NO. IT'S NOT OURS.
- IT'S OUR NIECE, AIDA.
- UM, IS MAX AROUND? - YEAH.
- HE'S ACTUALLY UPSTAIRS.
- YEAH, COULD I TALK TO HIM? I DON'T--YOU KNOW--
IF IT ISN'T WEIRD, I JUST WANTED TO SEE HOW HE'S DOING.
- NO, I THINK THAT WOULD BE GOOD.
- YEAH. - YEAH.
- YEAH, CAN'T GUARANTEE WHAT'S GONNA HAPPEN,
BUT GIVE IT A KNOCK. - ALL RIGHT.
YEAH, I MEAN, LET ME SEE WHAT HE SAYS.
THANKS. - ALL RIGHT.
- MAD MAX, HOW YOU DOING, BUDDY? WHAT'S UP?
- THIS IS WEIRD.
WHY ARE YOU STANDING IN MY BEDROOM DOORWAY?
- I WAS JUST HERE. I WAS VISITING YOUR MOM AND DAD,
AND THEY SAID YOU WERE UP HERE.
JUST THOUGHT I'D COME UP, SEE HOW YOU'RE DOING.
CAN I COME IN?
- IF I SAY NO, WILL YOU GO AWAY?
- NO, PROBABLY NOT.
- COME IN.
- SO THESE LOOK PRETTY COOL. YOU DID THESE?
YOU MAKE THESE YOURSELF?
- YOU DON'T MAKE PICTURES. YOU DRAW THEM.
- WELL, THEY'RE COOL. I USED TO DO STUFF LIKE THAT.
NOT AS GOOD.
HEY, I BROUGHT THE PICTURES THAT YOU DID.
THEY'RE GOOD, JUST LIKE YOU SAID,
THEY'RE REALLY GOOD.
THIS ONE I LIKE. I LIKE THE WATER FOUNTAIN.
YOU KNOW, YOU GOT A NICE LITTLE FLARE THERE.
THIS ONE'S PRETTY COOL.
I THINK IT'S A PIGEON, OR SOMETHING. I DON'T KNOW.
- NO, IT'S A DOVE.
- OH, IS IT A DOVE? - LET ME SEE.
I'M SORRY THAT I YELLED AT YOU
AND THREW THINGS INSIDE OF YOUR STORE.
I UNDERSTAND THAT THERE'S A DIFFERENCE
BETWEEN A PROMISE AND A LIE, AND THAT IT'S NOT NICE
TO ACCUSE SOMEONE OF DISHONESTY IN A CASUAL MANNER.
I RESPECT YOUR TIME AND THE WORK THAT YOU DO.
WILL YOU ACCEPT MY APOLOGY? - [chuckles]
- MY PARENTS SAID THAT IF I APOLOGIZE,
WE'LL BE FRIENDS AGAIN.
- YEAH.
APOLOGY ACCEPTED.
- DO YOU WANT TO PLAY CHESS?
I'M NOT VERY GOOD, BUT IF I PLAY MORE, I'LL LEARN.
- YEAH, I'LL PLAY CHESS. I PLAY A LITTLE CHESS.
- I LIKE TO BE BLACK, BUT IF YOU HAVE A COLOR PREFERENCE,
I CAN BE FLEXIBLE. - NO, I'LL BE WHITE.
- GOOD, THAT MAKES THINGS A LOT EASIER.
- CAN I MOVE THIS OVER?
[groans] - GO.
- YOU'RE NOT GONNA GET UPSET IF I BEAT YOU, RIGHT?
- JUST MOVE YOUR PIECES.
- 'CAUSE I LIKE TO PLAY TO WIN.
[low chatter]
- ♪ OH OH OH