1 00:00:00,862 --> 00:00:02,142 - THEY GAVE ME A BUDGET FOR AN ASSISTANT 2 00:00:02,174 --> 00:00:03,214 AND I IMMEDIATELY THOUGHT OF YOU. 3 00:00:03,244 --> 00:00:04,804 - BOB LITTLE. - HI. 4 00:00:04,832 --> 00:00:06,112 - I'M AMBER. 5 00:00:06,144 --> 00:00:07,214 - YOU'RE NOT GOING TO LET ME DOWN. 6 00:00:07,248 --> 00:00:09,038 - THE GREATEST JOY YOU'LL EVER FEEL IN YOUR LIFE 7 00:00:09,078 --> 00:00:12,078 IS THE FIRST TIME YOU HOLD YOUR BABY IN YOUR ARMS. 8 00:00:12,115 --> 00:00:13,835 - IT'S ALL GETTING SO REAL, HUH? 9 00:00:13,875 --> 00:00:16,665 - YEAH. 10 00:00:16,706 --> 00:00:17,636 - IT'S NOT A HOOK-UP. 11 00:00:17,672 --> 00:00:21,442 I ACTUALLY, YOU KNOW, I LIKE THIS GIRL. 12 00:00:21,469 --> 00:00:24,819 - I COULD TOTALLY SEE HAVING A BABY WITH YOU. 13 00:00:24,852 --> 00:00:26,202 - YOU SAID YOU WANTED TO HAVE A BABY 14 00:00:26,233 --> 00:00:28,063 AND THEN WE NEVER TALKED ABOUT IT AGAIN. 15 00:00:31,134 --> 00:00:32,794 - YOU KNOW, I THINK YOU'RE UNDERESTIMATING 16 00:00:32,825 --> 00:00:34,405 HOW COOL THIS NEW ANALOG EQUIPMENT IS, 17 00:00:34,448 --> 00:00:35,728 WE HAVE TO GET IT. 18 00:00:35,759 --> 00:00:37,799 - I'M SURE IT'S VERY COOL, BUT WE CAN'T AFFORD IT RIGHT NOW. 19 00:00:37,830 --> 00:00:40,280 YOU KNOW, WE HAVEN'T EVEN PAID OFF THAT RENOVATION. 20 00:00:40,316 --> 00:00:42,106 - WELL, THEN WE'LL PUT IT ON A CREDIT CARD. 21 00:00:42,145 --> 00:00:43,555 - PUTTING ANYTHING ON A CREDIT CARD--WE CAN'T 22 00:00:43,595 --> 00:00:45,665 GO INTO ANYMORE DEBT UNTIL WE START TURNING A PROFIT. 23 00:00:45,700 --> 00:00:47,360 - IT'S AN INVESTMENT, YOU GOT TO SPEND MONEY TO MAKE MONEY. 24 00:00:47,392 --> 00:00:48,572 - YOU'RE UNDERESTIMATING HOW MUCH MONEY WE HAVE. 25 00:00:48,600 --> 00:00:49,880 WHERE YOU GOING? - COME ON, RECORD STORE. 26 00:00:49,911 --> 00:00:51,741 - WE GOTTA GO BACK-- 27 00:00:51,775 --> 00:00:54,735 [rock music playing] 28 00:00:54,778 --> 00:00:57,088 ♪ 29 00:00:57,126 --> 00:00:59,366 - DUDE, YOU'RE NOT AUTHORIZED TO-- 30 00:00:59,404 --> 00:01:01,544 - CROSBY, WHAT'S UP MAN? HOW ARE YOU? 31 00:01:01,578 --> 00:01:02,718 - GOOD, THIS IS BRENT. 32 00:01:02,752 --> 00:01:05,792 HE WAS THE SECOND BEST SOUND ENGINEER OVER AT BAYVIEW. 33 00:01:05,824 --> 00:01:07,554 - OH, BECAUSE YOU WERE THE BEST. 34 00:01:07,584 --> 00:01:08,724 - BUT NOW, YOU'RE PROBABLY THE BEST. 35 00:01:08,758 --> 00:01:09,898 - RIGHT, IT'S SO CUTE TO SAY. 36 00:01:09,931 --> 00:01:10,731 - HOW YOU DOING? ADAM, I'M HIS PARTNER. 37 00:01:10,760 --> 00:01:11,620 - GOOD, ADAM. NICE TO MEET YOU. 38 00:01:11,657 --> 00:01:13,277 - BUSINESS PARTNER AND BROTHER. - RIGHT. 39 00:01:13,314 --> 00:01:14,564 OH, UH, LUNCHEONETTE, RIGHT? - YEAH. 40 00:01:14,591 --> 00:01:16,151 - HOW'S IT GOING? - GOOD. 41 00:01:16,179 --> 00:01:18,149 - OH, SO MUCH BETTER THAN BAYVIEW. 42 00:01:18,181 --> 00:01:19,221 - NO SID. - YEAH. 43 00:01:19,251 --> 00:01:20,871 - HOW'S SID, EVERYONE STILL HATE HIM? 44 00:01:20,908 --> 00:01:21,938 - YEAH, ABSOLUTELY. 45 00:01:21,978 --> 00:01:23,878 THE GUY IS THE WORST BOSS EVER, IT'S HORRIBLE. 46 00:01:23,911 --> 00:01:25,571 BUT, YOU KNOW, WE'RE BUSY SO-- 47 00:01:25,602 --> 00:01:27,162 - THAT'S COOL. - BUT YOU KNOW WHAT? 48 00:01:27,190 --> 00:01:28,850 ACTUALLY, I GOT TO GET GOING. 49 00:01:28,881 --> 00:01:29,951 THE GUYS FROM DAWES ARE COMING DOWN 50 00:01:29,986 --> 00:01:32,196 THEY WANT TO LOOK AT THE NEW SET-UP AND ALL THAT. 51 00:01:32,230 --> 00:01:33,330 - OH, COOL. 52 00:01:33,369 --> 00:01:34,919 - SID WANTS ME TO SEDUCE THEM, WHICH-- 53 00:01:34,956 --> 00:01:35,786 - SEDUCE THEM? 54 00:01:35,819 --> 00:01:37,239 - YEAH, I DON'T KNOW WHAT THAT MEANS. 55 00:01:37,269 --> 00:01:38,339 - I DIDN'T KNOW THEY WERE IN TOWN. 56 00:01:38,374 --> 00:01:39,384 - YEAH, YEAH. - SAY, "HI," TO GRIFFIN 57 00:01:39,409 --> 00:01:40,449 AND TAYLOR, THOSE GUYS ARE-- 58 00:01:40,479 --> 00:01:42,209 - OH, YOU KNOW THOSE GUYS? - YEAH, LITTLE BIT. 59 00:01:42,240 --> 00:01:43,520 - HOW DO YOU KNOW THEM? 60 00:01:43,551 --> 00:01:45,691 - THEN YOU GOT TO GIVE ME SOME POINTERS ON HOW TO SEDUCE THEM. 61 00:01:45,726 --> 00:01:46,896 - OH, THEY'RE SUPER LAID BACK. 62 00:01:46,934 --> 00:01:48,734 YOU JUST BE YOURSELF, THEY'LL LOVE YOU. 63 00:01:48,763 --> 00:01:50,903 - ALL RIGHT, COOL MAN, IT WAS REALLY GREAT SEEING YOU. 64 00:01:50,938 --> 00:01:53,768 AND IF YOU NEED A BETTER SOUND ENGINEER WHEN THINGS GET GOING, 65 00:01:53,803 --> 00:01:56,533 DEFINITELY GIVE ME A CALL, THAT JACKASS HAS GOT MY NUMBER. 66 00:01:56,564 --> 00:01:58,534 - I PROBABLY WILL, BECAUSE I'M A LITTLE DISSATISFIED 67 00:01:58,566 --> 00:01:59,766 WITH THE GUY I HAVE RIGHT NOW. 68 00:01:59,809 --> 00:02:00,879 - ALL RIGHT, GUYS, SEE YOU LATER. 69 00:02:00,913 --> 00:02:01,883 - TAKE CARE. 70 00:02:01,914 --> 00:02:02,954 - SO, WHAT'S THE DEAL? 71 00:02:02,984 --> 00:02:04,504 YOU KNOW DAWES? 72 00:02:04,538 --> 00:02:05,848 - YEAH, I MEAN, I DON'T TEXT WITH THE GUYS, 73 00:02:05,884 --> 00:02:07,304 BUT I KNOW THEM. 74 00:02:07,334 --> 00:02:10,924 - YOU KNOW, WE HAVE TO TRY TO SEDUCE THEM. 75 00:02:12,408 --> 00:02:14,928 - AMBER, I'M JUST GOING TO GO AHEAD AND CUT TO CHASE HERE. 76 00:02:14,962 --> 00:02:17,722 - OKAY. 77 00:02:17,758 --> 00:02:19,758 - YOU CAN'T BE MY ASSISTANT ANY LONGER. 78 00:02:19,794 --> 00:02:20,974 I'M SORRY. 79 00:02:21,002 --> 00:02:24,972 - I'M SORRY, I DON'T-- I DON'T UNDERSTAND. 80 00:02:25,006 --> 00:02:26,796 - YOU GOT A PROMOTION. 81 00:02:26,836 --> 00:02:28,936 YOU GOT A BIG, FAT, JUICY PROMOTION. 82 00:02:28,976 --> 00:02:30,626 BOB WANTS YOU TO BE HIS ASSISTANT. 83 00:02:30,667 --> 00:02:31,907 I AM NOT EVEN JOKING. 84 00:02:31,944 --> 00:02:33,394 I AM SO INSANELY PROUD OF YOU. 85 00:02:33,429 --> 00:02:34,809 - UH, WHOA. 86 00:02:34,844 --> 00:02:35,854 - I'M SO EXCITED, I'M COMING OVER TO GIVE YOU A HUG. 87 00:02:35,879 --> 00:02:37,189 - HUG? OKAY, I'M JUST-- - I KNOW THIS IS TOTALLY 88 00:02:37,226 --> 00:02:39,296 UNPROFESSIONAL, BUT COME HERE. 89 00:02:39,331 --> 00:02:40,641 I'M SO PROUD OF YOU. - GREAT. 90 00:02:40,677 --> 00:02:41,847 - I'M SO HAPPY. - HEY. 91 00:02:41,885 --> 00:02:43,645 - I'M GUESSING KRISTINA TOLD YOU THE NEWS. 92 00:02:43,680 --> 00:02:44,920 - I DID. 93 00:02:44,957 --> 00:02:47,407 - YEAH, THANK YOU, I'M SURPRISED, I'M-- 94 00:02:47,443 --> 00:02:48,723 - DON'T BE SURPRISED, YOU'VE EARNED IT. 95 00:02:48,754 --> 00:02:51,454 - YES, YOU DID. 96 00:02:51,481 --> 00:02:53,211 - WOW. 97 00:02:53,242 --> 00:02:55,242 - HERE YOU GO. 98 00:02:58,419 --> 00:03:00,009 - OH, HELLO. 99 00:03:00,041 --> 00:03:02,181 - I WANT TO NAME MY BABY BROTHER "ANDY." 100 00:03:04,460 --> 00:03:06,810 WHAT DO YOU THINK HIS NAME SHOULD BE? 101 00:03:09,396 --> 00:03:10,906 - I DON'T KNOW, SYD. 102 00:03:10,949 --> 00:03:12,709 - DO YOU THINK MY BABY BROTHER CAN SLEEP IN MY ROOM 103 00:03:12,744 --> 00:03:16,964 SOMETIMES OR WILL HE ALWAYS SLEEP IN YOUR ROOM? 104 00:03:16,989 --> 00:03:19,719 - YOU GUYS GOOD? - YEP. 105 00:03:19,751 --> 00:03:22,861 - GOOD, DINNER'S ALMOST READY. 106 00:03:22,892 --> 00:03:24,582 - HERE'S YOUR TEA, 107 00:03:24,618 --> 00:03:30,038 AND HERE'S SOME MORE OF MY SPECIAL-- 108 00:03:30,071 --> 00:03:31,971 - WELL, WAIT UNTIL YOU SEE THE BACKYARD. 109 00:03:32,004 --> 00:03:33,904 - WHOA! A POOL? 110 00:03:33,937 --> 00:03:35,387 - YOU KNOW SOMETHING ELSE? 111 00:03:35,422 --> 00:03:36,982 IT'S IN THIS AMAZING NEIGHBORHOOD, JASMINE. 112 00:03:37,009 --> 00:03:39,699 I MEAN, RIGHT AT THE END OF A CUL-DE-SAC JUST-- 113 00:03:39,736 --> 00:03:41,836 I MEAN, SERIOUSLY I KEPT WAITING FOR SOME KID TO RIDE BY 114 00:03:41,876 --> 00:03:44,566 WITH E.T. IN HIS BIKE BASKET. 115 00:03:44,603 --> 00:03:45,883 AND YOU KNOW SOMETHING ELSE? 116 00:03:45,915 --> 00:03:47,015 - WHAT? 117 00:03:47,054 --> 00:03:49,784 - IT WOULD BE A GREAT PLACE FOR A KID TO GROW UP. 118 00:03:54,544 --> 00:03:59,344 MOVE IN WITH ME, JASMINE. 119 00:03:59,377 --> 00:04:01,377 I SHOCKED YOU. 120 00:04:01,413 --> 00:04:03,003 YOU'RE SHOCKED, YOUR EYES ARE BIG 121 00:04:03,035 --> 00:04:05,725 AND YOU'RE SHOCKED. 122 00:04:13,770 --> 00:04:16,290 - YEAH. 123 00:04:16,325 --> 00:04:18,665 - LISTEN, I KNOW IT'S FAST, OKAY, I DO. 124 00:04:18,706 --> 00:04:21,606 BUT, I DON'T CARE. 125 00:04:21,640 --> 00:04:26,020 THIS IS SOMETHING THAT I'VE BEEN THINKING ABOUT A LOT. 126 00:04:26,058 --> 00:04:27,918 EVERY TIME I GO LOOK AT A HOUSE, OKAY, 127 00:04:27,957 --> 00:04:29,717 I IMAGINE YOU IN IT. 128 00:04:29,752 --> 00:04:30,992 YOU, ME, JABBAR. 129 00:04:31,029 --> 00:04:32,859 AND I WANT YOU TO KNOW THAT I'M READY FOR THIS. 130 00:04:32,893 --> 00:04:36,033 I MEAN, SO READY, IN FACT, I'VE NEVER BEEN MORE SURE 131 00:04:36,068 --> 00:04:39,488 ABOUT BEING READY FOR SOMETHING IN MY LIFE, BABY. 132 00:04:42,592 --> 00:04:46,082 I JUST NEED YOU TO SAY YES. 133 00:04:51,808 --> 00:04:53,048 [Bob Dylan's Forever Young] 134 00:04:53,085 --> 00:04:54,495 - ♪ MAY GOD BLESS AND KEEP YOU ALWAYS ♪ 135 00:04:54,535 --> 00:04:57,325 ♪ MAY YOUR WISHES ALL COME TRUE ♪ 136 00:04:57,366 --> 00:04:58,946 ♪ MAY YOU ALWAYS DO FOR OTHERS ♪ 137 00:04:58,988 --> 00:05:01,398 ♪ AND LET OTHERS DO FOR YOU ♪ 138 00:05:01,439 --> 00:05:04,549 ♪ MAY YOU BUILD A LADDER TO THE STARS ♪ 139 00:05:04,580 --> 00:05:06,340 ♪ AND CLIMB ON EVERY RUNG ♪ 140 00:05:06,375 --> 00:05:10,995 ♪ AND MAY YOU STAY FOREVER YOUNG ♪ 141 00:05:11,034 --> 00:05:13,834 ♪ MAY YOU GROW UP TO BE RIGHTEOUS ♪ 142 00:05:13,865 --> 00:05:16,555 ♪ MAY YOU GROW UP TO BE TRUE ♪ 143 00:05:16,592 --> 00:05:18,532 ♪ MAY YOU ALWAYS KNOW THE TRUTH ♪ 144 00:05:18,559 --> 00:05:21,419 ♪ AND SEE THE LIGHTS SURROUNDING YOU ♪ 145 00:05:21,459 --> 00:05:23,049 ♪ YOU ALWAYS BE COURAGEOUS ♪ 146 00:05:23,081 --> 00:05:25,741 ♪ STAND UPRIGHT AND BE STRONG ♪ 147 00:05:25,773 --> 00:05:30,953 ♪ MAY YOU STAY FOREVER YOUNG ♪ 148 00:05:30,985 --> 00:05:34,985 ♪ MAY YOU STAY FOREVER YOUNG ♪ 149 00:05:40,201 --> 00:05:41,761 - LOOK AT IT! SHOW ME MORE. 150 00:05:41,789 --> 00:05:43,069 - THAT'S DON. 151 00:05:43,101 --> 00:05:44,521 HE'S THE ONE WHO'S GETTING MARRIED. 152 00:05:44,551 --> 00:05:46,691 - GREAT, DON, GOT IT. - SO YOU'LL MEET HIM. 153 00:05:46,725 --> 00:05:47,995 - WHERE ARE YOU? 154 00:05:48,037 --> 00:05:49,107 - ALL RIGHT, WE'LL GET TO ME. 155 00:05:49,141 --> 00:05:51,941 BUT THE PURPOSE OF THIS WHOLE THING IS TO SHOW YOU 156 00:05:51,972 --> 00:05:54,842 WHO YOU'LL BE MEETING THIS WEEKEND AT THE ENGAGEMENT-- 157 00:05:54,871 --> 00:05:59,191 - OH! [laughing] 158 00:05:59,220 --> 00:06:00,980 - OH, GOD, I KNEW THIS WAS GOING TO HAPPEN. 159 00:06:01,015 --> 00:06:02,665 - LET ME SEE. 160 00:06:02,707 --> 00:06:03,807 LOOK AT YOUR LITTLE OUTFIT. 161 00:06:03,846 --> 00:06:04,946 - DON'T CALL IT A LITTLE OUTFIT. 162 00:06:04,985 --> 00:06:07,505 - AW, YOU LOOK SO CUTE. - LOOK AT THAT MAN COSTUME. 163 00:06:07,539 --> 00:06:10,439 - NO, I MEAN, YOU LOOK VERY STRONG AND VERY TOUGH. 164 00:06:10,473 --> 00:06:11,723 - YEAH, IT'S MANLY, IT'S INTIMIDATING. 165 00:06:11,750 --> 00:06:14,550 - A LITTLE PALE. - THANKS. 166 00:06:14,581 --> 00:06:17,581 I BELIEVED YOU THAT TIME. 167 00:06:17,618 --> 00:06:19,658 I LOVE YOU. 168 00:06:19,689 --> 00:06:24,419 - I LOVE YOU. 169 00:06:24,453 --> 00:06:27,493 - OKAY, OKAY, YOU CAN SEE MY PICTURE. 170 00:06:27,525 --> 00:06:31,045 OH, GOSH, IT'S ONE OF THE WORST EVER. 171 00:06:31,080 --> 00:06:33,570 IT'S ON THIS PAGE, THERE IT IS. 172 00:06:33,600 --> 00:06:36,570 - AWW. - I PICKED OUT THAT JACKET. 173 00:06:36,603 --> 00:06:40,093 - THE THING IS, YOU LOOK EXACTLY THE SAME. 174 00:06:40,123 --> 00:06:41,613 - NO, I DON'T. - YES YOU DO. 175 00:06:41,642 --> 00:06:42,992 - NO, I DON'T. - AND THEN I CAN SEE 176 00:06:43,023 --> 00:06:45,963 IT'S TAKEN YOU TEN YEARS JUST TO GROW THIS IN THAT MUCH. 177 00:06:45,991 --> 00:06:48,511 BUT BESIDES THAT, YOU LOOK EXACTLY THE SAME, WOW. 178 00:06:48,546 --> 00:06:50,886 - I LOOK LIKE A COMPLETELY DIFFERENT PERSON. 179 00:06:50,927 --> 00:06:52,687 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 180 00:06:52,722 --> 00:06:53,522 - LET ME SEE YOUR SUPERLATIVES. 181 00:06:53,551 --> 00:06:57,141 "BEST EYES." - I DON'T KNOW WHO-- 182 00:06:57,175 --> 00:06:59,655 - OBVIOUSLY. OH, HERE'S YOUR QUOTE, 183 00:06:59,695 --> 00:07:04,765 "AND NOW BEFORE US, LIE DESERTS OF VAST ETERNITY." 184 00:07:04,803 --> 00:07:06,563 THAT'S PRETTY. 185 00:07:06,598 --> 00:07:11,118 - THAT'S FROM AN ANDREW MARVEL POEM, I RIPPED IT OFF. 186 00:07:11,154 --> 00:07:13,164 - I LIKE IT. - I--THANKS. 187 00:07:13,191 --> 00:07:15,811 - CUTEST COUPLE. - YEAH. 188 00:07:15,849 --> 00:07:17,949 - WITH KIRSTEN MATTAI. - KIRSTEN, YEAH. 189 00:07:17,989 --> 00:07:19,509 - OH, SORRY, KIRSTEN. 190 00:07:19,542 --> 00:07:21,612 - NO, NO, THAT'S ALL RIGHT, NO, NO, THAT'S FINE. 191 00:07:21,648 --> 00:07:23,268 - DUDE, LET'S SEE HER. 192 00:07:23,304 --> 00:07:28,214 - UH, OKAY, LET'S SEE. 193 00:07:28,240 --> 00:07:29,930 - WHERE? - THERE SHE IS. 194 00:07:29,966 --> 00:07:32,486 - OH, HMM. 195 00:07:32,521 --> 00:07:35,831 - YEAH, SO, ANYWAY, THAT'S KIRSTEN. 196 00:07:35,869 --> 00:07:40,219 - IT'S A SHAME ABOUT HER FACE, BECAUSE IT'S NOT PRETTY. 197 00:07:40,252 --> 00:07:43,602 AND IT'S NOT GORGEOUS. 198 00:07:43,635 --> 00:07:46,565 - WELL, YOU'RE RIGHT, NOT AS PRETTY AS YOU, DEFINITELY. 199 00:07:46,604 --> 00:07:49,164 - HOW LONG WERE YOU GUYS-- IT WAS A LONG ONE, RIGHT? 200 00:07:49,192 --> 00:07:51,262 - UH, IT WAS SIX YEARS, YUP. 201 00:07:51,298 --> 00:07:52,608 - SIX YEARS? - YEAH. 202 00:07:52,644 --> 00:07:53,784 - I THOUGHT IT WAS JUST HIGH SCHOOL. 203 00:07:53,818 --> 00:07:56,718 - NO, JUNIOR, SENIOR YEAR, THEN ALL THROUGH COLLEGE. 204 00:07:56,752 --> 00:07:59,622 AND THEN THAT WAS ENOUGH. 205 00:07:59,651 --> 00:08:02,241 YEAH, NO, SHE WAS, LIKE, MY ONLY SERIOUS GIRLFRIEND, 206 00:08:02,274 --> 00:08:03,864 UM, UNTIL YOU. 207 00:08:03,897 --> 00:08:06,927 AND THEN YOU GUYS WILL GET A CHANCE TO MEET THIS WEEKEND. 208 00:08:06,969 --> 00:08:10,209 WON'T THAT BE SO MUCH FUN AND NOT AWKWARD AT ALL. 209 00:08:10,248 --> 00:08:12,248 - NO, IT WILL BE, I'M EXCITED TO MEET HER. 210 00:08:12,284 --> 00:08:14,704 - IS THAT ONE OF THOSE THINGS THAT YOU'RE-- 211 00:08:14,735 --> 00:08:16,625 UTILIZING SARCASM AGAIN? 212 00:08:16,668 --> 00:08:17,838 - NO, I'M EXCITED TO MEET HER. 213 00:08:17,876 --> 00:08:19,216 - YOU ARE? - YEAH. 214 00:08:19,257 --> 00:08:20,217 - OH, OKAY. 215 00:08:20,258 --> 00:08:21,808 - WHY DON'T YOU SHOW ME SOME WRESTLING MOVES 216 00:08:21,846 --> 00:08:24,536 SO I CAN PIN HER WHEN I SEE HER! 217 00:08:24,573 --> 00:08:25,923 - LET'S SEE. - WRESTLE A BIT? ALL RIGHT. 218 00:08:25,953 --> 00:08:29,203 - OH, PIN ME, OH, I CAN'T MOVE. 219 00:08:29,232 --> 00:08:30,612 [laughing] 220 00:08:30,648 --> 00:08:31,988 [cello playing] 221 00:08:45,663 --> 00:08:47,943 - OKAY, I'M GOING TO SPICE THIS UP, 222 00:08:47,975 --> 00:08:49,665 MAKE A LITTLE PSYCHEDELIC VERSION. 223 00:08:49,701 --> 00:08:50,741 - SHOULD I BE FRIGHTENED? 224 00:08:50,771 --> 00:08:52,191 - YOU'RE GOING TO LIKE IT. - OKAY. 225 00:08:52,221 --> 00:08:54,021 - HEY, I WANT TO TALK TO YOU ABOUT THIS DAWES THING. 226 00:08:54,050 --> 00:08:55,640 - WHAT DAWES THING? 227 00:08:55,673 --> 00:08:57,613 - WELL, I WAS ONLINE AND I READ A BUNCH OF INTERVIEWS, 228 00:08:57,640 --> 00:08:59,950 AND THESE GUYS WERE INSPIRED BY A LOT OF THE FOLK-- 229 00:08:59,987 --> 00:09:01,577 - APPARENTLY MY BROTHER WANTS TO HAVE A CONVERSATION. 230 00:09:01,610 --> 00:09:03,200 - HEY, LILY, SORRY. - JUST BEAR WITH US. 231 00:09:03,232 --> 00:09:05,612 - BOB DYLAN, CROSBY, STILLS, NASH AND YOUNG, AND I THINK 232 00:09:05,648 --> 00:09:07,648 THEY WOULD LOVE VIBE HERE AT THE LUNCHEONETTE. 233 00:09:07,685 --> 00:09:08,955 - UH, OF COURSE THEY WOULD. -WELL LET'S GET THEM IN HERE. 234 00:09:08,996 --> 00:09:10,786 - EVERYONE WOULD LOVE THE VIBE HERE, WE HAVE A GREAT STUDIO. 235 00:09:10,826 --> 00:09:11,966 - WELL, LET'S GET THEM IN HERE, LET'S MAKE IT HAPPEN. 236 00:09:11,999 --> 00:09:13,279 - I DON'T KNOW THEM, KNOW THEM. 237 00:09:13,311 --> 00:09:14,451 I'VE ONLY MET THEM A COUPLE TIMES. 238 00:09:14,484 --> 00:09:16,354 - WELL, THAT'S ENOUGH OF A RELATIONSHIP TO REACH OUT. 239 00:09:16,383 --> 00:09:17,973 - OKAY. - CROSBY, THE INITIAL BUZZ 240 00:09:18,005 --> 00:09:18,825 IN THIS PLACE IS GOING TO WEAR OFF 241 00:09:18,868 --> 00:09:20,108 AND THEN WHERE ARE WE GOING TO BE? 242 00:09:20,145 --> 00:09:21,935 WE GOT TO BE PROACTIVE, WE GOT TO GET NEW CLIENTS IN HERE. 243 00:09:21,975 --> 00:09:23,625 - WELL, I'M WITH A CLIENT, RIGHT NOW. 244 00:09:23,666 --> 00:09:24,556 - I CAN SEE THAT. 245 00:09:24,598 --> 00:09:26,188 WELL, IS SHE EVEN PAYING FOR THE TIME? 246 00:09:26,220 --> 00:09:28,330 - YES, IN A SENSE, SHE IS PAYING FOR THE TIME. 247 00:09:28,360 --> 00:09:29,810 - YEAH, WELL, IN A SENSE DOESN'T PAY THE BILLS, ALL RIGHT? 248 00:09:29,845 --> 00:09:31,225 I WANT YOU TO REACH OUT, OKAY? 249 00:09:31,260 --> 00:09:33,610 - OKAY, MM-HMM. - ALL RIGHT, GREAT. 250 00:09:33,642 --> 00:09:34,992 - THANKS, COACH. 251 00:09:35,022 --> 00:09:36,612 - ARE YOU READY? 252 00:09:36,645 --> 00:09:38,125 - I DON'T KNOW IF I'LL EVER BE READY. 253 00:09:38,163 --> 00:09:41,173 - LET'S DO IT. 254 00:09:41,201 --> 00:09:45,721 [psychedelic violin remix] 255 00:09:45,757 --> 00:09:47,687 - STOP. SHUT IT DOWN. 256 00:09:47,725 --> 00:09:49,795 IT'S MUSIC FROM THE FUTURE. 257 00:09:49,830 --> 00:09:53,770 - YOU DID SUCH A GREAT JOB AT THE FUNDRAISER, I, UH-- 258 00:09:53,800 --> 00:09:55,940 I FIGURED YOU WOULD BE THE PERFECT PERSON 259 00:09:55,974 --> 00:09:59,944 FOR THIS, UH, KIND OF INSANE PROJECT. 260 00:09:59,978 --> 00:10:01,698 - OKAY. 261 00:10:01,739 --> 00:10:04,709 - YEAH, BASICALLY I TAKE NOTES ON CONVERSATIONS 262 00:10:04,742 --> 00:10:08,372 I'VE HAD WITH PEOPLE. - OH. 263 00:10:08,400 --> 00:10:11,400 - YEAH, WHAT WE'VE TALKED ABOUT, WHAT'S IMPORTANT TO THEM, 264 00:10:11,438 --> 00:10:14,918 YOU KNOW, ANYTHING THAT'S KIND OF RELEVANT. 265 00:10:14,959 --> 00:10:18,339 THIS IS KIND OF CREEPY TO YOU, BUT I MEET SO MANY PEOPLE 266 00:10:18,376 --> 00:10:19,716 THAT IT'S KIND OF BECOME A NECESSITY. 267 00:10:19,757 --> 00:10:22,447 AND NOW I'M, LIKE, COMPLETELY OVERWHELMED. 268 00:10:22,483 --> 00:10:24,383 - YEAH. - I COULD USE SOME FOCUS. 269 00:10:24,416 --> 00:10:26,276 OR SOMEBODY TO TRANSCRIBE IT OR SOMETHING LIKE THAT. 270 00:10:26,315 --> 00:10:29,725 - YEAH, SURE, UM, I COULD DO THAT. 271 00:10:29,767 --> 00:10:32,147 I COULD ALSO, LIKE, LOAD THEM ONTO YOUR PHONE OR SOMETHING-- 272 00:10:32,183 --> 00:10:33,223 THAT WOULD BE GREAT. 273 00:10:33,253 --> 00:10:35,883 IF YOU CAN READ MY CHICKEN SCRATCH HANDWRITING, 274 00:10:35,911 --> 00:10:38,711 GO TO THE RACES. - LET'S SEE, UM, "JAMES STODDER, 275 00:10:38,741 --> 00:10:41,191 "HEAD OF THE ZONE FIVE NEIGHBORHOOD COUNCIL, 276 00:10:41,226 --> 00:10:43,746 "THINKS THE GIANTS ARE UNDERRATED THIS SEASON, 277 00:10:43,781 --> 00:10:45,751 ESPECIALLY PABLO SANDOVAL." AIN'T IT THE TRUTH. 278 00:10:45,783 --> 00:10:48,273 - NOW, WHILE YOU MIGHT THINK THIS IS IRRELEVANT, 279 00:10:48,302 --> 00:10:51,272 YOU KNOW, PEOPLE, THEY LIKE TO BE REMEMBERED. 280 00:10:51,305 --> 00:10:54,095 - NEXT TIME I SEE JAMES STODDARD, 281 00:10:54,136 --> 00:10:57,446 I WILL LET HIM KNOW THAT HE WAS RIGHT ABOUT SANDOVAL. 282 00:10:57,484 --> 00:10:59,694 - AKA PANDA. - PANDA. 283 00:10:59,728 --> 00:11:01,798 - I'LL PUT THAT IN. - YES, THANK YOU. 284 00:11:01,833 --> 00:11:03,703 - IS THIS, LIKE, POLITICIAN SKEEVY OR-- 285 00:11:03,732 --> 00:11:06,392 - NO, I MEAN, IT IS, BUT JUST ENOUGH. 286 00:11:06,424 --> 00:11:10,264 ACTUALLY I WAS JUST WORRYING ABOUT WHAT STUPID THING 287 00:11:10,290 --> 00:11:12,740 I SAID THAT'S GOING TO MAKE IT ON MY POST-IT. 288 00:11:12,775 --> 00:11:14,735 - NO, NO, AMBER YOU'RE NOT IN HERE BECAUSE THESE ARE PEOPLE 289 00:11:14,777 --> 00:11:17,437 THAT I'D OTHERWISE FORGET. 290 00:11:17,469 --> 00:11:20,129 YOU'RE NOT IN THAT CATEGORY. 291 00:11:20,162 --> 00:11:25,312 [telephone ringing] 292 00:11:25,339 --> 00:11:27,379 - OH, THAT'S ME. - FIRST ONE, GOOD LUCK. 293 00:11:27,410 --> 00:11:31,000 - ALL RIGHT, HERE WE GO. 294 00:11:31,035 --> 00:11:33,375 BOB LITTLE'S OFFICE, THIS IS AMBER SPEAKING. 295 00:11:33,416 --> 00:11:34,896 - THAT'S NICE. 296 00:11:34,935 --> 00:11:39,525 - UH, LET ME CHECK IF HE'S AVAILABLE, PLEASE HOLD. 297 00:11:39,560 --> 00:11:40,800 I DON'T KNOW HOW TO TELL YOU THIS, 298 00:11:40,838 --> 00:11:44,738 BUT IT'S YOUR MOM. 299 00:11:44,773 --> 00:11:49,233 - WELL, THIS IS TOTALLY EMBARRASSING. 300 00:11:49,260 --> 00:11:50,430 - I'M GOING TO GIVE YOU SOME PRIVACY. 301 00:11:50,468 --> 00:11:52,088 - NO, PLEASE DO NOT, SHE'S JUST CALLING, 302 00:11:52,125 --> 00:11:54,535 I'M SURE, TO NAG ME FOR SOMETHING. 303 00:11:54,575 --> 00:11:56,365 IF I MAKE A...[mock choke] 304 00:11:56,405 --> 00:11:58,365 - YOU WILL HAVE A VERY IMPORTANT MEETING, YES. 305 00:11:58,407 --> 00:11:59,887 - YOU GOT IT. 306 00:11:59,926 --> 00:12:02,406 MOM, HOW YOU DOING? 307 00:12:02,445 --> 00:12:05,445 YOU KNOW, I HAVE NOT CALLED GRANDMA, BUT I CAN 308 00:12:05,483 --> 00:12:09,283 ASSURE YOU THAT I WILL BE DOING IT BEFORE THE END OF THE DAY. 309 00:12:09,314 --> 00:12:11,424 - [whistling] 310 00:12:11,454 --> 00:12:15,254 OKAY, HERE YOU ARE. - THANK YOU. 311 00:12:15,286 --> 00:12:20,526 - OKAY, WHAT DID YOU WANT TO TALK TO ME ABOUT? 312 00:12:20,567 --> 00:12:24,987 - UH, JOE ASKED ME TO MOVE IN WITH HIM. 313 00:12:29,472 --> 00:12:31,962 - THAT'S, UH, THAT'S PRETTY BIG. 314 00:12:31,992 --> 00:12:34,412 - YEAH. 315 00:12:34,443 --> 00:12:36,793 - UH, WHAT ABOUT JABBAR? 316 00:12:36,825 --> 00:12:41,825 - OBVIOUSLY THAT'S SOMETHING YOU AND I NEED TO DISCUSS. 317 00:12:41,864 --> 00:12:43,424 - ARE YOU ASKING MY PERMISSION OR-- 318 00:12:43,452 --> 00:12:45,422 - NO, NO. 319 00:12:45,454 --> 00:12:50,534 JUST OPENING IT UP FOR DISCUSSION. 320 00:12:50,562 --> 00:12:53,462 - WELL, THAT'S A-- A LOT OF CHANGE, YOU KNOW. 321 00:12:53,496 --> 00:12:59,466 WE HAVE MOVED HIM AROUND A WHOLE LOT, THE LAST YEAR. 322 00:12:59,502 --> 00:13:03,512 MY OPINION, I-- YOU KNOW, I DON'T KNOW. 323 00:13:03,541 --> 00:13:06,921 - YEAH, I--I HEAR YOU. 324 00:13:06,958 --> 00:13:10,268 BUT THE HOUSE IS IN THE BERKELEY HILLS, 325 00:13:10,306 --> 00:13:14,096 SO HE'D STILL BE CLOSE TO HIS FRIENDS AND TO SCHOOL 326 00:13:14,138 --> 00:13:15,858 AND THE HOUSE IS ACTUALLY RIGHT UP THE STREET 327 00:13:15,898 --> 00:13:17,418 FROM THAT GREAT PARK WITH, YOU KNOW, SOCCER-- 328 00:13:17,451 --> 00:13:19,211 - SO YOU ALREADY FOUND A HOUSE? 329 00:13:19,246 --> 00:13:21,176 WHY ARE WE EVEN HAVING THIS CONVERSATION? 330 00:13:21,214 --> 00:13:23,424 - WELL, I DIDN'T FIND THE HOUSE, JOE FOUND THE HOUSE. 331 00:13:23,457 --> 00:13:25,357 AND I HAVEN'T SAID YES YET. 332 00:13:25,390 --> 00:13:27,530 HE'S BEEN LOOKING TO BUY FOR A WHILE. 333 00:13:27,565 --> 00:13:30,185 AND WHETHER OR NOT I'M INCLUDED IN THIS HOUSE 334 00:13:30,223 --> 00:13:31,853 IS STILL UP FOR DISCUSSION, THAT'S WHY I'M HERE. 335 00:13:31,880 --> 00:13:33,360 BECAUSE I DIDN'T WANT TO MAKE A DECISION 336 00:13:33,398 --> 00:13:34,498 WITHOUT TALKING TO YOU FIRST. 337 00:13:34,537 --> 00:13:36,367 - WELL, YOU KNOW, YOU COULD HAVE STARTED BY SAYING, 338 00:13:36,401 --> 00:13:37,891 "WE FOUND A HOUSE." 339 00:13:37,920 --> 00:13:39,580 BECAUSE YOU DID FIND A HOUSE, RIGHT? YOU GUYS-- 340 00:13:39,611 --> 00:13:41,441 - CROSBY, I'M JUST TRYING TO HAVE AN ADULT CONVERSATION 341 00:13:41,475 --> 00:13:42,505 HERE ABOUT THIS. 342 00:13:42,545 --> 00:13:46,925 THAT'S ALL. - OKAY, OKAY. 343 00:13:46,964 --> 00:13:48,144 THAT'S FINE. 344 00:13:48,172 --> 00:13:49,592 - LOOK, I KNOW THIS IS A LOT TO PROCESS. 345 00:13:49,621 --> 00:13:51,491 SO, TAKE SOME TIME, THINK ABOUT IT, 346 00:13:51,520 --> 00:13:53,110 I'LL DO THE SAME, 347 00:13:53,142 --> 00:13:56,592 AND WE'LL COME BACK TOGETHER IN A COUPLE OF DAYS. 348 00:13:56,628 --> 00:13:59,628 AND TALK ABOUT IT, OKAY? 349 00:13:59,666 --> 00:14:05,636 - OKAY. 350 00:14:05,672 --> 00:14:11,332 SO IS IT, UH, IS IT NICE, THE HOUSE? 351 00:14:11,367 --> 00:14:16,227 - IT'S, UM-- IT'S NICE. 352 00:14:32,147 --> 00:14:33,457 - YOU'RE NOT ZOEY. 353 00:14:33,493 --> 00:14:35,503 - GUS. WHAT CAN I GET YOU? 354 00:14:35,529 --> 00:14:36,629 - WHERE'S ZOEY? 355 00:14:36,668 --> 00:14:39,188 - OH, YOU MEAN THE GIRL THAT HAD THE JOB BEFORE ME. 356 00:14:39,223 --> 00:14:40,503 NO IDEA. 357 00:14:40,534 --> 00:14:43,714 ALL I KNOW IS I'M YOUR REGULAR COFFEE GUY, NOW. 358 00:14:43,744 --> 00:14:46,404 SO DO YOU WANT ANYTHING? 359 00:14:46,437 --> 00:14:48,607 - NO, NO, THANK YOU. 360 00:14:54,755 --> 00:14:57,925 [music playing through headphones] 361 00:15:00,554 --> 00:15:02,734 - HEY. - OH, MY GOD! 362 00:15:02,763 --> 00:15:05,183 YOU SCARED THE PANTS OFF OF ME. 363 00:15:05,214 --> 00:15:06,464 - LISTEN, I AM SORRY. 364 00:15:06,491 --> 00:15:07,731 - I DIDN'T EVEN KNOW YOU WERE STILL HERE. 365 00:15:07,768 --> 00:15:09,428 - WELL, YOU KNOW, WHEN IT'S QUIET 366 00:15:09,460 --> 00:15:11,190 AND LATE AT NIGHT, IT SEEMS LIKE THE ONLY 367 00:15:11,220 --> 00:15:13,330 TIME I CAN EVER GET ANY WORK DONE. 368 00:15:13,360 --> 00:15:15,160 - MY HEART. - I DIDN'T MEAN TO SCARE YOU. 369 00:15:15,190 --> 00:15:16,400 WHAT WAS SO FUNNY? 370 00:15:16,432 --> 00:15:21,642 - JUST ALL OF THESE NOTES. I MEAN, THEY'RE REALLY FUNNY. 371 00:15:21,679 --> 00:15:23,369 IT'S AMAZING. 372 00:15:23,405 --> 00:15:26,405 I FEEL LIKE I CAN SEE THE WORLD THROUGH YOUR EYES. 373 00:15:26,442 --> 00:15:28,442 LIKE, THIS-- BUT THIS GUY LOOK, 374 00:15:28,479 --> 00:15:30,409 AFRAID OF JACUZZIS. 375 00:15:30,446 --> 00:15:32,686 I MEAN, WHAT IS THERE TO BE AFRAID OF? 376 00:15:32,724 --> 00:15:34,284 GETTING OVERLY RELAXED? 377 00:15:34,312 --> 00:15:35,622 - A LOT OF CHLORINE IN THOSE SORTS OF THINGS. 378 00:15:35,658 --> 00:15:37,318 - AH, YES, GERMS. - I DON'T EVEN REMEMBER 379 00:15:37,350 --> 00:15:38,420 MEETING THAT GUY. 380 00:15:38,454 --> 00:15:40,394 - WHAT? HOW COULD YOU FORGET ABOUT JACUZZI GUY? 381 00:15:40,422 --> 00:15:42,602 - YEAH, WELL, YOU KNOW, THEY ALL KIND OF... 382 00:15:42,631 --> 00:15:45,321 BLEND TOGETHER. 383 00:15:45,358 --> 00:15:47,388 - LIKE IN A JACUZZI. 384 00:15:47,429 --> 00:15:49,329 WELL, IF YOU DON'T REMEMBER JACUZZI GUY, 385 00:15:49,362 --> 00:15:52,642 THERE IS ABSOLUTELY NO WAY YOU REMEMBER MEETING ME. 386 00:15:52,675 --> 00:15:57,025 - OH... 387 00:15:57,059 --> 00:16:01,409 I REMEMBER MEETING YOU. 388 00:16:01,443 --> 00:16:05,723 IT WAS RIGHT OVER THERE BY THE COPY MACHINE. 389 00:16:05,757 --> 00:16:09,107 IT WAS A THURSDAY MORNING, IT WAS YOUR FIRST DAY. 390 00:16:09,140 --> 00:16:11,070 I THINK YOU WERE WEARING SOMETHING 391 00:16:11,108 --> 00:16:14,798 A BIT MORE PROFESSIONAL THAN YOU ARE NOW. 392 00:16:14,835 --> 00:16:16,555 YOU WERE GIVING ME A PRETTY HARD TIME ABOUT 393 00:16:16,596 --> 00:16:18,696 TRYING TO GET IN A FEW QUICK COPIES IN BETWEEN 394 00:16:18,736 --> 00:16:21,526 YOUR MAJOR COPYING SESSION. 395 00:16:21,566 --> 00:16:23,566 - MM-HMM. 396 00:16:23,603 --> 00:16:28,233 - SEE, NO NOTES FOR YOU. - MM-HMM. 397 00:16:28,263 --> 00:16:30,513 I THINK I ALSO REMEMBER TALKING A LOT, 398 00:16:30,541 --> 00:16:34,511 BECAUSE I GET A LITTLE CHATTY WHEN I GET NERVOUS. 399 00:16:34,545 --> 00:16:36,545 - WHY WERE YOU NERVOUS? 400 00:16:36,581 --> 00:16:39,521 - BECAUSE... 401 00:16:39,550 --> 00:16:42,070 I GET NERVOUS... 402 00:16:42,104 --> 00:16:45,594 AROUND YOU. 403 00:16:45,625 --> 00:16:47,075 AND I JUST FEEL THE NEED 404 00:16:47,109 --> 00:16:50,289 TO KEEP TALKING AND TALKING AND-- 405 00:17:11,099 --> 00:17:13,519 - WELL, MYSTERY SOLVED. 406 00:17:13,549 --> 00:17:16,659 - YEAH, I MEAN, AT LEAST SHE LEFT A NOTE. 407 00:17:16,690 --> 00:17:19,110 - YEAH, SUCH ECONOMY WITH WORDS. 408 00:17:19,141 --> 00:17:20,801 - JULIA, YOU WANT TO TALK ABOUT THIS? 409 00:17:20,832 --> 00:17:24,112 - NO, THERE'S NOTHING TO TALK ABOUT. SHE MOVED OUT. 410 00:17:24,146 --> 00:17:25,456 AND WE HAVE OUR ROOM BACK. 411 00:17:25,492 --> 00:17:29,812 NICE TO HAVE THE SPACE. 412 00:17:29,841 --> 00:17:32,431 - HON. - YEAH. 413 00:17:32,465 --> 00:17:34,085 - IT'S GOING TO BE OKAY. 414 00:17:34,122 --> 00:17:37,752 - NO, IT'S NOT GOING TO BE OKAY. 415 00:17:37,780 --> 00:17:40,710 JOEL, SHE MOVED OUT. SHE QUIT HER JOB. 416 00:17:40,749 --> 00:17:42,849 WHY WOULD SHE DO THAT? 417 00:17:42,889 --> 00:17:45,099 - I DON'T KNOW, MAYBE SHE JUST NEEDED SOME SEPARATION. 418 00:17:45,133 --> 00:17:47,793 YOU KNOW, MAYBE SHE NEEDED TO MAKE PEACE WITH THIS DECISION. 419 00:17:47,825 --> 00:17:50,275 - SHE WANTS TO KEEP THE BABY. SHE'S FREAKING OUT. 420 00:18:01,149 --> 00:18:04,149 - IT'S OKAY. - [crying] 421 00:18:06,533 --> 00:18:07,883 - IT TURNS OUT THAT DAWES IS CHECKING INTO 422 00:18:07,914 --> 00:18:10,684 THE CHAMBERLAIN HOTEL. 423 00:18:10,710 --> 00:18:11,810 - DAWES IS CHECKING-- HOW DO YOU KNOW 424 00:18:11,849 --> 00:18:13,819 THAT DAWES IS CHECKING INTO THE CHAMBERLAIN HOTEL? 425 00:18:13,851 --> 00:18:15,371 - FAN TWEETED ABOUT IT. 426 00:18:15,404 --> 00:18:17,374 LISTEN. - THAT'S PRETTY CREEPY. 427 00:18:17,406 --> 00:18:18,886 - YEAH, WELL, IT'S GOOD INTEL FOR US. 428 00:18:18,925 --> 00:18:20,335 JUST LISTEN TO ME, OKAY, YOU TOLD ME 429 00:18:20,375 --> 00:18:21,815 THAT YOU'RE NOT COMFORTABLE CALLING THEM. 430 00:18:21,859 --> 00:18:23,479 BUT I FIGURE, YOU'RE PROBABLY COMFORTABLE ENOUGH 431 00:18:23,516 --> 00:18:25,306 FOR US TO STAGE A RANDOM BUMP-IN 432 00:18:25,345 --> 00:18:26,725 AT THE HIP BAR THERE AT THE CHAMBERLAIN. 433 00:18:26,760 --> 00:18:28,280 WHAT DO YOU SAY? 434 00:18:28,314 --> 00:18:29,834 - AND THEN, YOU'RE JOKING, THIS IS A JOKE? 435 00:18:29,867 --> 00:18:31,797 - WHAT, DO YOU HAVE A BETTER IDEA? 436 00:18:31,834 --> 00:18:33,154 WE'VE GOT TO KEEP THE BUSINESS MOVING HERE. 437 00:18:33,181 --> 00:18:34,491 - YEAH, UH, RESPECT THEIR PRIVACY. 438 00:18:34,527 --> 00:18:35,767 THAT'S A GOOD START FOR A WORKING RELATIONSHIP. 439 00:18:35,804 --> 00:18:37,364 - CROSBY, COME ON, MAN, THIS IS JUST ABOUT DOING BUSINESS. 440 00:18:37,392 --> 00:18:38,842 THAT'S ALL THIS IS. - THIS ISN'T-- 441 00:18:38,876 --> 00:18:40,256 I DON'T WANT TO DO BUSINESS LIKE THIS. 442 00:18:40,291 --> 00:18:41,431 - YOU KNOW WHAT THE PROBLEM IS? 443 00:18:41,465 --> 00:18:42,945 YOU DON'T HAVE ANY BUSINESS EXPERIENCE. 444 00:18:42,983 --> 00:18:44,573 YOU HAVE TO GO AFTER CLIENTS. - I DID NOT GO TO WHARTON, OKAY? 445 00:18:44,606 --> 00:18:45,806 BUT I'VE PLAYED MONOPOLY, AND I DON'T REMEMBER 446 00:18:45,848 --> 00:18:47,508 A SQUARE ON THE BOARD THAT SAYS 447 00:18:47,540 --> 00:18:48,610 "STALK FUTURE CLIENTS" 448 00:18:48,644 --> 00:18:51,924 OR "SCREW OVER EX-BOSSES." 449 00:18:51,958 --> 00:18:54,958 - MONOPOLY IS A GAME. THIS IS REAL BUSINESS. 450 00:18:54,995 --> 00:18:56,065 WE ARE GOING AFTER A CLIENT, OKAY? 451 00:18:56,100 --> 00:18:57,900 IT IS SINK OR SWIM TIME FOR US, AND I AM TOSSING 452 00:18:57,929 --> 00:18:59,899 AND TURNING OVER THIS STUFF EVERY NIGHT. 453 00:18:59,931 --> 00:19:01,551 I'VE GOT A DAUGHTER WHO'S GOING AWAY TO COLLEGE. 454 00:19:01,588 --> 00:19:02,898 I'VE GOT A SON WITH SPECIAL NEEDS, I GOT A BABY-- 455 00:19:02,934 --> 00:19:05,184 I GOT TO KEEP THIS BUSINESS GOING AND MAKE MONEY. 456 00:19:05,213 --> 00:19:07,183 THIS PLACE ISN'T GOING TO SUCCEED ON ITS OWN, CROSBY. 457 00:19:07,215 --> 00:19:09,865 OKAY? WE HAVE TO MAKE IT SUCCEED. 458 00:19:09,907 --> 00:19:11,527 DO YOU GET THAT? - YEAH. 459 00:19:11,564 --> 00:19:13,644 YOU GOT TO MAN UP. YOU'RE A CO-OWNER IN THIS BUSINESS. 460 00:19:13,669 --> 00:19:17,539 START ACTING LIKE IT. 461 00:19:24,818 --> 00:19:26,298 - HEY, HI, GOOD MORNING, HOW ARE YOU? 462 00:19:26,337 --> 00:19:27,787 - HEY, SUNSHINE. - JUST GOING TO JUMP 463 00:19:27,821 --> 00:19:29,381 RIGHT IN TO WORK HERE. - HOW YOU DOING? 464 00:19:29,409 --> 00:19:31,719 - FINE, YEAH, JUST FINE, YOU KNOW. 465 00:19:31,756 --> 00:19:33,376 - YEAH, I HEARD YOUR FIRST DAY WENT WONDERFULLY WELL. 466 00:19:33,413 --> 00:19:35,693 BOB SAID THAT YOU DID SOME AMAZING THINGS FOR HIM, 467 00:19:35,726 --> 00:19:38,446 SO I'M REALLY HAPPY TO HEAR THAT. 468 00:19:38,487 --> 00:19:40,247 I WAS A LITTLE BIT UNEASY AT FIRST, BUT I THINK 469 00:19:40,282 --> 00:19:41,562 IT'S GOING TO WORK OUT GREAT. 470 00:19:41,594 --> 00:19:42,774 - GREAT. - YEAH. 471 00:19:42,802 --> 00:19:44,912 - GOOD MORNING, KRISTINA. - GOOD MORNING, HOW ARE YOU? 472 00:19:44,942 --> 00:19:45,842 - AMBER. - HI. 473 00:19:45,874 --> 00:19:48,884 - DOING OKAY. 474 00:19:48,911 --> 00:19:52,361 - GREAT. 475 00:19:52,398 --> 00:19:53,808 - SOUNDS GOOD. SO, YOU NEED ANYTHING? 476 00:19:53,847 --> 00:19:54,987 ARE YOU GOOD? 477 00:19:55,021 --> 00:19:56,891 - I SHOULD BE JUST FINE. - OKAY. 478 00:19:56,919 --> 00:19:59,989 KEEP UP THE GOOD WORK. ALL RIGHT. 479 00:20:05,376 --> 00:20:08,716 - HOW ABOUT THIS? 480 00:20:08,759 --> 00:20:11,829 - LET'S SEE. 481 00:20:11,865 --> 00:20:12,995 - HUH? A LITTLE RED? 482 00:20:13,039 --> 00:20:14,559 - TURN AROUND, TURN AROUND, TURN AROUND. 483 00:20:14,592 --> 00:20:16,252 - I NEVER WEAR RED. - IT'S CUTE. 484 00:20:16,284 --> 00:20:17,944 - YEAH? - OH, YEAH, IS IT LACE? 485 00:20:17,975 --> 00:20:19,385 - YEAH. 486 00:20:19,425 --> 00:20:20,735 - THAT WORKS FOR AN ENGAGEMENT PARTY 487 00:20:20,771 --> 00:20:21,941 - NO, NO, THIS ISN'T FOR THE ENGAGEMENT PARTY, 488 00:20:21,979 --> 00:20:23,639 THIS WOULD BE FOR DRINKS. 489 00:20:23,670 --> 00:20:25,530 - OH. - FOR DRINKS TONIGHT. 490 00:20:25,569 --> 00:20:26,739 - YOU KNOW WHAT? IT'S TOO MUCH. 491 00:20:26,777 --> 00:20:28,877 IT MAKES ME HOT. I DON'T LIKE IT. 492 00:20:28,917 --> 00:20:32,017 - HUH, FOR DRINKS, WHAT'S THE BIG DEAL? 493 00:20:32,058 --> 00:20:35,368 - BECAUSE, MOM, I'M MEETING HIS FRIENDS FOR THE FIRST TIME. 494 00:20:35,406 --> 00:20:36,366 - SO? 495 00:20:36,407 --> 00:20:37,647 - WELL, IT'S A BIG DEAL, I JUST-- 496 00:20:37,684 --> 00:20:40,654 YOU KNOW, WANT TO LOOK-- I WANT TO LOOK NICE. 497 00:20:40,687 --> 00:20:42,547 - YOU'RE GREAT THE WAY YOU ARE, JUST BE YOURSELF. 498 00:20:42,586 --> 00:20:43,966 - MOM, I'M NOT GREAT THE WAY I AM, 499 00:20:44,001 --> 00:20:45,801 ALL I DO IS JUST WEAR BLACK, AND IT'S NOT-- 500 00:20:45,830 --> 00:20:47,590 - BE YOURSELF. YOU'RE A BEAUTIFUL WOMAN. 501 00:20:47,625 --> 00:20:49,895 YOU ALWAYS LOOK BEAUTIFUL, MARK LOVES YOU THE WAY YOU ARE, 502 00:20:49,938 --> 00:20:51,908 THEY'RE GOING TO LOVE YOU THAT WAY TOO. 503 00:20:51,940 --> 00:20:53,040 SUCH A BIG DEAL OUT OF IT. 504 00:20:53,079 --> 00:20:54,809 - MOM, IT IS A BIG DEAL, THIS IS-- 505 00:20:54,839 --> 00:20:56,009 - WHAT? 506 00:20:56,047 --> 00:21:00,637 - A SERIOUS RELATIONSHIP. 507 00:21:00,673 --> 00:21:03,953 - ARE YOU GUYS TALKING ABOUT GETTING MARRIED? 508 00:21:03,986 --> 00:21:06,986 - WE'RE TALKING ABOUT LOTS OF THINGS. 509 00:21:09,026 --> 00:21:09,956 - WHAT OTHER THINGS? 510 00:21:09,992 --> 00:21:11,722 - YOU KNOW. 511 00:21:11,753 --> 00:21:14,833 - NO, I DON'T KNOW. WHAT? 512 00:21:14,859 --> 00:21:19,969 ARE YOU GUYS TALKING ABOUT HAVING A BABY? 513 00:21:20,002 --> 00:21:21,762 - YEAH. 514 00:21:21,797 --> 00:21:24,697 - REALLY? 515 00:21:24,731 --> 00:21:27,361 WOW. 516 00:21:27,389 --> 00:21:30,359 [soft rock music] 517 00:21:30,392 --> 00:21:33,982 ♪ 518 00:21:34,016 --> 00:21:35,976 - SEE, IT'S A HAWAIIAN THEME. 519 00:21:36,018 --> 00:21:37,468 THE DISCO BALL IS AS WELL. 520 00:21:37,503 --> 00:21:40,823 - UH-HUH, UH-HUH, UH-HUH. 521 00:21:40,851 --> 00:21:43,961 - WHERE ARE THEY? - MARK! LOOK AT THIS GUY. 522 00:21:43,992 --> 00:21:45,892 MARK THE SHARK FROM MENLO PARK! 523 00:21:45,925 --> 00:21:48,505 [overlapping chatter, laughter] 524 00:21:48,548 --> 00:21:49,928 - THIS IS, UH, THIS IS SARAH. 525 00:21:49,963 --> 00:21:51,663 - HI. all: HI, SARAH. 526 00:21:51,689 --> 00:21:53,999 - HOW ARE YOU? - WOW. 527 00:21:54,036 --> 00:21:55,346 - OH, SORRY, THIS IS TAI. 528 00:21:55,383 --> 00:21:56,563 - NICE TO MEET YOU. - HI. 529 00:21:56,591 --> 00:21:58,521 - NIKKI, NATE, JUSTIN. - HI, SARAH. 530 00:21:58,558 --> 00:21:59,458 - HI, JUSTIN? - YES. 531 00:21:59,490 --> 00:22:02,010 WOW, WHAT A GRIP. - MITCH AND KIRSTEN. 532 00:22:02,044 --> 00:22:03,914 - OH, HI. - HEY. 533 00:22:03,943 --> 00:22:04,743 - KIRSTEN. 534 00:22:04,771 --> 00:22:05,701 - OH, I'VE HEARD SO MUCH ABOUT YOU, 535 00:22:05,738 --> 00:22:07,638 NICE TO MEET YOU. - NICE TO MEET YOU TOO. 536 00:22:07,671 --> 00:22:09,951 - HI, EVERYBODY, ALL RIGHT. 537 00:22:09,983 --> 00:22:12,373 - YOU GUYS LOOK GOOD TOO. - NICE SWEATER, BUDDY. 538 00:22:12,400 --> 00:22:15,060 WHO PICKED THAT ONE OUT? - SORRY WE'RE A LITTLE LATE. 539 00:22:15,092 --> 00:22:19,172 - [overlapping greetings] 540 00:22:19,199 --> 00:22:20,889 - ALL RIGHT, SARAH, GET COMFORTABLE. 541 00:22:20,925 --> 00:22:24,645 BECAUSE WE'RE GOING TO TELL YOU SOME GREAT SHARK TALES. 542 00:22:24,688 --> 00:22:25,928 - OH, YEAH. - I'M SURE. 543 00:22:25,965 --> 00:22:27,855 - DON'T WORRY, MARK WAS LIKE THE SWEETEST. 544 00:22:27,898 --> 00:22:30,558 - I SHOULD HAVE TOLD YOU, I'M MARK THE SHARK. 545 00:22:30,590 --> 00:22:32,730 - LEAST REBELLIOUS GUY EVER. JUSTIN'S GOT NOTHING. 546 00:22:32,765 --> 00:22:35,415 [indistinguishable chatter] 547 00:22:35,457 --> 00:22:36,597 - UH, IT'S GOOD TO SEE YOU. 548 00:22:36,631 --> 00:22:38,181 THANK YOU SO MUCH FOR THAT CHRISTMAS CARD 549 00:22:38,218 --> 00:22:39,908 BY THE WAY, THAT LOOKS AMAZING. 550 00:22:39,944 --> 00:22:41,814 I CAN'T BELIEVE YOU FINALLY DID IT. 551 00:22:41,843 --> 00:22:43,673 - IT WAS LIFE-CHANGING. - YEAH, HE'S FROM, UH, 552 00:22:43,707 --> 00:22:46,567 OAKLAND, HE GREW UP THERE. - YEAH, I CAN'T EVEN IMAGINE. 553 00:22:46,606 --> 00:22:48,396 - WHAT WAS LIFE-CHANGING? - KIRSTEN, SORRY-- 554 00:22:48,436 --> 00:22:51,816 KIRSTEN SPENT ALL YEAR TRAINING TO HIKE MOUNT KILIMANJARO. 555 00:22:51,853 --> 00:22:53,203 - JUST THE-- THAT'S WHAT YOU--FOR A YEAR? 556 00:22:53,233 --> 00:22:54,723 THAT'S AMAZING. - YEAH. 557 00:22:54,752 --> 00:22:55,932 - YEAH, YEAH, IT WAS INCREDIBLE. 558 00:22:55,960 --> 00:22:57,960 19,341 FEET. 559 00:22:57,997 --> 00:23:00,757 - WOW, THAT'S VERY, VERY TALL. 560 00:23:00,793 --> 00:23:01,933 - YEAH, YOU GUYS SHOULD TRY IT SOMETIME. 561 00:23:01,966 --> 00:23:03,926 I MEAN, IT WAS JUST UNBELIEVABLE. 562 00:23:03,968 --> 00:23:08,008 - I'VE BEEN MEANING TO TRY-- - WE'LL TRAIN FOR A YEAR THEN-- 563 00:23:08,041 --> 00:23:08,971 - NO, BUT WHAT ABOUT YOU? 564 00:23:09,008 --> 00:23:11,838 ARE YOU STILL GOING TO DO MACHU PICCHU? 565 00:23:11,873 --> 00:23:13,943 - YES, ONE DAY, SO-- - WHAT ARE YOU TALKING ABOUT? 566 00:23:13,978 --> 00:23:16,808 - UH, MACHU PICCHU. ONE DAY I WILL DO IT. 567 00:23:16,843 --> 00:23:18,743 BUT AS FAR AS NOW, I STILL HAVE A BUNCH 568 00:23:18,776 --> 00:23:20,186 OF STUDENT LOANS AND THINGS LIKE THAT, SO-- 569 00:23:20,226 --> 00:23:22,846 - I HEAR YOU. - NOT YET, BUT ONE DAY. 570 00:23:22,884 --> 00:23:24,924 - YOU KNOW, YOU'RE THE ONLY PERSON I KNOW 571 00:23:24,955 --> 00:23:26,985 WHO'S ACTUALLY DOING WHAT THEY SET OUT TO DO. 572 00:23:27,026 --> 00:23:28,646 DID MARK TELL YOU HE'S WANTED TO BE A TEACHER 573 00:23:28,683 --> 00:23:29,893 EVER SINCE KINDERGARTEN? - NO. 574 00:23:29,925 --> 00:23:31,785 - I MEAN, WHO KNOWS WHAT THEY WANT TO DO 575 00:23:31,824 --> 00:23:33,244 IN THEIR LIFE IN KINDERGARTEN? 576 00:23:33,273 --> 00:23:36,903 - MARK DOES, LUCKY. - I'M A BORING GUY. 577 00:23:36,932 --> 00:23:40,902 both: YOU'RE NOT BORING. - OH. 578 00:23:40,936 --> 00:23:42,136 - HOW DID YOU TWO MEET? 579 00:23:42,179 --> 00:23:43,869 - I MEAN, YOU WOULD HAVE TO CONSIDER IT 580 00:23:43,905 --> 00:23:46,695 A LITTLE BIT OF A SCANDAL. - YEAH, IT WAS. 581 00:23:46,735 --> 00:23:48,185 - [surprised reactions] 582 00:23:48,219 --> 00:23:49,769 - IT WAS AT THE TIME A LITTLE BIT. 583 00:23:49,807 --> 00:23:53,847 MARK WAS MY DAUGHTER'S TEACHER HER SOPHOMORE YEAR. 584 00:23:53,880 --> 00:23:54,990 AND NOW SHE'S GRADUATED HIGH SCHOOL. 585 00:23:55,019 --> 00:23:56,779 - WHOA. - VERY COOL. 586 00:23:56,814 --> 00:23:57,994 - MY SON IS A JUNIOR. - TWO KIDS. 587 00:23:58,022 --> 00:23:59,542 - TWO KIDS. - I DON'T TEACH HIM THOUGH. 588 00:23:59,576 --> 00:24:00,816 I TEACH HIS GIRLFRIEND. 589 00:24:00,853 --> 00:24:01,993 - THAT'S SO GREAT, YOU HAVE KIDS. 590 00:24:02,026 --> 00:24:02,916 - YEAH. - IT'S GREAT. 591 00:24:02,958 --> 00:24:04,508 - IT CAN BE GREAT. 592 00:24:04,546 --> 00:24:05,786 - MY OLDER SISTER JUST HAD A BABY. 593 00:24:05,823 --> 00:24:07,003 - THAT'S RIGHT. - WHAT? 594 00:24:07,031 --> 00:24:08,761 - MY OLDER SISTER JUST HAD A BABY. 595 00:24:08,792 --> 00:24:10,972 - CONGRATULATIONS. - OH, REALLY? 596 00:24:11,001 --> 00:24:13,041 SO, WHAT DID SHE HAVE? 597 00:24:13,072 --> 00:24:14,872 - SHE HAD A GIRL. 598 00:24:14,901 --> 00:24:18,701 - BECAUSE YOU GET ONE OR THE OTHER. 599 00:24:18,733 --> 00:24:20,533 - DO YOU EVER SEE DAVE AROUND ANYMORE? 600 00:24:20,562 --> 00:24:23,912 HE TOTALLY DROPPED OFF. - NO. 601 00:24:31,677 --> 00:24:33,677 - [chuckling] 602 00:24:36,647 --> 00:24:37,817 - JUST A SECOND. 603 00:24:37,855 --> 00:24:41,025 - WHAT DO YOU HAVE GOING ON ON THAT PHONE? 604 00:24:41,065 --> 00:24:43,135 - I'M SORRY. 605 00:24:43,171 --> 00:24:47,041 I'M TEXTING JUSTIN AND HE'S STUPID. 606 00:24:47,071 --> 00:24:48,801 BUT HE SAYS HE LIKES YOU A LOT. 607 00:24:48,832 --> 00:24:50,562 - OH. - MM-HMM. 608 00:24:50,592 --> 00:24:52,532 - DID I GET GOOD REVIEWS LAST NIGHT? 609 00:24:52,560 --> 00:24:55,870 - YOU PASSED THE TEST, WELL, LIKE THERE WAS ANY DOUBT. 610 00:24:55,908 --> 00:24:57,738 - THEY WERE NICE. 611 00:24:57,772 --> 00:25:01,092 - THEY ARE NICE, VERY GOOD FOLKS. 612 00:25:01,120 --> 00:25:02,710 - IT'S SO FUNNY, 613 00:25:02,742 --> 00:25:05,612 ALL THE THINGS THAT I DON'T KNOW. 614 00:25:05,642 --> 00:25:07,952 - LIKE WHAT? SHARK TALES? 615 00:25:07,989 --> 00:25:12,199 - LIKE YOU HAVE ALWAYS WANTED TO CLIMB MACHU PICCHU. 616 00:25:12,234 --> 00:25:14,754 - OH, YEAH THAT WAS JUST THIS-- 617 00:25:14,789 --> 00:25:16,829 SOMETHING I SAID ONCE. 618 00:25:16,860 --> 00:25:19,550 IN HIGH-SCHOOL, WE WERE STUDYING THE INCAS, 619 00:25:19,587 --> 00:25:22,207 AND I JUST THOUGHT IT WOULD BE COOL TO SEE THOSE RUINS. 620 00:25:22,244 --> 00:25:24,324 - IT WOULD. 621 00:25:24,350 --> 00:25:26,660 WHAT ELSE IS ON YOUR LIST? 622 00:25:26,697 --> 00:25:29,147 - MMM...LOTS OF THINGS. 623 00:25:29,182 --> 00:25:32,052 THERE'S A LOT OF THINGS I WANT TO SEE. 624 00:25:32,082 --> 00:25:34,742 - I ALWAYS WANTED TO GO TO MOROCCO. 625 00:25:34,774 --> 00:25:38,334 I READ SOMEWHERE THAT JACK KEROUAC ALWAYS WROTE 626 00:25:38,364 --> 00:25:40,954 AT THE SAME BAR IN MOROCCO. 627 00:25:40,987 --> 00:25:43,917 AND I THOUGHT, I WANT TO GO THERE, 628 00:25:43,956 --> 00:25:47,746 SIT AND WRITE, SEE WHAT THAT FEELS LIKE. 629 00:25:47,787 --> 00:25:50,097 - DID YOU GO? 630 00:25:50,134 --> 00:25:52,934 - NO. 631 00:25:52,965 --> 00:25:57,585 BESIDES GOING TO MEXICO ONCE ON SPRING BREAK, 632 00:25:57,625 --> 00:25:59,655 I HAVEN'T REALLY... 633 00:25:59,696 --> 00:26:03,386 BEEN ANYWHERE. 634 00:26:03,423 --> 00:26:08,153 - WELL, THEN IT SOUNDS LIKE WE HAVE SOME TRAVELING TO DO. 635 00:26:08,187 --> 00:26:11,637 [phone buzzes] 636 00:26:11,673 --> 00:26:15,233 - OH, MY GOD. 637 00:26:15,263 --> 00:26:17,333 JUSTIN IS AN IDIOT. 638 00:26:17,368 --> 00:26:19,748 - OH, ALSO, BOB ASKED ME TO GIVE YOU SOME NOTES 639 00:26:19,785 --> 00:26:22,235 ON YOUR DRAFT OF HIS SPEECH, IS THAT WEIRD FOR YOU? 640 00:26:22,270 --> 00:26:23,410 - NO, IT'S NOT WEIRD. 641 00:26:23,443 --> 00:26:24,823 YOU'RE WORKING FOR HIM NOW, SO-- 642 00:26:24,859 --> 00:26:26,029 - DON'T BE MAD. 643 00:26:26,067 --> 00:26:29,997 - WOW, HEY. - UH, THAT'S WEIRD. 644 00:26:30,036 --> 00:26:32,066 WHO KNOWS, WEIRD. - SOMEBODY GOT SOME FLOWERS. 645 00:26:32,107 --> 00:26:33,347 - YEAH, WHO CARES, WHATEVER. - WHO ARE THEY FROM? 646 00:26:33,384 --> 00:26:34,734 - I DON'T KNOW, JUST ONE OF THOSE WEIRDOES. 647 00:26:34,765 --> 00:26:36,315 - WELL, WHY DON'T YOU OPEN THE CARD? 648 00:26:36,353 --> 00:26:37,873 - NO, I'LL DO IT LATER. 649 00:26:37,906 --> 00:26:39,286 I'M GOING TO GO THROUGH THESE NOTES FIRST, OKAY? 650 00:26:39,321 --> 00:26:40,741 - I'M OPENING IT. - NO, NO, NO. 651 00:26:40,771 --> 00:26:42,121 - AUNT KRISTINA, PLEASE DON'T. 652 00:26:42,152 --> 00:26:45,162 - I NEVER GET FLOWERS. - PLEASE, PLEASE I DON'T-- 653 00:26:45,189 --> 00:26:50,819 - WOW. THEY'RE FROM BOB. 654 00:26:50,850 --> 00:26:52,850 I'M JUST KIDDING, THEY'RE FROM YOUR MOM. 655 00:26:52,887 --> 00:26:55,027 - [chuckles] 656 00:26:55,061 --> 00:26:56,301 - AWW, SHE'S SO PROUD OF YOU. 657 00:26:56,338 --> 00:26:59,128 - THAT WAS FUNNY. - I KNOW, I AM FUNNY. 658 00:26:59,169 --> 00:27:00,449 HERE, LET ME TAKE YOUR PHOTO. 659 00:27:00,480 --> 00:27:02,170 SO I CAN SEND IT TO HER. 660 00:27:02,206 --> 00:27:03,656 SOMETIMES WHEN YOU HIRE A FLORIST, 661 00:27:03,691 --> 00:27:04,831 YOU NEVER KNOW WHAT YOU'RE GOING TO GET. 662 00:27:04,864 --> 00:27:06,834 READY? COME CLOSER. 663 00:27:06,866 --> 00:27:08,386 SAY CHEESE. 664 00:27:08,419 --> 00:27:10,109 - CHEESE. 665 00:27:10,145 --> 00:27:13,355 [buzzing] 666 00:27:13,390 --> 00:27:16,290 - ZOEY, HI. - HEY. 667 00:27:16,324 --> 00:27:18,084 - WHERE ARE YOU? ARE YOU ALL RIGHT? 668 00:27:18,119 --> 00:27:20,049 - LOOK, I'M REALLY SORRY I FELL OFF THE GRID. 669 00:27:20,086 --> 00:27:21,916 I'VE JUST BEEN DEALING WITH SOME STUFF AND, UM, 670 00:27:21,950 --> 00:27:25,440 I WAS HAVING SOME PAINS SO I WENT TO THE DOCTOR. 671 00:27:25,471 --> 00:27:28,371 - WHAT--WHAT HAPPENED? IS EVERYTHING OKAY? 672 00:27:28,405 --> 00:27:32,365 - I HAVE SOMETHING CALLED, "AN INCOMPETENT CERVIX." 673 00:27:32,409 --> 00:27:33,689 PRETTY GREAT, RIGHT? 674 00:27:33,721 --> 00:27:36,031 EVEN MY CERVIX IS INCOMPETENT. 675 00:27:36,068 --> 00:27:39,728 HE PUT ME ON BED REST, SO I HAD TO QUIT MY JOB 676 00:27:39,761 --> 00:27:41,971 AND NOW I'M JUST TRYING TO FIGURE EVERYTHING OUT, SO-- 677 00:27:42,005 --> 00:27:43,445 - IS THERE ANYTHING I CAN DO TO HELP? 678 00:27:43,489 --> 00:27:45,489 - NO, NO, I CAN-- I GOT IT. 679 00:27:45,525 --> 00:27:46,935 I JUST HAD TO APPLY FOR DISABILITY 680 00:27:46,975 --> 00:27:48,355 AND DO ALL THE PAPERWORK AND-- 681 00:27:48,390 --> 00:27:49,910 - YEAH, I CAN-- I CAN HELP YOU WITH THAT. 682 00:27:49,944 --> 00:27:51,084 - NO, IT'S OKAY. 683 00:27:51,117 --> 00:27:54,907 I CAN HANDLE IT. 684 00:27:54,949 --> 00:27:56,879 - OKAY. - ANYWAY, I'M GOING TO GO. 685 00:27:56,916 --> 00:27:58,326 I SHOULD GO, OKAY? 686 00:27:58,366 --> 00:27:59,506 - WELL, ZOEY, ZOEY, UM, JUST 687 00:27:59,539 --> 00:28:02,399 WHY DID YOU DECIDE TO MOVE OUT? 688 00:28:02,439 --> 00:28:05,339 UM, I MEAN, YOU'RE EIGHT MONTHS PREGNANT, 689 00:28:05,373 --> 00:28:07,413 AND, YOU KNOW, IT CAN'T BE EASY 690 00:28:07,444 --> 00:28:10,104 TO DEAL WITH ROOMMATES AND RENT. 691 00:28:10,136 --> 00:28:11,926 - ACTUALLY, MY ROOMMATES ARE REALLY GREAT 692 00:28:11,966 --> 00:28:14,036 AND I'M GOING TO PAY MY RENT WITH MY DISABILITY, SO-- 693 00:28:14,071 --> 00:28:16,321 YOU KNOW, I'M JUST GOING TO START 694 00:28:16,349 --> 00:28:18,039 TAKING CARE OF MYSELF FOR A CHANGE. 695 00:28:18,075 --> 00:28:20,385 - RIGHT, WELL-- - BUT I'LL SEE YOU AROUND 696 00:28:20,422 --> 00:28:23,742 - I GOTTA GO. - ZOEY, ZOEY-- 697 00:28:29,293 --> 00:28:31,233 - HOW DOES IT FEEL? TELL ME EVERYTHING. 698 00:28:31,261 --> 00:28:32,471 - IT'S JUST A PROMOTION, MOM. 699 00:28:32,503 --> 00:28:36,133 - NO, IT'S NOT, UH-- DID YOU GET THE FLOWERS? 700 00:28:36,162 --> 00:28:40,062 - THEY'RE VERY NICE, I'M LOOKING AT THEM RIGHT NOW. 701 00:28:40,097 --> 00:28:41,547 YOU DIDN'T HAVE TO DO THAT, MOM. 702 00:28:41,581 --> 00:28:43,511 - COME ON, KRISTINA SAID SHE'D NEVER SEEN 703 00:28:43,549 --> 00:28:44,959 ANYBODY GET PROMOTED THAT FAST. 704 00:28:44,999 --> 00:28:46,169 I'M SO-- AM SO IMPRESSED. 705 00:28:46,207 --> 00:28:47,517 - IT'S HONESTLY NOT A BIG DEAL, OKAY? 706 00:28:47,553 --> 00:28:49,283 IT'S JUST LUCKY. 707 00:28:49,313 --> 00:28:55,253 - HONEY, YOU'RE SPECIAL, TAKE THAT IN, OKAY? 708 00:28:55,285 --> 00:28:58,875 HONEY? 709 00:28:58,909 --> 00:29:01,769 AMBER. 710 00:29:01,809 --> 00:29:03,289 - YEAH, UH, HI, SORRY. 711 00:29:03,327 --> 00:29:06,327 I'M JUST RIGHT IN THE MIDDLE OF SOMETHING RIGHT NOW, 712 00:29:06,365 --> 00:29:07,365 CAN I CALL YOU BACK LATER? 713 00:29:07,400 --> 00:29:11,470 - I TOTALLY UNDERSTAND. PLEASE MEMO ME LATER. 714 00:29:11,508 --> 00:29:15,858 - OKAY, UM, LOVE YOU. - I LOVE YOU TOO, YAY! 715 00:29:15,892 --> 00:29:20,242 - AMBER, CONGRATS ON THE NEW POSITION. 716 00:29:20,275 --> 00:29:21,515 - THANKS. - BOB WANTS TO SEE YOU 717 00:29:21,552 --> 00:29:22,622 IN HIS OFFICE. 718 00:29:22,657 --> 00:29:27,797 - OH, UM, YOU KNOW, I WAS ACTUALLY JUST LEAVING. 719 00:29:27,835 --> 00:29:30,385 UM, I'M FEELING REALLY SICK. 720 00:29:30,423 --> 00:29:33,193 SO COULD YOU JUST TELL HIM 721 00:29:33,219 --> 00:29:35,879 THAT I HAD TO GO HOME? 722 00:29:35,912 --> 00:29:38,262 - YEAH, OKAY. 723 00:29:44,368 --> 00:29:47,608 - YOU SEE THEM? - UN-UH. 724 00:29:47,647 --> 00:29:50,507 - WHY DON'T YOU TAKE IT EASY? 725 00:29:50,547 --> 00:29:52,307 - I'M LOOSENING UP. 726 00:29:52,342 --> 00:29:53,382 CAN I GET ANOTHER ONE OF THESE? 727 00:29:53,412 --> 00:29:55,172 - YEAH. - THANK YOU SO MUCH. 728 00:29:55,207 --> 00:29:56,517 SCOTCH. 729 00:29:56,553 --> 00:29:58,493 OH, SHOWTIME. 730 00:29:58,520 --> 00:29:59,970 - ALL RIGHT, LISTEN, I KNOW YOU DON'T WANT 731 00:30:00,005 --> 00:30:01,035 TO DO THIS, ALL RIGHT, SO THANK YOU. 732 00:30:01,075 --> 00:30:02,275 - OKAY. 733 00:30:02,317 --> 00:30:08,287 GO GET THEM. 734 00:30:08,323 --> 00:30:10,083 - OH, HEY. 735 00:30:10,118 --> 00:30:11,328 TAYLOR, RIGHT? - HEY, MAN, YEAH. 736 00:30:11,361 --> 00:30:12,501 CROSBY, RIGHT, YEAH. 737 00:30:12,534 --> 00:30:14,124 - YEAH, YEAH, YEAH, GRIFFIN. 738 00:30:14,157 --> 00:30:15,327 - THIS IS TAY AND WYLIE. 739 00:30:15,365 --> 00:30:16,635 - HEY, GUYS. HOW'S IT GOING? 740 00:30:16,676 --> 00:30:18,086 NICE TO MEET YOU, I'M A HUGE FAN. 741 00:30:18,126 --> 00:30:20,226 - THANK YOU. - YOUR BAND IS SO GREAT. 742 00:30:20,266 --> 00:30:21,916 UM, WHAT ARE YOU GUYS DOING HERE? 743 00:30:21,958 --> 00:30:23,338 - JUST CHECKING OUT THE SCENE. 744 00:30:23,373 --> 00:30:26,313 YOU'RE WITH, UH, BAYVIEW RECORDING STUDIOS, RIGHT? 745 00:30:26,341 --> 00:30:28,451 - OH, GOD, NO, UH, I LEFT A FEW MONTHS AGO. 746 00:30:28,481 --> 00:30:30,101 - NOT A GOOD PLACE? 747 00:30:30,138 --> 00:30:32,348 - WELL, UH, YOU KNOW, IT WASN'T FOR ME. 748 00:30:32,382 --> 00:30:33,212 IT WAS NOT A GOOD FIT. 749 00:30:33,245 --> 00:30:35,035 IT'S PRETTY CORPORATE OVER THERE. 750 00:30:35,074 --> 00:30:37,594 THEY, UH, YOU KNOW, WEREN'T GREAT WITH FANS, 751 00:30:37,628 --> 00:30:39,178 ALL ABOUT THE BOTTOM-LINE. 752 00:30:39,216 --> 00:30:43,386 I DIDN'T LOVE IT, SO I STARTED MY OWN PLACE, ACTUALLY. 753 00:30:43,427 --> 00:30:44,637 - WHY, WHAT'S, UH--? 754 00:30:44,670 --> 00:30:46,530 - WE'RE ACTUALLY CONSIDERING RECORDING THERE. 755 00:30:46,568 --> 00:30:48,538 - OH, OKAY, WELL, THAT'S AWKWARD. 756 00:30:48,570 --> 00:30:50,430 I TAKE IT BACK THEN. 757 00:30:50,469 --> 00:30:52,129 - WELL, WHAT'S THE DEAL OVER THERE? 758 00:30:52,160 --> 00:30:53,330 BECAUSE WE'RE, LIKE, MINUTES AWAY 759 00:30:53,368 --> 00:30:54,228 FROM SIGNING THE DOTTED LINE. 760 00:30:54,266 --> 00:30:56,196 - YEAH, WE CHECKED IT OUT YESTERDAY. 761 00:30:56,233 --> 00:31:00,693 WE MET WITH AN ENGINEER NAMED, UH, BRENT, IS HE GOOD? 762 00:31:00,720 --> 00:31:06,690 - UM, BRENT. HE'S A-- 763 00:31:06,726 --> 00:31:09,586 HE'S A--HE'S A REALLY GOOD ENGINEER. 764 00:31:09,626 --> 00:31:12,176 HE'S, YOU KNOW, HE'S A GOOD FRIEND OF MINE. 765 00:31:12,215 --> 00:31:14,485 HE'LL DO A GREAT JOB, I THINK. 766 00:31:14,527 --> 00:31:16,077 WELL, GOOD LUCK WITH IT. 767 00:31:16,115 --> 00:31:17,495 I'M GOING TO GET BACK TO MY BROTHER. 768 00:31:17,530 --> 00:31:19,220 - ALL RIGHT, MAN. - GREAT SEEING YOU GUYS. 769 00:31:19,256 --> 00:31:22,426 - WHAT THE HELL WAS THAT ALL ABOUT? 770 00:31:22,466 --> 00:31:25,366 HOW'D IT GO? - I CAN'T DO IT. 771 00:31:25,400 --> 00:31:27,200 THEY MET BRENT AND THEY LIKE HIM AND NOW-- 772 00:31:27,230 --> 00:31:28,470 - IT'S OKAY, LET'S GET THE CHECK, LET'S GET OUT OF HERE. 773 00:31:28,507 --> 00:31:30,507 ALL RIGHT, THANK YOU FOR DOING THAT. 774 00:31:30,543 --> 00:31:32,443 EXCUSE ME. - HEY, GUYS. 775 00:31:32,476 --> 00:31:34,336 HEY, I DON'T MEAN TO BUG YOU GUYS. 776 00:31:34,375 --> 00:31:36,515 UM, BUT IT SEEMED LIKE MAYBE THERE WAS SOMETHING 777 00:31:36,549 --> 00:31:37,649 YOU WEREN'T SAYING BACK THERE. 778 00:31:37,688 --> 00:31:40,378 WHICH I RESPECT, NOT TALKING TRASH ANOTHER STUDIO. 779 00:31:40,415 --> 00:31:42,345 BUT THIS ALBUM'S REALLY IMPORTANT TO US. 780 00:31:42,383 --> 00:31:44,493 WE WERE WONDERING IF WE COULD MAYBE BUY YOU A DRINK. 781 00:31:44,523 --> 00:31:47,533 - UH... 782 00:31:47,560 --> 00:31:48,490 - HEY, HOW YOU DOING? I'M ADAM. 783 00:31:48,527 --> 00:31:50,357 - TAYLOR. - I'M CROSBY'S BUSINESS PARTNER. 784 00:31:50,391 --> 00:31:51,531 HOW YOU DOING? I'M A BIG FAN, GUYS. 785 00:31:51,564 --> 00:31:52,394 - THANK YOU. 786 00:31:52,427 --> 00:31:53,597 - YEAH, WE GOT TIME FOR A QUICK ONE. 787 00:31:53,635 --> 00:31:56,425 LET'S CLOSE OUT THIS CHECK AND GRAB A TABLE, ALL RIGHT? 788 00:31:56,466 --> 00:31:59,226 ALL RIGHT. - [gulps] 789 00:31:59,262 --> 00:32:03,132 [knock on door] 790 00:32:03,162 --> 00:32:05,162 - HEY. - HEY. 791 00:32:05,199 --> 00:32:07,679 - I, UH, I HEARD YOU WEREN'T FEELING WELL. 792 00:32:07,718 --> 00:32:13,478 SO I THOUGHT I'D BRING SOME SOUP. 793 00:32:13,517 --> 00:32:18,107 - I DON'T KNOW IF I CAN... 794 00:32:18,143 --> 00:32:21,013 DO THIS... 795 00:32:21,042 --> 00:32:24,052 AND WORK FOR YOU. 796 00:32:24,080 --> 00:32:25,530 I DON'T KNOW. 797 00:32:25,564 --> 00:32:30,024 YOU KNOW, MY AUNT GAVE ME THIS INCREDIBLE OPPORTUNITY, 798 00:32:30,051 --> 00:32:31,471 AND I HAVE TO BE CAREFUL. - AMBER. 799 00:32:31,501 --> 00:32:34,681 - ALSO, I HAVE TO ASK YOU. 800 00:32:34,711 --> 00:32:36,301 DID YOU GIVE ME THIS JOB 801 00:32:36,333 --> 00:32:38,513 BECAUSE YOU THOUGHT I WOULD BE GOOD AT IT, 802 00:32:38,542 --> 00:32:41,752 OR BECAUSE YOU WANT TO SLEEP WITH ME? 803 00:32:46,550 --> 00:32:49,620 - YOU ARE SMART AND YOU ARE FUNNY 804 00:32:49,657 --> 00:32:51,207 AND YOU THINK FOR YOURSELF. 805 00:32:51,245 --> 00:32:54,585 THAT'S WHY I GAVE YOU THE JOB, AMBER. 806 00:32:54,627 --> 00:32:59,767 AND TO BE HONEST, THAT'S WHY I KISSED YOU. 807 00:32:59,805 --> 00:33:03,285 YOU ARE TOUGH, 808 00:33:03,326 --> 00:33:07,086 BUT YOU HAVE THIS VULNERABILITY ABOUT YOU 809 00:33:07,123 --> 00:33:12,023 THAT IS JUST INCREDIBLE. 810 00:33:12,059 --> 00:33:15,169 SO I HOPE YOU WILL COME BACK TO WORK. 811 00:33:15,200 --> 00:33:17,550 AND NOT WALK AWAY FROM THIS. 812 00:33:26,556 --> 00:33:28,486 TRY THE SOUP. 813 00:33:30,353 --> 00:33:32,183 [door opens] 814 00:33:38,637 --> 00:33:40,707 - HEY. - HEY. 815 00:33:40,742 --> 00:33:42,542 - YOU DID IT. 816 00:33:42,572 --> 00:33:45,062 - UH-OH. 817 00:33:45,092 --> 00:33:46,402 - YOU MADE IT. 818 00:33:46,438 --> 00:33:47,468 - WAIT, WAIT, WAIT, WAIT, WAIT, WAIT, WAIT. 819 00:33:47,508 --> 00:33:48,848 - DID YOU TAKE A CAB? WHAT-- 820 00:33:48,888 --> 00:33:50,438 OH, YOU'RE COMING HERE? - HERE, NO, DON'T GET UP. 821 00:33:50,476 --> 00:33:53,166 HERE, HOW ABOUT-- - OH, YES, PLEASE. 822 00:33:53,203 --> 00:33:55,863 - MUCH BETTER. - OH, I LIKE THIS. 823 00:33:55,895 --> 00:33:59,485 - YEAH, I TAKE IT TONIGHT DIDN'T GO SO WELL. 824 00:33:59,520 --> 00:34:01,520 - NO, WE DID A GOOD-- 825 00:34:01,556 --> 00:34:04,766 WE GOT DAWES. - AH. 826 00:34:04,801 --> 00:34:06,491 - VICTORY IS OURS. 827 00:34:06,527 --> 00:34:08,357 DID YOU TAKE BART HERE? 828 00:34:08,391 --> 00:34:09,881 - HEY, I'M SORRY YOU HAD TO DO SOMETHING 829 00:34:09,909 --> 00:34:13,219 THAT MADE YOU FEEL UNCOMFORTABLE. 830 00:34:13,258 --> 00:34:16,358 - HMM. IT'S OKAY. 831 00:34:16,399 --> 00:34:18,539 IT'S JUST PART OF BEING AN ADULT. 832 00:34:18,573 --> 00:34:22,203 YOU KNOW, YOU HAVE TO DO THINGS THAT YOU DON'T WANT TO DO. 833 00:34:22,232 --> 00:34:26,442 LIKE, HORRIBLE THINGS. 834 00:34:26,478 --> 00:34:29,098 LIKE DRINK SCOTCH. YOU KNOW, 835 00:34:29,136 --> 00:34:31,786 WHEN YOU'RE AN ADULT, YOU HAVE TO DRINK SCOTCH, AND IT SUCKS. 836 00:34:31,828 --> 00:34:35,108 - IT SUCKS. - AND SO DOES-- 837 00:34:35,142 --> 00:34:38,212 SO DOES SELLING YOUR FRIENDS OUT, THAT SUCKS. 838 00:34:38,248 --> 00:34:42,218 PRETENDING YOU DON'T CARE YOUR EX-FIANCEE'S MOVING IN 839 00:34:42,252 --> 00:34:46,882 WITH HER BOYFRIEND SUCKS, IT ALL SUCKS, REALLY. 840 00:34:46,912 --> 00:34:49,502 - JASMINE'S MOVING IN WITH JOE? 841 00:34:49,535 --> 00:34:53,435 - YEAH, IT'S NOT GOING TO LAST, I KNOW IT. 842 00:34:53,470 --> 00:34:55,890 SO ORIGINAL, JOE TOO, HE BOUGHT HER A HOUSE. 843 00:34:55,921 --> 00:34:59,511 I MEAN, IS--IS-- I HOPE HE BOUGHT INSURANCE, 844 00:34:59,545 --> 00:35:01,575 BECAUSE I BOUGHT HER A HOUSE BEFORE 845 00:35:01,616 --> 00:35:04,476 AND SHE STILL BROKE MY HEART. 846 00:35:04,516 --> 00:35:07,826 SO, GOOD LUCK, JOE. 847 00:35:11,868 --> 00:35:15,598 YOU'RE REALLY NICE, LILLY. 848 00:35:19,220 --> 00:35:20,810 - SINCE I SAW YOU THIS MORNING, I'VE BEEN READING UP 849 00:35:20,842 --> 00:35:23,882 ON KEROUAC BECAUSE I, UM-- 850 00:35:23,914 --> 00:35:26,434 YOU TOLD ME HE SPENT SOME TIME IN MOROCCO AND 851 00:35:26,469 --> 00:35:28,439 EMBARRASSINGLY ENOUGH, AS AN ENGLISH TEACHER, 852 00:35:28,471 --> 00:35:30,921 I DID NOT KNOW THAT. 853 00:35:30,956 --> 00:35:33,296 BUT THEN, I FOUND OUT THAT WILLIAM S. BURROUGHS 854 00:35:33,338 --> 00:35:35,548 LIVED IN MOROCCO TOO, DID YOU KNOW THAT? 855 00:35:35,581 --> 00:35:39,411 - I DID. 856 00:35:39,447 --> 00:35:40,927 - WE SHOULD DO THAT. 857 00:35:40,966 --> 00:35:42,586 JUST LEAVE THE COUNTRY FOR A YEAR, 858 00:35:42,623 --> 00:35:46,353 BE AN EXPAT FOR AWHILE, WE COULD GO TO MOROCCO 859 00:35:46,385 --> 00:35:48,315 AND RENT A CHEAP, LITTLE APARTMENT. 860 00:35:48,353 --> 00:35:49,563 AND YOU COULD WORK ON YOUR WRITING. 861 00:35:49,595 --> 00:35:51,455 I COULD, UH, I DON'T KNOW. 862 00:35:51,494 --> 00:35:52,464 - CAN YOU PULL THE CAR OVER? 863 00:35:52,495 --> 00:35:53,595 CAN YOU PULL OVER? 864 00:35:53,634 --> 00:35:57,884 - YEAH, YEAH, YEAH. YOU OKAY? 865 00:35:57,914 --> 00:36:03,894 SARAH, WHAT'S GOING ON? 866 00:36:03,920 --> 00:36:09,890 SARAH, WHAT'S GOING ON? 867 00:36:09,926 --> 00:36:15,236 YOU'RE MAKING ME NERVOUS. 868 00:36:15,276 --> 00:36:17,586 - I'M 40. 869 00:36:17,623 --> 00:36:20,563 - I-I KNOW. 870 00:36:20,592 --> 00:36:23,872 - I'M AFRAID IF WE WAIT, 871 00:36:23,905 --> 00:36:26,175 IT'LL BE TOO LATE. 872 00:36:29,014 --> 00:36:33,474 IF WE WANT A BABY, WE HAVE TO DO IT NOW. 873 00:36:33,501 --> 00:36:38,021 AND I DON'T WANT TO PUT THAT PRESSURE ON YOU. 874 00:36:38,057 --> 00:36:42,547 I DON'T WANT TO FEEL LIKE I'M WRECKING YOUR DREAMS. 875 00:36:42,579 --> 00:36:43,579 - YOU'RE NOT. 876 00:36:43,615 --> 00:36:47,235 - YOU SHOULD GO TO MOROCCO IF YOU WANT TO GO. 877 00:36:47,274 --> 00:36:50,794 - I DON'T NEED TO GO TO MOROCCO, I JUST WAS-- 878 00:36:54,867 --> 00:36:57,347 I'M--I'M READY. 879 00:36:57,387 --> 00:36:59,357 I DON'T NEED TO DO ANY OF THAT OTHER STUFF. 880 00:36:59,389 --> 00:37:03,499 I LOVE YOU. 881 00:37:03,531 --> 00:37:06,261 AND IF WE HAVE TO HAVE A BABY NOW, 882 00:37:06,293 --> 00:37:11,853 THEN LET'S DO IT. 883 00:37:11,884 --> 00:37:15,514 - OKAY? - OKAY. 884 00:37:15,543 --> 00:37:18,683 - MAYBE NOT RIGHT NOW. 885 00:37:36,115 --> 00:37:40,805 - ♪ IF I STOP TOO LONG TO THINK ♪ 886 00:37:40,844 --> 00:37:44,684 ♪ 887 00:37:44,710 --> 00:37:47,330 ♪ NOTHING GOOD CAN COME FROM THAT... ♪ 888 00:37:47,368 --> 00:37:49,298 - HI. - GOOD MORNING, AMBER. 889 00:37:49,336 --> 00:37:50,676 HOW ARE YOU? 890 00:37:50,716 --> 00:37:52,096 - I'M GOOD. 891 00:37:52,131 --> 00:37:56,101 - GOOD ENOUGH TO DIVE RIGHT BACK IN? 892 00:37:56,135 --> 00:37:58,995 - ABSOLUTELY. 893 00:38:04,903 --> 00:38:10,703 ♪ NOTHING IS GONNA BRING US DOWN ♪ 894 00:38:10,736 --> 00:38:16,976 ♪ 895 00:38:17,018 --> 00:38:19,948 - THOUGHT YOU WERE SUPPOSED TO BE ON BED REST? 896 00:38:21,954 --> 00:38:24,924 - YEAH, WELL, MY ASSISTANT TOOK THE DAY OFF. 897 00:38:24,957 --> 00:38:26,337 WHAT ARE YOU GOING TO DO, RIGHT? 898 00:38:26,373 --> 00:38:27,553 - HERE. - OH, I GOT IT, IT'S FINE. 899 00:38:27,581 --> 00:38:29,791 - NO, NO, THAT'S ALL RIGHT, COME ON. 900 00:38:34,415 --> 00:38:36,795 - SO, I GUESS JULIA TOLD YOU 901 00:38:36,831 --> 00:38:38,761 ABOUT THE INCOMPETENT CERVIX THING? 902 00:38:38,799 --> 00:38:41,599 BUT SERIOUSLY, I'M FINE, YOU KNOW. 903 00:38:41,629 --> 00:38:42,839 SO, THANKS FOR STOPPING BY. 904 00:38:42,872 --> 00:38:44,872 - HEY, LOOK, LOOK. 905 00:38:44,908 --> 00:38:47,808 JULIA DOESN'T KNOW I'M HERE. 906 00:38:47,842 --> 00:38:50,912 BUT THERE'S A QUESTION I GOT TO ASK YOU. 907 00:38:50,949 --> 00:38:53,119 AND MY WIFE'S TOO SCARED TO, 908 00:38:53,158 --> 00:38:57,818 BUT I'M TOO SCARED NOT TO. 909 00:38:57,852 --> 00:38:59,962 - OKAY. 910 00:38:59,992 --> 00:39:03,932 - ARE YOU CHANGING YOUR MIND ABOUT THE BABY? 911 00:39:03,962 --> 00:39:06,832 - NO. - NO? 912 00:39:06,861 --> 00:39:11,661 - NO. - YOU'RE SURE? JUST BE HONEST. 913 00:39:11,694 --> 00:39:14,084 IT'S GOING TO BE HARD, BUT IF, I MEAN, 914 00:39:14,110 --> 00:39:17,180 IF WE COULD GO MUCH FURTHER INTO THIS, MY WIFE IS JUST 915 00:39:17,216 --> 00:39:22,666 GOING TO--IT'S GOING TO TEAR HER APART, ZOEY. 916 00:39:22,705 --> 00:39:25,535 - OKAY, WELL, I'M NOT CHANGING MY MIND. 917 00:39:25,570 --> 00:39:27,090 - OKAY, THEN WHAT IS IT? WHAT IS IT? 918 00:39:27,123 --> 00:39:31,023 WHY'D YOU MOVE OUT? 919 00:39:31,058 --> 00:39:34,198 - BECAUSE I NEED MY OWN SPACE. 920 00:39:34,233 --> 00:39:35,893 THIS IS WHY I WANTED A CLOSED ADOPTION 921 00:39:35,925 --> 00:39:37,995 IN THE FIRST PLACE, AND I TOLD HER THAT. 922 00:39:38,030 --> 00:39:40,210 I NEED MY OWN SPACE. I NEED TO BE SEPARATE. 923 00:39:40,239 --> 00:39:45,759 THE BABY'S GOING TO COME AND THEN WHAT? 924 00:39:45,797 --> 00:39:48,867 - I UNDERSTAND. - DO YOU? 925 00:39:48,903 --> 00:39:50,113 - ARE YOU SURE YOU'RE OKAY? 926 00:39:50,146 --> 00:39:52,866 - I'M FINE. 927 00:39:52,907 --> 00:39:54,597 - HERE, JUST-- HERE'S SOME-- 928 00:39:54,633 --> 00:39:55,953 HERE'S 30 BUCKS. 929 00:39:55,979 --> 00:39:56,769 - I DON'T NEED YOUR MONEY, OKAY? 930 00:39:56,808 --> 00:40:00,778 - JUST TAKE IT ANYWAY, WOULD YOU? 931 00:40:00,812 --> 00:40:04,192 - I'M GOING TO BE FINE. I PROMISE. 932 00:40:09,752 --> 00:40:11,062 - DADDY! 933 00:40:11,098 --> 00:40:13,788 - HEY, HOW ARE YOU, LITTLE MAN? 934 00:40:13,825 --> 00:40:14,955 - GOOD. 935 00:40:14,998 --> 00:40:16,658 - HOW ARE YOU, LITTLE MAN'S MOM? 936 00:40:16,690 --> 00:40:18,800 - I'M GOOD, YOU MIND IF I COME IN FOR A MINUTE? 937 00:40:18,830 --> 00:40:21,830 - YEAH, YOU DON'T HAVE TO ASK. COME ON IN. 938 00:40:21,867 --> 00:40:24,177 - SWEETIE, CAN YOU GO PLAY SO I CAN TALK TO YOUR DAD? 939 00:40:24,214 --> 00:40:27,744 - OKAY, MOMMY. 940 00:40:27,770 --> 00:40:29,940 - HOUSE LOOKS GOOD. 941 00:40:29,979 --> 00:40:32,599 - THANK YOU, I, UH, FINALLY GOT AROUND TO DECORATING IT. 942 00:40:32,637 --> 00:40:34,737 OR RATHER, MY MOM DECORATED IT. 943 00:40:34,777 --> 00:40:37,847 SAME DIFFERENCE--I CAN'T TAKE CREDIT FOR THE THROW PILLOWS. 944 00:40:37,883 --> 00:40:40,823 - THOSE ARE NICE. POTTERY BARN? 945 00:40:40,852 --> 00:40:43,992 - YOU KNOW, I'M NOT SURE. 946 00:40:44,027 --> 00:40:46,647 - IS THAT WHAT YOU CAME OVER TO TALK ABOUT, POTTERY BARN? 947 00:40:46,685 --> 00:40:49,855 - NO. - WHAT'S UP? 948 00:40:49,895 --> 00:40:55,865 - I WANT TO MOVE IN WITH HIM. 949 00:40:55,901 --> 00:41:00,081 - OKAY. 950 00:41:00,112 --> 00:41:01,982 - OKAY? 951 00:41:02,011 --> 00:41:04,501 - YEAH, OKAY. 952 00:41:04,531 --> 00:41:06,881 - ANYTHING ELSE? 953 00:41:06,912 --> 00:41:09,922 - UM, CONGRATULATIONS. 954 00:41:09,950 --> 00:41:11,160 - THAT'S NOT WHAT I MEAN. 955 00:41:11,192 --> 00:41:15,652 - LOOK, YOU KNOW HOW I FEEL ABOUT YANKING JABBAR AROUND. 956 00:41:15,680 --> 00:41:18,920 SO, IF YOU'RE SAYING IT'S SERIOUS, I TRUST YOU. 957 00:41:18,959 --> 00:41:21,819 - UH, WE STILL HAVE SOME WORK LEFT TO DO. 958 00:41:21,858 --> 00:41:23,758 THERE'S A 30-DAY ESCROW, SO I WAS THINKING ABOUT 959 00:41:23,791 --> 00:41:25,031 HOLDING OFF ON TELLING HIM 960 00:41:25,068 --> 00:41:27,208 UNTIL WE'RE CLOSER TO THE MOVE-IN DATE. 961 00:41:27,243 --> 00:41:29,003 YOU KNOW HOW HARD IT IS FOR HIM TO PROCESS THINGS 962 00:41:29,038 --> 00:41:31,008 UNTIL THEY'RE HAPPENING. - RIGHT. 963 00:41:31,040 --> 00:41:33,940 THAT'S A GOOD IDEA. 964 00:41:33,974 --> 00:41:36,154 - OKAY. - ALL RIGHT. 965 00:41:36,183 --> 00:41:40,773 - WELL, THANKS FOR, UH, BEING MATURE ABOUT THIS. 966 00:41:40,808 --> 00:41:42,978 - YOU'RE WEL-- OH, I HAVE SOMETHING FOR YOU. 967 00:41:43,017 --> 00:41:45,227 HOLD ON ONE SECOND. 968 00:41:57,238 --> 00:41:59,548 - IS THIS A DOOR KNOB? 969 00:41:59,586 --> 00:42:04,936 - YEAH, BUT THESE ARE THE ENDS OF A BALLET BAR THAT I FOUND. 970 00:42:04,970 --> 00:42:09,350 I MADE IT FOR YOU WHEN I WAS REDOING THE HOUSE 971 00:42:09,388 --> 00:42:11,558 BUT, UM, I NEVER GOT AROUND TO PUTTING IT ON THE DOOR. 972 00:42:11,598 --> 00:42:16,598 SO, IF YOU LIKE IT-- - I LOVE IT. 973 00:42:16,637 --> 00:42:19,017 - WELL, THINK OF IT AS A HOUSEWARMING GIFT.