1 00:00:00,966 --> 00:00:02,416 - BOBBY LITTLE. - I REMEMBER HIM. 2 00:00:02,519 --> 00:00:03,449 - YEAH, HE'S RUNNING FOR CITY COUNCIL, 3 00:00:03,555 --> 00:00:05,725 AND HE ACTUALLY CALLED ME TO RUN HIS CAMPAIGN. 4 00:00:05,833 --> 00:00:07,973 I GET TO HAVE AN ASSISTANT, AND I IMMEDIATELY THOUGHT OF YOU. 5 00:00:08,077 --> 00:00:09,217 I KNOW YOU CAN DO THIS. 6 00:00:09,319 --> 00:00:11,049 - PEOPLE PAY A LOT OF MONEY FOR A BABY THESE DAYS. 7 00:00:11,149 --> 00:00:13,079 - I TOLD HIM I DIDN'T AGREE WITH HIM. 8 00:00:13,185 --> 00:00:14,635 HE'S REALLY MAD AT ME. 9 00:00:14,738 --> 00:00:16,908 I DON'T THINK HE'S EVER GOING TO SIGN THOSE PAPERS. 10 00:00:17,017 --> 00:00:17,907 - OH, LOOK AT HOW PRETTY YOU ARE. 11 00:00:18,018 --> 00:00:20,188 - I CAN TOTALLY SEE HAVING A BABY WITH YOU. 12 00:00:20,296 --> 00:00:22,086 - HEY, HONEY, THE SAN FRANCISCO WEEKLY 13 00:00:22,194 --> 00:00:23,894 IS PROBABLY GOING TO RUN A STORY ON CROSBY AND ME 14 00:00:23,989 --> 00:00:25,029 FIXING UP THE RECORDING STUDIO. 15 00:00:25,128 --> 00:00:25,918 WE NEED SOME LOCAL PRESS, YOU KNOW. 16 00:00:26,026 --> 00:00:27,026 - WOW, THAT'S GREAT. 17 00:00:27,130 --> 00:00:27,990 - I'M EXCITED ABOUT IT, YOU KNOW. 18 00:00:28,097 --> 00:00:30,307 - YEAH. IT'S A GOOD THING. 19 00:00:30,409 --> 00:00:32,999 - THAT LITTLE CREASE WILL NOT GO AWAY. 20 00:00:33,102 --> 00:00:34,212 - OKAY, WE ABOUT DONE? 21 00:00:34,310 --> 00:00:36,170 - NO, NO, YOU HAVE A VERY SHINY "T" ZONE. 22 00:00:36,277 --> 00:00:37,757 I'M JUST GETTING STARTED, REALLY. 23 00:00:37,865 --> 00:00:38,995 - IT'S A LOT OF WORK, ALL RIGHT. 24 00:00:39,108 --> 00:00:40,248 - YOU KNOW, I ALWAYS TELL HIM 25 00:00:40,350 --> 00:00:42,460 HE SHOULD EXFOLIATE, AND HE JUST WON'T LISTEN TO ME. 26 00:00:42,559 --> 00:00:44,219 - IT'S JUST, YOU KNOW, I'M A BUSINESSMAN, RIGHT, 27 00:00:44,320 --> 00:00:46,460 I'M THE BEHIND-THE-SCENES GUY, I DON'T UNDERSTAND WHY 28 00:00:46,563 --> 00:00:48,263 THE READERS OF THE SAN FRANCISCO WEEKLY 29 00:00:48,358 --> 00:00:49,668 ARE GOING TO CARE WHETHER OR NOT I HAVE A SHINY "T" ZONE. 30 00:00:49,773 --> 00:00:51,093 NO OFFENSE. 31 00:00:51,189 --> 00:00:53,159 - OKAY, ADAM, CAN YOU STOP SAYING "BUSINESSMAN"? 32 00:00:53,260 --> 00:00:54,090 THAT'S-- YOU'VE GOT THE WRONG MAGAZINE. 33 00:00:54,192 --> 00:00:55,372 - THAT'S WHAT I AM. 34 00:00:55,469 --> 00:00:57,399 - YOU'RE A PARTNER IN A VERY COOL AND HIP STUDIO. 35 00:00:57,505 --> 00:00:58,885 - ALL RIGHT, BUSINESS PARTNER IN A COOL, HIP STUDIO. 36 00:00:58,989 --> 00:01:01,299 I DON'T THINK THEY'RE GOING TO REALLY CARE ABOUT ME. 37 00:01:01,406 --> 00:01:02,296 - REALLY? 38 00:01:02,407 --> 00:01:04,097 JUST WIPE IT AWAY, JUST WIPE MY WORK AWAY. 39 00:01:04,202 --> 00:01:05,722 THAT'S 20 MINUTES GONE. WE HAVE TO START OVER NOW. 40 00:01:05,824 --> 00:01:06,694 - ALL RIGHT, SORRY. 41 00:01:06,790 --> 00:01:08,720 - SO AM I. 42 00:01:08,827 --> 00:01:10,097 [telephone ringing] 43 00:01:10,208 --> 00:01:12,208 - NO, OKAY, SEE, THAT'S NOT GONNA WORK FOR ME. 44 00:01:12,313 --> 00:01:13,873 I'M GONNA NEED YOU TO FAX THAT OVER 45 00:01:13,970 --> 00:01:15,250 AS SOON AS POSSIBLE. 46 00:01:15,351 --> 00:01:17,911 - SORRY, DO YOU KNOW WHERE THE COPY ROOM IS? 47 00:01:18,008 --> 00:01:19,908 WAS THAT EVEN A MOTION? 48 00:01:20,010 --> 00:01:21,010 DO YOU KNOW WHERE THE COPY ROOM IS? 49 00:01:21,115 --> 00:01:23,045 YEAH, I DIDN'T THINK SO. I'M FEELING INVISIBLE. 50 00:01:23,152 --> 00:01:24,642 - DO YOU-- - HEY, AMBER. 51 00:01:24,739 --> 00:01:25,979 - HI. - WHAT'S WRONG? 52 00:01:26,086 --> 00:01:27,666 - I DON'T-- I GUESS I'M INVISIBLE TODAY. 53 00:01:27,777 --> 00:01:29,367 I-I CAN'T FIND THE COPY ROOM, AND-- 54 00:01:29,468 --> 00:01:31,678 - HONEY, RIGHT THERE. COPY MACHINE. 55 00:01:31,781 --> 00:01:33,161 JUST, THERE'S JUST ONE, AND WE DON'T HAVE A ROOM. 56 00:01:33,265 --> 00:01:35,055 - OKAY, YES. GOT IT. 57 00:01:35,164 --> 00:01:36,104 THANK YOU. - GOOD? 58 00:01:36,199 --> 00:01:38,099 - DOING GREAT. REALLY DOING GOOD HERE. 59 00:01:38,201 --> 00:01:39,061 - GOOD JOB, HONEY. - THANK YOU. 60 00:01:39,168 --> 00:01:40,998 - YOU'RE WELCOME. - [inhales] 61 00:01:41,101 --> 00:01:43,241 OKAY, I CAN FIGURE THIS OUT, CAN'T I? 62 00:01:43,344 --> 00:01:46,144 THIS IS-- PEOPLE DO THIS EVERYDAY. 63 00:01:46,244 --> 00:01:47,284 COME ON, BUDDY. 64 00:01:47,383 --> 00:01:50,043 LET'S JUST GET ONE THING GOING HERE. 65 00:01:50,144 --> 00:01:51,184 - CAN I SNEAK IN FOR ONE COPY? - I'M SORRY. 66 00:01:51,283 --> 00:01:52,563 I'M SORRY, YOU CAN'T 67 00:01:52,664 --> 00:01:54,704 BECAUSE I'M HAVING A REALLY STRESSFUL DAY HERE, 68 00:01:54,804 --> 00:01:56,814 AND I JUST GOT TO GET THIS DONE, OKAY? 69 00:01:56,909 --> 00:01:57,979 - YES, ABSOLUTELY. 70 00:01:58,083 --> 00:02:02,953 - WAIT--FOR BOB LITTLE. [laughs] 71 00:02:03,053 --> 00:02:04,123 - HI. - HI, I'M AMBER. 72 00:02:04,227 --> 00:02:05,227 - AMBER, IT'S SO NICE TO MEET YOU. 73 00:02:05,332 --> 00:02:06,642 - SORRY. - NO, NO APOLOGY. 74 00:02:06,747 --> 00:02:08,017 - LET ME JUST GET A COPY REAL QUICK. 75 00:02:08,128 --> 00:02:09,438 - YES, GO FOR IT, OBVIOUSLY. - THANK YOU. 76 00:02:09,543 --> 00:02:13,133 - IT'S YOUR CAMPAIGN. [copy machine buzzes] 77 00:02:13,236 --> 00:02:14,166 - THANKS. 78 00:02:14,272 --> 00:02:18,382 - SORRY. - NO, NO. 79 00:02:18,483 --> 00:02:21,183 - GREAT. IT'S GREAT. 80 00:02:21,279 --> 00:02:22,999 - UH, WELL, I CAN'T REMEMBER A TIME 81 00:02:23,108 --> 00:02:25,658 WHEN I DIDN'T WANT TO DO THIS ACTUALLY. 82 00:02:25,766 --> 00:02:28,766 WELL, EXCEPT SECOND GRADE. I WANTED TO BE EVEL KNIEVEL. 83 00:02:28,872 --> 00:02:31,632 YOU REMEMBER THAT, ADAM, WITH JUMPING THE MILK CRATES? 84 00:02:31,737 --> 00:02:33,007 - ABSOLUTELY. 85 00:02:33,118 --> 00:02:35,708 - BUT THEN I TOOK MY FIRST GUITAR LESSON 86 00:02:35,810 --> 00:02:38,880 SO I GUESS YOU CAN SAY MUSIC KIND OF SAVED MY LIFE. 87 00:02:38,986 --> 00:02:40,086 - THAT'S COOL. - YEAH. 88 00:02:40,194 --> 00:02:42,994 - THAT'S THE GUITAR, ACTUALLY, THAT I FIRST LEARNED TO PLAY ON. 89 00:02:43,093 --> 00:02:44,473 - SENTIMENTAL-- I LOVE IT. 90 00:02:44,578 --> 00:02:46,168 - YEAH, WELL, THIS PLACE HAS SO MUCH MUSIC HISTORY 91 00:02:46,269 --> 00:02:48,029 I FELT I SHOULD ADD MY OWN TO IT 92 00:02:48,133 --> 00:02:49,653 SO I KEEP ALL MY OLD INSTRUMENTS HERE. 93 00:02:49,755 --> 00:02:52,205 IN FACT, THIS SG HERE IS THE FIRST GUITAR 94 00:02:52,310 --> 00:02:53,380 I LEARNED TO PLAY STAIRWAY TO HEAVENON. 95 00:02:53,483 --> 00:02:54,693 - THAT'S A BEAUTY. - YEAH. 96 00:02:54,795 --> 00:02:56,445 LET'S GET THAT SHOT. [camera shutter clicks] 97 00:02:56,555 --> 00:02:58,895 - OH, YOU KNOW WHAT, I HAVE MY GUITAR 98 00:02:59,006 --> 00:03:00,556 FROM MY PUNK ROCK PHASE UPSTAIRS. 99 00:03:00,663 --> 00:03:01,943 THAT MIGHT BE A COOLER PICTURE. 100 00:03:02,043 --> 00:03:03,943 I'M GONNA GRAB THAT. 101 00:03:04,045 --> 00:03:06,215 - HE'S ALWAYS LOOKING FOR THE NEXT GREAT GUITAR, YOU KNOW. 102 00:03:06,324 --> 00:03:07,294 - YEAH. 103 00:03:07,394 --> 00:03:08,434 - HE WENT THROUGH QUITE A FEW OF THEM. 104 00:03:08,533 --> 00:03:10,023 - YEAH, AND WHAT ABOUT YOU? 105 00:03:10,120 --> 00:03:12,120 TELL ME YOUR RELATIONSHIP WITH MUSIC. 106 00:03:12,226 --> 00:03:14,636 - I ENJOY MUSIC. 107 00:03:14,746 --> 00:03:17,886 UM, MY BROTHER'S THE ONE WHO'S GOT ALL THE PASSION. 108 00:03:17,990 --> 00:03:20,580 - WELL, YEAH, BUT YOU MUST SHARE IT ON SOME LEVEL, RIGHT? 109 00:03:20,683 --> 00:03:23,103 OTHERWISE, HOW DO YOU UNDERTAKE SUCH A HUGE ENDEAVOR 110 00:03:23,203 --> 00:03:24,693 AT THIS RISKY TIME? 111 00:03:24,790 --> 00:03:28,240 - WELL, HONESTLY, I AM STILL SHOCKED THAT I WOUND UP HERE 112 00:03:28,346 --> 00:03:30,796 BECAUSE I USED TO WORK IN THE SHOE INDUSTRY... 113 00:03:30,900 --> 00:03:32,420 - OH. 114 00:03:32,522 --> 00:03:33,902 - FOR 15 YEARS, BUT THEN I LOST MY JOB, SO... 115 00:03:34,006 --> 00:03:35,276 - OH, SORRY. LIKE A LOT OF PEOPLE IN AMERICA. 116 00:03:35,387 --> 00:03:37,387 - YEAH, YEAH, I GUESS. 117 00:03:37,493 --> 00:03:40,463 IT'S FUNNY, I-I SEE THOSE UNEMPLOYMENT STATISTICS 118 00:03:40,565 --> 00:03:44,015 IN THE NEWSPAPER, AND YOU DON'T THINK IT'S GOING TO BE YOU, 119 00:03:44,120 --> 00:03:46,230 AND SUDDENLY, THERE I WAS. 120 00:03:46,329 --> 00:03:48,679 UNEMPLOYED, TWO KIDS, ANOTHER ONE ON THE WAY. 121 00:03:48,780 --> 00:03:51,060 - THAT'S SCARY. - IT WAS SCARY. 122 00:03:51,161 --> 00:03:52,821 MY WIFE WAS REALLY FREAKED OUT. 123 00:03:52,922 --> 00:03:56,272 YOU KNOW, PREGNANT AND I LINED UP THIS OTHER JOB 124 00:03:56,374 --> 00:03:58,694 THAT WAS A STEP DOWN, AND-- BUT ANYWAY, 125 00:03:58,790 --> 00:04:00,450 CROSBY, YOU KNOW, MY KNOB-HEADED YOUNGER BROTHER 126 00:04:00,550 --> 00:04:03,280 CAME RUNNING AT ME WITH THIS IDEA, THIS BIG CRAZY IDEA. 127 00:04:03,381 --> 00:04:05,141 AND HE SAW THIS PLACE, AND HE HAD A VISION, 128 00:04:05,245 --> 00:04:08,655 YOU KNOW, AND IT WAS CRAZY, YOU KNOW, IT TRULY WAS CRAZY. 129 00:04:08,765 --> 00:04:11,595 BUT, I DON'T KNOW. IT WAS LIKE A DREAM. 130 00:04:11,699 --> 00:04:13,669 AND IT WAS AT A TIME WHEN I DESPERATELY NEEDED A DREAM, 131 00:04:13,770 --> 00:04:19,540 SO I GUESS YOU COULD SAY THAT MUSIC SAVED MY LIFE. 132 00:04:19,638 --> 00:04:20,498 WHOA. 133 00:04:20,605 --> 00:04:22,045 - OH, YEAH. [laughs] 134 00:04:22,158 --> 00:04:23,158 - YEAH. - NATURAL. 135 00:04:23,263 --> 00:04:26,373 - YEAH, YEAH, I'M A REAL-- A REAL ROCK STAR. 136 00:04:26,473 --> 00:04:28,103 - LET'S GET THIS SHOT, PLEASE. 137 00:04:28,198 --> 00:04:31,058 [camera shutter clicks] 138 00:04:33,549 --> 00:04:35,689 - OKAY, SO EVERYTHING LOOKS GREAT, SARAH, 139 00:04:35,792 --> 00:04:37,932 AND UNLESS YOU HAVE ANY QUESTIONS, 140 00:04:38,036 --> 00:04:39,516 I WILL SEE YOU... 141 00:04:39,624 --> 00:04:42,834 - UH, JUST ONE, ONE, UH-- SOMETHING I WAS WONDERING ABOUT. 142 00:04:42,937 --> 00:04:45,457 I WAS WONDERING ABOUT, HYPOTHETICALLY, 143 00:04:45,561 --> 00:04:49,291 JUST THE ODDS OR THE POSSIBILITY 144 00:04:49,392 --> 00:04:52,192 OF ME HAVING ANOTHER BABY. 145 00:04:52,292 --> 00:04:54,162 - REALLY? 146 00:04:54,259 --> 00:04:56,299 WELL, NO, THAT'S VERY-- THAT'S FANTASTIC. 147 00:04:56,399 --> 00:04:57,569 - IT'S A HYPOTHETICAL AT THIS POINT. 148 00:04:57,676 --> 00:05:00,506 I WAS JUST WONDERING IF IT'S EVEN POSSIBLE. 149 00:05:00,610 --> 00:05:04,410 I'M IN THIS RELATIONSHIP WITH A GUY WHO'S YOUNGER 150 00:05:04,511 --> 00:05:07,381 AND HE KIND OF BROUGHT IT UP AND THEN HE DROPPED IT, 151 00:05:07,479 --> 00:05:09,649 BUT SO I HAVEN'T REALLY EVEN TALKED TO HIM ABOUT IT, 152 00:05:09,757 --> 00:05:11,377 BUT I JUST THOUGHT, YOU KNOW, I SHOULD ASK. 153 00:05:11,483 --> 00:05:13,173 I MEAN, IS THIS EVEN POSSIBLE? 154 00:05:13,278 --> 00:05:15,068 - YES, BIOLOGICALLY, IT IS POSSIBLE. 155 00:05:15,176 --> 00:05:16,416 - GREAT. 156 00:05:16,523 --> 00:05:17,733 - SO YOU THINK ABOUT, AND WHEN YOU MAKE A DECISION, 157 00:05:17,834 --> 00:05:20,084 COME ON IN, WE WILL RUN SOME PANELS, 158 00:05:20,181 --> 00:05:22,251 WE'LL TEST YOUR LEVELS TO MAKE SURE EVERYTHING'S A-OKAY. 159 00:05:22,356 --> 00:05:25,046 - PANELS AND LEVELS... 160 00:05:25,152 --> 00:05:27,192 - YEAH, IT'S JUST-- IT'S A LITTLE MORE COMPLICATED. 161 00:05:27,292 --> 00:05:28,542 YOU KNOW, FOR OLDER WOMEN LIKE YOU. 162 00:05:28,638 --> 00:05:29,738 - HMM. 163 00:05:29,846 --> 00:05:31,296 - AND UM, IF IT DOESN'T WORK THE NATURAL WAY, 164 00:05:31,400 --> 00:05:33,130 THEN YOU'VE GOT OPTIONS. 165 00:05:33,229 --> 00:05:34,299 - I THOUGHT 40 WAS THE NEW 30. 166 00:05:34,403 --> 00:05:35,783 - NOT FOR YOUR OVARIES, NO. 167 00:05:35,887 --> 00:05:37,887 - I THINK THAT ABOUT COVERS IT. - OKAY. 168 00:05:37,992 --> 00:05:39,822 - PUT MY PANTS ON AND LEAVE. - OKAY. 169 00:05:39,925 --> 00:05:40,645 - OKAY. 170 00:05:40,754 --> 00:05:43,004 - TAKE CARE, SARAH. LET ME KNOW. 171 00:05:43,101 --> 00:05:44,311 [door closes] 172 00:05:44,413 --> 00:05:47,623 - [sighs] OH, MY GOD. 173 00:05:47,726 --> 00:05:50,246 - ♪ MAY GOD BLESS AND KEEP YOU ALWAYS ♪ 174 00:05:50,350 --> 00:05:53,110 ♪ AND MAY YOUR WISHES ALL COME TRUE ♪ 175 00:05:53,214 --> 00:05:55,224 ♪ MAY YOU ALWAYS DO FOR OTHERS ♪ 176 00:05:55,320 --> 00:05:57,670 ♪ AND LET OTHERS DO FOR YOU 177 00:05:57,771 --> 00:06:00,291 ♪ MAY YOU BUILD A LADDER TO THE STARS ♪ 178 00:06:00,394 --> 00:06:02,474 ♪ AND CLIMB ON EVERY RUNG 179 00:06:02,569 --> 00:06:04,989 ♪ AND MAY YOU STAY 180 00:06:05,088 --> 00:06:07,368 ♪ FOREVER YOUNG 181 00:06:07,470 --> 00:06:09,780 ♪ MAY YOU GROW UP TO BE RIGHTEOUS ♪ 182 00:06:09,886 --> 00:06:12,226 ♪ MAY YOU GROW UP TO BE TRUE ♪ 183 00:06:12,337 --> 00:06:14,787 ♪ MAY YOU ALWAYS KNOW THE TRUTH ♪ 184 00:06:14,891 --> 00:06:17,201 ♪ AND SEE THE LIGHTS SURROUNDING YOU ♪ 185 00:06:17,307 --> 00:06:19,787 ♪ MAY YOU ALWAYS BE COURAGEOUS ♪ 186 00:06:19,896 --> 00:06:22,136 ♪ STAND UPRIGHT AND BE STRONG ♪ 187 00:06:22,243 --> 00:06:24,043 ♪ AND MAY YOU STAY 188 00:06:24,142 --> 00:06:26,772 ♪ FOREVER YOUNG 189 00:06:26,869 --> 00:06:29,039 ♪ MAY YOU STAY 190 00:06:29,147 --> 00:06:32,147 ♪ FOREVER YOUNG 191 00:06:35,947 --> 00:06:37,597 - OOH, I GOT IT. HOW ABOUT MY BUDDY, BILLY? 192 00:06:37,707 --> 00:06:38,637 - BILLY? - MM-HMM. 193 00:06:38,743 --> 00:06:39,643 - FROM HIGH SCHOOL? - MM-HMM. 194 00:06:39,744 --> 00:06:41,064 - NO, NO, NO, NO, NO. UH-UH. 195 00:06:41,159 --> 00:06:42,749 - WHAT'S WRONG WITH BILLY? - HE'S INSANE. 196 00:06:42,850 --> 00:06:43,990 NO WAY. THAT'S A VETO. 197 00:06:44,093 --> 00:06:45,063 - YOU DON'T GET TO VETO. YOU GET TO VOTE. 198 00:06:45,163 --> 00:06:46,133 - I VOTE NO. 199 00:06:46,233 --> 00:06:48,243 - UNTIL I KNOW MORE OF THE FACTS ABOUT THIS GUY, 200 00:06:48,338 --> 00:06:49,648 I CAN'T PUT IN MY VOTE, SO. 201 00:06:49,754 --> 00:06:51,004 - WHAT ARE YOU TALKING ABOUT? 202 00:06:51,100 --> 00:06:53,520 - WE'RE TRYING TO FIND ANOTHER PLAYER FOR OUR POKER GAME. 203 00:06:53,620 --> 00:06:54,410 - YEAH, AND CROSBY WANTS BILLY. 204 00:06:54,517 --> 00:06:55,587 - BILLY FROM HIGH SCHOOL? - YEAH. 205 00:06:55,691 --> 00:06:57,071 - HE'S INSANE. - OUT OF HIS MIND. 206 00:06:57,175 --> 00:06:58,205 - OH, PERFECT. 207 00:06:58,314 --> 00:06:59,524 - NO, HE'S UNIQUELY ECCENTRIC. 208 00:06:59,626 --> 00:07:03,036 - WHY DON'T YOU GUYS ASK MARK? 209 00:07:03,146 --> 00:07:04,836 - MARK WHO? 210 00:07:04,941 --> 00:07:07,051 - MARK, MY BOYFRIEND. - OH, RIGHT, MARK. 211 00:07:07,150 --> 00:07:08,430 - HER BOYFRIEND. 212 00:07:08,531 --> 00:07:11,191 - WELL, YOU KNOW, WE-- IT'S NOT A CASUAL GAME. 213 00:07:11,292 --> 00:07:13,922 IT'S A SERIOUS GAME, AND WE TAKE IT PRETTY SERIOUSLY, 214 00:07:14,019 --> 00:07:15,639 AND WE'VE BEEN PLAYING WITH EACH OTHER FOR A LONG TIME, 215 00:07:15,745 --> 00:07:18,435 AND WE PLAN ON PLAYING WITH EACH OTHER FOR A LONG TIME. 216 00:07:18,541 --> 00:07:20,411 - I DON'T UNDER-- HE'S TOO CASUAL FOR YOU? 217 00:07:20,509 --> 00:07:21,539 WHAT? - [sighs] 218 00:07:21,648 --> 00:07:23,338 - UM... - WANT TO TAKE THIS? 219 00:07:23,443 --> 00:07:25,133 - LOOK, WHEN YOU GUYS BREAK UP, WE'RE GOING TO BE STUCK 220 00:07:25,237 --> 00:07:26,647 WITH AN EMPTY SEAT AT THE TABLE, 221 00:07:26,756 --> 00:07:28,066 AND WE DON'T WANT TO PUT OURSELVES IN THAT POSITION. 222 00:07:28,171 --> 00:07:29,141 YOU KNOW. 223 00:07:29,241 --> 00:07:30,591 - WHO SAYS WE'RE BREAKING UP? 224 00:07:30,691 --> 00:07:32,281 - WELL, WE GOT TO PLAY THE ODDS. WE'RE POKER PLAYERS. 225 00:07:32,382 --> 00:07:33,902 - YOU KNOW WHAT, YOU KNOW WHAT? 226 00:07:34,005 --> 00:07:35,245 WE'LL THINK ABOUT IT. WE'RE GOING TO THINK ABOUT IT. 227 00:07:35,351 --> 00:07:36,321 - OH, MY GOD. 228 00:07:36,421 --> 00:07:37,661 - THAT LASAGNA SMELLS GOOD. 229 00:07:37,767 --> 00:07:38,907 - NOW GUYS, WHY DON'T YOU HAVE HIM IN YOUR-- 230 00:07:39,010 --> 00:07:40,700 WHERE ARE YOU GOING? MOM DIDN'T CALL DINNER. 231 00:07:40,805 --> 00:07:42,005 - I THINK SHE DID. - WAIT. 232 00:07:42,116 --> 00:07:43,076 - I HEARD SOMEBODY. - I DON'T UNDERSTAND. 233 00:07:43,186 --> 00:07:45,016 - HEY, SYD. 234 00:07:45,119 --> 00:07:47,119 GRAB YOUR SWEATER. IT'S COLD OUT TODAY. 235 00:07:47,225 --> 00:07:49,875 - HEY, TELL ZOE WE HAVE TO LEAVE IN TEN AS WELL, WOULD YOU? 236 00:07:49,986 --> 00:07:50,986 [telephone rings] - NO, I CAN'T DO THAT. 237 00:07:51,091 --> 00:07:53,091 THAT IS JUST TOO WEIRD. - [laughs] THAT'S-- 238 00:07:53,196 --> 00:07:54,296 [ringing continues] 239 00:07:54,404 --> 00:07:55,514 - WHY DO WE STILL HAVE A HOME PHONE? 240 00:07:55,613 --> 00:07:56,863 THE ONLY PEOPLE THAT CALL US ON IT ARE TELEMARKETERS. 241 00:07:56,959 --> 00:07:58,099 - AND MY PARENTS. - EXACTLY. 242 00:07:58,201 --> 00:07:59,031 - WHERE IS IT? AH. 243 00:07:59,133 --> 00:08:01,003 [answering machine beeps] - HEY, THIS IS TROY. 244 00:08:01,101 --> 00:08:02,861 ZOE'S BOYFRIEND. 245 00:08:02,965 --> 00:08:04,785 LOOK, SHE WON'T RETURN ANY OF MY CALLS. 246 00:08:04,898 --> 00:08:06,418 UH, I KNOW SHE'S BEEN STAYING OVER THERE 247 00:08:06,520 --> 00:08:07,630 FOR THE LAST COUPLE OF WEEKS. 248 00:08:07,728 --> 00:08:08,938 HAVE HER CALL ME. WE NEED TO TALK. 249 00:08:09,040 --> 00:08:10,140 - WHAT ARE YOU DOING? WHAT ARE YOU DOING? 250 00:08:10,248 --> 00:08:11,348 - CALLING HIM BACK. 251 00:08:11,456 --> 00:08:12,216 I DON'T KNOW HOW HE GOT THIS NUMBER, 252 00:08:12,319 --> 00:08:13,909 BUT HE IS NEVER CALLING HERE AGAIN. 253 00:08:14,010 --> 00:08:14,940 - LISTEN, JUST BECAUSE SHE LIVES WITH US 254 00:08:15,046 --> 00:08:16,076 DOESN'T MEAN WE CAN SCREEN HER CALLS. 255 00:08:16,185 --> 00:08:17,905 - JULIA, HE TREATS THAT GIRL LIKE CRAP. 256 00:08:18,014 --> 00:08:19,464 AND I DON'T WANT HIM IN HER LIFE, 257 00:08:19,568 --> 00:08:20,808 I DON'T WANT HIM IN THE BABY'S LIFE. 258 00:08:20,914 --> 00:08:22,364 AS FAR AS I'M CONCERNED, WE DELETE THE MESSAGE 259 00:08:22,467 --> 00:08:23,427 AND PRETEND HE NEVER CALLED. 260 00:08:23,537 --> 00:08:24,637 - WE CAN'T DO THAT. 261 00:08:24,745 --> 00:08:26,295 - WHAT DO YOU MEAN? - CAN WE DO THAT? 262 00:08:26,402 --> 00:08:28,062 - [sighs] DON'T MIND ME. 263 00:08:28,162 --> 00:08:30,272 I'M JUST A GIANT COMING DOWN THE STAIRS. 264 00:08:30,371 --> 00:08:31,611 MORNING. 265 00:08:31,718 --> 00:08:34,028 - MORNING. - MORNING. 266 00:08:49,045 --> 00:08:50,625 - IT SOUNDS TINNY. 267 00:08:50,737 --> 00:08:52,387 - SOUNDS GREAT IN HERE. 268 00:08:52,497 --> 00:08:54,497 MIGHT JUST BE YOUR-- YOUR HEADPHONES. 269 00:08:54,603 --> 00:08:55,853 - ARE--ARE YOU SURE, LIKE-- 270 00:08:55,949 --> 00:08:57,539 - YEAH, WELL, I'M SURE IT SOUNDS GREAT IN HERE. 271 00:08:57,640 --> 00:09:00,950 - WELL, JUST HOLD ON. - COMING ON IN. 272 00:09:01,057 --> 00:09:03,577 JUST BARGE IN HERE. HERE WE GO. 273 00:09:03,681 --> 00:09:05,481 SO, OKAY. 274 00:09:05,579 --> 00:09:06,989 - CAN I JUST HEAR IT-- - YEAH. 275 00:09:07,098 --> 00:09:09,068 UH, YOU WANT TO HEAR IT? - BACK FOR A SEC? 276 00:09:09,169 --> 00:09:10,579 IT SOUNDS GREAT. 277 00:09:10,688 --> 00:09:12,968 - NO, I BE--I BELIEVE YOU THAT IT SOUNDS GREAT. 278 00:09:13,069 --> 00:09:14,969 I'M JUST--OKAY, I'M JUST-- I'M SORRY. 279 00:09:15,071 --> 00:09:17,071 I'M BEING A LITTLE CONTROL-Y ABOUT THIS, 280 00:09:17,177 --> 00:09:17,757 BUT I JUST-- - OH, NO. 281 00:09:17,867 --> 00:09:19,457 YOU THINK SO? NO, IT'S FINE. 282 00:09:19,559 --> 00:09:20,459 - NO, I JUST--I JUST-- 283 00:09:20,560 --> 00:09:22,040 I NEED TO HEAR THAT IT SOUNDS GREAT. 284 00:09:22,147 --> 00:09:23,107 AND THEN I CAN FOCUS, YOU KNOW. 285 00:09:23,217 --> 00:09:26,047 - ALL RIGHT, LET'S--LET'S HEAR IT TOGETHER. 286 00:09:26,151 --> 00:09:29,531 - [sighs] 287 00:09:29,638 --> 00:09:32,678 - SEE, NOT TINNY. SOUNDS GOOD. 288 00:09:32,779 --> 00:09:34,399 - NO, IT'S THIN, THOUGH. 289 00:09:34,504 --> 00:09:35,754 - OH, YOU THINK IT SOUNDS THIN. 290 00:09:35,851 --> 00:09:36,961 - YEAH, IT DOES SOUND THIN. AND IT DOES. 291 00:09:37,059 --> 00:09:38,919 - IT SOUNDS--IT SOUNDS PURE. IT SOUNDS LIKE A CELLO. 292 00:09:39,026 --> 00:09:39,986 - [sighs] 293 00:09:40,096 --> 00:09:41,576 - I MEAN, WE COULD START MANIPULATING THE SOUND, 294 00:09:41,684 --> 00:09:43,034 BUT I THINK THEN IT'S JUST GOING TO SOUND 295 00:09:43,134 --> 00:09:44,454 LIKE A SYNTHESIZER, AND YOU WOULDN'T WANT THAT. 296 00:09:44,549 --> 00:09:46,029 - NO, I DON'T, I DON'T. - RIGHT? 297 00:09:46,137 --> 00:09:47,097 - YEAH, BUT-- - LOOK, YOU'RE AN ARTIST. 298 00:09:47,207 --> 00:09:49,307 AND I THINK YOU'RE NERVOUS, AND I UNDERSTAND, 299 00:09:49,416 --> 00:09:50,656 BUT YOU JUST NEED TO TRUST 300 00:09:50,762 --> 00:09:52,012 THAT I'M GOING TO MAKE IT SOUND REALLY GOOD. 301 00:09:52,108 --> 00:09:53,828 - [sighs] I DON'T NEED IT TO SOUND GOOD. 302 00:09:53,938 --> 00:09:55,598 LIKE, I NEED IT TO SOUND GREAT. 303 00:09:55,698 --> 00:09:56,978 [cell phone rings] - OKAY. 304 00:09:57,079 --> 00:09:58,599 - SO THAT'S WHY-- - SO SORRY. 305 00:09:58,701 --> 00:10:00,701 CAN WE JUST-- SORRY ABOUT THIS. 306 00:10:00,807 --> 00:10:02,637 - YOU CAN JUST-- - HELLO? 307 00:10:02,740 --> 00:10:03,600 THIS IS CROSBY. - OKAY. 308 00:10:03,706 --> 00:10:04,596 - [mouths] ONE SECOND. 309 00:10:04,707 --> 00:10:06,087 UH-HUH. - ONE SECOND. 310 00:10:06,191 --> 00:10:08,371 - [laughs] NO... 311 00:10:08,469 --> 00:10:12,819 THE COVER? [laughs] 312 00:10:12,922 --> 00:10:14,922 OH, THIS IS GREAT. UM, YES. 313 00:10:15,028 --> 00:10:16,998 YEAH, I WILL TELL ADAM RIGHT AWAY. 314 00:10:17,099 --> 00:10:19,649 THAT IS SUCH GREAT NEWS, THANK YOU. 315 00:10:19,757 --> 00:10:21,897 OH, MY GOSH, DON'T BE INTIMIDATED, 316 00:10:22,000 --> 00:10:23,420 BUT YOU ARE NOW WORKING WITH THE GUY 317 00:10:23,519 --> 00:10:25,069 WHO JUST BOOKED THE COVER OF THE SAN FRANCISCO WEEKLY. 318 00:10:25,176 --> 00:10:25,996 - OH, THAT'S AWESOME. THAT'S COOL. 319 00:10:26,108 --> 00:10:27,798 - NOT A BIG WHOOP. JUST THE COVER. 320 00:10:27,903 --> 00:10:29,113 - COOL, THAT'S AWESOME. - CAN YOU GIVE ME FIVE SECONDS? 321 00:10:29,214 --> 00:10:30,284 - YES. 322 00:10:30,388 --> 00:10:31,148 - I JUST NEED TO RUN AND TELL MY BROTHER REALLY QUICK. 323 00:10:31,251 --> 00:10:32,671 - DO IT. - OKAY, I'LL BE RIGHT BACK. 324 00:10:32,770 --> 00:10:34,150 THANK YOU. 325 00:10:34,254 --> 00:10:35,814 AND UM, HEY. LILY. 326 00:10:35,911 --> 00:10:37,121 IT'S GOING TO BE FINE, BELIEVE ME. 327 00:10:37,222 --> 00:10:39,472 IT'S JUST ONE CELLO TRACK. A MONKEY COULD ENGINEER THIS. 328 00:10:39,569 --> 00:10:40,429 IT'S GOING TO BE GREAT. 329 00:10:40,536 --> 00:10:42,326 OH, MY GOODNESS. 330 00:10:42,434 --> 00:10:45,994 THE COVER. - [scoffs] 331 00:10:49,994 --> 00:10:51,694 - HEY. - YOU KNOW IT. 332 00:10:51,789 --> 00:10:52,649 - YOU GUYS MIND--MIND IF I SIT WITH YOU? 333 00:10:52,755 --> 00:10:54,095 - YEAH, SURE. - GO AHEAD. 334 00:10:54,205 --> 00:10:55,925 - HEY, YOU'RE KRISTINA'S NEW ASSISTANT, RIGHT? 335 00:10:56,034 --> 00:10:58,494 - UH, YEAH. I'M--I'M AMBER. 336 00:10:58,588 --> 00:11:01,038 - HEY. LARRY, DONNA, MAGGIE. 337 00:11:01,143 --> 00:11:02,973 - HEY, NICE TO MEET YOU. - HEY. 338 00:11:03,076 --> 00:11:04,386 - WE'RE JUST THE INTERNS, 339 00:11:04,491 --> 00:11:06,871 SO YOU MUST BE, LIKE, OUR NEW BOSS OR SOMETHING. 340 00:11:06,976 --> 00:11:09,316 - OH, MY GOSH, REALLY? THAT'S--THAT'S SO WEIRD. 341 00:11:09,427 --> 00:11:10,697 I DON'T KNOW, I GUESS. 342 00:11:10,808 --> 00:11:12,118 I MEAN, I JUST TRYING TO FIGURE IT OUT, TOO. 343 00:11:12,223 --> 00:11:13,363 I COULDN'T FIND A PLACE TO SIT, EITHER. 344 00:11:13,465 --> 00:11:14,735 - WELL, YOU MUST HAVE DONE SOMETHING RIGHT 345 00:11:14,846 --> 00:11:16,536 TO SCORE THE JOB. 346 00:11:16,641 --> 00:11:17,921 - YEAH, WELL, JUST LUCKY I GUESS. 347 00:11:18,022 --> 00:11:19,132 - I THINK IT HAD TO BE MORE THAN LUCK. 348 00:11:19,230 --> 00:11:21,720 I MEAN, I GRADUATED FROM HARVARD, TOP OF MY CLASS, 349 00:11:21,819 --> 00:11:22,889 AND I SPENT THE SUMMER VOLUNTEERING 350 00:11:22,992 --> 00:11:23,992 ON A SENATOR'S CAMPAIGN, 351 00:11:24,097 --> 00:11:28,027 AND I COULD HARDLY GET AN INTERNSHIP, SO. 352 00:11:28,135 --> 00:11:29,265 - YEAH, WOW. 353 00:11:29,378 --> 00:11:30,828 WELL, AT LEAST YOU WENT TO HARVARD. 354 00:11:30,931 --> 00:11:33,111 - HARVARD-HARVARD, ACTUALLY. UNDERGRAD-GRAD. 355 00:11:33,209 --> 00:11:34,899 - GEORGETOWN-YALE. 356 00:11:35,004 --> 00:11:37,144 - DON'T LET THESE IVY LEAGUE SNOBS INTIMIDATE YOU. 357 00:11:37,248 --> 00:11:38,908 NOTHING WRONG WITH A STATE EDUCATION. 358 00:11:39,008 --> 00:11:41,768 GO BRUINS. - [laughs] 359 00:11:41,873 --> 00:11:42,813 UM, SO WHERE DID YOU GO? 360 00:11:42,909 --> 00:11:46,149 - UH, I WENT TO ROOSEVELT HIGH SCHOOL. 361 00:11:46,257 --> 00:11:47,327 - [laughs] 362 00:11:47,430 --> 00:11:48,290 GO ROUGH RIDERS. 363 00:11:48,397 --> 00:11:50,917 [growls] 364 00:11:51,020 --> 00:11:54,990 - HIGH SCHOOL. - COOL. 365 00:11:55,093 --> 00:11:57,413 - COME ON. I'M GOING TO HIT REFRESH. 366 00:11:57,509 --> 00:11:58,929 - IT REFRESHES AUTOMATICALLY. - I'M REFRESHING. 367 00:11:59,028 --> 00:12:00,578 - COULD YOU JUST STOP TOUCHING-- 368 00:12:00,685 --> 00:12:01,575 - NO, SOMETIMES IT HELPS IF YOU NUDGE IT. 369 00:12:01,686 --> 00:12:02,646 - LISTEN, SHE SAID SHE WAS GOING TO SEND 370 00:12:02,756 --> 00:12:04,096 THE COVER ART AS SOON AS IT WAS READY, OKAY? 371 00:12:04,206 --> 00:12:05,616 SO JUST RELAX. 372 00:12:05,725 --> 00:12:07,235 - YOU KNOW, IT WOULDN'T KILL YOU TO LET YOURSELF GET EXCITED. 373 00:12:07,347 --> 00:12:08,657 - I AM EXCITED. 374 00:12:08,762 --> 00:12:09,632 - IT'S THE COVER OF THE SAN FRANCISCO WEEKLY. 375 00:12:09,729 --> 00:12:10,729 - I AM EXCITED. 376 00:12:10,833 --> 00:12:11,873 I'M JUST NOT, LIKE, OVERLY EXCITED. 377 00:12:11,972 --> 00:12:12,942 - TELL YOUR FACE THAT YOU'RE EXCITED. 378 00:12:13,042 --> 00:12:14,012 - CHAMPAGNE. - LOOK, CHAMPAGNE FOR DINNER. 379 00:12:14,112 --> 00:12:15,492 - WELL, WHO ELSE IS EXCITED? - IS IT HERE YET? 380 00:12:15,596 --> 00:12:16,736 - I'M REFRESHING. 381 00:12:16,839 --> 00:12:18,079 OH, MY GOD, IT'S HERE, IT'S HERE. 382 00:12:18,185 --> 00:12:20,115 WE GOT IT. 383 00:12:35,858 --> 00:12:37,378 - YOU LOOK REAL GOOD IN THIS PHOTO, ADAM. 384 00:12:37,480 --> 00:12:39,660 - THANK YOU. - MM-HMM. 385 00:12:39,759 --> 00:12:41,619 - YOU MAD? - NOPE. 386 00:12:41,726 --> 00:12:43,206 - ARE YOU SURE? YOU SEEM KIND OF MAD. 387 00:12:43,314 --> 00:12:44,804 - NOT MAD. 388 00:12:44,902 --> 00:12:47,112 BUT WHAT IS THIS CHORD, THOUGH, YOU'RE PLAYING? 389 00:12:47,214 --> 00:12:49,734 IS THIS SOME KIND OF NEW POWER CHORD YOU'VE INVENTED? 390 00:12:49,838 --> 00:12:51,078 BECAUSE I'M NOT FAMILIAR WITH THE-- 391 00:12:51,184 --> 00:12:52,084 - HEY, I WASN'T LOOKING FOR THIS. 392 00:12:52,185 --> 00:12:53,595 YOU KNOW, SHE STARTED ASKING ME QUESTIONS, 393 00:12:53,703 --> 00:12:54,743 AND THEN THE GUY SNAPPED THE PHOTO. 394 00:12:54,843 --> 00:12:56,053 - NO, I GET IT, I JUST-- 395 00:12:56,154 --> 00:12:57,194 I DIDN'T REALIZE YOU COULD DO AN ENTIRE INTERVIEW 396 00:12:57,293 --> 00:12:58,573 IN THE TWO MINUTES THAT I WAS OUT OF THE ROOM. 397 00:12:58,674 --> 00:12:59,884 LIKE, THAT'S IMPRESSIVE. 398 00:12:59,986 --> 00:13:01,876 - OKAY, YOU'RE MAD. - I'M NOT MAD. 399 00:13:01,988 --> 00:13:03,508 - CROSBY, THIS ISN'T MY FAULT, OKAY? 400 00:13:03,610 --> 00:13:05,030 LET'S JUST TRY TO LOOK AT THE POSITIVE SIDE HERE. 401 00:13:05,129 --> 00:13:05,789 WE GOT THE LUNCHEONETTE ON THE COVER 402 00:13:05,888 --> 00:13:07,648 OF THE SAN FRANCISCO WEEKLY. 403 00:13:07,752 --> 00:13:10,442 - YEAH, I CAN--I CAN ALMOST MAKE IT OUT BEHIND YOUR HEAD, HERE. 404 00:13:10,548 --> 00:13:11,688 I SEE AN "L" AND AN "E." 405 00:13:11,791 --> 00:13:14,001 - CROSBY, WOULD YOU GIVE ME A BREAK? 406 00:13:14,103 --> 00:13:15,483 - YOU'RE RIGHT. IT'S GOOD. 407 00:13:15,587 --> 00:13:16,797 IT'S GOOD FOR BUSINESS. 408 00:13:16,899 --> 00:13:19,009 - AND SO ARE WE GOOD? - YEAH, WE'RE GOOD. 409 00:13:19,108 --> 00:13:21,038 [clears throat] - WHERE YOU GOING? 410 00:13:21,145 --> 00:13:22,765 - I GOT A DEAL WITH THIS ANGRY CELLIST. 411 00:13:22,871 --> 00:13:24,111 - DON'T YOU WANT TO READ THE ARTICLE? 412 00:13:24,217 --> 00:13:26,047 - DO I WANT TO READ A CHAT WITH OWNER ADAM BRAVERMAN? 413 00:13:26,150 --> 00:13:27,320 - YEAH. - NO, I'M GOOD. 414 00:13:27,427 --> 00:13:28,837 I KNOW THE STORY. 415 00:13:28,946 --> 00:13:30,456 I MEAN, IT'S SLIGHTLY DIFFERENT THE STORY I KNOW THAN THE ONE 416 00:13:30,568 --> 00:13:31,598 THAT'S DEPICTED ON THE ART. 417 00:13:31,707 --> 00:13:34,707 - ALL RIGHT, YOU'RE MAD. - NOT MAD. 418 00:13:34,814 --> 00:13:36,854 [door closes] - [groans] 419 00:13:42,373 --> 00:13:45,693 HMM. 420 00:13:45,790 --> 00:13:46,690 [cell phone rings] 421 00:13:46,791 --> 00:13:47,721 ADAM BRAVERMAN. 422 00:13:47,827 --> 00:13:49,617 - HI, ADAM. IT'S MARK. 423 00:13:49,725 --> 00:13:52,655 CYR. CALLING YOU BACK. 424 00:13:52,762 --> 00:13:54,562 - OH, YEAH. HEY, UH, MARK, LISTEN. 425 00:13:54,661 --> 00:13:57,011 I JUST--I WANT YOU TO KNOW THAT I TALKED TO ALL THE GUYS, 426 00:13:57,112 --> 00:13:58,322 AND SO YOU'RE OFFICIALLY IN. 427 00:13:58,423 --> 00:13:59,843 - GREAT. IN WHERE? 428 00:13:59,942 --> 00:14:03,012 - THE POKER GAME. 429 00:14:03,118 --> 00:14:05,948 - I GUESS SARAH HASN'T HAD A CHANCE TO MENTION IT TO YOU. 430 00:14:06,052 --> 00:14:08,052 WE HAVE MONTHLY POKER GAME, 431 00:14:08,157 --> 00:14:10,257 AND SHE TOLD ME THAT YOU'RE A-- YOU'RE A GREAT POKER PLAYER. 432 00:14:10,366 --> 00:14:13,016 - OH, WELL, THAT'S--THAT'S GENEROUS OF HER. 433 00:14:13,128 --> 00:14:14,988 I HAVEN'T PLAYED POKER IN YEARS. - REALLY? 434 00:14:15,095 --> 00:14:18,885 AH...WELL, WE'RE PRETTY SERIOUS ABOUT IT, MARK. 435 00:14:18,996 --> 00:14:20,336 - OH, OKAY. UM... 436 00:14:20,445 --> 00:14:21,955 - AND YOU KNOW, SINCE YOU'RE GETTING MORE SERIOUS 437 00:14:22,068 --> 00:14:23,408 WITH SARAH, IT'S PROBABLY A GOOD IDEA 438 00:14:23,517 --> 00:14:24,657 THAT WE GET TO KNOW EACH OTHER ANYWAY. 439 00:14:24,760 --> 00:14:26,240 - OH, SHE--SHE SAID THAT? 440 00:14:26,348 --> 00:14:27,658 - AH, LISTEN, MARK. I TELL YOU WHAT. 441 00:14:27,763 --> 00:14:28,873 WHY DON'T YOU THINK ABOUT IT? 442 00:14:28,971 --> 00:14:29,941 WE PLAY THE LAST THURSDAY OF EVERY MONTH 443 00:14:30,041 --> 00:14:31,251 WHICH WOULD BE TOMORROW, 444 00:14:31,353 --> 00:14:33,673 SO, JUST THINK ABOUT IT, GET BACK TO ME, OKAY? 445 00:14:33,769 --> 00:14:35,879 - OH, OKAY. YEAH, ALL RIGHT. 446 00:14:35,978 --> 00:14:37,528 - BYE. - ALL RIGHT, THANK YOU. 447 00:14:37,635 --> 00:14:39,495 [keypad tone] - GOOD LORD. 448 00:14:39,602 --> 00:14:42,812 [cello music] 449 00:14:42,916 --> 00:14:47,056 - [humming cello melody] 450 00:14:47,162 --> 00:14:49,062 [clicks tongue] 451 00:14:49,164 --> 00:14:51,414 CAN YOU TRY TO PRETEND LIKE YOU'RE INTO THIS, OR-- 452 00:14:51,511 --> 00:14:53,441 - I'M INTO IT. I THINK IT SOUNDS GREAT. 453 00:14:53,547 --> 00:14:55,027 - OKAY, BECAUSE I WAS THINKING THAT 454 00:14:55,135 --> 00:14:56,965 IT NEEDED TO BE COMPRESSED DOWN JUST A BIT. 455 00:14:57,068 --> 00:14:58,278 - YOU THINK IT NEEDS TO BE COM-- 456 00:14:58,380 --> 00:15:03,180 OKAY. - JUST--JUST A TOUCH. 457 00:15:03,281 --> 00:15:05,181 WELL, DON'T--DON'T DO IT, JUST-- 458 00:15:05,283 --> 00:15:06,873 - DON'T DO THE THING YOU JUST ASKED ME TO DO? 459 00:15:06,975 --> 00:15:09,695 - NO, DON'T DO IT JUST BECAUSE I SUGGESTED IT. 460 00:15:09,805 --> 00:15:11,765 LIKE, I WANT YOUR OPINION. 461 00:15:11,876 --> 00:15:15,876 I WANT THE FAMOUS COVER BOY SOUND ENGINEER'S OPINION. 462 00:15:15,984 --> 00:15:18,124 I AM PAYING FOR YOUR OPINION AS WELL. 463 00:15:18,227 --> 00:15:20,747 - THAT'S ACTUALLY MY BROTHER, SO MAYBE YOU NEED HIS OPINION. 464 00:15:20,850 --> 00:15:22,470 HE'S-- - I DON'T KNOW. 465 00:15:22,576 --> 00:15:23,646 - YOU KNOW WHAT, I'M A LITTLE BIT FRIED. 466 00:15:23,750 --> 00:15:24,750 - [sighs] 467 00:15:24,854 --> 00:15:25,684 - MAYBE WE COULD PICK THIS UP TOMORROW. 468 00:15:25,786 --> 00:15:26,926 - FINE. 469 00:15:27,029 --> 00:15:32,099 - OKAY, TAKE A LITTLE BREAK FROM THE NEUROSES. 470 00:15:32,207 --> 00:15:35,997 - WHAT? WHAT WAS THAT? 471 00:15:36,107 --> 00:15:37,697 - NEUROSES? - I DIDN'T MEAN-- 472 00:15:37,798 --> 00:15:39,798 LIKE I'M NEUROTIC BECAUSE I REALLY CARE ABOUT THIS PROJECT? 473 00:15:39,904 --> 00:15:43,464 BECAUSE I'M NOT FAMOUS, AND I'M PAYING OUT OF MY POCKET, 474 00:15:43,563 --> 00:15:45,633 AND I'M PAYING AN HOURLY RATE AND IT'S REALLY IMPORTANT TO ME? 475 00:15:45,737 --> 00:15:49,017 NO RECORD LABEL IS PAYING FOR MY SESSION WITH YOU? 476 00:15:49,120 --> 00:15:50,500 OKAY, THIS MEANS A LOT TO ME, 477 00:15:50,604 --> 00:15:52,924 SO I DON'T THINK A LITTLE RESPECT FROM YOU IS-- 478 00:15:53,021 --> 00:15:54,991 - IT'S NOT THAT I DON'T RESPE-- 479 00:15:55,092 --> 00:15:56,162 WHAT--WHAT IS THAT? 480 00:15:56,265 --> 00:15:58,365 - CRAMP. - WHAT ARE YOU DOING? 481 00:15:58,474 --> 00:15:59,924 - CRAMP, CRAMP, CRAMP. - WHAT, WHAT, WHAT, WHAT? 482 00:16:00,028 --> 00:16:01,478 - BAD ONE, MY BOW HAND. 483 00:16:01,581 --> 00:16:02,961 - DO YOU WANT ME TO CALL A DOCTOR OR-- 484 00:16:03,065 --> 00:16:04,235 - NO, IT'S A HAND CRAMP, NOT A HEART ATTACK. 485 00:16:04,342 --> 00:16:05,622 JUST HELP ME. - HOW DO YOU I HELP YOU? 486 00:16:05,723 --> 00:16:06,793 - HELP ME JUST RUB IT. 487 00:16:06,896 --> 00:16:07,856 JUST RUB THIRD--THIRD METACARPAL. 488 00:16:07,967 --> 00:16:08,897 - YOU RUB RIGHT HERE? 489 00:16:09,002 --> 00:16:11,182 - YEAH, YEAH, YEAH. [groans] 490 00:16:11,280 --> 00:16:12,630 - YEAH, PUSH? - YEAH. 491 00:16:12,730 --> 00:16:13,940 - THAT'S GOOD? 492 00:16:14,042 --> 00:16:15,012 THIS IS WHAT I DO FOR A CHARLEY HORSE. 493 00:16:15,112 --> 00:16:17,562 IS THAT-- IS THAT WORKING? 494 00:16:17,666 --> 00:16:20,356 - [sighs] OH. 495 00:16:20,462 --> 00:16:23,192 THAT'S FROM PRACTICING TEN HOURS A DAY. 496 00:16:23,292 --> 00:16:24,852 - TEN HOURS? - TEN HOURS. 497 00:16:24,949 --> 00:16:26,089 I WOULD PRACTICE MORE THAN TEN HOURS, 498 00:16:26,192 --> 00:16:28,162 BUT I HAVE TO STOP AT 10:00 P.M. 499 00:16:28,263 --> 00:16:30,713 BECAUSE MY NEIGHBORS WERE COMPLAINING. 500 00:16:30,817 --> 00:16:33,367 THAT'S HOW MUCH THIS MEANS TO ME. 501 00:16:33,475 --> 00:16:36,475 SO I DON'T THINK THAT A LITTLE EFFORT FROM YOU 502 00:16:36,581 --> 00:16:37,821 IS TOO MUCH TO ASK. 503 00:16:37,927 --> 00:16:41,757 DO YOU UNDERSTAND WHAT I'M SAYING? 504 00:16:41,862 --> 00:16:45,252 - OKAY. - OKAY. 505 00:16:45,349 --> 00:16:49,389 - DOES IT FEEL BETTER? - IT'S-- 506 00:16:49,491 --> 00:16:52,981 - YOU'RE WELCOME. 507 00:16:53,081 --> 00:16:55,261 - THANK YOU. - OH, MY GOODNESS. 508 00:16:55,359 --> 00:16:56,949 YOU DO KNOW THAT WORD. 509 00:16:57,050 --> 00:16:58,530 OH, THAT MUST HAVE HURT LIKE HELL. 510 00:16:58,638 --> 00:17:02,878 - HEY, WELL, IT FEELS BETTER NOW, SO... 511 00:17:02,987 --> 00:17:05,577 THANK YOU. 512 00:17:08,993 --> 00:17:10,373 - HEY, GUYS. 513 00:17:10,477 --> 00:17:13,267 CAN YOU PLEASE RAISE YOUR HAND IF YOU'RE UNDER 25? 514 00:17:13,377 --> 00:17:14,857 ALL RIGHT, I NEED A FOCUS GROUP. 515 00:17:14,964 --> 00:17:16,384 YOU GUYS ARE MY DEMOGRAPHICS. 516 00:17:16,483 --> 00:17:18,283 SO LET'S MEET IN THE BULLPEN IN FIVE MINUTES, OKAY? 517 00:17:18,382 --> 00:17:22,112 FIVE. CAN I GET THAT? 518 00:17:27,356 --> 00:17:28,426 - THANK YOU SO MUCH. 519 00:17:28,530 --> 00:17:29,390 THEN IT'S CONFIRMED FOR THE 14th. 520 00:17:29,496 --> 00:17:30,566 WONDERFUL. OKAY, BYE-BYE. 521 00:17:30,670 --> 00:17:31,600 - HEY. - WHAT'S UP? 522 00:17:31,705 --> 00:17:33,015 - YOU'RE PROBABLY NOT EVEN GOING TO CARE. 523 00:17:33,121 --> 00:17:34,051 UH, I'M NOT GOING TO GO TO THIS MEETING. 524 00:17:34,156 --> 00:17:35,916 I'M GOING TO GO HOME. ANYWAY, I-- 525 00:17:36,020 --> 00:17:36,850 - THE FOCUS GROUP? - MM-HMM, YEAH. 526 00:17:36,952 --> 00:17:37,992 - HONEY, YOU HAVE TO GO. 527 00:17:38,091 --> 00:17:39,471 - I CAN'T. - YOU HAVE TO GO. 528 00:17:39,575 --> 00:17:42,025 - I HAVE NO SCOPE OF WHAT I'M DOING. 529 00:17:42,130 --> 00:17:43,200 NO INFORMATION, LIKE, NOTHING. 530 00:17:43,303 --> 00:17:45,443 AND THEY DO, SO I'M GOING TO GO HOME AND STUDY. 531 00:17:45,547 --> 00:17:46,857 I HAVE A PLAN. LISTEN, I HAVE A PLAN. 532 00:17:46,962 --> 00:17:47,962 - AMBER. 533 00:17:48,067 --> 00:17:48,757 - I KNOW YOU WANT ME TO GO, BUT LISTEN, 534 00:17:48,860 --> 00:17:50,210 I'M GOING TO HIDE BEHIND YOU. 535 00:17:50,310 --> 00:17:51,590 - OKAY, OKAY, YOU'RE NOT LEAVING AMBER. 536 00:17:51,691 --> 00:17:53,661 LISTEN TO ME. 537 00:17:53,762 --> 00:17:56,142 - AMBER, CAN WE STEAL YOU? WE'RE ABOUT TO GET STARTED. 538 00:17:56,247 --> 00:17:58,007 - YES. - THANKS. 539 00:17:58,111 --> 00:17:59,251 - HERE I COME. 540 00:17:59,354 --> 00:18:01,324 [quiet discussion] 541 00:18:01,425 --> 00:18:02,555 - YOU HAVE SOMETHING TO WRITE WITH? 542 00:18:02,667 --> 00:18:05,637 - THANK YOU. UH, YES. A PENCIL. 543 00:18:05,739 --> 00:18:07,669 - HI. 544 00:18:13,713 --> 00:18:15,823 - I'M BOB LITTLE, AND I APPROVE THIS MESSAGE. 545 00:18:15,922 --> 00:18:18,172 - OKAY. 546 00:18:18,269 --> 00:18:20,859 COMMENTS? AND DON'T THINK, JUST... 547 00:18:20,961 --> 00:18:22,171 WOULD YOU VOTE FOR THIS GUY? 548 00:18:22,273 --> 00:18:23,213 - YEAH. - YEAH. 549 00:18:23,309 --> 00:18:24,409 - LOVE IT. - AMAZING. 550 00:18:24,517 --> 00:18:28,417 YOU COME ACROSS STRONG, DECISIVE, AND--AND, UH, 551 00:18:28,521 --> 00:18:30,071 WHAT'S THE WORD I'M LOOKING FOR HERE? 552 00:18:30,178 --> 00:18:31,388 - PRESIDENTIAL. - YEAH. 553 00:18:31,489 --> 00:18:33,969 - IT'S THE WORD I'D USE. PRESIDENTIAL. 554 00:18:34,078 --> 00:18:36,078 - OKAY. 555 00:18:36,184 --> 00:18:38,434 AMBER, WHAT'S YOUR REACTION. 556 00:18:38,531 --> 00:18:39,881 - TO THE VIDEO? - YEAH. 557 00:18:39,980 --> 00:18:41,570 - UH, WELL. 558 00:18:41,672 --> 00:18:46,132 YOU KNOW, IT'S-- IT SOUNDS VERY PROFESSIONAL. 559 00:18:46,228 --> 00:18:47,608 - WOULD THIS GUY GET YOUR VOTE? 560 00:18:47,712 --> 00:18:49,342 - UM... 561 00:18:49,438 --> 00:18:53,678 IF YOU WANT ME TO BE HONEST, I DIDN'T REALLY CONNECT WITH IT. 562 00:18:53,787 --> 00:18:56,717 FEELS A BIT, UM, STIFF. I DON'T KNOW. 563 00:18:56,825 --> 00:19:00,035 I MEAN, TO ME, YOU SEEM LIKE THIS REALLY PERSONABLE GUY. 564 00:19:00,139 --> 00:19:02,069 I MEAN, I DON'T KNOW, IT JUST DOESN'T REALLY COME THROUGH 565 00:19:02,175 --> 00:19:05,795 WITH THIS VIDEO. 566 00:19:10,218 --> 00:19:11,628 - BYE. - SEE YOU TOMORROW. 567 00:19:11,736 --> 00:19:15,016 - SEE YA. 568 00:19:15,119 --> 00:19:17,949 OH, MY. 569 00:19:18,053 --> 00:19:19,163 [clears throat] 570 00:19:20,504 --> 00:19:23,164 IS THIS THE, UM-- - [laughs] 571 00:19:23,265 --> 00:19:24,605 - IS THIS THE-- 572 00:19:24,715 --> 00:19:27,985 - YEAH, THAT'S THE COVER THAT I WASN'T COOL ENOUGH TO BE ON. 573 00:19:28,097 --> 00:19:29,407 - MM-HMM. - BUT WHATEVER, YOU KNOW. 574 00:19:29,513 --> 00:19:31,203 IT'S GREAT PUBLICITY FOR THE STUDIO, 575 00:19:31,308 --> 00:19:32,448 AND THAT'S ALL THAT MATTERS, RIGHT? 576 00:19:32,550 --> 00:19:33,930 - I TOLD MYSELF SOMETHING SIMILAR 577 00:19:34,034 --> 00:19:35,424 WHEN I MADE SECOND CHAIR... - OH. 578 00:19:35,519 --> 00:19:38,179 - AND IT STILL SUCKED, THOUGH. 579 00:19:38,280 --> 00:19:39,830 WHO IS THIS--ADAM-- - UM... 580 00:19:39,937 --> 00:19:41,077 - CHAT WITH ADAM... 581 00:19:41,180 --> 00:19:42,250 - THAT'S MY BROTHER. 582 00:19:42,353 --> 00:19:44,423 - WANT ME TO STAB HIM IN THE FACE WITH MY BOW? 583 00:19:44,528 --> 00:19:46,878 - NO. HE'S A NICE GUY. 584 00:19:46,978 --> 00:19:48,668 BUT MAYBE YOU CAN STAB THE REPORTER IN THE FACE. 585 00:19:48,773 --> 00:19:49,603 I WOULD LIKE THAT. - I CAN DO THAT. 586 00:19:49,705 --> 00:19:51,355 - I WAS GIVING THIS LADY GOLD. 587 00:19:51,466 --> 00:19:53,986 I MEAN, I WAS BEING AS CHARISMATIC AS I HAVE EVER BEEN. 588 00:19:54,089 --> 00:19:55,229 AND THEN, NOTHING. 589 00:19:55,332 --> 00:19:57,232 - OH, BUT MAN, THIS--THIS DOESN'T MATTER. 590 00:19:57,334 --> 00:19:59,614 THIS IS GONNA, LIKE, END UP IN SOMEBODY'S TRASH CAN. 591 00:19:59,715 --> 00:20:01,645 LIKE, MAKING MUSIC, DOING WHAT YOU DO, 592 00:20:01,752 --> 00:20:03,172 DAY IN AND DAY OUT, THAT'S WHAT MATTERS. 593 00:20:03,271 --> 00:20:04,861 THAT'S WHAT'S REALLY COOL... 594 00:20:04,962 --> 00:20:07,832 IN MY HUMBLE OPINION. 595 00:20:10,968 --> 00:20:12,728 - HEY, LISTEN. 596 00:20:12,832 --> 00:20:15,142 UM, WE HAVE AN EXTRA STUDIO UPSTAIRS THAT WE DON'T USE. 597 00:20:15,248 --> 00:20:18,248 - SO... - YEAH? 598 00:20:18,355 --> 00:20:19,245 - IF YOU EVER WANT TO PRACTICE THERE, 599 00:20:19,356 --> 00:20:23,286 AND IT'S PAST 10:00, AND YOU WANT TO DO 600 00:20:23,394 --> 00:20:25,264 WHATEVER WEIRD THINGS YOU DO WITH THIS INSTRUMENT, 601 00:20:25,362 --> 00:20:28,262 PAST 10:00, I WANT YOU TO KNOW THAT, 602 00:20:28,365 --> 00:20:30,225 YOU KNOW, IT'S OPEN AND AVAILABLE TO YOU. 603 00:20:30,332 --> 00:20:34,202 IF YOU WANT. 604 00:20:34,302 --> 00:20:36,752 JUST SITTING THERE. - OKAY. 605 00:20:36,856 --> 00:20:39,616 I'LL THINK ABOUT THAT. 606 00:20:39,721 --> 00:20:44,101 I WILL THINK ABOUT IT. UM... 607 00:20:44,208 --> 00:20:46,068 THANK YOU. 608 00:20:46,175 --> 00:20:49,245 AND I AM GOING. GOOD-BYE. 609 00:20:49,351 --> 00:20:50,971 - DON'T HURT ANYONE WITH THAT THING. 610 00:20:51,077 --> 00:20:56,767 - [laughs] 611 00:20:56,876 --> 00:20:59,496 - BABE. - HMM. 612 00:20:59,603 --> 00:21:02,233 - I DID SOMETHING TODAY THAT YOU'RE NOT GOING TO LIKE. 613 00:21:02,330 --> 00:21:05,300 - YOU TOLD ZOE THAT TROY CALLED. 614 00:21:05,402 --> 00:21:07,092 - YEAH, DID SHE TELL YOU? 615 00:21:07,196 --> 00:21:09,746 - NO. I JUST KNOW YOU. 616 00:21:09,854 --> 00:21:13,244 AND I KNOW YOU CAN'T NOT DO THE RIGHT THING. 617 00:21:13,341 --> 00:21:16,651 IT WAS THE RIGHT THING. - AH. 618 00:21:16,758 --> 00:21:20,208 I DON'T KNOW IF IT WAS OR NOT. 619 00:21:20,313 --> 00:21:23,013 - HOW'D SHE TAKE IT? 620 00:21:23,109 --> 00:21:25,699 - I COULDN'T TELL YOU. SHE JUST SHUT ME OUT. 621 00:21:25,801 --> 00:21:27,181 SHE WOULDN'T TALK TO ME AT ALL. 622 00:21:27,286 --> 00:21:28,596 - YEAH. 623 00:21:28,701 --> 00:21:32,951 - I MEAN, SHE'S IN SUCH PAIN, AND SHE WON'T LET ME HELP. 624 00:21:33,050 --> 00:21:34,290 I DON'T KNOW. 625 00:21:34,396 --> 00:21:37,736 - YOU THINK SHE'S GOING TO CALL HIM? 626 00:21:37,848 --> 00:21:39,228 - YOU KNOW, SHE SAID SHE WOULD MAKE SURE 627 00:21:39,332 --> 00:21:40,542 THAT HE DIDN'T CALL HERE, 628 00:21:40,644 --> 00:21:42,304 SO THAT IMPLIES SOME KIND OF COMMUNICATION. 629 00:21:42,404 --> 00:21:43,724 - YEAH. 630 00:21:43,819 --> 00:21:46,269 - NOT A DAMN THING I CAN DO ABOUT THAT. 631 00:21:46,374 --> 00:21:50,764 - WE CAN LOCK HER IN HER ROOM. 632 00:21:50,861 --> 00:21:54,551 - YOU'RE SO FULL OF GOOD IDEAS. - MMM. 633 00:21:54,658 --> 00:21:57,208 - YOU LOOK LIKE A BEATLE. 634 00:21:57,316 --> 00:21:58,896 - WHAT ARE YOU DOING? OH, COME ON, HONEY. 635 00:21:59,007 --> 00:22:00,277 - YOU LOOK LIKE-- LIKE PAUL MCCARTNEY OR SOMEONE. 636 00:22:00,388 --> 00:22:01,978 - LET'S NOT HANG THAT ON THE FRIDGE. 637 00:22:02,079 --> 00:22:03,219 - NO, I THINK IT'S GREAT. 638 00:22:03,322 --> 00:22:04,562 THIS IS WHERE WE HOUSE ALL OF OUR GREATEST ACCOMPLISHMENTS, 639 00:22:04,668 --> 00:22:06,048 LIKE HADDIE'S S.A.T. SCORES. 640 00:22:06,152 --> 00:22:07,152 - WAIT, WHAT ABOUT MY MATH WARRIOR'S CERTIFICATE? 641 00:22:07,256 --> 00:22:08,496 - AND YOUR MATH WARRIOR'S CERTIFICATE. 642 00:22:08,603 --> 00:22:09,743 - NO, THAT DIDN'T GO UP THERE. - YES, IT DID. 643 00:22:09,845 --> 00:22:10,875 - LOOK, HONEY. - IT'S NOT A BIG DEAL. 644 00:22:10,984 --> 00:22:11,854 - IT'S SUCH A BIG DEAL. 645 00:22:11,951 --> 00:22:13,091 - IT'S PRETTY COOL. 646 00:22:13,193 --> 00:22:14,163 YOU'RE ON THE COVER OF A MAGAZINE. 647 00:22:14,263 --> 00:22:15,443 - REALLY, HADDIE? - VERY SEXY. 648 00:22:15,541 --> 00:22:18,681 - I MEAN, UH, I DON'T KNOW HOW TO-- 649 00:22:18,785 --> 00:22:20,055 YOU LOOK GOOD, I GUESS. - OKAY, ALL RIGHT. 650 00:22:20,166 --> 00:22:21,096 - ALL RIGHT. - I LIKE IT. 651 00:22:21,201 --> 00:22:22,311 - HEY, HONEY. 652 00:22:22,410 --> 00:22:23,650 I NEED TO STOP BY AMBER'S IN A BIT. 653 00:22:23,756 --> 00:22:25,446 I HAVE TO DROP SOME CAMPAIGN MATERIAL OFF. 654 00:22:25,551 --> 00:22:26,451 - [cell phone rings] SORRY. 655 00:22:26,552 --> 00:22:27,422 - ALL RIGHT. - OKAY, GOT IT? 656 00:22:27,518 --> 00:22:29,728 - YUP. - HELLO. 657 00:22:33,213 --> 00:22:34,703 - WHAT DO YOU THINK, MAX? 658 00:22:34,801 --> 00:22:38,911 THINK I LOOK COOL ON THE COVER OF THE WEEKLY? 659 00:22:39,012 --> 00:22:40,912 - I THINK IT'S AWESOME. 660 00:22:49,022 --> 00:22:51,232 - ♪ I'LL BE COURAGEOUS 661 00:22:51,335 --> 00:22:52,745 - NO, AND THEN, YOU KNOW, HE JUST WAS-- 662 00:22:52,854 --> 00:22:54,554 IT JUST SOUNDED SO INTENSE, 663 00:22:54,649 --> 00:22:56,509 AND HE WANTS THIS BIG, CRAZY COMMITMENT. 664 00:22:56,616 --> 00:22:59,136 - WHY? WHERE YOU'RE GOING? 665 00:22:59,239 --> 00:23:02,449 - NO, NOWHERE, BUT YOUR BROTHER'S A LITTLE INTIMIDATING. 666 00:23:02,553 --> 00:23:03,803 - OH, MY GOD. 667 00:23:03,899 --> 00:23:05,629 WHAT--IN WHAT UNIVERSE IS ADAM INTIMIDATING? 668 00:23:05,729 --> 00:23:08,799 - UH, IN THE UNIVERSE WHERE I'M DATING HIS LITTLE SISTER, 669 00:23:08,904 --> 00:23:11,084 AND HE'S A FULL FOOT TALLER THAN ME 670 00:23:11,182 --> 00:23:13,362 AND HAS A DEEP, SCARY VOICE. 671 00:23:13,461 --> 00:23:14,701 - YOU DON'T HAVE TO ARM WRESTLE. 672 00:23:14,807 --> 00:23:17,117 HE'S JUST, YOU KNOW, TRYING TO GET TO KNOW YOU. 673 00:23:17,223 --> 00:23:19,783 - WELL, JUST THE WAY HE SAID IT, IT WAS LIKE-- 674 00:23:19,881 --> 00:23:22,231 - AW. - I DON'T KNOW, I-- 675 00:23:22,331 --> 00:23:23,891 MAYBE I'M OVER-THINKING IT. 676 00:23:23,988 --> 00:23:25,128 - AW, LOOK. 677 00:23:25,231 --> 00:23:28,101 SLIPPERS, BUT IT'S A BUNNY. 678 00:23:28,199 --> 00:23:30,129 - THIS ISN'T A BIG DEAL, RIGHT? 679 00:23:30,236 --> 00:23:32,406 I MEAN, YOU DON'T REALLY CARE 680 00:23:32,514 --> 00:23:34,104 IF I PLAY POKER WITH YOUR BROTHERS OR NOT. 681 00:23:34,205 --> 00:23:34,895 - WHAT, THE GAME? NO. 682 00:23:34,999 --> 00:23:35,759 - OKAY, OKAY, OKAY. - OF COURSE NOT. 683 00:23:35,862 --> 00:23:37,762 WHATEVER YOU WANT TO DO. - OKAY. 684 00:23:37,864 --> 00:23:40,254 - I THOUGHT IT WOULD BE NICE FOR YOU GUYS TO KNOW EACH OTHER, 685 00:23:40,349 --> 00:23:44,009 BUT YOU KNOW, WHATEVER. 686 00:23:44,112 --> 00:23:46,152 - OKAY, WELL, I'LL--I'LL GIVE IT A SHOT, 687 00:23:46,252 --> 00:23:48,942 AND THEN, IF IT DOESN'T WORK OUT, 688 00:23:49,048 --> 00:23:50,878 THEN WHO CARES? 689 00:23:50,981 --> 00:23:52,531 - YEAH, IF IT DOESN'T WORK OUT, WHO CARES? 690 00:23:52,638 --> 00:23:55,428 - OKAY. GOOD. 691 00:23:55,537 --> 00:23:59,327 WHEW. 692 00:23:59,438 --> 00:24:02,198 - ♪ MMM 693 00:24:02,302 --> 00:24:07,932 ♪ BE MY LOVE 694 00:24:13,693 --> 00:24:15,833 - SO, WHY DON'T YOU TELL US ABOUT THIS MARK GUY? 695 00:24:15,937 --> 00:24:16,697 - YEAH, HE'S A HIGH SCHOOL TEACHER. 696 00:24:16,800 --> 00:24:18,460 HE'S A-- HE'S A NICE GUY. 697 00:24:18,560 --> 00:24:20,390 - NICE GUY? CAN HE PLAY CARDS? 698 00:24:20,493 --> 00:24:21,743 - YEAH. - REALLY. 699 00:24:21,839 --> 00:24:22,739 SERIOUSLY, HE'S A GOOD POKER PLAYER. 700 00:24:22,840 --> 00:24:26,330 - WHOA, CHECK OUT THE FAMOUS BRAVERMAN. 701 00:24:26,430 --> 00:24:28,020 [laughs] 702 00:24:28,121 --> 00:24:29,641 JULIA SAID YOU GUYS GOT INTERVIEWED. 703 00:24:29,744 --> 00:24:31,124 SHE DIDN'T SAY YOU MADE THE COVER. 704 00:24:31,228 --> 00:24:32,258 LOOK AT THAT. 705 00:24:32,367 --> 00:24:33,297 - WHAT A PHOTO. 706 00:24:33,402 --> 00:24:35,032 - I THOUGHT THAT CAME OUT TOMORROW? 707 00:24:35,128 --> 00:24:36,578 - YEAH, WELL, THE REPORTER CAME BY 708 00:24:36,682 --> 00:24:38,242 AND DROPPED OFF SOME ADVANCE COPIES. 709 00:24:38,338 --> 00:24:39,998 - NICE. 710 00:24:40,099 --> 00:24:41,169 - "MUSIC SAVED MY LIFE. 711 00:24:41,272 --> 00:24:42,552 "WE CHAT WITH ADAM BRAVERMAN." 712 00:24:42,653 --> 00:24:43,593 - JOEL, COME ON. 713 00:24:43,689 --> 00:24:45,279 - THAT IS FREAKING ADORABLE. 714 00:24:45,380 --> 00:24:46,800 - THANKS A LOT, JOEL. 715 00:24:46,899 --> 00:24:47,829 YOU LOOK GOOD IN THAT JACKET. MAN, THAT'S HUGE. 716 00:24:47,934 --> 00:24:48,764 - I LOVE THAT. 717 00:24:48,866 --> 00:24:49,696 - HEY, LOOK WHO'S HERE. HEY, MARK. 718 00:24:49,798 --> 00:24:50,728 - HEY. - HEY, GUYS. 719 00:24:50,834 --> 00:24:54,634 - I-I BROUGHT BISCOTTI. 720 00:24:54,734 --> 00:24:56,534 - THAT RIGHT? 721 00:24:56,633 --> 00:24:57,773 THAT'S NICE. 722 00:24:57,875 --> 00:24:59,735 - NOT A REAL POKER GAME WITHOUT BISCOTTI, RIGHT? 723 00:24:59,843 --> 00:25:01,153 I'M KIDDING. THAT WAS A JOKE. 724 00:25:01,258 --> 00:25:03,228 THESE ARE PHILLY CHEESESTEAKS FROM THE PLACE ON THE CORNER. 725 00:25:03,329 --> 00:25:06,019 THEY GAVE ME A PINK BOX, AND I-- 726 00:25:06,125 --> 00:25:07,085 - A LITTLE SCARED THERE. 727 00:25:07,195 --> 00:25:08,575 [laughter] 728 00:25:08,679 --> 00:25:09,609 [overlapping conversation] 729 00:25:09,715 --> 00:25:11,055 - HERE'S MARK. MARK, KAL, JON. 730 00:25:11,164 --> 00:25:12,414 THIS IS MARK. - MARK. 731 00:25:12,511 --> 00:25:13,721 - ALL RIGHT. PHILLY CHEESESTEAKS. 732 00:25:13,822 --> 00:25:14,892 [overlapping chatter] 733 00:25:14,996 --> 00:25:15,996 - ALL RIGHT, ENOUGH WITH THE KISSING. 734 00:25:16,100 --> 00:25:16,890 HERE COMES THE PAIN. 735 00:25:16,998 --> 00:25:17,958 WHAT WE'RE DOING IS HOLD 'EM, 736 00:25:18,068 --> 00:25:19,168 AND THE BLINDS ARE TWO AND FIVE. 737 00:25:19,276 --> 00:25:20,346 LET'S GET TO IT. COME ON. 738 00:25:20,449 --> 00:25:21,449 DID EVERYBODY GET A COPY? 739 00:25:21,554 --> 00:25:24,214 - COME ON, MAN. - HEY! 740 00:25:24,315 --> 00:25:27,175 [soft guitar music] 741 00:25:27,284 --> 00:25:32,574 ♪ 742 00:25:32,669 --> 00:25:36,159 - I AM... 743 00:25:36,258 --> 00:25:39,948 I WILL RAISE. 744 00:25:40,055 --> 00:25:41,565 - UM, WAIT, YOU CAN'T. YOU HAVE-- 745 00:25:41,678 --> 00:25:42,848 - WHAT? 746 00:25:42,955 --> 00:25:44,395 - YOUR RAISE HAS TO MATCH THE BIG BLINDS. 747 00:25:44,508 --> 00:25:45,848 - OH, OKAY. - YOU REMEMBER THAT THERE? 748 00:25:45,958 --> 00:25:46,718 - AH, YES. 749 00:25:46,821 --> 00:25:49,131 THEN I WILL CHECK. 750 00:25:49,237 --> 00:25:50,957 - NAH, NAH, YOU CAN'T CHECK, ROOKIE. 751 00:25:51,066 --> 00:25:52,476 YOU GOT TO MAKE THAT BET WHOLE. 752 00:25:52,585 --> 00:25:53,995 - GIVE HIM A BREAK, KAL. 753 00:25:54,104 --> 00:25:56,454 - NAH, I'M FINE. JUST HOW MUCH DO I PUT IN? 754 00:25:56,555 --> 00:25:58,725 ONE OF THE REDS. 755 00:25:58,833 --> 00:26:00,213 - WELL, LET'S REWRITE THE RULES OF POKER. 756 00:26:00,317 --> 00:26:01,797 - I WILL-- - CAN YOU CHECK? 757 00:26:01,905 --> 00:26:03,835 DON'T FEEL THE PRESSURE OF IT. 758 00:26:03,941 --> 00:26:05,121 - YEAH, A LITTLE, LITTLE PARTIAL RAISE. 759 00:26:05,218 --> 00:26:07,078 - I'M GOING TO MAKE A PROPER RAISE. 760 00:26:07,186 --> 00:26:08,256 - OH, REALLY? - AND THERE IT COMES. 761 00:26:08,359 --> 00:26:10,189 - SO PROPER. - BIG COJONES. 762 00:26:10,292 --> 00:26:12,092 - DO YOU REALLY THINK YOUR FLUSH IS GOING TO TAKE THIS THERE, 763 00:26:12,191 --> 00:26:12,881 KALCIFICATION? 764 00:26:12,985 --> 00:26:16,125 - YES, I DO, AND TO QUOTE YOU... 765 00:26:16,229 --> 00:26:16,949 - NO, PUT IT DOWN. 766 00:26:17,058 --> 00:26:18,988 "IT IS A DREAM IN A TIME IN MY LIFE 767 00:26:19,094 --> 00:26:20,414 WHEN I DESPERATELY NEED A DREAM." 768 00:26:20,509 --> 00:26:21,369 [laughter] - ALL RIGHT. 769 00:26:21,476 --> 00:26:23,056 - I'LL FOLD. 770 00:26:23,167 --> 00:26:24,027 - OKAY. ALL RIGHT. 771 00:26:24,134 --> 00:26:25,034 I FOLD. 772 00:26:25,135 --> 00:26:27,545 YOU KNOW, "SOME MEN WERE BORN TO TAKE RISKS, 773 00:26:27,655 --> 00:26:30,135 "AND SOME MEN HAVE RISKS THRUST UPON THEM 774 00:26:30,243 --> 00:26:31,593 BECAUSE THERE'S SIMPLY NO OTHER OPTION." 775 00:26:31,693 --> 00:26:33,143 JUST OFF THE TOP OF MY HEAD. 776 00:26:33,246 --> 00:26:35,556 - ET TU,JOEL? ET TU? 777 00:26:35,663 --> 00:26:38,223 - "AND I, LIKE OTHER AMERICANS, 778 00:26:38,320 --> 00:26:41,600 NEED TO BELIEVE THAT THERE'S STILL HOPE OUT THERE." 779 00:26:41,703 --> 00:26:43,223 - THAT ONE MADE ME CRY/BARF. - [laughs] 780 00:26:43,325 --> 00:26:44,285 - YOU KNOW WHAT, 781 00:26:44,395 --> 00:26:45,635 THIS IS A REALLY HYSTERICAL BIT, 782 00:26:45,742 --> 00:26:47,742 BUT IT'S GETTING A LITTLE LONG IN THE TUBE, 783 00:26:47,847 --> 00:26:49,747 SO I'M ALL IN. 784 00:26:49,849 --> 00:26:51,639 - OH, WELL, WE CALL THAT AN ANGER RAISE. 785 00:26:51,748 --> 00:26:53,228 THAT'S THE TERM. 786 00:26:53,335 --> 00:26:56,675 - I WILL GO ALL IN AS WELL. - THAT'S...ANGRIER. 787 00:26:56,787 --> 00:26:58,027 - HEAR THAT? - BIG TIME. 788 00:26:58,133 --> 00:26:59,273 - GETTING SO ANGRY. - [grunts] 789 00:26:59,376 --> 00:27:00,616 THAT MEANS I'M OUT. 790 00:27:00,722 --> 00:27:02,072 - SEE YOU. 791 00:27:02,172 --> 00:27:03,902 - I'M SORRY, MARK. I GOT THE BOAT ON THE RIVER. 792 00:27:04,001 --> 00:27:05,281 - OH, YEAH. THERE IT IS. 793 00:27:05,382 --> 00:27:06,692 - OH, WAIT A MINUTE. 794 00:27:06,797 --> 00:27:08,037 YOU GOT A BOAT, QUEENS UP. 795 00:27:08,143 --> 00:27:09,943 THAT MEANS HE TRAPPED YOU, BIG BOY. 796 00:27:10,042 --> 00:27:11,012 - HE GOT YOU BEAT. - IT'S ALL RIGHT. 797 00:27:11,112 --> 00:27:12,152 - I WIN? 798 00:27:12,251 --> 00:27:14,491 - YUP. - OH, MY GOD. 799 00:27:14,598 --> 00:27:15,628 [clears throat] - TAKE ALL OUR MONEY. 800 00:27:15,737 --> 00:27:17,497 - [clears throat] - A REAL SANDBAGGER. 801 00:27:17,601 --> 00:27:19,091 - ALL RIGHT. - I LIKE POKER. 802 00:27:19,189 --> 00:27:22,119 - WE'RE GOING TO NEED YOU TO RUN OUT FOR BISCOTTI. 803 00:27:22,226 --> 00:27:24,706 - YOU KNOW, I CAN'T KEEP POURING, SISTER. 804 00:27:24,815 --> 00:27:27,985 - IT'S THE FIRST RELATIONSHIP I CAN REALLY IMAGINE 805 00:27:28,094 --> 00:27:30,754 GOING ALL THE WAY, YOU KNOW? 806 00:27:30,856 --> 00:27:32,096 HE SAID TO ME THE OTHER DAY, 807 00:27:32,202 --> 00:27:34,272 "I COULD TOTALLY SEE HAVING A BABY WITH YOU." 808 00:27:34,376 --> 00:27:35,266 AND I-- - WHAT? 809 00:27:35,377 --> 00:27:37,377 - WHAT? - WHAT? 810 00:27:37,483 --> 00:27:38,453 HE SAID THAT? - YEAH. 811 00:27:38,553 --> 00:27:39,453 - THAT'S AMAZING. 812 00:27:39,554 --> 00:27:40,524 - AND IT FELT SO GOOD, 813 00:27:40,624 --> 00:27:42,044 AND THEN WE NEVER TALKED ABOUT IT AGAIN. 814 00:27:42,143 --> 00:27:43,973 SO THEN I'M JUST CARRYING IT AROUND. 815 00:27:44,076 --> 00:27:45,076 - YOU THINK HE FORGOT? - I DON'T KNOW. 816 00:27:45,180 --> 00:27:47,040 - NO, HE'S NOT A KNUCKLEHEAD. HE DIDN'T FORGET. 817 00:27:47,148 --> 00:27:49,458 - I DON'T KNOW HIM VERY WELL. 818 00:27:49,564 --> 00:27:51,294 - MAYBE HE'S NOT SERIOUS, AND HE'S SORT OF CHANGED HIS MIND. 819 00:27:51,393 --> 00:27:53,883 - NO, MAYBE HE REALLY LOVES YOU, BUT IT SCARED HIM. 820 00:27:53,982 --> 00:27:58,572 [overlapping discussion] 821 00:27:58,677 --> 00:27:59,607 - ZOE? HI. 822 00:27:59,712 --> 00:28:00,682 - HEY. - HI. 823 00:28:00,782 --> 00:28:02,922 - THESE ARE MY SISTERS. - HI. 824 00:28:03,026 --> 00:28:04,226 - SO YOU'RE GOING OUT? - YUP. 825 00:28:04,337 --> 00:28:05,717 - OKAY. - YOU KNOW. 826 00:28:05,822 --> 00:28:06,792 - UM, IT'S LATE. DO YOU NEED A CAB-- 827 00:28:06,892 --> 00:28:09,382 - NO, I'M GOOD, SO. - OKAY. 828 00:28:09,480 --> 00:28:10,760 HAVE FUN. - MM-HMM. 829 00:28:10,861 --> 00:28:11,971 - WHERE IS SHE GOING? 830 00:28:12,069 --> 00:28:13,279 - I DON'T KNOW WHERE SHE'S GOING. 831 00:28:13,381 --> 00:28:15,451 I KNOW WHERE I HOPE SHE'S NOT GOING, 832 00:28:15,555 --> 00:28:20,145 BUT I'M TRYING TO BE RESPECTFUL OF HER PRIVACY. 833 00:28:20,250 --> 00:28:21,800 EVEN THOUGH SHE IS LIVING IN MY HOUSE, 834 00:28:21,907 --> 00:28:22,977 AND SHE IS CARRYING MY BABY. 835 00:28:23,080 --> 00:28:24,630 - I THINK THAT--THAT'S GOOD. 836 00:28:24,737 --> 00:28:25,807 - WEIRD. - IT'S SO HARD. 837 00:28:25,911 --> 00:28:27,191 I'M HAVING A ROUGH TIME WITH IT. 838 00:28:27,291 --> 00:28:29,121 I'M REALLY CURIOUS. - TRACKING DEVICE IN HER CAR. 839 00:28:29,224 --> 00:28:30,744 - LISTEN, YOU CAN'T TELL ME I HAVE TO ASK 840 00:28:30,847 --> 00:28:33,567 MY BOYFRIEND IF HE WANTS TO HAVE A BABY WITH ME, 841 00:28:33,677 --> 00:28:35,197 AND THEN YOU NOT TELL-- YOU NOT ASK-- 842 00:28:35,299 --> 00:28:36,539 - THIS IS APPLES AND ORANGES. - NO, IT ISN'T. 843 00:28:36,645 --> 00:28:37,535 - LISTEN. 844 00:28:37,646 --> 00:28:39,956 YOU JUST MAKE HIM A NICE BREAKFAST, 845 00:28:40,063 --> 00:28:42,133 AND HAVE A CONVERSATION. 846 00:28:42,237 --> 00:28:43,757 LIKE, HEY, EVERYTHING'S WONDERFUL. 847 00:28:43,860 --> 00:28:45,720 - IT'S LIKE A BUSINESS MEETING? 848 00:28:45,827 --> 00:28:47,727 - [laughing] - THANK YOU FOR COMING FOR EGGS. 849 00:28:47,829 --> 00:28:49,069 THERE'S SOMETHING I NEED TO TALK ABOUT-- 850 00:28:49,175 --> 00:28:50,035 all: MY EGGS! 851 00:28:50,142 --> 00:28:53,182 [laughter] 852 00:28:53,283 --> 00:28:56,253 - MY NEW GOAL IS TO GO HOME WITH GAS MONEY. 853 00:28:56,355 --> 00:28:57,245 YOU LIKE THAT? 854 00:28:57,356 --> 00:28:58,286 - [chuckling] 855 00:28:58,391 --> 00:28:59,501 - AND MINE. - MM-HMM. 856 00:28:59,599 --> 00:29:01,739 - I CAN'T BELIEVE THIS. 857 00:29:01,843 --> 00:29:03,913 [shuffling cards] - LOTS OF BEERS LEFT. 858 00:29:04,018 --> 00:29:05,668 - HEY, ADAM, WILL YOU THROW ME 20 BUCKS, 859 00:29:05,778 --> 00:29:07,498 AND I'LL GET YOU TOMORROW? 860 00:29:07,607 --> 00:29:08,847 - HERE WE GO. 861 00:29:08,954 --> 00:29:12,204 YOUR POKER DEBT IS WELL INTO THE SIX FIGURES, MY FRIEND. 862 00:29:12,302 --> 00:29:14,652 I THINK YOU MIGHT WANT TO JUST WALK AWAY. 863 00:29:14,753 --> 00:29:17,033 - SIX FIGURES. - ARE YOU SERIOUS? 864 00:29:17,134 --> 00:29:18,584 - HUH. ALL RIGHT, YOU KNOW WHAT? 865 00:29:18,687 --> 00:29:19,617 NEVER MIND. - YOU'RE NOT. 866 00:29:19,723 --> 00:29:20,723 DON'T DO IT, DON'T DO IT. 867 00:29:20,828 --> 00:29:22,168 - OH, YOU THREW A "YOU KNOW WHO IN THERE." 868 00:29:22,277 --> 00:29:23,417 - [laughs] - IT'S A SLIPPERY SLOPE. 869 00:29:23,520 --> 00:29:24,490 - HEY, IF YOU'RE GOING TO COP AN ATTITUDE 870 00:29:24,590 --> 00:29:26,110 OVER LOANING ME 20 BUCKS-- 871 00:29:26,212 --> 00:29:27,872 - I WOULDN'T HAVE AN ATTITUDE IF YOU EVER PAID ME BACK. 872 00:29:27,973 --> 00:29:29,183 - OH... - GOING DOWN. 873 00:29:29,284 --> 00:29:31,054 - AND YOU'RE BEING SERIOUS? - WHAT? 874 00:29:31,148 --> 00:29:32,558 - WELL, I HOPE YOU KNOW-- - LET'S GO. 875 00:29:32,667 --> 00:29:33,977 LET'S PLAY THE GAME. COME ON. 876 00:29:34,082 --> 00:29:35,222 - I'LL TELL YOU WHAT. 877 00:29:35,325 --> 00:29:37,805 I'LL SELL YOU MY QUOTE FOR 20 BUCKS. 878 00:29:37,914 --> 00:29:39,924 YOU ALREADY TOOK THE QUOTE, SO NOW WE'RE STRAIGHT. 879 00:29:40,019 --> 00:29:41,159 - GIRLS, GIRLS, YOU'RE BOTH PRETTY. 880 00:29:41,262 --> 00:29:42,442 - DUDE, CHILL. 881 00:29:42,539 --> 00:29:43,919 - HEY. I AM CHILL. 882 00:29:44,023 --> 00:29:45,203 I'VE BEEN CHILL ALL NIGHT LONG 883 00:29:45,300 --> 00:29:46,850 WHILE YOU SIT THERE AND PRETEND THAT YOU'RE ANNOYED 884 00:29:46,957 --> 00:29:48,717 BY ALL THIS ATTENTION. 885 00:29:48,821 --> 00:29:50,241 VERY CONVINCING. 886 00:29:50,340 --> 00:29:52,860 - YEAH, YOU'RE REALLY CHILL, AREN'T YOU? 887 00:29:52,963 --> 00:29:55,483 OKAY, WELL, WHY DON'T WE JUST TALK ABOUT IT LATER? 888 00:29:55,586 --> 00:29:56,826 - ACTUALLY, YOU KNOW WHAT, I'M GOING TO LEAVE. 889 00:29:56,933 --> 00:29:58,113 - WHAT ARE YOU DOING? - YOU TAKE IT BACK. 890 00:29:58,210 --> 00:29:59,380 YOU GUYS HAVE FUN. - CROSBY, COME ON, SIT DOWN. 891 00:29:59,487 --> 00:30:00,587 - NO, I'M GOOD. - CROSBY, COME ON, MAN. 892 00:30:00,695 --> 00:30:02,835 - HAVE FUN PLAYING. 893 00:30:02,939 --> 00:30:04,289 BEER IN THE FRIDGE. 894 00:30:04,388 --> 00:30:08,878 YOU HAD TO BRING THOSE MAGAZINES HERE, DIDN'T YOU? 895 00:30:08,979 --> 00:30:11,089 - THEY'LL WORK IT OUT. 896 00:30:13,087 --> 00:30:14,157 - WHAT, YOU THINK YOU CAN GET OVER YOURSELF 897 00:30:14,260 --> 00:30:15,300 AND COME BACK TO THE GAME? 898 00:30:15,399 --> 00:30:16,539 WHAT IS THE PROBLEM? 899 00:30:16,642 --> 00:30:18,442 I ASKED YOU IF YOU WERE MAD, YOU SAID YOU WERE COOL ABOUT IT. 900 00:30:18,540 --> 00:30:21,300 - YEAH, I SAID I WASN'T MAD BECAUSE I WAS BEING NICE. 901 00:30:21,405 --> 00:30:22,095 THAT'S WHAT PARTNERS DO. 902 00:30:22,199 --> 00:30:23,819 THEY ALSO APOLOGIZE TO ONE ANOTHER 903 00:30:23,925 --> 00:30:24,715 WHEN THEY SCREW EACH OTHER OVER. 904 00:30:24,823 --> 00:30:26,103 - REALLY? 905 00:30:26,203 --> 00:30:27,343 - ALL YOU GOT TO DO IS SAY, "I'M SORRY." 906 00:30:27,446 --> 00:30:28,336 - I DON'T HAVE ANYTHING TO SAY, "I'M SORRY" FOR, OKAY? 907 00:30:28,447 --> 00:30:30,407 I JUST ANSWERED A COUPLE SIMPLE QUESTIONS, 908 00:30:30,518 --> 00:30:31,968 AND YOU WENT TO GET YOUR PUNK PHASE GUITAR 909 00:30:32,071 --> 00:30:33,351 SO YOU COULD GET BACK TO GRANDSTANDING 910 00:30:33,452 --> 00:30:34,322 IN FRONT OF THE REPORTER. 911 00:30:34,418 --> 00:30:36,318 - I'M SORRY SHE HAPPENED TO LIKE MY ANGLE BETTER. 912 00:30:36,420 --> 00:30:38,040 - YOU KNOW WHAT, IF I HAD GONE INTO THE SHOE BUSINESS WITH YOU, 913 00:30:38,146 --> 00:30:40,486 AND THEY NAMED ME THE MOST IMPORTANT SHOE DESIGNER 914 00:30:40,597 --> 00:30:43,287 OF THE YEAR AFTER I'VE BEEN IN THE BUSINESS FOR FIVE SECONDS, 915 00:30:43,393 --> 00:30:45,603 THAT WOULD BOTHER YOU BECAUSE THAT'S YOUR DREAM, 916 00:30:45,705 --> 00:30:47,155 AND I WOULD SAY, "SORRY." 917 00:30:47,259 --> 00:30:48,429 - I DIDN'T WANT TO BE ON THE COVER OF THE MAGAZINE. 918 00:30:48,536 --> 00:30:51,016 I HAD NO IDEA THAT YOUR NEED FOR ATTENTION WAS SO GREAT. 919 00:30:51,125 --> 00:30:52,085 - OH, THIS IS CRAP. - OH, NO, IT'S NOT. 920 00:30:52,195 --> 00:30:55,225 - JUST ADMIT IT. ADMIT YOU LIKE IT. 921 00:30:55,336 --> 00:30:56,916 - OKAY, CROSBY, I ADMIT IT. 922 00:30:57,027 --> 00:30:58,057 I LIKE IT, OKAY? 923 00:30:58,166 --> 00:30:59,746 I LIKE BEING ON THE COVER OF THE MAGAZINE. 924 00:30:59,858 --> 00:31:01,098 I LIKE THE FACT THAT THE REPORTER FOUND 925 00:31:01,204 --> 00:31:02,624 A LITTLE CHAPTER OF MY LIFE INTERESTING. 926 00:31:02,722 --> 00:31:05,042 I LIKE THAT MY SON WHO DOESN'T PAY ANY ATTENTION TO ME 927 00:31:05,139 --> 00:31:06,929 SUDDENLY THOUGHT I WAS COOL, BUT YOU KNOW WHAT? 928 00:31:07,037 --> 00:31:08,557 TOMORROW, EVERYTHING IS GOING TO RETURN TO NORMAL, 929 00:31:08,659 --> 00:31:10,079 AND I AM GOING TO BE THE BORING BUSINESS GUY, 930 00:31:10,178 --> 00:31:15,078 AND YOU GET TO GO BACK TO BEING COOL, HIP CROSBY, ALL RIGHT? 931 00:31:15,183 --> 00:31:18,323 - I'M CALLING IT A NIGHT. 932 00:31:23,536 --> 00:31:26,466 [knocking on door] 933 00:31:30,958 --> 00:31:32,548 - HI. - HELLO. 934 00:31:32,649 --> 00:31:34,099 - SURPRISE. - SURPRISE. 935 00:31:34,202 --> 00:31:35,582 I AM SURPRISED. - HI. 936 00:31:35,686 --> 00:31:38,096 - HI. 937 00:31:38,206 --> 00:31:40,136 KISS-- NO, DO IT FOR REAL. 938 00:31:40,243 --> 00:31:41,523 [giggles] 939 00:31:41,623 --> 00:31:42,973 HI, GET OFF. 940 00:31:43,073 --> 00:31:43,943 I HAVE AN IMPORTANT MATTER TO DISCUSS WITH YOU. 941 00:31:44,040 --> 00:31:45,080 GET OFF ME. 942 00:31:45,179 --> 00:31:46,909 - OKAY, SORRY. SORRY, I JUST ATTACKED YOU. 943 00:31:47,008 --> 00:31:48,838 - BUT-- 944 00:31:48,941 --> 00:31:50,151 HI. - HOW ARE YOU? 945 00:31:50,253 --> 00:31:52,883 HAD A COUPLE DRINKS? ME, TOO. 946 00:31:52,980 --> 00:31:53,810 I HAD A BEER WITH YOUR BROTHERS. 947 00:31:53,912 --> 00:31:55,222 - GROSS. - I KNOW. 948 00:31:55,327 --> 00:31:56,667 - NO, I WOULD NEVER. - YOU'RE TOTALLY DRUNK. 949 00:31:56,776 --> 00:31:59,116 - I HAVE A VERY SERIOUS MATTER TO DISCUSS WITH YOU. 950 00:31:59,227 --> 00:32:00,257 - WHAT'S GOING ON? 951 00:32:00,366 --> 00:32:01,846 - THERE'S A MATTER THAT WE NEED TO DISCUSS 952 00:32:01,954 --> 00:32:03,234 THAT BOTH KRISTINA AND JULIA 953 00:32:03,335 --> 00:32:07,055 AND MY DOCTOR, GYNECOLOGIST, DOCTOR LADY-- 954 00:32:07,166 --> 00:32:10,166 WE HAVE BEEN INSTRUCTED TO DISCUSS, 955 00:32:10,273 --> 00:32:13,033 AND THAT IS WHY I AM HERE. 956 00:32:13,138 --> 00:32:16,348 - OKAY, SO BOTH KRISTINA, JULIA, AND YOUR GYNECOLOGIST. 957 00:32:16,451 --> 00:32:17,901 BOTH OF ALL THREE OF THOSE PEOPLE. 958 00:32:18,005 --> 00:32:19,415 - BOTH OF THEM. - OKAY. 959 00:32:19,523 --> 00:32:22,423 UH, WHAT IS IT? 960 00:32:22,526 --> 00:32:23,486 - [inhales] 961 00:32:26,461 --> 00:32:28,291 [exhales] YOU SAID YOU WANTED TO HAVE-- 962 00:32:28,394 --> 00:32:34,094 MAYBE HAVE A BABY, AND THEN WE NEVER TALKED ABOUT IT AGAIN. 963 00:32:34,193 --> 00:32:36,643 - I SAID-- YES, THAT'S TRUE. 964 00:32:36,747 --> 00:32:37,747 I DID. I DID SAY THAT. 965 00:32:37,852 --> 00:32:40,652 I...[inhales] 966 00:32:40,751 --> 00:32:42,751 I THINK THIS IS A CONVERSATION WE SHOULD HAVE 967 00:32:42,857 --> 00:32:44,717 WHEN WE'RE SOBER. 968 00:32:44,824 --> 00:32:45,864 IN THE MORNING. 969 00:32:45,964 --> 00:32:47,034 - WHY? 970 00:32:47,137 --> 00:32:49,307 WHY NOT-- I'M FINE. 971 00:32:49,415 --> 00:32:51,175 - NO, I-I'M-- 972 00:32:51,279 --> 00:32:54,589 I WOULD FEEL MORE COMFORTABLE IF WE DID IT TOMORROW 973 00:32:54,696 --> 00:32:56,486 IN THE LIGHT OF DAY. 974 00:32:56,595 --> 00:32:57,865 - I LIKE-- 975 00:32:57,976 --> 00:33:00,146 - WITH ALL OF OUR FACULTIES FUNCTIONING. 976 00:33:00,254 --> 00:33:02,154 - IT'S ALL RIGHT. 977 00:33:02,256 --> 00:33:05,906 - DON'T YOU-- THERE'S AN INVISIBLE LINE. 978 00:33:06,018 --> 00:33:08,948 [gasps] - I KNOW. 979 00:33:09,056 --> 00:33:11,706 YOU OKAY? YOU WANT ANY WATER OR-- 980 00:33:11,817 --> 00:33:13,087 - I DO NEED SOME WATER, YEAH. 981 00:33:13,198 --> 00:33:14,788 COME IN HERE, THOUGH. - OKAY. 982 00:33:18,893 --> 00:33:23,043 [cell phone rings] 983 00:33:23,139 --> 00:33:24,449 [keypad tone] 984 00:33:24,554 --> 00:33:25,494 - LILY? 985 00:33:25,589 --> 00:33:27,319 - HEY. HI. 986 00:33:27,419 --> 00:33:31,729 UM, I KNOW IT'S LATE, AND ACTUALLY I DON'T KNOW 987 00:33:31,837 --> 00:33:34,597 IF YOU WERE SERIOUS ABOUT USING YOUR STUDIO 988 00:33:34,702 --> 00:33:38,022 AS A REHEARSAL SPACE, BUT, UM, IF YOU WERE-- 989 00:33:38,119 --> 00:33:42,329 [sighs] EVER HAD ONE OF THOSE TOTALLY CRAPPY DAYS 990 00:33:42,434 --> 00:33:44,134 WHERE YOU JUST HAVE TO PLAY SOME MUSIC 991 00:33:44,229 --> 00:33:45,229 OR YOU'RE GOING TO TOTALLY LOSE IT? 992 00:33:45,333 --> 00:33:47,163 - UM... [chuckles] 993 00:33:47,266 --> 00:33:49,536 YEAH. I'M AT THE STUDIO NOW. 994 00:33:49,648 --> 00:33:51,718 YOU SHOULD COME DOWN. 995 00:33:51,822 --> 00:33:54,552 - ALL RIGHT. THANKS. 996 00:33:54,653 --> 00:33:56,383 [keypad tone] 997 00:34:01,039 --> 00:34:05,249 - ♪ CONFUSED 998 00:34:05,353 --> 00:34:08,913 ♪ BY EACH OTHER 999 00:34:09,012 --> 00:34:11,982 - HI. - HI. 1000 00:34:12,084 --> 00:34:13,534 - HOW WAS POKER? 1001 00:34:13,637 --> 00:34:16,847 - OH, YOUR BROTHERS PRACTICALLY GOT INTO A FISTFIGHT, 1002 00:34:16,951 --> 00:34:18,881 AND MARK TOOK ALL MY MONEY, SO GOOD. 1003 00:34:18,987 --> 00:34:20,397 - GOOD. - YEAH. 1004 00:34:20,506 --> 00:34:22,056 - SOUND GREAT. - WHAT ARE YOU STILL DOING UP? 1005 00:34:22,163 --> 00:34:23,343 - I'M WORKING. 1006 00:34:23,440 --> 00:34:26,060 - YEAH? 1007 00:34:26,167 --> 00:34:29,307 - NO. I'M WAITING UP FOR ZOE. 1008 00:34:29,412 --> 00:34:30,342 THAT'S WHAT I'M DOING. 1009 00:34:30,447 --> 00:34:31,967 WHERE IS SHE? - I DON'T KNOW. 1010 00:34:32,070 --> 00:34:33,860 - WELL, HOW LONG HAS SHE BEEN GONE? 1011 00:34:33,968 --> 00:34:36,698 - LONG ENOUGH TO GET BACK TOGETHER WITH HER EX-BOYFRIEND. 1012 00:34:36,798 --> 00:34:37,938 - [sighs] 1013 00:34:38,041 --> 00:34:39,151 - AND IF THAT'S WHAT'S HAPPENING, 1014 00:34:39,249 --> 00:34:41,419 I'M GOING TO RESPECT HER DECISION AS AN ADULT 1015 00:34:41,527 --> 00:34:43,427 THAT SHE IS. 1016 00:34:43,529 --> 00:34:44,599 I DON'T-- 1017 00:34:44,703 --> 00:34:45,673 [door opens] 1018 00:34:47,706 --> 00:34:48,566 - HEY. - HEY. 1019 00:34:48,672 --> 00:34:49,812 - HEY. 1020 00:34:49,915 --> 00:34:51,705 THINK FAST. 1021 00:34:51,813 --> 00:34:52,993 HERE. 1022 00:34:53,091 --> 00:34:55,611 - WHAT'S THIS? - THAT'S A PRESENT. 1023 00:34:55,714 --> 00:35:01,314 UM, AND TROY WILL NEVER, EVER BE CALLING HERE EVER AGAIN. 1024 00:35:01,409 --> 00:35:04,069 WE HAD OUR OFFICIAL BREAKUP TONIGHT, 1025 00:35:04,171 --> 00:35:06,901 SO...YAY. [laughs] 1026 00:35:07,001 --> 00:35:09,001 - YOU OKAY? 1027 00:35:09,107 --> 00:35:11,867 - MM-HMM. I MEAN, IT WAS FOR THE BEST, 1028 00:35:11,971 --> 00:35:15,491 YOU KNOW, AND BESIDES, I'M A SINGLE WOMAN NOW. 1029 00:35:15,596 --> 00:35:18,626 ON THE PROWL. 1030 00:35:18,737 --> 00:35:23,087 I'M SO TIRED, SO I'M GOING TO GO TO BED. 1031 00:35:23,190 --> 00:35:24,230 - OKAY. - NIGHT. 1032 00:35:24,329 --> 00:35:28,229 - SLEEP WELL. - MM-HMM. 1033 00:35:31,681 --> 00:35:35,031 - WHAT IS IT? 1034 00:35:35,133 --> 00:35:38,143 - HE SIGNED THE ADOPTION PAPERS. 1035 00:35:43,693 --> 00:35:45,283 - OH. 1036 00:35:45,384 --> 00:35:48,394 [cello playing in other room] 1037 00:35:48,491 --> 00:35:56,431 ♪ 1038 00:36:45,306 --> 00:36:48,516 - THAT'S HOW YOU WANTED IT TO SOUND. 1039 00:36:48,620 --> 00:36:50,000 - MM. 1040 00:36:59,665 --> 00:37:02,835 - HERE YOU GO. HAVE A GOOD ONE. 1041 00:37:05,982 --> 00:37:08,092 - HEY THERE. 1042 00:37:08,191 --> 00:37:09,991 - HEY. HOW'S IT GOING? 1043 00:37:10,089 --> 00:37:11,399 - VERY WELL, THANKS. HOW ARE YOU? 1044 00:37:11,505 --> 00:37:13,365 - I'M OKAY. - GOOD. 1045 00:37:13,472 --> 00:37:15,132 - WAIT A SECOND. IS THIS IS YOU? 1046 00:37:15,233 --> 00:37:17,993 BOBBY WITH THE EXTRA SWEET CARAMEL LATTE? 1047 00:37:18,097 --> 00:37:18,957 - YES. 1048 00:37:19,064 --> 00:37:20,484 I THINK YOUR AUNT BELIEVES THAT 1049 00:37:20,583 --> 00:37:22,863 PEOPLE WILL ONLY ELECT A "BOB", 1050 00:37:22,964 --> 00:37:25,044 BUT, UM, DEEP DOWN, 1051 00:37:25,139 --> 00:37:29,969 I'M STILL BOBBY WHO LIKES HIS COFFEE COVERED IN CARAMEL. 1052 00:37:30,075 --> 00:37:32,245 - WOW. I DID NOT SEE THAT COMING. 1053 00:37:32,353 --> 00:37:35,013 - I'LL TAKE IT AS A COMPLIMENT, I GUESS. 1054 00:37:35,114 --> 00:37:37,324 AMBER, LISTEN, ABOUT WHAT YOU SAID 1055 00:37:37,427 --> 00:37:39,187 ABOUT MY AD EARLIER... 1056 00:37:39,291 --> 00:37:41,911 - YES, UH, I MEANT TO TALK TO YOU ABOUT THAT. 1057 00:37:42,018 --> 00:37:42,918 I'M SORRY, I-- 1058 00:37:43,019 --> 00:37:45,059 - I WANT TO SAY I THINK YOU WERE RIGHT ON. 1059 00:37:45,159 --> 00:37:47,019 AND I REALLY APPRECIATE YOU HAVING THE GUTS TO SPEAK UP. 1060 00:37:47,126 --> 00:37:49,466 SO THANK YOU. 1061 00:37:49,577 --> 00:37:52,297 - WOW. OKAY. GREAT. 1062 00:37:52,408 --> 00:37:54,168 THAT'S GREAT. - I'LL SEE YOU SOON, AMBER. 1063 00:37:54,272 --> 00:37:58,932 - OKAY. - THANKS. 1064 00:37:59,035 --> 00:38:00,615 - LARGE COFFEE. 1065 00:38:00,726 --> 00:38:01,966 - WHAT? - LARGE COFFEE, PLEASE. 1066 00:38:02,072 --> 00:38:05,082 - OH, OKAY. SORRY. 1067 00:38:09,425 --> 00:38:13,525 - ♪ KEEP THIS 1068 00:38:13,636 --> 00:38:18,326 ♪ KEEP ALL THESE WORDS 1069 00:38:18,434 --> 00:38:20,924 - MORNING. 1070 00:38:21,022 --> 00:38:22,472 - OW. 1071 00:38:22,576 --> 00:38:24,466 - [laughs] HOW YOU FEELING? 1072 00:38:24,578 --> 00:38:27,928 - I DON'T KNOW YET. 1073 00:38:28,029 --> 00:38:31,759 I BROUGHT YOU SOME COFFEE TO HELP YOU FIGURE IT OUT. 1074 00:38:31,861 --> 00:38:36,281 IF YOU WOULD LIKE THAT. IT MIGHT HELP. 1075 00:38:36,383 --> 00:38:38,703 - SORRY. - DON'T--NO. 1076 00:38:38,799 --> 00:38:40,009 DON'T BE SORRY. 1077 00:38:40,110 --> 00:38:41,870 I'M GLAD YOU BROUGHT THAT UP. 1078 00:38:41,974 --> 00:38:43,804 - NO, NO. IT'S OKAY. 1079 00:38:43,907 --> 00:38:45,177 - NO, I THINK IT'S SOMETHING WE SHOULD TALK ABOUT. 1080 00:38:45,288 --> 00:38:48,568 - NO, IT'S OBVIOUSLY, IT'S-- 1081 00:38:48,671 --> 00:38:50,711 IF YOU BROUGHT SOMETHING UP AND DIDN'T BRING IT UP AGAIN, 1082 00:38:50,811 --> 00:38:53,471 IT'S BECAUSE IT'S SOMETHING YOU DON'T WANT TO THINK ABOUT 1083 00:38:53,572 --> 00:38:57,092 OR YOU KNOW, CHANGED YOUR MIND, FORGOT, WHATEVER. 1084 00:38:57,196 --> 00:38:59,986 AND IT'S OKAY BECAUSE I JUST DIDN'T WANT TO TELL YOU, 1085 00:39:00,096 --> 00:39:01,096 I DON'T WANT TO PUSH IT. 1086 00:39:01,200 --> 00:39:05,070 - SARAH, I-I-I DIDN'T FORGET ABOUT THE BABY THING. 1087 00:39:05,170 --> 00:39:09,170 I'VE BEEN--I'VE BEEN THINKING ABOUT IT A LOT, ACTUALLY. 1088 00:39:09,277 --> 00:39:10,927 BECAUSE I-- IT SORT OF FREAKED ME OUT 1089 00:39:11,038 --> 00:39:15,458 WHEN I SAID IT, YOU KNOW, AND SINCE THEN, 1090 00:39:15,560 --> 00:39:19,220 I'VE JUST BEEN THINKING ABOUT WHAT THAT WOULD MEAN. 1091 00:39:19,322 --> 00:39:20,812 I MEAN, NOT--NOT JUST A BABY, 1092 00:39:20,910 --> 00:39:23,220 BUT EVERYTHING THAT THAT WOULD MEAN. 1093 00:39:23,326 --> 00:39:24,596 LIKE, WHAT THAT MEANS FOR US, 1094 00:39:24,707 --> 00:39:26,087 AND WHAT THAT WOULD MEAN FOR OUR LIVES, 1095 00:39:26,191 --> 00:39:28,501 AND HOW THINGS WOULD CHANGE, 1096 00:39:28,607 --> 00:39:33,057 AND IT DOES STILL 1097 00:39:33,163 --> 00:39:34,683 KIND OF FREAK ME OUT... 1098 00:39:34,786 --> 00:39:36,296 - ME, TOO. 1099 00:39:36,408 --> 00:39:37,958 - BUT IN A GOOD WAY. 1100 00:39:38,065 --> 00:39:43,165 IN A GOOD, KIND OF EXCITED SORT OF WAY. 1101 00:39:43,277 --> 00:39:47,137 SO... 1102 00:39:47,246 --> 00:39:51,526 I GUESS IT IS SOMETHING THAT WE SHOULD TALK ABOUT. 1103 00:39:56,048 --> 00:39:59,948 BUT WOULD YOU LIKE SOME BREAKFAST FIRST? 1104 00:40:00,052 --> 00:40:01,302 - I COULD USE SOME TOAST. 1105 00:40:01,399 --> 00:40:03,469 - SOME TOAST? ALL RIGHT. 1106 00:40:07,888 --> 00:40:10,368 - HEY. 1107 00:40:10,477 --> 00:40:12,817 - HEY. 1108 00:40:12,927 --> 00:40:15,237 - GOT YOU A DOUBLE SHOT THERE. 1109 00:40:15,343 --> 00:40:17,143 THOUGHT YOU MIGHT NEED IT. 1110 00:40:17,242 --> 00:40:19,692 - OH, THANK YOU. - WHAT YOU DOING? 1111 00:40:19,796 --> 00:40:25,766 - WELL, THE PAPER CAME OUT TODAY. 1112 00:40:25,871 --> 00:40:29,811 SO... 1113 00:40:32,222 --> 00:40:33,782 LOOKS PRETTY, COOL, HUH? 1114 00:40:33,879 --> 00:40:37,779 - I APPRECIATE THE THOUGHT, BUT YOU KNOW, 1115 00:40:37,883 --> 00:40:39,023 I'VE GOT ONE HANGING ON THE FRIDGE AT HOME. 1116 00:40:39,126 --> 00:40:40,956 THAT'S GOOD ENOUGH FOR ME. 1117 00:40:41,059 --> 00:40:43,339 - WELL, THIS COULD BE YOUR ONLY SHOT AT LOOKING COOL. 1118 00:40:43,441 --> 00:40:45,581 YOU MIGHT WANT TO TAKE IT. YOU NEVER KNOW. 1119 00:40:45,684 --> 00:40:48,764 - YEAH, YOU'RE PROBABLY RIGHT. 1120 00:40:50,965 --> 00:40:52,475 - THANKS. 1121 00:40:52,588 --> 00:40:55,728 - LISTEN, YOU KNOW, 1122 00:40:55,832 --> 00:41:00,252 I WAS JUST SCREWING AROUND WHEN I SAID, "MUSIC SAVED MY LIFE." 1123 00:41:00,354 --> 00:41:02,944 THAT'S NOT TRUE. 1124 00:41:03,046 --> 00:41:04,976 YOU DID.