1 00:00:01,035 --> 00:00:02,995 - I'M WAITING FOR THIS WAVE OF LOVE TO WASH OVER ME, 2 00:00:03,106 --> 00:00:04,516 AND IT'S JUST NOT HAPPENING. 3 00:00:04,625 --> 00:00:08,035 - THIS IS THE START OF OUR ACT THREE. 4 00:00:08,146 --> 00:00:09,936 - SO YOU'RE SAYING YOU WANT TO SELL OUR HOUSE? 5 00:00:10,044 --> 00:00:12,154 - I THINK WE SHOULD TALK ABOUT IT. 6 00:00:12,253 --> 00:00:13,843 - I'M GONNA RUN FOR MAYOR OF BERKLEY. 7 00:00:13,944 --> 00:00:17,264 - NOBODY'S EVER EVEN HEARD OF KRISTINA. 8 00:00:17,362 --> 00:00:18,572 SHE'S NEVER RUN FOR OFFICE. 9 00:00:18,673 --> 00:00:19,883 IT'S NOT LIKE SHE'S RUNNING FOR THE PRESIDENCY. 10 00:00:19,985 --> 00:00:20,985 I DON'T KNOW HOW REALISTIC IT IS. 11 00:00:21,090 --> 00:00:22,370 - YOU GOT MY BACK, RIGHT? 12 00:00:22,470 --> 00:00:24,440 - YEAH. 13 00:00:25,853 --> 00:00:30,933 [machine pumping] - WOW. 14 00:00:31,031 --> 00:00:32,651 THAT'S AWESOME. 15 00:00:32,756 --> 00:00:33,756 [baby fusses] 16 00:00:33,861 --> 00:00:34,521 - STOP STARING AT ME LIKE THAT. 17 00:00:34,620 --> 00:00:36,240 - I LITERALLY CANNOT LOOK AWAY. 18 00:00:36,346 --> 00:00:37,686 - TRY. 19 00:00:37,796 --> 00:00:40,516 - THIS IS THE MOST FASCINATING CONTRAPTION I HAVE EVER SEEN. 20 00:00:40,626 --> 00:00:42,276 IT'S PNEUMATIC AND IT'S HYDRAULIC. 21 00:00:42,387 --> 00:00:44,487 THERE'S FLUID AND AIR. IT'S-- 22 00:00:44,596 --> 00:00:46,076 - IT'S REALLY NOT THAT FASCINATING, OKAY? 23 00:00:46,184 --> 00:00:48,014 I FEEL LIKE A BIG OLD COW. 24 00:00:48,117 --> 00:00:51,877 A BIG, LACTATING, UNSEXY, SLEEP-DEPRIVED COW. 25 00:00:51,982 --> 00:00:53,432 YOU KNOW WHAT? I HAVEN'T SLEPT 26 00:00:53,536 --> 00:00:55,676 MORE THAN 20 MINUTES IN A ROW SINCE THAT THING CAME OUT OF ME. 27 00:00:55,779 --> 00:00:57,679 [baby screaming] 28 00:00:57,781 --> 00:01:00,031 SHE'S GOTTA TAKE THIS BOTTLE. I MEAN, SERIOUSLY, 29 00:01:00,129 --> 00:01:01,889 I-I REALLY NEED A BREAK, OR ELSE I'M GONNA DIE. 30 00:01:01,992 --> 00:01:03,302 AND THEN, AT THAT POINT, 31 00:01:03,408 --> 00:01:04,368 MY BREASTS WILL NO LONGER BE AN OPTION 32 00:01:04,478 --> 00:01:05,818 BECAUSE I WILL BE DEAD. 33 00:01:05,927 --> 00:01:09,517 - OKAY, SO YOU WANT ME TO HOOK-- I HOOK HER TO THIS? 34 00:01:09,621 --> 00:01:11,171 - NO. - DOES IT HAVE, LIKE, A REVERSE? 35 00:01:11,278 --> 00:01:12,558 IT'S GOT A REVERSE BUTTON? 36 00:01:12,658 --> 00:01:14,278 - NO. - OH, I'M GOING HERE. OKAY. 37 00:01:14,384 --> 00:01:15,324 - JUST GIVE HER TO ME. - YOU GOT MORE IN THERE? 38 00:01:15,420 --> 00:01:20,980 - IT'S NOT--YEAH. [baby crying] 39 00:01:21,081 --> 00:01:22,291 COME ON, COME ON. 40 00:01:22,392 --> 00:01:23,912 - YOU LOOK SO BEAUTIFUL RIGHT NOW. 41 00:01:24,014 --> 00:01:28,784 [baby crying] YOU LOOK VERY BEAUTIFUL. 42 00:01:28,881 --> 00:01:31,331 - SHH... 43 00:01:31,436 --> 00:01:33,646 - THANKS FOR DOING THIS AT THE LAST MINUTE. 44 00:01:33,748 --> 00:01:34,848 - OH, MY PLEASURE. 45 00:01:34,956 --> 00:01:36,296 - YOU'RE LITERALLY, LIKE, THE ONLY PHOTOGRAPHER AVAILABLE. 46 00:01:36,406 --> 00:01:37,956 I MEAN, SERIOUSLY, I MUST HAVE CALLED, LIKE, 100 PEOPLE 47 00:01:38,063 --> 00:01:40,313 BEFORE I FOUND YOUR WEB SITE. [giggles] 48 00:01:40,410 --> 00:01:41,100 - THAT MANY, HUH? - WHICH I LOVED. 49 00:01:41,204 --> 00:01:43,214 YOUR WEB SITE-- BEAUTIFUL. 50 00:01:43,310 --> 00:01:44,690 THERE'S NO PEOPLE, THOUGH. 51 00:01:44,794 --> 00:01:47,004 - NO, I'M TRYING TO SPECIALIZE IN PHO-DOG-RAPHY,SO... 52 00:01:47,107 --> 00:01:49,797 - YOU'RE REALLY GOOD. - THANK YOU. 53 00:01:49,902 --> 00:01:50,592 - HOW 'BOUT THIS? - OKAY. 54 00:01:50,696 --> 00:01:52,906 - HE HAS A GREAT STOMACH. - CUTE. 55 00:01:53,009 --> 00:01:54,909 UM... - READY? ONE, TWO, THREE... 56 00:01:55,011 --> 00:01:58,361 YEAH, YOU LIKE THAT? - YES. 57 00:01:58,463 --> 00:02:00,783 - JUST MAKE SURE YOU DON'T TRIPLE-CHECK THAT LIST. OKAY. 58 00:02:00,879 --> 00:02:03,539 OKAY, AT 3:00 YOU HAVE A PHONER WITH KAITLIN LONNER. 59 00:02:03,640 --> 00:02:05,060 TAKE A LOOK AT THESE. - KAITLIN LONNER. 60 00:02:05,159 --> 00:02:06,679 - YEAH, SHE'S A LOCAL BLOGGER. 61 00:02:06,781 --> 00:02:08,271 SITE GETS PLENTY OF TRAFFIC, SO IT'S GOOD. 62 00:02:08,369 --> 00:02:10,229 PUT PENS ON THE LIST TOO. WE NEED PENS. 63 00:02:10,337 --> 00:02:12,197 - PENS? I HAVE PENS. - NO, NO, NO, NO. 64 00:02:12,304 --> 00:02:14,654 LIKE CAMPAIGN PENS. YOU KNOW, PEOPLE LOVE FREE PENS. 65 00:02:14,755 --> 00:02:16,025 - SUCH A GOOD IDEA! 66 00:02:16,136 --> 00:02:17,476 WHEN I GO TO THE DOCTOR'S OFFICE, I'M LIKE, 67 00:02:17,585 --> 00:02:18,965 "OH, THERE'S THE PEN." IT'S EASY TO REMEMBER. 68 00:02:19,069 --> 00:02:20,349 - YOU WANT A FREE PEN, RIGHT? - GOOD MORNING, HONEY. 69 00:02:20,450 --> 00:02:21,830 - MORNING, HONEY. HOW ARE YOU? - I'M GOOD. 70 00:02:21,934 --> 00:02:22,634 COFFEE'S OVER THERE. OKAY. 71 00:02:22,728 --> 00:02:23,488 - IT'S MORE CONVENIENT OVER HERE. 72 00:02:23,591 --> 00:02:25,181 [doorbell rings] IS THAT THE DOOR? 73 00:02:25,283 --> 00:02:26,493 OKAY, THAT'S PROBABLY THE SHORT GUY. 74 00:02:26,594 --> 00:02:29,774 I'M GONNA GRAB IT, YOU GUYS DO THE HUBBY-WIFE THING. 75 00:02:29,873 --> 00:02:30,983 HER ASS IS MINE FOR THE REST OF THE DAY, THOUGH. 76 00:02:31,081 --> 00:02:33,121 - OKAY. LET'S GO. - WOW. 77 00:02:33,222 --> 00:02:34,292 SHE IS SO AMAZING. I'M TELLING YOU, 78 00:02:34,395 --> 00:02:35,565 IF BOB KNEW THAT SHE EXISTED, 79 00:02:35,672 --> 00:02:36,742 HE NEVER WOULD HAVE HIRED ME, EVER. 80 00:02:36,846 --> 00:02:38,566 - HONEY, YOU ARE AN AMAZING CAMPAIGN MANAGER. 81 00:02:38,675 --> 00:02:40,675 - OH, IT WAS FINE, BUT SHE IS ON FIRE. 82 00:02:40,781 --> 00:02:42,061 LIKE, SHE'S ACTUALLY MAKING ME THINK 83 00:02:42,162 --> 00:02:43,472 THAT I CAN DO THIS. 84 00:02:43,577 --> 00:02:45,027 LIKE, I FEEL LIKE A MILLION BUCKS WITH HER. 85 00:02:45,130 --> 00:02:46,720 - SERIOUSLY, THERE'S NO COFFEE? 86 00:02:46,821 --> 00:02:48,271 - ALL RIGHT, SO IT WASN'T THE SHIRT GUY, 87 00:02:48,375 --> 00:02:49,645 BUT OUR JUICE IS HERE. 88 00:02:49,755 --> 00:02:52,335 - GOOD, WE HAVE EXTRACT JUICE, BUT NO COFFEE. 89 00:02:52,448 --> 00:02:53,618 - I'LL PUT IT ON THE LIST. 90 00:02:53,725 --> 00:02:55,485 THE INTERN GUY'S GONNA RUN OUT LATER AND GET IT. 91 00:02:55,589 --> 00:02:57,629 - WE HAVE A MEETING WITH THE RENEWABLE ENERGY PEOPLE, 92 00:02:57,729 --> 00:02:59,699 AND THEY LIKE THEIR KALE LIQUEFIED. 93 00:02:59,800 --> 00:03:01,040 CAN I GET YOUR CREDIT CARD, KRISTINA? 94 00:03:01,146 --> 00:03:02,316 - UM...OH. 95 00:03:02,423 --> 00:03:03,703 [whispering] GIVE HER YOUR CREDIT CARD. 96 00:03:03,804 --> 00:03:04,704 - MINE'S MAXED OUT. - THAT'S NOT-- 97 00:03:04,805 --> 00:03:06,735 THE DELIVERY CHARGE. - NO, NO PROBLEM. 98 00:03:06,841 --> 00:03:08,361 - I HAD TO GET OFFICE SUPPLIES. YOU KNOW HOW-- 99 00:03:08,464 --> 00:03:09,404 - HERE YOU GO, HEATHER. 100 00:03:09,499 --> 00:03:10,599 - THANK YOU. - ALL RIGHT. 101 00:03:10,707 --> 00:03:14,437 - AMAZING HOW FAST YOU RUN OUT OF THINGS. 102 00:03:14,539 --> 00:03:16,019 - THERE'S YOUR COPY. THERE'S YOUR CREDIT CARD 103 00:03:16,126 --> 00:03:16,986 AND YOUR RECEIPT. - OKAY. 104 00:03:17,093 --> 00:03:20,343 - THE TIP IS INCLUDED. 105 00:03:20,441 --> 00:03:23,791 - I MIGHT NEED 20 BUCKS LATER TOO FOR GAS, BUT... 106 00:03:23,893 --> 00:03:25,863 - REALLY? $250 FOR JUICE? 107 00:03:25,964 --> 00:03:27,484 SERIOUSLY? - YEAH. 108 00:03:34,731 --> 00:03:36,351 - AMBER, ARE YOU-- 109 00:03:36,457 --> 00:03:38,317 - OOH! HI. HEY. 110 00:03:38,425 --> 00:03:40,005 HI. - I'M VERY SORRY. 111 00:03:40,116 --> 00:03:41,216 - NO, DON'T. IT'S FINE. HANG ON. 112 00:03:41,324 --> 00:03:43,954 HI. COME IN. DON'T. IT'S FINE. 113 00:03:44,051 --> 00:03:45,431 - I'LL LEAVE. - COME IN HERE. 114 00:03:45,535 --> 00:03:46,945 SHH. IT'S FINE. WHAT'S UP? - IT'S JUST MY ROOMMATE-- 115 00:03:47,054 --> 00:03:49,994 I HAVE A CLASS AT 8:00, AND MY ROOMMATE LOCKED ME OUT. 116 00:03:50,091 --> 00:03:52,341 HE PUT THE-- 117 00:03:52,439 --> 00:03:54,029 HE PUT THE LACROSSE STICK ON THE DOOR. 118 00:03:54,130 --> 00:03:55,820 - UH... - I'M SORRY, WHAT? 119 00:03:55,925 --> 00:03:56,955 - I CAN'T GO IN THERE. I DON'T KNOW-- 120 00:03:57,064 --> 00:03:59,204 - OH, LIKE A TIE, OR WHATEVER? 121 00:03:59,308 --> 00:04:01,518 - YEAH, IT'S-- - IT'S LIKE A-- 122 00:04:01,620 --> 00:04:02,620 - YOU DON'T HAVE A PLACE TO SLEEP? 123 00:04:02,725 --> 00:04:04,545 - YEAH. NO. AND THEN I'M-- - DREW. 124 00:04:04,658 --> 00:04:05,798 - I CAN LEAVE. - THAT'S--NO. STAY. 125 00:04:05,900 --> 00:04:07,010 JUST PUT YOUR STUFF DOWN. STAY HERE. IT'S GREAT. 126 00:04:07,108 --> 00:04:08,208 - YEAH, AND I CAN GO-- 127 00:04:08,317 --> 00:04:10,077 - DREW... - DO YOU GUYS NEED SOMETHING? 128 00:04:10,180 --> 00:04:11,350 - DON'T GO BACK OUT THERE. - YEAH. 129 00:04:11,458 --> 00:04:12,768 WE DON'T REALLY HAVE ANYTHING FOR BREAKFAST. 130 00:04:12,873 --> 00:04:14,433 - HONEY-- WE'LL GET BREAKFAST TOMORROW. 131 00:04:14,530 --> 00:04:15,840 IT'S FINE. - YOU CAN TOTALLY STAY, MAN. 132 00:04:15,945 --> 00:04:17,045 - WE HAVE OUR WHOLE LIVES... 133 00:04:17,153 --> 00:04:18,843 - IF YOU NEED SOMETHING FOR BREAKFAST OR WHATEVER... 134 00:04:18,948 --> 00:04:20,048 - WE HAVE STUFF. IT'S FINE. 135 00:04:20,156 --> 00:04:21,396 OKAY? - ALL RIGHT. 136 00:04:21,502 --> 00:04:22,502 - YOU WANT SOMETHING TO DRINK? - I'M SORRY. 137 00:04:22,607 --> 00:04:23,397 - YOU WANT SOMETHING? - SURE. 138 00:04:23,504 --> 00:04:26,964 - OKAY. THIS IS GONNA BE FUN. 139 00:04:27,059 --> 00:04:28,099 [truck reverse alarm beeping] 140 00:04:28,198 --> 00:04:31,168 - THAT'S IT. BRING HER BACK, MY MAN. 141 00:04:31,271 --> 00:04:33,451 GENTLY. 142 00:04:33,549 --> 00:04:36,099 BRING HER ON BACK. COME ON. 143 00:04:36,206 --> 00:04:39,036 THAT'S IT. YOU GOT PLENTY OF ROOM. 144 00:04:39,140 --> 00:04:42,110 COME ON BACK. 145 00:04:42,212 --> 00:04:45,112 GOOD, BILLY! THAT'S IT. 146 00:04:45,215 --> 00:04:47,245 - WHAT IS THIS? 147 00:04:47,356 --> 00:04:49,076 - HUH? - THIS. 148 00:04:49,185 --> 00:04:51,075 - THIS? - YEAH? 149 00:04:51,187 --> 00:04:53,017 THIS-- COME HERE A MINUTE. 150 00:04:53,120 --> 00:04:59,230 THIS IS A 1965 PONTIAC GTO CONVERTIBLE COUPE. 151 00:04:59,333 --> 00:05:01,613 NOW, YOU GOTTA USE YOUR IMAGINATION, 152 00:05:01,715 --> 00:05:03,295 BUT UNDERNEATH ALL THIS DUST 153 00:05:03,406 --> 00:05:06,026 IS A BEAUTIFUL METALLIC TEAL PAINT JOB. 154 00:05:06,133 --> 00:05:08,103 - WHAT'S IT DOING IN OUR DRIVEWAY? 155 00:05:08,204 --> 00:05:10,664 NOT "IT." NOT "IT." "SHE." 156 00:05:10,758 --> 00:05:11,758 WHAT'S SHEDOING HERE? 157 00:05:11,863 --> 00:05:13,173 OKAY, BILLY, I THINK WE'RE GOOD. 158 00:05:13,278 --> 00:05:14,108 LET HER DOWN. LET'S UNHOOK HER. 159 00:05:14,210 --> 00:05:16,350 COME ON. 160 00:05:16,454 --> 00:05:18,114 ANYWAY, I GOT HER FROM WALTER AT THE VET CENTER. 161 00:05:18,214 --> 00:05:20,224 - YOU BOUGHT IT? WE OWN THIS? 162 00:05:20,320 --> 00:05:23,180 - SHE. WE OWN HER. 163 00:05:23,288 --> 00:05:26,498 I MEAN, IT WAS NO BIG DEAL. DON'T THINK ABOUT THE MONEY. 164 00:05:26,602 --> 00:05:27,672 WALTER PRACTICALLY GAVE HER AWAY. 165 00:05:27,775 --> 00:05:29,565 THE ONLY THING SHE NEEDS IS A BRAND NEW ENGINE, 166 00:05:29,674 --> 00:05:30,404 AND THAT'S GONNA BE THE FUN PART. 167 00:05:30,502 --> 00:05:32,122 - THAT'S A YEAR-LONG PROJECT. 168 00:05:32,228 --> 00:05:34,258 - NO, SIX TO EIGHT MONTHS TOPS. 169 00:05:34,368 --> 00:05:36,578 - THIS IS YOUR ANSWER, RIGHT? 170 00:05:36,681 --> 00:05:39,411 I SAY I WANT TO TALK ABOUT POSSIBLY SELLING THE HOUSE, 171 00:05:39,511 --> 00:05:41,341 AND YOU PULL A YEAR-LONG PROJECT INTO THE DRIVEWAY? 172 00:05:41,444 --> 00:05:44,764 - WOULD YOU QUIT SAYING-- SIX TO EIGHT MONTHS. 173 00:05:44,861 --> 00:05:46,171 COME ON, GIVE ME SOME CREDIT HERE, GIRL. 174 00:05:46,276 --> 00:05:47,486 - HEY, DON'T WALK AWAY FROM ME. 175 00:05:47,588 --> 00:05:49,208 - OKAY, BILLY, LET'S UNHOOK HER! - JAKE. 176 00:05:49,314 --> 00:05:53,254 - COME ON. ISN'T SHE A BEAUTY? 177 00:05:53,353 --> 00:05:56,743 ♪ MAY GOD BLESS AND KEEP YOU ALWAYS ♪ 178 00:05:56,839 --> 00:05:59,359 ♪ AND MAY YOUR WISHES ALL COME TRUE ♪ 179 00:05:59,462 --> 00:06:01,742 ♪ MAY YOU ALWAYS DO FOR OTHERS ♪ 180 00:06:01,844 --> 00:06:04,024 ♪ AND LET OTHERS DO FOR YOU 181 00:06:04,122 --> 00:06:06,752 ♪ MAY YOU BUILD A LADDER TO THE STARS ♪ 182 00:06:06,849 --> 00:06:08,159 ♪ AND CLIMB ON EVERY RUNG 183 00:06:08,264 --> 00:06:11,234 ♪ AND MAY YOU STAY 184 00:06:11,336 --> 00:06:13,856 ♪ FOREVER YOUNG 185 00:06:13,959 --> 00:06:16,479 ♪ MAY YOU GROW UP TO BE RIGHTEOUS ♪ 186 00:06:16,583 --> 00:06:18,723 ♪ MAY YOU GROW UP TO BE TRUE ♪ 187 00:06:18,826 --> 00:06:21,236 ♪ MAY YOU ALWAYS KNOW THE TRUTH ♪ 188 00:06:21,346 --> 00:06:23,446 ♪ AND SEE THE LIGHTS SURROUNDING YOU ♪ 189 00:06:23,555 --> 00:06:26,245 ♪ MAY YOU ALWAYS BE COURAGEOUS ♪ 190 00:06:26,351 --> 00:06:28,351 ♪ STAND UPRIGHT AND BE STRONG ♪ 191 00:06:28,457 --> 00:06:30,317 ♪ AND MAY YOU STAY 192 00:06:30,424 --> 00:06:32,224 ♪ FOREVER YOUNG 193 00:06:32,322 --> 00:06:35,292 ♪ MAY YOU STAY 194 00:06:35,395 --> 00:06:38,775 ♪ FOREVER YOUNG 195 00:06:41,573 --> 00:06:43,613 - VICTOR'S READING SKILLS AREN'T ANYWHERE NEAR 196 00:06:43,713 --> 00:06:45,093 WHERE THEY SHOULD BE. - RIGHT. 197 00:06:45,197 --> 00:06:46,957 I KNOW HE'S A LITTLE BIT BEHIND, 198 00:06:47,061 --> 00:06:49,241 BUT HE HAS, I MEAN, MADE LEAPS AND BOUNDS 199 00:06:49,339 --> 00:06:51,759 SINCE HE'S LIVED WITH US. 200 00:06:51,859 --> 00:06:53,649 - I UNDERSTAND THERE ARE SPECIAL CIRCUMSTANCES, 201 00:06:53,758 --> 00:06:55,858 AND THAT'S WHY I WANTED TO SPEAK WITH YOU BOTH FIRST 202 00:06:55,967 --> 00:06:58,727 BEFORE I MAKE ANY SORT OF A RECOMMENDATION. 203 00:06:58,832 --> 00:07:00,872 - OKAY, WHAT'S HAPPENING HERE? RECOMMENDATION FOR WHAT? 204 00:07:00,972 --> 00:07:02,352 FROM WHAT I'VE SEEN, VICTOR MIGHT BENEFIT 205 00:07:02,456 --> 00:07:05,246 FROM REPEATING THE FOURTH GRADE. 206 00:07:05,355 --> 00:07:09,455 - YOU WANNA-- YOU WANNA HOLD HIM BACK? 207 00:07:09,567 --> 00:07:11,357 - NO, I DON'T WANT TO DO ANYTHING HERE, NOW, 208 00:07:11,465 --> 00:07:13,875 EXCEPT OPEN UP A DIALOGUE. 209 00:07:13,985 --> 00:07:16,635 GENERALLY SPEAKING, WE DON'T LIKE TO MOVE CHILDREN 210 00:07:16,746 --> 00:07:19,226 INTO A DIFFERENT CLASSROOM UNLESS IT'S A LAST RESORT. 211 00:07:19,335 --> 00:07:20,265 - [sighs] 212 00:07:20,370 --> 00:07:23,170 I MEAN, WE READ WITH HIM EVERY NIGHT, 213 00:07:23,270 --> 00:07:25,510 BUT MAYBE WE COULD READ-- DO A LITTLE MORE READING. 214 00:07:25,617 --> 00:07:27,787 I DON'T KNOW. UM... 215 00:07:27,895 --> 00:07:29,445 JULIA'S GOT SOME TIME OFF FROM WORK. 216 00:07:29,552 --> 00:07:31,242 MAYBE YOU COULD. - THAT WOULD BE WONDERFUL. 217 00:07:31,347 --> 00:07:34,447 I MEAN, I WAS GONNA SUGGEST A TUTOR, BUT THAT'S EVEN BETTER. 218 00:07:34,557 --> 00:07:36,527 I CAN GIVE YOU SOME EXTRA READING ASSIGNMENTS 219 00:07:36,628 --> 00:07:38,288 AND EXERCISES. 220 00:07:38,388 --> 00:07:41,938 VICTOR IS REALLY A VERY, VERY SWEET BOY. 221 00:07:42,047 --> 00:07:43,287 - MM-HMM. 222 00:07:43,393 --> 00:07:44,773 - I'D LIKE TO SEE A LITTLE MORE EFFORT, 223 00:07:44,878 --> 00:07:49,048 BUT I THINK THAT'LL COME AS HE GAINS MORE CONFIDENCE AND-- 224 00:07:49,158 --> 00:07:51,328 - SO WHAT IF HE DOESN'T? WHAT IF HE DOESN'T IMPROVE? 225 00:07:51,436 --> 00:07:55,126 - LET'S JUST TAKE A BREATH... 226 00:07:55,233 --> 00:07:56,723 PUT THESE STRATEGIES IN PLACE. 227 00:07:56,821 --> 00:07:58,481 WE'LL SEE IF IT WORKS, AND, UM, 228 00:07:58,581 --> 00:08:01,451 THEN WE'LL WORRY ABOUT MAKING ANY DECISIONS. 229 00:08:01,550 --> 00:08:04,970 - THANK YOU. - MM-HMM. 230 00:08:09,040 --> 00:08:11,150 - ALL RIGHT, GOOD ATTITUDE, ADAM. 231 00:08:11,249 --> 00:08:13,039 CUT THESE COSTS. 232 00:08:13,147 --> 00:08:14,767 - HI. - YEAH. 233 00:08:14,873 --> 00:08:16,883 - CAN I WORK HERE? THE WI-FI'S OUT IN MY BUILDING. 234 00:08:16,979 --> 00:08:18,529 - WOW, YOU GOTTA GET A NEW SUPER. 235 00:08:18,636 --> 00:08:19,596 - I KNEW YOU WERE GONNA SAY THAT. 236 00:08:19,706 --> 00:08:22,256 - YEAH, COME ON IN. 237 00:08:22,363 --> 00:08:23,573 - WHAT ARE YOU DOING? 238 00:08:23,675 --> 00:08:25,505 - I AM WORKING ON KRISTINA'S CAMPAIGN BUDGET. 239 00:08:25,608 --> 00:08:27,438 - DOESN'T SHE HAVE THE WOMAN THAT DOES THAT? 240 00:08:27,541 --> 00:08:29,541 - YEAH, SHE'S GOT A CAMPAIGN MANAGER, HEATHER. 241 00:08:29,647 --> 00:08:31,027 BUT IF I LET HER DO THIS, WE'RE GONNA WIND UP 242 00:08:31,131 --> 00:08:31,961 IN THE HOLE FOR SURE. 243 00:08:32,063 --> 00:08:34,623 $600 FOR PENS! DO WE REALLY NEED PENS? 244 00:08:34,721 --> 00:08:35,831 I DON'T THINK SO. - I LOVE FREE PENS. 245 00:08:35,929 --> 00:08:36,959 - IS THAT GONNA MAKE YOU VOTE FOR SOMEBODY? 246 00:08:37,068 --> 00:08:38,478 - SURE. - WE'RE GONNA WIND UP BANKRUPT. 247 00:08:38,587 --> 00:08:40,727 - LOOK AT THIS. $900 FOR HEAD SHOTS. 248 00:08:40,830 --> 00:08:43,070 GET A PHOTOGRAPHER TO TAKE ONE PICTURE OF KRISTINA 249 00:08:43,177 --> 00:08:44,347 FOR THE LAWN SIGNS AND ALL THE OTHER POSTERS. 250 00:08:44,454 --> 00:08:47,634 - UM... 251 00:08:47,734 --> 00:08:51,194 I'LL DO THE HEAD SHOTS. 252 00:08:51,289 --> 00:08:53,049 - SARAH, I MEAN... - WHAT? 253 00:08:53,153 --> 00:08:54,333 - YOU'VE NEVER WORKED WITH A HUMAN BEING? 254 00:08:54,430 --> 00:08:57,990 - [scoffs] NOT PROFESSIONALLY. 255 00:08:58,089 --> 00:08:59,749 - WELL, I NEED A PROFESSIONAL. THIS IS A CAMPAIGN... 256 00:08:59,849 --> 00:09:00,919 - I AM A PROFESSIONAL. 257 00:09:01,023 --> 00:09:02,513 - I JUST-- I DON'T FEEL GOOD ABOUT WORKING, 258 00:09:02,611 --> 00:09:03,751 YOU KNOW, WITH FAMILY. 259 00:09:03,853 --> 00:09:04,823 I DON'T THINK THAT'S A GOOD IDEA. 260 00:09:04,923 --> 00:09:05,793 - IS THAT WHY YOU WENT INTO BUSINESS 261 00:09:05,890 --> 00:09:07,130 WITH YOUR BROTHER CROSBY, 262 00:09:07,236 --> 00:09:08,576 AND HIRED MY DAUGHTER TO WORK THE FRONT DESK? 263 00:09:08,686 --> 00:09:10,166 - ALL RIGHT, POINT TAKEN. 264 00:09:10,273 --> 00:09:12,863 - MAYBE YOU JUST FEEL GOOD ABOUT WORKING WITH THISFAMILY. 265 00:09:12,966 --> 00:09:14,306 - IF I'M GONNA BE SPENDING CLOSE TO $1,000 266 00:09:14,415 --> 00:09:15,555 ON A PHOTOGRAPH FOR A CAMPAIGN-- - YOU DON'T HAVE TO. 267 00:09:15,658 --> 00:09:16,588 YOU KNOW WHAT? I'LL DO IT FOR FREE. 268 00:09:16,694 --> 00:09:17,524 - FOR FREE? AS IN NO MONEY? - YES. 269 00:09:17,626 --> 00:09:19,006 YES. I WANT THE SHOT. 270 00:09:19,110 --> 00:09:21,220 - SATISFACTION GUARANTEED? - OF COURSE. 271 00:09:21,319 --> 00:09:23,529 - WE DON'T LIKE IT, WE CAN GO SOMEWHERE ELSE? DEAL. 272 00:09:23,632 --> 00:09:24,492 - $100. - $50. 273 00:09:24,598 --> 00:09:27,258 - FINE. - OKAY, IT'S A DEAL. 274 00:09:30,570 --> 00:09:35,230 - [relaxed sigh] 275 00:09:35,333 --> 00:09:38,273 [baby crying] 276 00:09:41,166 --> 00:09:42,436 - I'M ON IT. I'M TOTALLY ON IT. 277 00:09:42,547 --> 00:09:43,887 JUST YOU KEEP RELAXING. [baby crying] 278 00:09:43,997 --> 00:09:45,957 - THANK YOU. 279 00:09:46,068 --> 00:09:47,688 - COME ON. 280 00:09:49,416 --> 00:09:52,006 [baby crying] SWEETIE, SWEETIE. 281 00:09:52,108 --> 00:09:54,418 IT'S BREAST MILK. YOU LIKE BREAST MILK. 282 00:09:54,524 --> 00:09:57,464 I'VE SEEN YOU ENJOYING BREAST-- IT'S JUST BREAST MILK. 283 00:09:57,562 --> 00:09:58,562 [baby crying] YOU DON'T WANT IT. 284 00:09:58,667 --> 00:10:00,877 YOU DON'T WANT IT. 285 00:10:00,979 --> 00:10:03,529 COME ON, YOU STUBBORN LITTLE STINKER. 286 00:10:03,637 --> 00:10:07,117 [baby crying relentlessly] 287 00:10:11,369 --> 00:10:13,029 - HEY, HONEY. 288 00:10:13,129 --> 00:10:13,679 - HI. 289 00:10:13,785 --> 00:10:15,855 - YOU LOOK VERY BEAUTIFUL. 290 00:10:15,960 --> 00:10:17,860 - I LOOK LIKE I SHOULD BE OFFERING YOU PEANUTS 291 00:10:17,962 --> 00:10:19,202 AND AN IN-FLIGHT MAGAZINE. 292 00:10:19,308 --> 00:10:20,378 - THAT IS ONE SEXY FLIGHT ATTENDANT RIGHT THERE. 293 00:10:20,481 --> 00:10:23,731 - HONEY, A MAYOR'S NOT SUPPOSED TO LOOK SEXY. 294 00:10:23,830 --> 00:10:25,040 THEY'RE SUPPOSED TO LOOK "MAYORAL," 295 00:10:25,141 --> 00:10:26,321 WITH MAYBE A HINT OF SEXINESS. - WELL-- 296 00:10:26,418 --> 00:10:30,178 - I FEEL LIKE I NEED A WHOLE NEW WARDROBE, YOU KNOW? 297 00:10:30,284 --> 00:10:33,254 - HEY, UH, HOW WOULD YOU FEEL ABOUT HAVING SARAH 298 00:10:33,356 --> 00:10:33,836 DO YOUR CAMPAIGN PHOTO? 299 00:10:33,943 --> 00:10:36,333 - YOUR SISTER? - YEAH. 300 00:10:36,428 --> 00:10:37,498 SHE SAID SHE'D DO IT FOR FREE. 301 00:10:37,602 --> 00:10:39,782 50 BUCKS, SO PRACTICALLY FREE. 302 00:10:39,880 --> 00:10:41,190 - BUT THIS PHOTO HAS TO BE AWESOME. 303 00:10:41,295 --> 00:10:42,465 WE NEED A GOOD PROFESSIONAL IMAGE. 304 00:10:42,572 --> 00:10:44,332 - SARAH WILL DO A GOOD JOB. - HONEY... 305 00:10:44,436 --> 00:10:45,366 CHECK IT OUT. - YEP. 306 00:10:45,472 --> 00:10:46,472 - HOT OFF THE PRESSES, OKAY? - WE CAN DO THAT. 307 00:10:46,576 --> 00:10:48,646 - WE NEED A PROFESSIONAL. 308 00:10:48,751 --> 00:10:50,131 - WE DON'T NEED A PROFESSIONAL PHOTOGRAPHER. 309 00:10:50,235 --> 00:10:51,745 IT'S GONNA COST $1,000. WE'VE ALREADY SPENT $5,000 310 00:10:51,858 --> 00:10:53,548 ON THIS CAMPAIGN, AND IT'S STRESSING ME OUT. 311 00:10:53,653 --> 00:10:55,033 - TECHNICALLY, THIS ISN'T REALLY OUR MONEY. 312 00:10:55,137 --> 00:10:56,067 - OH, IT IS OUR MONEY. - WE'RE GONNA GET REIMBURSED. 313 00:10:56,172 --> 00:10:58,212 - OH, IT'S OUR MONEY. I'M NOT SUGGESTING 314 00:10:58,312 --> 00:11:00,522 THAT WE STOP SPENDING MONEY ON YOUR CAMPAIGN. 315 00:11:00,625 --> 00:11:01,515 I'M JUST SAYING SLOW DOWN UNTIL WE KNOW 316 00:11:01,626 --> 00:11:03,486 THAT THERE ARE SOME DONATIONS COMING IN. 317 00:11:03,593 --> 00:11:04,663 - THERE ARE DONATIONS COMING IN, OKAY? 318 00:11:04,767 --> 00:11:06,837 - TELL YOU WHAT. - WHAT? 319 00:11:06,942 --> 00:11:09,912 - CAN I JUST SIT DOWN WITH YOU JUST FOR A SECOND? 320 00:11:10,014 --> 00:11:12,024 LOOK, I JUST WANT TO SHOW YOU A COUPLE DIFFERENT WAYS 321 00:11:12,119 --> 00:11:14,879 WE CAN TRIM THE BUDGET. - YOU WENT THROUGH MY BUDGET? 322 00:11:14,984 --> 00:11:15,434 WHY DID YOU-- - I DID. 323 00:11:15,536 --> 00:11:17,876 - FOR WHAT? 324 00:11:17,987 --> 00:11:20,297 - WE'RE SPENDING OUR MONEY ON THE CAMPAIGN RIGHT NOW-- 325 00:11:20,403 --> 00:11:21,513 - ADAM, I KNOW THAT WE'RE SPENDING OUR MONEY RIGHT NOW, 326 00:11:21,611 --> 00:11:23,681 BUT WE'RE GONNA PAY OURSELVES BACK. 327 00:11:23,786 --> 00:11:25,506 - I JUST WANT TO PULL BACK A LITTLE BIT 328 00:11:25,615 --> 00:11:27,125 UNTIL WE KNOW THAT WE HAVE THE DONATIONS COMING IN 329 00:11:27,238 --> 00:11:29,648 TO COVER THESE EXPENSES, OKAY? - THE DONATIONS ARE COMING IN, 330 00:11:29,758 --> 00:11:30,968 AND WE'RE GONNA RAISE ENOUGH MONEY 331 00:11:31,069 --> 00:11:32,139 TO COVER ALL OF OUR EXPENSES. 332 00:11:32,243 --> 00:11:32,833 - OKAY, JUST STOP FOR ONE SECOND, ALL RIGHT? 333 00:11:32,933 --> 00:11:34,493 - NO, YOU'RE PISSING ME OFF. 334 00:11:34,590 --> 00:11:35,830 - I'M SORRY I'M MAKING YOU MAD. 335 00:11:35,936 --> 00:11:36,626 THIS IS A REALITY CHECK. - I GUESS SO IT'S... 336 00:11:36,730 --> 00:11:38,870 - YOU'RE A FIRST-TIME CANDIDATE. 337 00:11:38,974 --> 00:11:40,774 - AM I REALLY? - YOU'RE LATE TO THE RACE. 338 00:11:40,872 --> 00:11:41,772 - I DIDN'T KNOW THAT. - AND I WANT TO MAKE SURE 339 00:11:41,873 --> 00:11:42,983 THAT WE'RE GONNA BE ABLE TO COME UP 340 00:11:43,081 --> 00:11:44,501 WITH ENOUGH DONATIONS TO COVER THESE EXPENSES. 341 00:11:44,600 --> 00:11:46,980 - I DON'T THINK THAT I KNOW THAT BOB LITTLE WANTS TO SEE ME, 342 00:11:47,085 --> 00:11:48,495 LIKE, CRASH AND BURN, AND THAT I'M A FIRST-TIME 343 00:11:48,604 --> 00:11:51,264 POLITICAL CANDIDATE, AND THIS IS GONNA BE A TOUGH RUN FOR ME? 344 00:11:51,365 --> 00:11:52,945 YOU DON'T THINK I KNOW THAT, ADAM? 345 00:11:53,057 --> 00:11:54,197 - OKAY. - NO, HOLD ON A SECOND. 346 00:11:54,299 --> 00:11:56,129 WHEN YOU WANTED TO OPEN UP THE LUNCHEONETTE, 347 00:11:56,232 --> 00:11:58,582 I SUPPORTED YOU 100%, AND IT WAS TEN TIMES CRAZIER, 348 00:11:58,683 --> 00:12:00,033 AND TEN TIMES MORE EXPENSIVE THAN THIS. 349 00:12:00,133 --> 00:12:02,143 - IT'S WORKED OUT, OKAY? AND BY THE WAY, AT THE TIME, 350 00:12:02,238 --> 00:12:03,448 YOU CALLED ME NUTS. - I DID CALL YOU NUTS. 351 00:12:03,550 --> 00:12:05,620 BUT I SUPPORTED YOU. - AND I'M SUPPORTING YOU. 352 00:12:05,725 --> 00:12:08,035 I'M JUST TRYING TO HELP OUT. - I'VE ALWAYS SUPPORTED YOU. 353 00:12:08,141 --> 00:12:10,281 - I JUST DON'T WANT TO SEE US GET INTO FINANCIAL TROUBLE HERE. 354 00:12:10,384 --> 00:12:11,564 KRISTINA, THAT'S ALL I'M DOING. - YOU'RE NOT TRUSTING ME 355 00:12:11,661 --> 00:12:13,701 IS WHAT YOU'RE DOING. 356 00:12:13,802 --> 00:12:16,562 THANK YOU, BUDGET BOY. 357 00:12:16,666 --> 00:12:18,596 - "BUDGET BOY." GREAT. 358 00:12:18,703 --> 00:12:20,913 [sighs] 359 00:12:32,061 --> 00:12:34,241 - I HAVEN'T SLEPT. - OH. 360 00:12:34,339 --> 00:12:36,509 - I'VE JUST BEEN THINKING ABOUT THIS VICTOR SITUATION. 361 00:12:36,617 --> 00:12:38,027 - OH... 362 00:12:38,136 --> 00:12:40,136 - YOU KNOW, MISS MIKINDOE IS RIGHT? 363 00:12:40,242 --> 00:12:43,212 HIS READING LEVEL IS NOT UP TO A FIFTH GRADE READING LEVEL. 364 00:12:43,314 --> 00:12:44,764 I MEAN, IT'S NOT EVEN FOURTH GRADE READING LEVEL, 365 00:12:44,867 --> 00:12:45,897 IF WE'RE BEING HONEST WITH OURSELVES. 366 00:12:46,006 --> 00:12:47,346 - WHICH IS WHY SHE WANTED TO HAVE US IN 367 00:12:47,456 --> 00:12:48,766 TO TALK ABOUT READING WITH HIM MORE. 368 00:12:48,871 --> 00:12:51,461 - BUT I'VE BEEN READING WITH HIM CONSTANTLY. 369 00:12:51,563 --> 00:12:53,673 - OKAY, WELL, MAYBE I CAN COME HOME FROM WORK 370 00:12:53,773 --> 00:12:55,153 A LITTLE EARLY A COUPLE NIGHTS A WEEK. 371 00:12:55,257 --> 00:12:56,667 AND IF I CAN'T DO THAT, THEN WE'LL FIND A TUTOR FOR HIM. 372 00:12:56,776 --> 00:12:59,916 - I DON'T KNOW HOW MUCH MORE WE CAN DO... 373 00:13:00,020 --> 00:13:01,330 REALLY, THAT WE HAVEN'T ALREADY DONE. 374 00:13:01,435 --> 00:13:02,945 WE HAVE DONE IT, AND IT HASN'T WORKED. 375 00:13:03,058 --> 00:13:06,718 AND IT'S NOT GONNA WORK IN THE TIME FRAME THAT WE HAVE. 376 00:13:06,820 --> 00:13:08,060 I MEAN... GOD, HE'S GONNA BE 377 00:13:08,166 --> 00:13:09,926 IN THE SAME GRADE AS SYDNEY, AND I DON'T EVEN KNOW 378 00:13:10,030 --> 00:13:11,100 HOW TO BEGIN TO TACKLE THAT. 379 00:13:11,204 --> 00:13:12,624 - JULES, WE'RE NOT EVEN THERE YET. 380 00:13:12,722 --> 00:13:14,972 - WE--HOW CLOSE TO THERE DO WE HAVE TO BE? 381 00:13:15,070 --> 00:13:17,380 SHE SAID SHE WANTS TO HOLD HIM BACK, BASICALLY-- 382 00:13:17,486 --> 00:13:18,686 THAT SHE WAS WAITING BECAUSE OF, YOU KNOW, 383 00:13:18,798 --> 00:13:20,658 HIS SPECIAL CIRCUMSTANCES, WHICH IS-- 384 00:13:20,765 --> 00:13:23,695 EHH, I HATE THAT. - OKAY. 385 00:13:23,803 --> 00:13:26,813 JUST LET'S... DEEP BREATHS HERE. 386 00:13:26,909 --> 00:13:29,289 WERE WE EVEN IN THE SAME CONVERSATION? 387 00:13:29,394 --> 00:13:30,124 YOU KNOW WHAT I HEARD? 388 00:13:30,223 --> 00:13:30,843 I HEARD A TEACHER TELLING US 389 00:13:30,948 --> 00:13:34,088 THAT WE GOT A GOOD KID. 390 00:13:34,192 --> 00:13:35,922 CAN WE TAKE OUR FINGER OFF THE NUCLEAR LAUNCH BUTTON? 391 00:13:36,022 --> 00:13:41,272 - I'M NOT GOING NUCLEAR. I'M... 392 00:13:41,372 --> 00:13:44,002 GOING A LITTLE...NUCLEAR. - GOING A LITTLE NUCLEAR. 393 00:13:44,099 --> 00:13:45,269 - THAT'S OKAY. - BUT-- 394 00:13:45,376 --> 00:13:46,376 - IT'S A TOUGH CONVERSATION TO HAVE, 395 00:13:46,480 --> 00:13:48,170 BUT THAT'S ALL IT WAS-- A CONVERSATION. 396 00:13:48,275 --> 00:13:52,865 - IT WAS A CONVERSATION ABOUT HOLDING OUR KID BACK A YEAR. 397 00:13:54,799 --> 00:13:56,279 - CAN I JUST GET COFFEE? - YEAH. 398 00:13:56,387 --> 00:13:58,077 - ALL RIGHT. 399 00:14:07,881 --> 00:14:09,501 - HEY, BERTO. 400 00:14:09,607 --> 00:14:11,887 - NICE ROBE, ROOMMATE. 401 00:14:11,989 --> 00:14:15,579 HEY, SO I MIGHT NEED SOME PRIVATE TIME TONIGHT. 402 00:14:15,682 --> 00:14:19,132 IT'S NOT 100% YET, BUT I GOT A STRONG FEELING. 403 00:14:19,237 --> 00:14:22,897 - OKAY, UM, ACTUALLY, I HAVE A CLA-- 404 00:14:23,000 --> 00:14:23,590 HEY, NATALIE. 405 00:14:23,690 --> 00:14:26,900 - OH, UH, HI... 406 00:14:27,004 --> 00:14:28,904 GUY FROM ACROSS THE-- DREW. RIGHT. 407 00:14:29,006 --> 00:14:33,036 - YEAH. HEY. - HEY. 408 00:14:33,148 --> 00:14:36,008 - WE HAVE THE SAME SHOWER CADDY. 409 00:14:36,116 --> 00:14:37,876 - [chuckles] LOOK AT THAT. YEAH. 410 00:14:37,980 --> 00:14:39,600 CRAZY SMALL WORLD. - YEAH. 411 00:14:39,706 --> 00:14:41,466 UM... 412 00:14:43,779 --> 00:14:45,919 THE LINE, IT'S-- 413 00:14:46,023 --> 00:14:49,303 IS A--JUST WAIT UNTIL THE LINE'S KINDA... 414 00:14:49,405 --> 00:14:51,435 - NICE WORK, DUDE. - SEE YA. 415 00:14:51,545 --> 00:14:54,095 - HANK, CAN I BORROW THE FLAG STAND? 416 00:14:54,203 --> 00:14:55,273 - YOU'RE NOT REALLY ASKING 417 00:14:55,377 --> 00:14:57,407 'CAUSE IT'S ALREADY IN THE CART, RIGHT? SO... 418 00:14:57,517 --> 00:14:58,997 - HANK, CAN I BORROW THE FLAG STAND 419 00:14:59,105 --> 00:15:00,065 THAT I ALREADY HAVE IN THE CART? 420 00:15:00,175 --> 00:15:03,035 - YES. BUT IF ONE OF YOUR DOG CLIENTS 421 00:15:03,143 --> 00:15:04,833 DOES SOMETHING ON IT, I'M GONNA WANT A NEW ONE. 422 00:15:04,938 --> 00:15:06,938 - THANK YOU FOR ASKING. 423 00:15:07,044 --> 00:15:09,054 UH, MY CLIENT TOMORROW IS NOT A DOG. 424 00:15:09,149 --> 00:15:11,569 IT IS A REAL LIVE HUMAN BEING. 425 00:15:11,669 --> 00:15:12,699 - REALLY? - MM-HMM. 426 00:15:12,808 --> 00:15:14,328 - IS IT AGAINST THEIR WILL, OR-- 427 00:15:14,430 --> 00:15:16,330 - THAT'S VERY FUNNY. IN FACT, 428 00:15:16,432 --> 00:15:17,742 MY CLIENT IS VERY PRESTIGIOUS. 429 00:15:17,847 --> 00:15:18,777 IT'S A MAYORAL CANDIDATE. 430 00:15:18,883 --> 00:15:20,953 - OH, YEAH, I GOT IT. - YEAH. 431 00:15:21,058 --> 00:15:24,098 - YOUR SISTER-IN-LAW, RIGHT? YEAH, RUNNING FOR MAYOR. 432 00:15:24,199 --> 00:15:26,889 - SO? DON'T SAY IT LIKE THAT, LIKE THAT'S NOT A REAL JOB. 433 00:15:26,995 --> 00:15:28,885 IT'S A REAL JOB. SHE'S STILL RUNNING FOR MAYOR. 434 00:15:28,997 --> 00:15:30,927 I'M EXCITED. YOU COULD BE EXCITED FOR ME. 435 00:15:31,033 --> 00:15:32,143 - I AM. IT'S EXCITING. - THANKS. 436 00:15:32,241 --> 00:15:34,141 - YOU WHAT WOULD BE EXCITING? MAKE SOME MONEY, 437 00:15:34,243 --> 00:15:36,213 AND MAYBE YOU BUY SOME EQUIPMENT. 438 00:15:36,314 --> 00:15:37,324 [phone ringing] - OH, LOOK AT THIS. 439 00:15:37,419 --> 00:15:40,969 THE REPRESENTATIVE OF MY FAMOUS CLIENT. 440 00:15:41,078 --> 00:15:43,318 HI, ADAM. - YOUR SISTER-IN-LAW, YOU MEAN. 441 00:15:43,425 --> 00:15:46,525 - YEAH. 442 00:15:46,635 --> 00:15:50,425 OH. 443 00:15:50,535 --> 00:15:52,325 REALLY? 444 00:15:54,712 --> 00:15:57,202 NO, I DO GET IT. THANK YOU. 445 00:15:57,301 --> 00:15:58,791 I'LL TALK TO YOU ABOUT IT LATER. 446 00:15:58,888 --> 00:16:02,438 NO, THANKS FOR CALLING. OKAY, BYE. 447 00:16:04,446 --> 00:16:07,206 UM, KRISTINA DECIDED SHE WANTS SOMEBODY 448 00:16:07,311 --> 00:16:08,801 WITH MORE EXPERIENCE. 449 00:16:08,898 --> 00:16:11,688 - GET THE NEXT ONE, THEN. ALL RIGHT? 450 00:16:11,798 --> 00:16:14,698 - YEAH. 451 00:16:14,801 --> 00:16:17,871 - YOU KNOW, I'VE BEEN PASSED OVER SO MANY TIMES ON JOBS, 452 00:16:17,977 --> 00:16:19,627 IT'S REALLY NO BIG DEAL. 453 00:16:19,737 --> 00:16:20,837 - YEAH, BUT YOU GET PASSED OVER 454 00:16:20,945 --> 00:16:23,255 BECAUSE YOU HAVE A WEIRD PERSONALITY. 455 00:16:23,361 --> 00:16:24,951 BUT... - THAT'S TOTALLY NOT TRUE. 456 00:16:25,053 --> 00:16:26,923 - ANYWAY, THIS IS MY FAMILY, 457 00:16:27,020 --> 00:16:29,750 AND THEY'RE JUST NOT EVEN TAKING ME SERIOUSLY. 458 00:16:29,850 --> 00:16:32,960 - WHY WOULD THEY? REALLY. 459 00:16:33,061 --> 00:16:34,581 NO, I MEAN--I MEAN-- - NO, NO. 460 00:16:34,683 --> 00:16:36,343 JUST DON'T SUGARCOAT IT. - NO, NO, NO. 461 00:16:36,443 --> 00:16:40,283 LOOK, WHEN I MET YOU, YOU WERE A PLAYWRIGHT...SOMETHING, 462 00:16:40,378 --> 00:16:42,858 AND THEN A...A...GRAPHIC-- 463 00:16:42,967 --> 00:16:44,307 YOU DID STUFF WITH-- - GRAPHIC DESIGNER. 464 00:16:44,417 --> 00:16:46,107 - YEAH, YOU WERE THAT TOO. - I DID THAT A LONG TIME AGO. 465 00:16:46,212 --> 00:16:48,462 - BUT YOU WERE...FLIGHTY. 466 00:16:48,559 --> 00:16:50,839 THEY DON'T TAKE YOU SERIOUSLY BECAUSE THEY KNOW YOU. 467 00:16:50,940 --> 00:16:52,910 - [scoffs] - SO THAT'S NOT AN INSULT. 468 00:16:53,012 --> 00:16:55,912 I'M JUST SAYING STRANGERS DON'T KNOW YOU. 469 00:16:56,015 --> 00:16:57,945 NO, I'M SERIOUS. - I KNOW. 470 00:16:58,051 --> 00:17:01,161 - WORKING WITH FAMILY IS-- IS HELL. 471 00:17:01,261 --> 00:17:02,781 STRANGERS DON'T KNOW WHO YOU ARE. 472 00:17:02,883 --> 00:17:04,953 YOU GOT A CLEAN SLATE. 473 00:17:05,058 --> 00:17:08,228 - WELL, YOU KNOW ME. DO YOU TAKE ME SERIOUSLY? 474 00:17:09,994 --> 00:17:12,274 OH...OKAY. 475 00:17:12,376 --> 00:17:14,266 - OKAY WHAT? LET ME ANSWER. - NO, YOU PAUSED. 476 00:17:14,378 --> 00:17:15,968 THE PAUSE SAYS IT ALL. - I PAUSE ON EVERYTHING. 477 00:17:16,069 --> 00:17:17,239 - NO, NO. NOT THAT KIND. 478 00:17:17,346 --> 00:17:18,826 - I GOT A-- - DON'T TRY TO FIX IT. 479 00:17:18,934 --> 00:17:20,214 I'VE GOTTA GO. 480 00:17:20,315 --> 00:17:21,275 - THAT'S EXACTLY WHAT I'M TALKING ABOUT. 481 00:17:21,385 --> 00:17:22,205 - WHAT? 482 00:17:22,317 --> 00:17:23,317 - YOU GET A LITTLE FLIGHTY WITH-- 483 00:17:23,421 --> 00:17:24,631 - I'M NOT GETTING FLIGHTY. 484 00:17:24,733 --> 00:17:26,293 I'M EXITING. I'M LEAVING. - YOU KNOW, 485 00:17:26,390 --> 00:17:27,870 SOMETIMES YOU PAUSE FOR EFFECT. 486 00:17:27,977 --> 00:17:29,317 - I'LL JUST TALK TO YOU LATER. 487 00:17:29,427 --> 00:17:31,527 - THIS IS FLIGHTY, WHAT YOU'RE DOING RIGHT NOW. 488 00:17:31,636 --> 00:17:33,256 [door opens] 489 00:17:33,362 --> 00:17:34,362 HMM. 490 00:17:34,467 --> 00:17:36,947 - IF I CHOOSE MY STATE PROJECT ON HAWAII, 491 00:17:37,056 --> 00:17:39,746 DOES THAT MEAN WE COULD TAKE A TRIP THERE? 492 00:17:39,851 --> 00:17:41,301 - VICTOR, YOU KNOW WHAT? STATES ARE NOT ASSIGNED 493 00:17:41,405 --> 00:17:42,535 FOR ANOTHER MONTH OR SO, 494 00:17:42,647 --> 00:17:45,027 SO LET'S JUST FOCUS ON THE WORK YOU HAVE NOW. 495 00:17:45,133 --> 00:17:45,893 - LIKE THE READINGS WE WERE DOING. 496 00:17:45,995 --> 00:17:47,995 WE GOT THROUGH TWO CHAPTERS 497 00:17:48,101 --> 00:17:50,141 OF ISLAND OF THE BLUE DOLPHINS LAST NIGHT. 498 00:17:50,241 --> 00:17:51,171 - THAT'S GREAT. - YEAH. 499 00:17:51,277 --> 00:17:52,967 - WERE YOU GUYS TRADING OFF READING, 500 00:17:53,072 --> 00:17:56,392 OR JUST DAD? - DAD READ. 501 00:17:56,489 --> 00:17:58,869 - VICTOR FOLLOWED ALONG, THOUGH. - OKAY. 502 00:17:58,974 --> 00:18:02,124 HOW DO YOU LIKE THE BOOK? 503 00:18:03,875 --> 00:18:05,145 WELL, WHAT WAS IT ABOUT? 504 00:18:05,256 --> 00:18:07,046 - IT'S... [exhales] 505 00:18:07,155 --> 00:18:09,395 - VICTOR, YOU READ TWO CHAPTERS? 506 00:18:09,502 --> 00:18:10,852 YOU OUGHT TO BE ABLE TO TELL ME WHAT IT'S ABOUT. 507 00:18:10,951 --> 00:18:14,511 - IT WAS ABOUT, LIKE, OTTERS, AND DUMB STUFF LIKE THAT. 508 00:18:14,610 --> 00:18:16,060 - OKAY, WHAT ABOUT THE MAIN CHARACTER? 509 00:18:16,164 --> 00:18:18,204 - OKAY, IT'S TIME TO BRUSH TEETH. 510 00:18:18,304 --> 00:18:20,104 YOU GUYS, I'M DRIVING YOU TODAY, SO GET GOING. 511 00:18:20,202 --> 00:18:21,762 - OH. 512 00:18:21,859 --> 00:18:24,309 - COME ON. - HMM. 513 00:18:26,795 --> 00:18:29,795 [knock on door] - HELLO? 514 00:18:29,901 --> 00:18:31,011 - OH, HEY. - HI. 515 00:18:31,110 --> 00:18:32,110 - HOW ARE YOU? - HOW YOU DOING, STRANGER? 516 00:18:32,214 --> 00:18:34,394 - DO YOU HAVE A MINUTE? - OF COURSE I DO. 517 00:18:34,492 --> 00:18:35,392 - I'M SURE YOU'RE REALLY BUSY. - I AM A LITTLE-- 518 00:18:35,493 --> 00:18:36,943 - WOW. - JUST GETTING THINGS UNDERWAY. 519 00:18:37,046 --> 00:18:39,076 IT'S CRAZY, RIGHT? - THAT'S AMAZING. 520 00:18:39,187 --> 00:18:41,147 IT LOOKS INCREDIBLE. - IT'S SO FUN. 521 00:18:41,258 --> 00:18:42,908 - YEAH. - I JUST GOT THE BALLOONS DONE. 522 00:18:43,018 --> 00:18:45,468 - GREAT. - AND THE CAMPAIGN SIGNS. 523 00:18:45,572 --> 00:18:47,262 SO EVERYTHING'S COMING TOGETHER. 524 00:18:47,367 --> 00:18:49,777 - KRISTINA, I BELIEVE IN YOU. 525 00:18:49,887 --> 00:18:51,817 AND WHILE I KNOW THAT YOU HAVEN'T CHOSEN ME 526 00:18:51,923 --> 00:18:53,243 AS YOUR PHOTOGRAPHER YET, 527 00:18:53,339 --> 00:18:55,409 I ALSO KNOW THAT YOU HAVEN'T SEEN 528 00:18:55,513 --> 00:18:57,343 SOME OF MY MOST RECENT WORK, AND I THOUGHT 529 00:18:57,446 --> 00:18:59,476 MAYBE IF YOU SAW IT, YOU'D CHANGE YOUR MIND. 530 00:18:59,586 --> 00:19:00,896 - I WOULD LOVE TO SEE YOUR-- YEAH, OF COURSE. 531 00:19:01,001 --> 00:19:04,071 - NOW, THIS IS WAFFLES, BUT WHAT I WANT YOU TO SEE 532 00:19:04,177 --> 00:19:05,967 IS JUST HIS EYES, AND THE WARMTH... 533 00:19:06,075 --> 00:19:08,455 - YEAH. - AND INTELLIGENCE... 534 00:19:08,561 --> 00:19:09,911 - SEEMS LIKE A NICE DOG. - IN HIS EYES. 535 00:19:10,010 --> 00:19:13,290 THIS CAT WAS CROSS-EYED, SO IT'S NOT THE BEST EXAMPLE. 536 00:19:13,393 --> 00:19:15,743 AGAIN, IT'S JUST CAPTURING PERSONALITY. 537 00:19:15,844 --> 00:19:18,924 WHAT I KNOW I CAN DO BETTER THAN A STRANGER 538 00:19:19,019 --> 00:19:21,329 IS CAPTURE YOU. 539 00:19:21,436 --> 00:19:24,576 - SARAH, LISTEN... - WHAT'S STRONG AND BEAUTIFUL... 540 00:19:24,680 --> 00:19:26,580 - I LOVE HOW PASSIONATE YOU ARE. - AND SMART ABOUT YOU. 541 00:19:26,682 --> 00:19:28,312 AND I CAN GET THAT. - THANK YOU. 542 00:19:28,408 --> 00:19:30,688 I LOVE HOW PASSIONATE YOU ARE, BUT I-- 543 00:19:30,790 --> 00:19:33,550 I HAVE TO HAVE-- 544 00:19:33,655 --> 00:19:34,965 I JUST NEED A PROFESS-- - I UNDERSTAND. 545 00:19:35,070 --> 00:19:39,590 - I NEED SOMEONE THAT HAS DONE IT SO MANY TIMES BEFORE. 546 00:19:39,695 --> 00:19:41,835 - OR DO YOU NEED SOMEONE WHO KNOWS YOU SO WELL 547 00:19:41,939 --> 00:19:43,939 THAT THEY CAN BRING OUT WHAT'S BEAUTIFUL AND STRONG 548 00:19:44,044 --> 00:19:46,124 AND SMART ABOUT YOU? 549 00:19:46,219 --> 00:19:49,189 I WOULD ARGUE I'M THAT PERSON. 550 00:19:49,291 --> 00:19:51,261 I KNOW I DON'T HAVE A LOT OF EXPERIENCE, BUT-- 551 00:19:51,362 --> 00:19:52,612 - THIS HAS TO BE MY ONE SHOT. 552 00:19:52,708 --> 00:19:54,088 I GET ONE SHOT AT THIS PHOTO. 553 00:19:54,193 --> 00:19:56,163 I HAVE TO BRING IT TO THE PRINTERS BY THE END OF THE WEEK. 554 00:19:56,264 --> 00:19:58,824 - THIS IS AN IMPORTANT SHOT FOR ME TOO. 555 00:19:58,921 --> 00:20:00,271 [exhales] 556 00:20:03,547 --> 00:20:04,577 - TO TELL YOU THE TRUTH, 557 00:20:04,686 --> 00:20:06,546 NOT A LOT OF PEOPLE THINK I'M GONNA WIN. 558 00:20:06,653 --> 00:20:08,903 - WELL, I'M NOT ONE OF THOSE PEOPLE. 559 00:20:10,174 --> 00:20:14,974 - THANK YOU. UM... 560 00:20:15,075 --> 00:20:15,965 OKAY. 561 00:20:16,076 --> 00:20:18,076 - OKAY? - OKAY. 562 00:20:18,182 --> 00:20:20,562 WHY NOT? - THANK YOU SO MUCH. 563 00:20:20,667 --> 00:20:22,187 YOU WON'T REGRET IT. I SWEAR, YOU WON'T REGRET IT. 564 00:20:22,290 --> 00:20:25,470 I WOULDN'T DO THIS IF I DIDN'T THINK I COULD DO IT 100%, OKAY? 565 00:20:25,569 --> 00:20:26,739 - LET'S DO IT. LET'S DO IT. 566 00:20:26,846 --> 00:20:27,916 - THANK YOU SO MUCH. - YOU'RE WELCOME. 567 00:20:28,019 --> 00:20:29,229 - THIS IS GONNA BE GREAT. 568 00:20:35,441 --> 00:20:36,991 - JULIA. 569 00:20:37,097 --> 00:20:39,097 JULIA? 570 00:20:39,203 --> 00:20:41,383 HEY. - HI. 571 00:20:41,481 --> 00:20:43,381 - HOW YOU DOING? TOOK A LITTLE TRIP THERE, HUH? 572 00:20:43,483 --> 00:20:46,423 - YEAH. I'M SORRY, I'M A LITTLE OUT OF IT. 573 00:20:46,521 --> 00:20:48,321 - YEAH. - OH... 574 00:20:48,419 --> 00:20:49,389 - ALL RIGHT, I'M JUST GONNA-- 575 00:20:49,489 --> 00:20:51,459 - UH, NO, NO, NO. 576 00:20:51,560 --> 00:20:53,320 I'M SORRY. I'M FINE. 577 00:20:53,424 --> 00:20:56,534 I MEAN, I'M NOT FINE, BUT YOU DON'T HAVE TO GO. 578 00:20:56,634 --> 00:20:58,914 - WELL, I'M ASSUMING YOU WEREN'T IN BORA BORA 579 00:20:59,016 --> 00:21:01,976 JUST NOW, HUH? 580 00:21:02,088 --> 00:21:05,298 - VICTOR'S TEACHER IS TALKING TO US ABOUT HOLDING HIM BACK. 581 00:21:05,402 --> 00:21:08,032 BUT YOU DON'T KNOW THAT. I DIDN'T SAY THAT. 582 00:21:08,128 --> 00:21:10,338 PLEASE, JUST KEEP THAT TO YOURSELF. 583 00:21:10,441 --> 00:21:12,691 - YEAH. NO, I'M-- I'M SORRY. 584 00:21:12,788 --> 00:21:14,888 I WOULD NOT SAY ANYTHING AT ALL. - MMM. 585 00:21:14,997 --> 00:21:16,787 - THAT'S-- THAT'S ROUGH. 586 00:21:16,896 --> 00:21:17,756 - WELL, THAT'S WHERE I WAS GOING. 587 00:21:17,862 --> 00:21:19,932 I MEAN, PLAYING OUT THE SCENARIOS. 588 00:21:20,037 --> 00:21:22,487 KEEP HIM IN FIFTH GRADE, DO I PUT HIM BACK IN FOURTH GRADE? 589 00:21:22,591 --> 00:21:24,771 DO I HOME SCHOOL HIM? 590 00:21:24,869 --> 00:21:25,909 I MEAN, I DON'T KNOW. 591 00:21:26,008 --> 00:21:27,598 - SO IT'S NOT, LIKE, DEFINITELY HAPPENING? 592 00:21:27,700 --> 00:21:29,390 - NO. SHE JUST WANTED TO OPEN THE CONVERSATION. 593 00:21:29,495 --> 00:21:30,735 - OH. - SO WE'RE STILL WAITING TO SEE. 594 00:21:30,841 --> 00:21:32,011 - GOD, I HATE IT WHEN SCHOOLS SAY CRAP LIKE THAT 595 00:21:32,118 --> 00:21:34,148 BECAUSE IT'S--YOU EITHER DO IT OR DON'T DO IT. 596 00:21:34,258 --> 00:21:36,738 BUT EVERY SECOND THAT YOU KEEP WAITING, 597 00:21:36,847 --> 00:21:38,917 THE POOR KID IS GETTING MORE SETTLED IN THE FIFTH GRADE. 598 00:21:39,021 --> 00:21:41,891 IT'S STUPID. 599 00:21:41,990 --> 00:21:43,090 WOW, THAT IS SO NOT MY PLACE TO SAY. 600 00:21:43,198 --> 00:21:47,058 - NO, NO. YOU'RE ABSOLUTELY RIGHT. 601 00:21:47,167 --> 00:21:48,957 HUH. 602 00:21:49,066 --> 00:21:53,306 - DICK CHENEY FAILED OUT OF YALE...TWICE. 603 00:21:53,415 --> 00:21:54,795 - [chuckles] 604 00:21:54,899 --> 00:21:55,899 NOT REALLY SURE WHERE YOU PUT THAT 605 00:21:56,004 --> 00:21:57,874 ON YOUR PRO/CON LIST, THOUGH. - EXACTLY. 606 00:21:57,971 --> 00:22:00,321 WHAT MAKES YOU THINK I HAVE A PRO/CON LIST? 607 00:22:00,422 --> 00:22:01,842 - OH, COME ON. YOU'RE A FORMER LAWYER. 608 00:22:01,941 --> 00:22:03,361 DENGRAF AND PROSSLER? [clicks tongue] 609 00:22:03,460 --> 00:22:05,630 YOU'VE TOTALLY GOT A PRO/CON LIST. 610 00:22:05,738 --> 00:22:07,328 - I'VE TOTALLY GOT A PRO/CON LIST. 611 00:22:07,429 --> 00:22:08,879 - YES, YOU DO. ALL RIGHT, PRO/CON LIST THING? 612 00:22:08,982 --> 00:22:10,922 - YES. - OKAY, LET'S GO. 613 00:22:11,019 --> 00:22:11,329 CONS. - CONS. 614 00:22:11,433 --> 00:22:14,333 - BERTO, HEY. 615 00:22:14,436 --> 00:22:16,226 - WHAT'S UP, DUDE? - DO YOU HAVE A MINUTE? 616 00:22:16,335 --> 00:22:19,265 - WHAT'S UP, BRO? - UM... 617 00:22:19,372 --> 00:22:23,512 I THOUGHT MAYBE WE SHOULD TALK ABOUT THE, UM-- 618 00:22:23,618 --> 00:22:24,718 ARE THOSE MY SHEETS? 619 00:22:24,826 --> 00:22:26,926 - OH, YEAH. 620 00:22:27,035 --> 00:22:29,105 YEAH, I WAS OUT, AND YOURS WERE THERE. WHY? 621 00:22:29,209 --> 00:22:31,209 ARE YOU NOT COOL WITH THAT? 622 00:22:31,315 --> 00:22:34,105 - NO. NO, I'M NOT. 623 00:22:34,214 --> 00:22:37,534 AND ALSO, YOU KNOW, PUTTING THE STICK ON THE DOOR, 624 00:22:37,632 --> 00:22:40,192 I--I KEEP GETTING LOCKED OUT. I HAVE AN 8:00 A.M. CLASS. 625 00:22:40,289 --> 00:22:41,529 I CAN'T-- - DUDE, THAT'S ROUGH. 626 00:22:41,636 --> 00:22:43,286 CAN I GIVE YOU SOME ADVICE? 627 00:22:43,396 --> 00:22:46,226 NEXT TIME THIS HAPPENS, GO OUT AND KNOCK ON A GIRL'S DOOR. 628 00:22:46,330 --> 00:22:49,610 LIKE THAT GIRL FROM THE BATHROOM 629 00:22:49,713 --> 00:22:50,753 THAT YOU'RE SO HOT FOR. 630 00:22:50,852 --> 00:22:52,922 - WHAT, NATALIE? 631 00:22:53,026 --> 00:22:54,786 - GO UP TO HER DOOR AND BE ALL, LIKE, 632 00:22:54,890 --> 00:22:57,860 "MY JACKASS ROOMMATE JUST SEXISLEDME." 633 00:22:57,962 --> 00:23:00,622 AND THEN SHE'LL BE ALL, LIKE, "AWW, YOU POOR THING. 634 00:23:00,724 --> 00:23:02,764 COME IN HERE SO I CAN COMFORT YOU." 635 00:23:02,864 --> 00:23:05,944 - YEAH, THAT'S NOT-- IT'S NOT A BAD IDEA. 636 00:23:06,039 --> 00:23:08,839 HOPEFULLY, IT WON'T HAPPEN AGAIN, DO YOU KNOW? 637 00:23:08,939 --> 00:23:11,219 - BRO... - WHAT? 638 00:23:11,320 --> 00:23:14,630 - GOOD TALK, DUDE. 639 00:23:16,291 --> 00:23:18,641 - PBBBT. 640 00:23:18,742 --> 00:23:21,612 I DON'T KNOW, TO ME, IT'S JUST REALLY STRANGE. 641 00:23:21,710 --> 00:23:24,640 IT'S--I DON'T LIKE IT. 642 00:23:24,748 --> 00:23:26,128 - WELL, IT'S UNCONVENTIONAL, 643 00:23:26,232 --> 00:23:29,962 BUT THE LACTATION CONSULTANT SAID THE BABIES RESPOND 644 00:23:30,063 --> 00:23:33,343 TO THE NATURAL NIPPLE FEEL, YOU KNOW? 645 00:23:33,446 --> 00:23:36,516 MAYBE NOT EVEN-- - HAVE YOU TRIED ALL THIS STUFF? 646 00:23:36,622 --> 00:23:37,972 - DAD, I'M WILLING TO TRY ANYTHING. 647 00:23:38,071 --> 00:23:39,591 WE ARE SO DESPERATE AT THIS POINT. 648 00:23:39,694 --> 00:23:42,704 THE BABY WILL NOT STOP CRYING UNLESS SHE'S BREASTFEEDING 649 00:23:42,800 --> 00:23:45,420 AND I DON'T KNOW HOW MUCH MORE JASMINE CAN TAKE. 650 00:23:45,527 --> 00:23:48,427 SHE NEEDS A BREAK, AND THE BABY WILL NOT TAKE A BOTTLE FROM ME. 651 00:23:48,530 --> 00:23:50,570 - WELL, SOMETIMES THEY DON'T WANT THE DAD. 652 00:23:50,670 --> 00:23:52,260 YOU KNOW, IT'S THAT SIMPLE. 653 00:23:52,361 --> 00:23:55,991 - THE WHOLE THING IS NOT WHAT I THOUGHT IT WAS GONNA BE. 654 00:23:56,089 --> 00:23:57,189 I MEAN, I KNOW JABBAR WAS FIVE YEARS OLD 655 00:23:57,297 --> 00:23:58,607 WHEN I MET HIM, 656 00:23:58,713 --> 00:24:01,093 AND I CAN'T REALLY COMPARE THE TWO SITUATIONS, 657 00:24:01,198 --> 00:24:02,298 BUT IT JUST FELT A LOT EASIER. 658 00:24:02,406 --> 00:24:06,686 THERE WAS A, YOU KNOW, AN INSTINCT CONNECTION WITH HIM 659 00:24:06,790 --> 00:24:09,170 THE MOMENT I SAW HIM, AND... 660 00:24:09,275 --> 00:24:11,655 [sighs] 661 00:24:11,760 --> 00:24:13,620 - GIRLS ARE COMPLICATED. 662 00:24:13,728 --> 00:24:14,728 YOU KNOW, THEY'RE DIFFERENT. 663 00:24:14,832 --> 00:24:17,212 I MEAN, BOYS ARE-- ARE SIMPLER. 664 00:24:17,317 --> 00:24:20,417 YOU KNOW, A BOY'S GOT A PROBLEM, YOU TAKE HIM TO A BALL GAME, 665 00:24:20,528 --> 00:24:21,428 YOU GET HIM A HOTDOG-- THEY'RE COPASETIC. 666 00:24:21,529 --> 00:24:25,569 THEY'RE--THEY'RE GOOD TO GO, AND, I MEAN... 667 00:24:25,671 --> 00:24:27,191 GIRLS ARE--YOU GOTTA WALK AROUND ON EGGSHELLS WITH 'EM. 668 00:24:27,293 --> 00:24:30,753 I DON'T KNOW, ONE DAY YOU'RE THE KING OF THE CASTLE-- 669 00:24:30,848 --> 00:24:31,368 YOU KNOW, THEY'RE JUST IN LOVE WITH YOU. 670 00:24:31,470 --> 00:24:33,440 YOU'RE THEIR DADDY. 671 00:24:33,541 --> 00:24:34,821 AND THEN THE NEXT THING YOU KNOW, 672 00:24:34,921 --> 00:24:36,031 THEY DON'T KNOW WHO YOU ARE. 673 00:24:36,129 --> 00:24:39,719 IT'S LIKE THEY'RE-- THEY HATE YOU. 674 00:24:39,823 --> 00:24:44,453 - I DIDN'T REALIZE IT WAS GONNA BE THIS HARD. 675 00:24:44,552 --> 00:24:46,382 - YEAH, IT'S DIFFICULT. 676 00:24:46,485 --> 00:24:47,965 - [sighs] 677 00:24:48,072 --> 00:24:49,632 - BUT THAT'S WHAT-- 678 00:24:49,729 --> 00:24:51,319 THAT'S WHAT MAKES IT GOOD AT THE END, YOU KNOW? 679 00:24:51,420 --> 00:24:55,420 I MEAN, IT CHANGES. 680 00:24:55,528 --> 00:24:56,768 I DON'T KNOW. 681 00:24:56,874 --> 00:24:59,124 - WHAT'S MOM THINK OF THIS CAR? 682 00:24:59,221 --> 00:24:59,841 - OH, SHE LOVES IT. 683 00:24:59,946 --> 00:25:02,186 - DOES SHE? - OOH...LOVES IT. 684 00:25:02,293 --> 00:25:04,333 - THERE. AND...OKAY. [camera shutters clicking] 685 00:25:04,433 --> 00:25:06,853 - GOT IT? - YEAH. REALLY GOOD. 686 00:25:06,953 --> 00:25:08,993 - YOU NEED TO TURN THAT DOWN. - NO, NO, IT'S OKAY. 687 00:25:09,093 --> 00:25:10,203 - NO, IT HAS TO BE-- IT HAS TO BE A MORE PRECISE SHOT 688 00:25:10,301 --> 00:25:12,511 WITH THE CAMERA SO FAR AWAY. - MAX, ENOUGH. 689 00:25:12,614 --> 00:25:15,314 YOU SAID YOU WANTED TO HELP. YOU AREN'T HELPING. 690 00:25:15,410 --> 00:25:16,310 [all talking at once] 691 00:25:16,411 --> 00:25:17,621 - SHE'S NOT GONNA BE TOO PALE 692 00:25:17,723 --> 00:25:18,593 WHEN IT HAPPENS. - SHE LOOKS VERY PALE. 693 00:25:18,689 --> 00:25:20,039 - I AM A LITTLE PALE. 694 00:25:20,139 --> 00:25:20,519 - SO LET'S JUST DO A COUPLE OF-- 695 00:25:20,622 --> 00:25:22,382 [indistinct] 696 00:25:22,486 --> 00:25:23,246 - WE'LL JUST DO A COUPLE TEST SHOTS, GUYS. 697 00:25:23,349 --> 00:25:26,079 - LINE UP YOUR NOSE WITH YOUR BELLY BUTTON. 698 00:25:26,179 --> 00:25:28,219 - LET'S SEE YOUR POSTURE. WARM AND HAPPY. 699 00:25:28,319 --> 00:25:28,909 - KEEP HER STRONG. YOU KNOW? 700 00:25:29,010 --> 00:25:32,050 MATERNAL STILL. - HEY, BABY! 701 00:25:32,151 --> 00:25:33,291 - OH, WAIT. NO, NO, NO. - HEY, THERE SHE IS. 702 00:25:33,393 --> 00:25:37,473 WANT TO TAKE A PICTURE? - OKAY, WE'RE WASTING TIME. 703 00:25:37,570 --> 00:25:38,880 - THAT'S TOO MATERNAL. COME ON. 704 00:25:38,985 --> 00:25:40,705 - SHOULD I SIT? I'M SWEATING. 705 00:25:40,815 --> 00:25:42,845 EVERYONE JUST PIPE DOWN. - SHE LOOKS LIKE SHE'S IN PAIN. 706 00:25:42,955 --> 00:25:43,985 - DEFINITELY DELETE THE LAST ONE. 707 00:25:44,094 --> 00:25:45,584 - AUNT SARAH-- YEAH, I THOUGHT SO. 708 00:25:45,682 --> 00:25:47,272 - THIS IS-- WE'RE GONNA GET KILLED-- 709 00:25:47,373 --> 00:25:48,373 - YOU'VE GOT A GOOD EYE. - OKAY. 710 00:25:48,477 --> 00:25:49,377 - NO, YOU'RE NOT DOING THIS... 711 00:25:49,478 --> 00:25:53,138 [all talking at once] 712 00:25:53,241 --> 00:25:56,211 - DAMN IT. 713 00:25:56,313 --> 00:26:00,113 DAMN IT! 714 00:26:00,213 --> 00:26:01,663 [groans] 715 00:26:01,767 --> 00:26:03,627 - IT'S LAVENDER MINT. 716 00:26:03,734 --> 00:26:05,364 - OH, THANK YOU, MILLIE. 717 00:26:05,460 --> 00:26:06,570 [sighs] 718 00:26:06,668 --> 00:26:07,948 - I THOUGHT IT WAS ABOUT TIME 719 00:26:08,049 --> 00:26:08,459 YOU'D WANT TO STOP FOR THE NIGHT. 720 00:26:08,567 --> 00:26:12,157 NO--OH, GOD. 721 00:26:12,260 --> 00:26:15,130 NO, I'M KIND OF ON A ROLL HERE, IF YOU KNOW WHAT I MEAN. 722 00:26:15,228 --> 00:26:17,608 - YEAH, WELL, IT'S GETTING PRETTY LATE. 723 00:26:17,714 --> 00:26:19,344 - YEAH, I KNOW. 724 00:26:19,439 --> 00:26:22,059 WHY DON'T YOU GO AHEAD AND GO UP TO BED WITHOUT ME, 725 00:26:22,166 --> 00:26:23,476 AND I'LL BE THERE IN A FEW MINUTES. 726 00:26:23,582 --> 00:26:25,722 - YOU CAN'T KEEP DOING THIS. 727 00:26:25,825 --> 00:26:28,375 - NO, IT'S JUST A FEW MORE MINUTES. 728 00:26:28,483 --> 00:26:31,523 - YOU CAN'T KEEP AVOIDING THIS. 729 00:26:31,624 --> 00:26:33,634 - WELL, MILLIE, I TELL YOU WHAT. 730 00:26:33,730 --> 00:26:35,490 NOW, IF I STOP NOW, I'M GONNA HAVE PARTS 731 00:26:35,594 --> 00:26:36,874 ALL OVER THE PLACE, 732 00:26:36,974 --> 00:26:39,054 AND IT'S GONNA BE ONE HELL OF A BIG MESS. 733 00:26:39,149 --> 00:26:43,389 - OKAY, FINE. WE'LL TALK WHILE YOU WORK. 734 00:26:43,498 --> 00:26:45,738 - OKAY, CLUE ME IN HERE. 735 00:26:45,845 --> 00:26:47,775 EXACTLY WHAT ARE WE SUPPOSED TO BE TALKING ABOUT? 736 00:26:47,882 --> 00:26:49,882 - YOU KNOW WHAT WE'RE SUPPOSED TO BE TALKING ABOUT. 737 00:26:49,987 --> 00:26:52,197 I TRIED TO HAVE A DISCUSSION WITH YOU 738 00:26:52,300 --> 00:26:54,340 ABOUT THE POSSIBILITY OF SELLING THE HOUSE, 739 00:26:54,440 --> 00:26:55,370 AND YOU WALKED AWAY FROM ME. 740 00:26:55,475 --> 00:26:59,615 - OKAY. ALL RIGHT. SO WHAT IS THERE TO TALK ABOUT? 741 00:26:59,721 --> 00:27:01,451 - WHY DON'T WE START WITH YOUR FEELINGS? 742 00:27:01,550 --> 00:27:05,180 I MEAN, WHAT DO YOU FEEL? YOU KNOW, WHAT ARE YOU THINKING? 743 00:27:05,278 --> 00:27:08,348 - [sighs] I DON'T WANT TO SELL THE HOUSE. 744 00:27:08,454 --> 00:27:09,464 END OF DISCUSSION. 745 00:27:09,558 --> 00:27:12,318 SO WHY BOTHER TO HAVE A CONVERSATION? 746 00:27:12,423 --> 00:27:16,883 - OKAY, YOU MAY OR MAY NOT WANT TO SELL THE HOUSE, 747 00:27:16,980 --> 00:27:19,670 AND IN THE END, MAYBE I WON'T WANT TO SELL THE HOUSE EITHER. 748 00:27:19,776 --> 00:27:22,426 BUT WE'RE GONNA HAVE A DISCUSSION ABOUT IT! 749 00:27:22,537 --> 00:27:26,017 I DESERVE THAT MUCH. 750 00:27:32,374 --> 00:27:33,764 [door opens, shuts] 751 00:27:47,010 --> 00:27:48,670 - HEY. SORRY, CAN I COME IN? 752 00:27:48,770 --> 00:27:49,810 - HEY, WE'RE CLOSED. - I KNOW. 753 00:27:49,909 --> 00:27:52,359 I JUST THOUGHT THAT-- - WHAT'S GOING ON? 754 00:27:52,463 --> 00:27:54,093 - THE SHOOT WAS TERRIBLE, AND, UM, 755 00:27:54,189 --> 00:27:55,779 I WAS VERY NERVOUS, AND KRISTINA WAS NERVOUS, 756 00:27:55,881 --> 00:27:57,051 AND MAX WAS THE ONLY ONE 757 00:27:57,158 --> 00:27:57,878 WHO SEEMED TO KNOW WHAT HE WAS DOING, 758 00:27:57,986 --> 00:27:59,536 WHICH MADE ME EVEN MORE NERVOUS. 759 00:27:59,643 --> 00:28:01,753 AND HER CAMPAIGN MANAGER WANTED HER TO BE 760 00:28:01,852 --> 00:28:02,652 MATERNAL AND POWERFUL. 761 00:28:02,750 --> 00:28:04,510 AND I DON'T KNOW WHAT THAT MEANS. 762 00:28:04,613 --> 00:28:06,863 - WELL, YOU SHOULDN'T. 763 00:28:06,961 --> 00:28:07,821 I DON'T KNOW WHAT THAT MEANS EITHER, IT'S STUPID. 764 00:28:07,927 --> 00:28:11,997 - CAN YOU JUST TELL ME IF I'M ANY GOOD? 765 00:28:12,104 --> 00:28:15,384 - [chuckles] - PLEASE. 766 00:28:19,905 --> 00:28:22,625 - MM-HMM. MM-HMM. 767 00:28:22,735 --> 00:28:24,455 MM-HMM. 768 00:28:27,360 --> 00:28:29,980 MMM... 769 00:28:35,748 --> 00:28:37,128 THAT'S THE SHOT RIGHT THERE. 770 00:28:37,232 --> 00:28:40,792 I MEAN, THE OTHER ONES ARE... DECENT. 771 00:28:40,891 --> 00:28:43,831 SOME OF 'EM ARE OKAY. SOME ARE BETTER THAN OTHERS. 772 00:28:43,929 --> 00:28:47,349 BUT THAT'S YOUR SHOT. - OKAY. 773 00:28:47,449 --> 00:28:48,619 - I MEAN, YOU KNOW, 774 00:28:48,727 --> 00:28:49,587 I DON'T KNOW WHAT I WOULD HAVE DONE... 775 00:28:49,693 --> 00:28:52,423 DIFFERENT, BUT... 776 00:28:52,523 --> 00:28:56,603 EVERYBODY HAS THEIR OWN STYLE. [clears throat] 777 00:28:56,700 --> 00:28:59,910 THAT'S A REALLY GOOD SHOT. 778 00:29:00,014 --> 00:29:03,124 - YEAH? - YEAH. 779 00:29:03,224 --> 00:29:05,784 IT'S GOOD. 780 00:29:07,607 --> 00:29:08,707 - THANKS. 781 00:29:08,816 --> 00:29:11,026 - I TRIED TO TALK TO HIM AGAIN. 782 00:29:11,128 --> 00:29:13,478 HE TOLD ME WE HAD A NICE TALK AND CALLED ME "BRO." 783 00:29:13,579 --> 00:29:16,929 AND NO, THE STICK HAS BEEN ON THE DOOR FOR THREE HOURS. 784 00:29:17,031 --> 00:29:18,101 - AGAIN? - THREE HOURS? 785 00:29:18,204 --> 00:29:20,314 - YES, THREE HOURS. ALSO, HE TOOK MY SHEETS. 786 00:29:20,413 --> 00:29:22,143 - YOUR PERSONAL SHEETS? 787 00:29:22,243 --> 00:29:23,043 - WHICH ONES? NOT THE GRAY ONES? - THE SHEETS YOU GOT ME. YES. 788 00:29:23,140 --> 00:29:24,590 - THE GRAY SHEETS? - I SWEAR. YES. 789 00:29:24,693 --> 00:29:26,563 - OH, MY GOD. THAT'S NO JOKE. - I KNOW. 790 00:29:26,661 --> 00:29:28,941 - THOSE WERE EXPENSIVE. - THAT'S WHAT I'M TRYING TO SAY. 791 00:29:29,043 --> 00:29:31,293 - I'M GONNA CALL HIM. I KNOW YOU'RE EMBARRASSED. 792 00:29:31,390 --> 00:29:33,120 I'M LIKE A MOM, BUT I'M GONNA CALL HIM 793 00:29:33,219 --> 00:29:35,119 - WELL, YOU DON'T HAVE HIS NUMBER, SO HA HA. 794 00:29:35,221 --> 00:29:36,741 - I'M JUST SAYING YOU CAN'T TALK TO PEOPLE LIKE THIS. 795 00:29:36,844 --> 00:29:39,674 YOU HAVE TO GO AND CONFRONT THEM. 796 00:29:39,778 --> 00:29:41,468 - WE'RE DEFINITELY NOT GOING DOWN THERE-- 797 00:29:41,572 --> 00:29:44,272 - LET'S GO DOWN THERE. GOT THIS GUY ON OUR SIDE. 798 00:29:44,368 --> 00:29:45,578 - WE'RE JUST GONNA TALK TO HIM. WE'RE JUST GONNA TALK TO HIM. 799 00:29:45,680 --> 00:29:47,060 - WHAT, LIKE SCARE HIM? - NO. NO. 800 00:29:47,164 --> 00:29:48,034 WE'RE GONNA BE NICE. - YEAH, NICE. 801 00:29:48,131 --> 00:29:49,651 - WE'RE GONNA REASON WITH THE GUY. 802 00:29:49,753 --> 00:29:51,103 - LET'S GO GET HIM. COME ON. - COOL? 803 00:29:52,791 --> 00:29:53,831 - WHAT THE HELL? 804 00:29:53,930 --> 00:29:55,550 - OH, MY GOD, WHAT ARE YOU DOING? 805 00:29:55,655 --> 00:29:57,205 - THERE'S A ROOMMATE ISSUE THAT NEEDS TO BE RESOLVED, 806 00:29:57,312 --> 00:29:58,902 AND IT DOESN'T CONCERN YOU-- I THINK YOU SHOULD LEAVE. 807 00:29:59,004 --> 00:30:01,084 I APOLOGIZE. - NO, NO, NO, NOT WITH THIS. 808 00:30:01,178 --> 00:30:02,798 I'M SO SORRY, I CAN'T-- - SORRY. 809 00:30:02,904 --> 00:30:04,224 - DUDE, WHAT THE HELL DO YOU THINK YOU'RE DOING? 810 00:30:04,319 --> 00:30:05,039 - "DUDE" IS NOT HIS NAME. IT'S DREW. 811 00:30:05,148 --> 00:30:06,628 NOT "DUDE," NOT "BRO." DREW. 812 00:30:06,735 --> 00:30:07,555 SAY IT. LET'S PRACTICE. DREW. 813 00:30:07,667 --> 00:30:08,627 - DREW. - SAY IT! 814 00:30:08,737 --> 00:30:10,527 - DREW. - THAT SOUNDED GOOD. 815 00:30:10,636 --> 00:30:12,116 - DUDE, I DON'T KNOW WHO YOU THINK YOU ARE-- 816 00:30:12,224 --> 00:30:13,814 - NO, NO, NO, DUDE'S NOT MY NAME EITHER. 817 00:30:13,915 --> 00:30:16,255 SERGEANT YORK IS FINE. - HE'S IN THE ARMY. 818 00:30:16,366 --> 00:30:17,566 - AND IF DREW HAS A PROBLEM WITH YOU, YOU HAVE A PROBLEM WITH ME. 819 00:30:17,677 --> 00:30:20,747 YOU GOT IT? - GOT IT. 820 00:30:20,853 --> 00:30:22,203 - GREAT. 821 00:30:22,303 --> 00:30:23,823 - YOU KNOW, QUIT LOCKING ME OUT. 822 00:30:23,925 --> 00:30:25,815 AND WE ALSO TALKED ABOUT THE LINE. 823 00:30:25,927 --> 00:30:27,617 KEEP YOUR STUFF ON THAT SIDE. 824 00:30:27,722 --> 00:30:29,342 - OH, I HAVE SOMETHING. 825 00:30:29,448 --> 00:30:31,138 UM, THE SHEETS THING, IT JUST CAN'T HAPPEN 826 00:30:31,243 --> 00:30:32,693 BECAUSE IT SEEMS LIKE NOT A BIG DEAL, 827 00:30:32,796 --> 00:30:34,376 BUT ACTUALLY, EVEN IF YOU DRY CLEAN IT, THE SMELL IS-- 828 00:30:34,487 --> 00:30:36,077 - YES, AND THE SHEETS-- DON'T TOUCH HIS SHEETS. 829 00:30:36,179 --> 00:30:38,179 DON'T TOUCH ANYTHING OF HIS WITHOUT ASKING 830 00:30:38,284 --> 00:30:39,564 FROM NOW ON, OKAY? - OKAY. 831 00:30:39,665 --> 00:30:41,905 - GREAT. 832 00:30:42,012 --> 00:30:43,952 - SEE YA. NICE TO MEET YOU. 833 00:30:44,049 --> 00:30:47,159 - UM...GOOD TALK, BRO. 834 00:30:47,259 --> 00:30:49,679 - OKAY, THE RUNTS ARE ASLEEP, VICTOR'S HOMEWORK IS DONE, 835 00:30:49,778 --> 00:30:53,228 SO LET'S TALK. - OKAY. 836 00:30:53,334 --> 00:30:54,344 I THINK YOU NAILED IT WHEN YOU SAID 837 00:30:54,438 --> 00:30:56,338 IT'S NOT GONNA FIX ITSELF OVERNIGHT. 838 00:30:56,440 --> 00:30:57,750 - GOOD, SO WE AGREE. 839 00:30:57,856 --> 00:30:59,026 - IT'S NOT GONNA FIX ITSELF 840 00:30:59,133 --> 00:31:00,133 IN THE NEXT TWO OR THREE WEEKS EITHER. 841 00:31:00,237 --> 00:31:02,687 - YEAH. - SO THE LONGER HE STAYS THERE, 842 00:31:02,791 --> 00:31:03,791 THE HARDER IT IS FOR HIM TO START OVER. 843 00:31:03,896 --> 00:31:05,756 AND I THINK WE JUST NEED TO DO IT. 844 00:31:05,864 --> 00:31:06,624 WE NEED TO RIP OFF THE BAND-AID. 845 00:31:06,726 --> 00:31:10,696 - YOU'RE-- 846 00:31:10,799 --> 00:31:12,699 YOU WANT TO HOLD HIM BACK? - YEAH. 847 00:31:12,801 --> 00:31:15,631 - NOW? WITHOUT EVEN TRYING? 848 00:31:15,735 --> 00:31:17,905 - WE'VE BEEN TRYING. 849 00:31:18,014 --> 00:31:20,504 I TUTORED HIM EVERY DAY THIS WHOLE SUMMER 850 00:31:20,602 --> 00:31:21,222 WHILE YOU WERE AT WORK. 851 00:31:21,327 --> 00:31:23,607 - WHAT'S THAT SUPPOSED TO MEAN? 852 00:31:23,709 --> 00:31:24,569 - IT DOESN'T MEAN ANYTHING. 853 00:31:24,675 --> 00:31:25,805 IT MEANS THAT I KNOW WHERE HE'S AT ON THIS. 854 00:31:25,918 --> 00:31:27,578 I KNOW WHAT I'M SEEING. - SO DO I. 855 00:31:27,678 --> 00:31:29,298 - NOT THE WAY THAT I DO. 856 00:31:29,404 --> 00:31:31,234 - DON'T PULL RANK WITH ME. - I'M NOT PULLING-- 857 00:31:31,337 --> 00:31:33,267 - I NEVER DID THAT WITH YOU WHEN YOU WERE WORKING. 858 00:31:33,374 --> 00:31:35,454 IT'S NOT FAIR. - I'M SURE YOU SAW PLENTY 859 00:31:35,548 --> 00:31:37,518 THAT I DIDN'T SEE WHILE I WAS WORKING. 860 00:31:37,619 --> 00:31:39,829 AND YOU MADE DECISIONS WITHOUT EVEN CONSULTING ME. 861 00:31:39,932 --> 00:31:43,072 - YEAH, PB & J OR TUNA FISH? BALLET OR KARATE? 862 00:31:43,177 --> 00:31:44,137 NOTHING LIKE THIS. 863 00:31:44,247 --> 00:31:44,967 NOTHING LIKE THIS EVER CAME UP. 864 00:31:45,075 --> 00:31:46,005 - WELL, THIS HAS COME UP NOW, 865 00:31:46,111 --> 00:31:48,561 AND I THINK WE NEED TO HOLD HIM BACK. 866 00:31:48,665 --> 00:31:49,975 AND I DISAGREE. 867 00:31:50,080 --> 00:31:53,150 I SEE A KID WHO'S TRYING, WHO'S MAKING HUGE STRIDES. 868 00:31:53,256 --> 00:31:55,706 IF WE PULL HIM BACK NOW, HIS-- 869 00:31:55,810 --> 00:31:58,540 I MEAN, IT WILL JUST ABSOLUTELY SHRED HIS SELF-CONFIDENCE. 870 00:31:58,640 --> 00:32:01,200 - NO, WHAT'S GONNA SHRED HIS SELF-CONFIDENCE 871 00:32:01,298 --> 00:32:04,158 IS KEEPING HIM IN A CLASS WHERE HE CAN'T KEEP UP. 872 00:32:04,267 --> 00:32:06,367 THERE ARE STUDIES ON THIS. 873 00:32:06,476 --> 00:32:07,676 ED WAS TELLING ME THAT HE READ A STUDY ABOUT-- 874 00:32:07,787 --> 00:32:10,307 - ED? WHO THE HELL IS ED? 875 00:32:10,411 --> 00:32:14,901 - ED IS A PARENT FROM THE SUSTAINABILITY COMMITTEE. 876 00:32:15,002 --> 00:32:16,522 - ED BROOKS? - YEAH. 877 00:32:16,624 --> 00:32:17,834 - YOU TALKED TO ED BROOKS ABOUT THIS? 878 00:32:17,936 --> 00:32:20,346 FANTASTIC. WELL, WE MIGHT AS WELL GO 879 00:32:20,455 --> 00:32:22,485 AND JUST TALK TO VICTOR NOW AND TELL HIM, 880 00:32:22,595 --> 00:32:23,835 BECAUSE THE WHOLE SCHOOL'S GONNA KNOW ABOUT THIS 881 00:32:23,942 --> 00:32:24,912 IN THE MORNING. 882 00:32:25,012 --> 00:32:25,912 - HE'S NOT GONNA TELL ANYONE. 883 00:32:26,013 --> 00:32:26,953 - OH, ED WON'T, NO. 884 00:32:27,048 --> 00:32:28,358 BUT HIS WIFE PROBABLY WILL. 885 00:32:28,463 --> 00:32:30,883 SHE HAPPENS TO BE THE BIGGEST BLABBERMOUTH ON THE PTA. 886 00:32:30,983 --> 00:32:33,473 - LISTEN, RELAX, SHE'S NOT EVEN AROUND THE SCHOOL ANYMORE. 887 00:32:33,572 --> 00:32:35,852 ED HARDLY SEES HER. SHE'S NOT GONNA-- 888 00:32:35,954 --> 00:32:38,094 - WHAT ELSE ARE YOU AND ED TALKING ABOUT? 889 00:32:38,197 --> 00:32:39,817 - HE JUST CAUGHT ME IN A BAD MOMENT. 890 00:32:39,923 --> 00:32:41,863 I WAS UPSET, AND SO I KIND OF-- - YEAH. 891 00:32:41,960 --> 00:32:42,790 - ANYWAY, LET'S STAY ON TOPIC HERE. 892 00:32:42,891 --> 00:32:45,961 - YEAH, LET'S STAY ON TOPIC. 893 00:32:46,067 --> 00:32:48,277 WHAT ABOUT WHAT HAPPENED AT BREAKFAST THIS MORNING? 894 00:32:48,380 --> 00:32:49,660 - WHAT ABOUT THIS MORNING AT BREAKFAST? 895 00:32:49,760 --> 00:32:53,590 - YOU LAYING INTO OUR SON ABOUT THE STUPID BOOK, JULIA. 896 00:32:53,695 --> 00:32:56,345 YOU NEEDLE HIM LIKE THAT, HE'S GONNA KNOW THAT 897 00:32:56,457 --> 00:32:57,627 SOMETHING IS UP. 898 00:32:57,734 --> 00:33:00,744 - SOMETHING IS UP. 899 00:33:00,840 --> 00:33:06,400 - THIS IS RIDICULOUS. 900 00:33:06,501 --> 00:33:08,061 - ARE YOU ENDING THIS CONVERSATION 901 00:33:08,158 --> 00:33:09,678 THAT WE'VE WAITED ALL DAY TO HAVE? 902 00:33:09,780 --> 00:33:11,230 - WHAT ELSE IS THERE TO SAY? 903 00:33:11,334 --> 00:33:14,484 - THERE-- [sighs] 904 00:33:14,578 --> 00:33:17,268 WE NEED TO SET UP A MEETING WITH HIS TEACHER, 905 00:33:17,374 --> 00:33:19,144 AND WITH THE PRINCIPAL, AND WE NEED TO DISCUSS 906 00:33:19,238 --> 00:33:20,898 GETTING HIM BACK INTO FOURTH GRADE 907 00:33:20,999 --> 00:33:22,759 AS SOON AS POSSIBLE. 908 00:33:22,862 --> 00:33:23,732 THAT'S WHAT THERE IS TO DISCUSS. 909 00:33:23,829 --> 00:33:25,829 - NO. 910 00:33:25,934 --> 00:33:29,804 NO. 911 00:33:29,904 --> 00:33:32,084 WE'RE NOT DOING THAT. 912 00:33:32,182 --> 00:33:35,122 WE MADE A PLAN WITH HIS TEACHER 913 00:33:35,220 --> 00:33:36,600 THAT WE WERE GONNA FIND HIM TUTORING, 914 00:33:36,704 --> 00:33:39,024 WE WERE GONNA TAKE A MONTH, AND THEN WE WOULD REEVALUATE. 915 00:33:39,120 --> 00:33:40,980 AND THAT'S WHAT WE'RE GONNA DO. 916 00:33:41,088 --> 00:33:45,818 YOU DON'T LIKE IT... TALK TO ED. 917 00:33:45,920 --> 00:33:48,540 I'M GOING FOR A WALK. 918 00:34:02,592 --> 00:34:04,532 - GOOD MORNING. 919 00:34:04,628 --> 00:34:06,418 - GOOD MORNING. 920 00:34:06,527 --> 00:34:09,627 - WOW. I MEAN, THAT IS ONE AWESOME CAMPAIGN 921 00:34:09,737 --> 00:34:10,697 PHOTO RIGHT THERE. 922 00:34:10,807 --> 00:34:11,947 - YES. - RIGHT? 923 00:34:12,050 --> 00:34:13,570 - YOUR SISTER REALLY CAME THROUGH. 924 00:34:13,672 --> 00:34:14,812 I THINK IT'S GREAT. 925 00:34:14,914 --> 00:34:16,264 I THINK SHE DID A REALLY GOOD JOB. 926 00:34:16,364 --> 00:34:17,814 - IT'S STRONG, IT'S-- 927 00:34:17,917 --> 00:34:20,577 - THAT IS--THAT IS PROFESSIONAL QUALITY RIGHT THERE. 928 00:34:20,679 --> 00:34:22,129 - MM-HMM. 929 00:34:22,232 --> 00:34:23,962 - SHE'S GONNA EXPECT TO GET PAID NEXT TIME. 930 00:34:24,062 --> 00:34:25,962 MORE THAN 50 BUCKS. 931 00:34:26,064 --> 00:34:27,344 - YOU MADE THE DEAL. 932 00:34:27,444 --> 00:34:29,104 - PRETTY SLICK DEAL I MADE... - YEAH, IT'S GOOD. 933 00:34:29,205 --> 00:34:30,895 - SHE DESERVES EVERY PENNY. 934 00:34:30,999 --> 00:34:33,829 I JUST-- IT'S SO WEIRD, ISN'T IT? 935 00:34:33,933 --> 00:34:36,563 - WHAT? - THE PICTURE. 936 00:34:36,660 --> 00:34:38,970 I MEAN, JUST TO LOOK AT IT, IT'S LIKE I'M... 937 00:34:39,077 --> 00:34:40,907 NOT USED TO SEEING MYSELF WITH HAIR. 938 00:34:41,009 --> 00:34:45,359 - RIGHT. - YOU KNOW? 939 00:34:45,462 --> 00:34:47,982 I CATCH MYSELF, YOU KNOW... 940 00:34:48,086 --> 00:34:49,846 WALKING PAST A MIRROR OR SOMETHING, 941 00:34:49,949 --> 00:34:54,019 AND I STILL HALF-EXPECT ME TO BE BALD, YOU KNOW? 942 00:34:54,126 --> 00:34:55,986 I THINK, "THERE GOES BALD KRISTINA." 943 00:34:56,094 --> 00:34:58,724 CANCER KRISTINA. - UH-HUH. 944 00:34:58,820 --> 00:35:01,100 - I FEEL LIKE I KICKED CANCER IN ITS TEETH. 945 00:35:01,202 --> 00:35:02,932 I FEEL LIKE KIND OF A BADASS, YOU KNOW? 946 00:35:03,031 --> 00:35:04,071 - YOU DID KICK CANCER IN ITS TEETH. 947 00:35:04,171 --> 00:35:05,141 YOU ARE A BADASS. 948 00:35:05,241 --> 00:35:08,831 - WE'RE LUCKY. - WE ARE. 949 00:35:08,934 --> 00:35:11,254 - WE'RE VERY LUCKY. - MM-HMM. 950 00:35:11,350 --> 00:35:14,910 - I DON'T KNOW, I FEEL LIKE LATELY I'VE JUST HAD THIS 951 00:35:15,009 --> 00:35:16,699 "I DEFEATED CANCER" ATTITUDE. 952 00:35:16,804 --> 00:35:18,534 I CAN DO ANYTHING AND CONQUER THE WORLD... 953 00:35:18,633 --> 00:35:21,333 - YOU CAN DO ANYTHING. - AND I FEEL LIKE-- 954 00:35:21,429 --> 00:35:23,259 I FEEL LIKE I GOT AHEAD OF MYSELF 955 00:35:23,362 --> 00:35:25,232 WITH THIS CAMPAIGN, YOU KNOW? 956 00:35:25,330 --> 00:35:27,470 - UH-HUH. - I FEEL LIKE WE NEED TO... 957 00:35:27,573 --> 00:35:29,163 JUST TO PULL BACK A LITTLE, 958 00:35:29,265 --> 00:35:31,295 MAYBE TALK TO HEATHER ABOUT, YOU KNOW, 959 00:35:31,405 --> 00:35:34,265 NOT SPENDING AS MUCH JUST UNTIL I CAN MAKE SOME MONEY. 960 00:35:34,373 --> 00:35:36,313 FUNDRAISING AND... JUST TO SEE WHERE WE STAND. 961 00:35:36,410 --> 00:35:38,720 - KRISTINA, YOU KNOW, AFTER GIVING THAT LITTLE SPEECH, 962 00:35:38,826 --> 00:35:40,616 I DON'T HAVE ANY CHOICE BUT TO REACH IN MY WALLET 963 00:35:40,724 --> 00:35:42,694 AND HAND OVER MY CREDIT CARD. - OKAY, WELL, THAT WAS 964 00:35:42,795 --> 00:35:45,105 NOT MY INTENTION. I'M NOT TRYING TO GET SYMPATHY. 965 00:35:45,212 --> 00:35:47,492 I'M--I'M JUST-- - I KNOW. 966 00:35:47,593 --> 00:35:49,803 AND YOU KNOW I HAVE MIXED FEELINGS ABOUT THE CAMPAIGN. 967 00:35:49,906 --> 00:35:51,176 - I KNOW THAT YOU DO. 968 00:35:51,287 --> 00:35:54,117 SO WHERE DOES THAT LEAVE US? - WELL, IT LEAVES ME 969 00:35:54,221 --> 00:35:55,911 WITH NO CHOICE. 970 00:35:58,086 --> 00:35:59,666 TAKE IT. JUST TAKE IT. 971 00:35:59,778 --> 00:36:00,638 - I CAN'T. - TAKE IT. 972 00:36:00,744 --> 00:36:02,164 - CAN'T DO IT. - JUST TAKE IT. 973 00:36:02,263 --> 00:36:04,203 TAKE THE OTHER ONE. - OH, GOD! 974 00:36:04,300 --> 00:36:06,340 - TAKE IT. JUST... - IT'S BETTER THAN SEX. 975 00:36:06,440 --> 00:36:08,550 - TAKE THE WHOLE THING. 976 00:36:12,135 --> 00:36:13,645 - THANK YOU FOR BELIEVING IN ME. 977 00:36:13,757 --> 00:36:15,547 - I LOVE YOU. 978 00:36:15,656 --> 00:36:17,236 - I LOVE YOU. 979 00:36:17,347 --> 00:36:19,687 - NO MORE GREEN JUICE. - I CAN GET RED JUICE. 980 00:36:19,798 --> 00:36:20,248 - HEY. 981 00:36:24,009 --> 00:36:25,559 [groans] 982 00:36:29,566 --> 00:36:31,496 YOU REMEMBER WHEN ADAM AND CROSBY 983 00:36:31,603 --> 00:36:33,193 HUNG THE WELCOME HOME SIGN FROM THE TREE THERE 984 00:36:33,294 --> 00:36:36,264 WHEN WE BROUGHT JULIA HOME FROM THE HOSPITAL? 985 00:36:39,058 --> 00:36:43,298 AND SARAH... 986 00:36:43,408 --> 00:36:46,198 SHE HAD HER FIRST PLAY IN THE BARN. 987 00:36:46,307 --> 00:36:48,687 [chuckles] 988 00:36:48,792 --> 00:36:52,142 REMEMBER CROSBY'S PUNK ROCK BAND? 989 00:36:52,244 --> 00:36:54,354 WERE THEY BAD OR WHAT? 990 00:36:54,453 --> 00:36:56,943 I MEAN, PRACTICING ALL NIGHT LONG, HUH? 991 00:37:04,670 --> 00:37:06,810 SARAH, WHEN SHE WAS A LITTLE GIRL, 992 00:37:06,914 --> 00:37:11,234 SHE RAN AWAY FROM HOME, SHE HIDES IN THE GUEST HOUSE... 993 00:37:11,332 --> 00:37:14,372 TELLS US SHE NEVER WANTS TO SEE US AGAIN. 994 00:37:14,473 --> 00:37:17,203 - ZEEK... - AND JULIA, I MEAN... 995 00:37:17,304 --> 00:37:19,584 WASN'T IT YESTERDAY SHE STOOD THERE 996 00:37:19,685 --> 00:37:22,405 AND TOLD US SHE GOT INTO STANFORD? 997 00:37:24,207 --> 00:37:25,417 AND CROSBY GOT MARRIED DOWN THERE 998 00:37:25,519 --> 00:37:28,249 WHERE I STRUNG UP ALL THOSE FOURTH OF JULY LIGHTS. 999 00:37:28,349 --> 00:37:32,699 I MEAN, HOW MANY MILLIONS OF YEARS AGO WAS THAT? 1000 00:37:38,911 --> 00:37:42,951 EVERYTHING I WANT IS RIGHT HERE, MILLIE. 1001 00:37:43,053 --> 00:37:45,123 THIS IS IT. THIS IS... 1002 00:37:45,228 --> 00:37:48,018 THIS IS MY THIRD ACT WITH YOU. 1003 00:37:54,237 --> 00:37:57,167 - I WANT MORE. 1004 00:37:57,275 --> 00:38:02,825 I WANT US TO DO WONDERFUL THINGS TOGETHER. 1005 00:38:02,935 --> 00:38:05,385 LIKE I CAN PICTURE US 1006 00:38:05,490 --> 00:38:07,150 BRAGGING ABOUT OUR GRANDCHILDREN 1007 00:38:07,250 --> 00:38:11,390 AS WE'RE BOATING DOWN THE SEINE. 1008 00:38:11,496 --> 00:38:13,906 I DON'T KNOW, YOU KNOW, I-- 1009 00:38:14,015 --> 00:38:17,155 I'VE BEEN PAINTING THIS YARD FOR 20 YEARS NOW. 1010 00:38:17,260 --> 00:38:19,640 KINDA LIKE TO PAINT SOMETHING ELSE. 1011 00:38:19,745 --> 00:38:22,575 THINK HOW MANY THINGS WE COULD DO. 1012 00:38:22,679 --> 00:38:24,959 HOW MANY THINGS WE COULD AFFORD TO DO 1013 00:38:25,061 --> 00:38:28,931 IF WE SOLD THE HOUSE. 1014 00:38:29,030 --> 00:38:31,550 ALL THE PLACES WE COULD SEE. 1015 00:38:31,654 --> 00:38:32,314 - I DON'T KNOW. I'VE SEEN OTHER PLACES 1016 00:38:32,413 --> 00:38:35,873 I DIDN'T REALLY CARE FOR 'EM. 1017 00:38:38,626 --> 00:38:41,456 - WELL, I HAVEN'T. 1018 00:38:41,560 --> 00:38:45,120 I WAS SO YOUNG WHEN WE GOT MARRIED. 1019 00:38:45,219 --> 00:38:47,079 I WAS PRACTICALLY A BABY MYSELF 1020 00:38:47,186 --> 00:38:49,116 WHEN ADAM WAS BORN. 1021 00:38:51,294 --> 00:38:55,024 I'M NOT COMPLAINING. YOU KNOW THAT. 1022 00:38:55,125 --> 00:38:58,675 IT'S BEEN A GOOD LIFE. IT'S BEEN A BEAUTIFUL LIFE. 1023 00:38:58,784 --> 00:39:01,514 I'VE LOVED EVERY MINUTE OF IT. 1024 00:39:05,377 --> 00:39:07,407 BUT I'M READY FOR THE NEXT STEP. 1025 00:39:17,251 --> 00:39:20,841 - HEY. HEY. I NEED THE ROOM, BRO. 1026 00:39:23,119 --> 00:39:24,119 - YOU GOT IT, DREW. 1027 00:39:24,223 --> 00:39:26,433 [background chatter] 1028 00:39:34,717 --> 00:39:37,927 - YEAH. THAT WAS MY ROOMMATE. - YEAH. 1029 00:39:38,030 --> 00:39:39,860 - THIS IS PRETTY MUCH IT. 1030 00:39:41,379 --> 00:39:43,169 - SCRABBLE. - OH, YEAH. 1031 00:39:43,277 --> 00:39:46,067 MY MOM PACKED THAT FOR ME. 1032 00:39:46,176 --> 00:39:47,936 - NO, I LOVE SCRABBLE. - YEAH? 1033 00:39:48,040 --> 00:39:49,870 - YEAH. 1034 00:39:50,457 --> 00:39:52,667 DO YOU KNOW HOW TO PLAY? - YEAH. 1035 00:39:52,769 --> 00:39:54,389 - YEAH? - I LOVE SCRABBLE TOO. 1036 00:39:54,495 --> 00:39:56,185 - WHO DOESN'T? 1037 00:39:58,879 --> 00:40:00,399 - IT'S LIKE SEVEN-- - YEAH, SEVEN. 1038 00:40:00,501 --> 00:40:02,681 - OKAY, COOL. [plastic rustles] 1039 00:40:10,925 --> 00:40:14,895 - "THE...VILL..." 1040 00:40:14,998 --> 00:40:17,068 I DON'T KNOW THIS ONE. 1041 00:40:17,173 --> 00:40:18,903 - SOUND IT OUT. DOING GOOD. 1042 00:40:19,002 --> 00:40:20,452 - "THE... [exhales] 1043 00:40:20,556 --> 00:40:22,696 VILLAGE. VILL--VILLAGE..." 1044 00:40:22,799 --> 00:40:24,279 - GOOD JOB, VICTOR. - GOOD. 1045 00:40:24,387 --> 00:40:25,347 - THAT WAS A HARD ONE. - YEAH. 1046 00:40:25,457 --> 00:40:28,317 - "FOG CREPT..." - HI. 1047 00:40:28,426 --> 00:40:30,426 - HEY, GUYS. 1048 00:40:38,919 --> 00:40:43,579 - "IN AND OUT OF THE EMPTY HUTS. 1049 00:40:43,682 --> 00:40:48,172 IT MADE SHAPES AS IT DRIFTED..." 1050 00:40:48,273 --> 00:40:52,103 DRIFTED? "AND THEY REMINDED ME 1051 00:40:52,208 --> 00:40:54,278 OF ALL THE PEOPLE." 1052 00:40:54,382 --> 00:40:55,972 - HEY, AIDA, LISTEN, LISTEN, LISTEN, 1053 00:40:56,074 --> 00:40:57,974 YOU'RE GONNA HAVE TO TAKE THE BOTTLE, SWEETIE, 1054 00:40:58,076 --> 00:41:00,936 'CAUSE YOUR MOM'S ASLEEP AND SHE'S EXHAUSTED, ALL RIGHT? 1055 00:41:01,044 --> 00:41:03,184 [Aida crying] CAN YOU MEET ME HALFWAY HERE? 1056 00:41:03,288 --> 00:41:07,708 ALL RIGHT, SWEETIE, YOU GOTTA TRY TO TAKE THE BOTTLE, OKAY? 1057 00:41:07,810 --> 00:41:09,850 [crying] HEY, HEY, HEY, CAN YOU TRY? 1058 00:41:09,950 --> 00:41:12,260 YOU--YOU'RE GONNA-- COME ON. 1059 00:41:12,366 --> 00:41:13,986 PLEASE? [crying] 1060 00:41:14,092 --> 00:41:16,232 NO, DON'T MAKE THAT FACE. LISTEN TO ME. 1061 00:41:16,335 --> 00:41:20,885 I KNOW YOUR MOM'S GOT BOOBS, AND THAT'S VERY, VERY AWESOME. 1062 00:41:20,995 --> 00:41:22,925 BUT I'M HERE FOR YOU TOO, ALL RIGHT? 1063 00:41:23,032 --> 00:41:25,722 IT'S IMPORTANT TO ME THAT YOU KNOW THAT. 1064 00:41:25,828 --> 00:41:28,238 I'M ALWAYS GONNA BE HERE FOR YOU, OKAY? 1065 00:41:28,347 --> 00:41:31,557 YOU UNDERSTAND THAT? 1066 00:41:31,661 --> 00:41:33,211 YOU AND ME. 1067 00:41:35,562 --> 00:41:38,942 GONNA TAKE THIS BOTTLE? 1068 00:41:39,048 --> 00:41:42,118 PLEASE, PLEASE, PLEASE, PLEASE, PLEASE. 1069 00:41:44,985 --> 00:41:48,255 YEAH! THAT'S A GOOD GIRL. 1070 00:41:48,367 --> 00:41:51,157 OH, GOOD JOB, HONEY. 1071 00:41:51,267 --> 00:41:52,787 OH, GOOD JOB. 1072 00:41:52,889 --> 00:41:56,999 [whispers] OH, THAT'S IT. 1073 00:42:00,138 --> 00:42:03,038 OH, GOOD JOB, BUDDY. 1074 00:42:03,141 --> 00:42:04,491 GOOD JOB, LITTLE AIDA. 1075 00:42:04,591 --> 00:42:09,251 YEAH, I'M HERE FOR YOU, BUDDY. 1076 00:42:09,354 --> 00:42:13,124 I'M ALWAYS GONNA BE HERE, OKAY? 1077 00:42:13,220 --> 00:42:14,320 YEAH.