- MY WATER JUST BROKE.
[moans] - IS SHE CLOSE?
- [screams] - BEAUTIFUL BABY GIRL.
- THIS IS NORA.
- WELL, I HARDLY KNOW HER, AND I ASKED HER FOR HER BABY.
- OKAY, WHAT'S GOING ON? - WE'RE GOING TO THE HOSPITAL.
- YOU'RE REALLY NICE.
IF YOU STILL--IF YOU STILL WANT TO HAVE MY BABY,
YOU CAN HAVE IT.
- BACK IN TOWN, HUH? YOU'RE DRUNK.
WHAT HAPPENED? - I QUIT THE BAND.
- GET THE HELL OUT OF HERE! - DAD, NO!
SETH.
OH, NO.
- YOU CAME.
- WHAT HAPPENED?
- JUST...
DUMB BAR FIGHT.
- WHO GETS IN A DUMB BAR FIGHT ANYMORE?
YOU'RE NOT 18. - I KNOW.
OH, THANK YOU FOR TAKING CARE OF ME.
YOU'RE ALWAYS LOOKING OUT FOR ME, HUH?
I APPRECIATE IT.
- WHEN IS THIS GONNA STOP?
- IT'S JUST A STUPID BAR FIGHT.
- NO, NO, NO.
THIS...
THIS WHOLE THING'S GOT TO STOP.
NO, DON'T SMOKE. DON'T SMOKE IN THE HOUSE.
[melancholy music]
- HEY, ARE THE KIDS HERE?
I'D LIKE TO TAKE 'EM TO BREAKFAST OR SOMETHING.
- ARE YOU CRAZY?
- I MEAN, ARE THEY HERE,
OR DID THEY EAT ALREADY?
- DO YOU KNOW WHAT YOU LOOK LIKE?
SETH, YOU NEED HELP.
- [sighs] YEAH, YOU'RE RIGHT.
I GOTTA GO.
- WAIT, DO YOU KNOW THAT?
DO YOU KNOW HOW MANY YEARS I'VE BEEN CLEANING YOU UP?
IF YOU DON'T GET HELP,
YOU CAN'T SEE THESE CHILDREN ANYMORE.
IF I HAVE TO GET A RESTRAINING ORDER,
THAT'S WHAT I WILL DO. - WILL YOU JUST CALM DOWN?
- NO, I WILL NOT CALM DOWN. YOUR LIFE IS A MESS.
LOOK AT YOURSELF. YOUR LIFE IS A MESS,
AND I'M DONE PICKING UP AFTER YOU.
WHY DON'T YOU SEE WHAT I SEE?
YOU'RE BLEEDING, AND YOU WANT
TO TAKE YOUR CHILDREN TO BREAKFAST?
YOU HAVE TO GO TO REHAB,
OR YOU'RE NOT SEEING THEM AGAIN.
THAT'S IT. I'M DONE.
[peaceful music]
♪
- I LOVE THIS BAND.
- YEAH.
YEAH, THEY'RE SORT OF, LIKE--LIKE THE DECEMBERISTS
MEETS WILD HORSES.
- I CAN SEE THAT.
♪
- HEY, I, UM, I SORT OF RAMMED MY SHOULDER
THE OTHER DAY. IT'S REALLY KILLING ME.
WOULD YOU MIND...
RUBBING IT? - YEAH. YEAH, SURE.
UM, YEAH.
- YEAH, IT'S JUST...
LIKE, RIGHT HERE.
YEAH.
♪
- UM...
YEAH, I SHOULD-- I SHOULD GET YOU
ASPIRIN OR SOMETHING.
I WOULDN'T WANT YOU...
AH...[mutters].
- ALL RIGHT, THERE THEY ARE!
[laughs]
HEY, WELCOME HOME, NORA BRAVERMAN.
YOU SWEETHEART.
- HOW WAS IT? - OH, AND THERE'S MOM.
HEY, MOM. HOW YOU DOING?
SAY HI. - NO. NO, ZEEK.
I GOT TO TAKE A SHOWER. I'M SMELLY.
IT'S OKAY. - BIG SMILE. THERE'S DAD.
- HEY. - HERE'S DAD.
[overlapping statements]
- LET MOM GET HER IN. MAX, MAX.
HEY, MAX, YOU WANT TO HELP ME, HONEY?
GOOD JOB.
- HI, SWEETHEART.
- JUST GIVE HER ONE SECOND, SWEETS.
- I WANT TO HOLD HER. NO, I WANT TO HOLD HER NOW.
- YOU CAN HOLD HER IN A MOMENT, OKAY?
- YOU GUYS SAID I COULD HOLD HER.
- HONEY, YOU'RE GONNA HOLD HER IN A SECOND.
- LET'S GO GET SOMETHING OUT OF THE CAR.
- CAN YOU GRAB THE BALLOONS AND MY PURSE?
- OKAY, PURSE, BALLOONS, PLANTS.
GOT IT. - WOW, YOU KNOW, ADAM...
- THAT'S OKAY.
- SHE LOOKS JUST LIKE YOU.
- DO YOU THINK? - GOSH, WHAT A SHAME.
- SHE DOESN'T LOOK ANYTHING LIKE YOU.
THAT'S FOR SURE. - JUST JOKING.
- WHERE IS SHE?
OH, THERE SHE IS. - HERE'S THE LITTLE GIRL.
- I'VE KNOWN YOU LONGER THAN YOUR DAD HAS.
- ALL RIGHT, KNOCK IT OFF.
GIVE IT A REST.
- HEY, ADAM. - WHAT?
- CAN I TALK TO YOU ABOUT SOMETHING REAL QUICK?
- OKAY.
- SHE'S SMILING AT ME.
- WHAT, IS SOMETHING WRONG?
- JERRY RAGAVOY IS DEAD.
- OH, MY GOD, I'M SORRY.
- WELL, YOU DON'T NEED TO BE SORRY.
I DON'T KNOW HIM. - WHO IS HE?
- YOU DON'T KNOW WHO JERRY--
HE'S A HUGE SONGWRITER.
REALLY, REALLY EPIC. - OKAY.
- YOU KNOW, YOU'RE IN THE MUSIC INDUSTRY NOW,
YOU MIGHT WANT TO LEARN THIS STUFF EVENTUALLY.
- ALL RIGHT. - SO A BUNCH OF ARTISTS
ARE GONNA DO A TRIBUTE ALBUM, AND ONE OF THEM
WANTS TO RECORD AT OUR STUDIO.
- REALLY? THAT'S GREAT. WELL, WHO?
- GOD, I HOPE YOU KNOW THIS NAME.
CEE LO GREEN.
- CEE LO-- YEAH.
CEE LO GREEN. - OH, GOOD, GOOD, GOOD.
- FORGET YOU. - YEAH, FORGET YOU.
YOU GOT IT. - DUDE.
- YEAH, DUDE. - THIS IS AWESOME.
- I KNOW. BUT...
- WE'RE NOT READY. - NO.
NOWHERE CLOSE TO READY.
THAT'S WHAT I TOLD THE GUY,
BUT I WANTED TO COME HERE AND CLEAR IT
WITH YOU BEFORE I TOLD THE GUY NO.
- NO, NO, NO, NO, YOU CAN'T SAY NO.
- BUT WE'RE NOT READY. YOU JUST SAID IT.
- NO, NO, WE'RE NOT READY, BUT WE'RE GONNA BE READY.
WE HAVE TO SEIZE THE DAY.
THIS IS SOMETHING THAT COULD PUT US ON THE MAP.
OKAY, CROSBY, WE CAN DO THIS.
OKAY? YOU REMEMBER THE LEMONADE STAND?
REMEMBER THAT? WE KICKED BUTT.
IT WAS WINTER. WE HAVE TO GET HIM
IN THE RECORDING STUDIO-- - I LOVE YOUR ENTHUSIASM.
WE HAVEN'T DONE ONE THING-- - WE WILL DEVOTE OURSELVES 24/7.
I CAN DO THIS. YOU JUST TELL ME
WHAT NEEDS TO BE DONE, I WILL GET IT DONE.
IF THERE'S ONE THING I KNOW HOW TO DO, IT'S WORK.
- YOU JUST BROUGHT A BABY HOME. - I KNOW.
OKAY, BUT THIS IS AN OPPORTUNITY FROM THE GODS.
WE DO THIS FOR THE BABY.
WE'RE DOING IT FOR THE WHOLE BRAVERMAN FAMILY.
COME ON, MAN. THIS IS AMAZING.
- OKAY. - OKAY?
- OKAY. - IT'S A BIG DEAL.
- I WILL TRY. - THIS IS AMAZING.
HEY, EVERYBODY-- - NO, NO, NO, NO, NO.
THERE'S NO NEED TO TELL THEM. - RELAX. RELAX.
EVERYBODY, THIS IS AMAZING. OKAY?
CROSBY HERE HAS ARRANGED
FOR CEE LO GREEN...
- OH, WOW. - TO RECORD AT OUR STUDIO.
- NO, NO, NO, MAYBE. - WHO'S CEE LO GREEN?
- THAT'S WONDERFUL BRAVERMAN NEWS.
- THAT'S REALLY COOL. - COME ON. LET'S GET A SHOT.
- I'M EXCITED.
I'M SO TIRED.
- MY SONS GOT THEIR FIRST CLIENT.
NORA BRAVERMAN'S HOME.
EVERYBODY GOT TO SQUEEZE IN A LITTLE BIT.
TWO, THREE... - I LOVE IT.
- CEE LO! all: CEE LO GREEN.
- ♪ MAY GOD BLESS AND KEEP YOU ALWAYS ♪
♪ MAY YOUR WISHES ALL COME TRUE ♪
♪ MAY YOU ALWAYS DO FOR OTHERS ♪
♪ AND LET OTHERS DO FOR YOU
♪ MAY YOU BUILD A LADDER TO THE STARS ♪
♪ AND CLIMB ON EVERY RUNG
♪ AND MAY YOU STAY
♪ FOREVER YOUNG
♪ MAY YOU GROW UP TO BE RIGHTEOUS ♪
♪ MAY YOU GROW UP TO BE TRUE ♪
♪ MAY YOU ALWAYS KNOW THE TRUTH ♪
♪ AND SEE THE LIGHTS SURROUNDING YOU ♪
♪ MAY YOU ALWAYS BE COURAGEOUS ♪
♪ STAND UPRIGHT AND BE STRONG ♪
♪ AND MAY YOU STAY
♪ FOREVER YOUNG
♪ MAY YOU STAY
♪ FOREVER YOUNG
- KENNY, KENNY, LISTEN, I APPRECIATE THAT,
BUT TOMORROW'S STILL NOT SOON ENOUGH, OKAY?
WE REALLY NEED TO GET THAT PIANO IN THERE
BY THE END OF TODAY. ALL RIGHT?
YEAH. NO, I CAN HOLD.
HAPPY TO HOLD. OKAY.
- HEY, BABE. - HEY.
- HONEY, I THOUGHT YOU GUYS HAD A PIANO.
- WE DO. WE HAVE AN UPRIGHT,
BUT WE NEED A BABY GRAND. IT'S A TOTALLY DIFFERENT SOUND.
HEY, WHERE IS THAT BOX OF WELSH SPRING WATER
THAT I GOT? REMEMBER THOSE?
- IT'S BY THE BACK DOOR.
THAT STUFF IS REALLY EXPENSIVE.
I WAS LOOKING AT THE PRICE TAG.
- YEAH, WELL, YOU KNOW, HERE'S THE DEAL, HONEY.
YOU KNOW, IT'S JUST, I'M TRYING TO BE HIP, CUTTING-EDGE.
WE'RE GONNA MAKE ALL THE MONEY BACK.
IT'S AN INVESTMENT. - YUP.
- OKAY, HELLO, GOOD MORNING.
I'M GOING TO SCHOOL. - HI.
- I JUST WANT YOU TO KNOW
I'M GONNA SEND IN MY COLLEGE ESSAY.
I JUST DON'T WANT YOU TO FREAK OUT LATER.
- NO, YOU CAN'T DO THAT. I HAVE TO LOOK AT IT FIRST
BEFORE YOU SEND IT OUT. - DO YOU HAVE TIME
TO DO THAT? - OF COURSE I HAVE TIME.
- AH, I GOT TO GET THOSE SPEAKERS!
THAT'S GREAT, HONEY. THANK YOU SO MUCH
FOR DOING THAT FOR HER. - THEN I'LL PRINT IT OUT
FOR YOU, UH, I DON'T KNOW, WHEN I GET HOME.
- JUST PRINT IT OUT AND LEAVE IT EITHER ON MY BED
OR DOWN HERE. - YEAH, YEAH, YEAH.
- BYE. - DO YOU WANT TO TAKE THIS?
- ALL RIGHT, WE GOT THE PIANO.
- YAY. - I AM OFF TO CONQUER WORLDS.
OKAY? - ALL RIGHT. VERY EXCITING.
- I DON'T KNOW WHEN I'M GONNA BE BACK.
IT MIGHT BE DAYS.
- OKAY, I'M LEAVING. GOOD LUCK.
TELL CEE LO WHAT'S UP. - LOVE YOU.
- THANK YOU SO MUCH FOR DOING EVERYTHING YOU DO HERE.
- I'M HAPPY TO SEE YOU LIKE THIS.
- ...LITTLE ONE. MWAH.
YOU'RE A SAINT. - I AM SO HAPPY TO DO IT.
- HEY, HONEY, I LOVE YA.
- PROUD OF YOU.
- [laughs]
- [Nora fusses]
- JOEL AND I ARE ADOPTING A BABY.
[cheers] - TOLD YOU.
[laughter]
- YOU WERE RIGHT ON.
I OWE HER 50 BUCKS.
- YOU KNOW I'M GONNA COLLECT. THAT IS SO COOL.
- THAT'S BETTER THAN A PROMOTION.
IS IT BORN YET?
- NO, HE'S...
both: HE? - IT'S A BOY.
- DELIVER IN A FEW MONTHS.
- SO THE AGENCY FINALLY CAME THROUGH.
- UM, NO.
THE AGENCY WAS NOT QUITE VERY HELPFUL AT ALL.
- YOU SWITCHED AGENCIES. - NO.
- HOW'D YOU GET HOOKED UP WITH THE BABY THEN?
- UM...
THERE IS A YOUNG WOMAN WHO WORKS AT MY OFFICE
WHO IS PREGNANT.
SHE ACTUALLY-- SHE WORKS AT THE COFFEE CART.
AND SHE IS NOT KEEPING THE BABY.
AND WE ARE ADOPTING IT.
- WOW. - SO IT'S PRETTY AMAZING.
- A COFFEE CART. - YOU'RE GETTING A BABY
FROM A COFFEE CART.
DO YOU KNOW HER?
- YOU KNOW WHAT, WE--
- YES.
- TYPICALLY IN SITUATIONS LIKE THIS,
YOU DON'T REALLY KNOW ANYTHING ABOUT THE PARENTS AT ALL.
- RIGHT. - BUT THE AGENCY KNOWS.
USUALLY. I MEAN, THEY KNOW SOMETHING.
THEY HAVE BACKGROUND.
- RIGHT. - SEEMS A LITTLE WEIRD,
THOUGH, DOESN'T IT?
- IT'S DIFFERENT. - IT'S NOT WEIRD.
- WELL, DO YOU HAVE A CONTRACT WITH HER OR SOMETHING?
- NO. - BUT YOU HAVE AN AGREEMENT.
- YEAH. - YEAH, YEAH.
SHE'S AGREED TO LET US ADOPT HER CHILD.
- LOVELY GIRL. WE'VE HAD HER OVER HERE.
- SHE ASK YOU FOR MONEY?
- NO. WE...
WE'RE COVERING HER MEDICAL EXPENSES,
WHICH IS OBVIOUSLY IN OUR BEST INTEREST.
- AND YOU'RE SURE THAT SHE'S PREGNANT?
- YEAH. - WHAT'S THAT SUPPOSED TO MEAN?
- THAT'S A VALID QUESTION.
SHE'S DEFINITELY PREGNANT.
SHE'S DEFINITELY-- - OKAY--
- I'VE BEEN TO THE HOSPITAL WITH HER.
- IT'S STUFF YOU GOT TO ASK, YOU KNOW.
- NO, WE HAVE ASKED.
WE'RE TAKING CARE OF IT.
SO...
- WHAT? - WHAT IS THAT?
- WHAT? - FEELS LIKE PAPER.
[gasps] BUSTED.
YOU'VE BEEN SMOKING?
IS THIS A NEW PLAYWRIGHT?
- I CAN QUIT ANYTIME I WANT.
- SMOKING IN BED, THAT'S PRETTY SERIOUS.
- THEY'RE NOT MINE.
SO...
- WHAT DO YOU MEAN?
- IT'S...
- WHOSE ARE THEY?
- THEY'RE SETH'S.
- UM... - LET ME EXPLAIN.
- YEAH, WHAT DO YOU MEAN?
I WAS GONNA TELL YOU THIS, AND WE JUST GOT DISTRACTED.
HE GOT-- HE WAS VERY DRUNK.
HE GOT IN A FIGHT. HE CALLED ME.
I WENT TO GET HIM.
AND HE JUST-- I JUST BROUGHT HIM BACK HERE
FOR A COUPLE OF HOURS. - AND HE SLEPT HERE,
AND WHERE DID YOU SLEEP?
- IT WAS JUST TO SOBER UP,
AND I SLEPT HERE IN MY CLOTHES.
- NEXT TO HIM. - ONLY FOR A COUPLE OF HOURS.
YEAH. - OKAY.
IS THERE SOMETHING GOING ON WITH YOU GUYS?
- OH, MY GOD, NO.
- YOU NEED TO TELL ME. YOU CAN JUST TELL ME ANYTHING.
- NO.
I'M DONE...
HELPING HIM.
- THE FACT THAT YOUR EX-HUSBAND
SLEPT HERE AND YOU SLEPT THERE
AND THERE'S CIGARETTES--
EVEN AS A TRUSTING PERSON,
JUST A LITTLE HARD FOR ME NOT TO GET BUMPED BY THAT.
- I ADORE YOU.
I WOULDN'T...
- SHOW ME THE PLACE. - YEAH.
THIS IS THE MAIN STUDIO. - YUP.
A LOT OF HISTORY HERE.
- SMELL THAT? - YES.
- IT SMELL LIKE JERRY GARCIA'S SOCKS
KIND OF IN THE AIR HERE.
- YEAH. YOU KNOW, IT'S AWESOME,
AND I REALLY, REALLY LOVE THIS PLACE, MAN.
- YOU KNOW, I'M GONNA TELL YOU SOMETHING COOL.
JANIS JOPLIN HERSELF RECORDED IN THIS VERY ROOM.
- REALLY? - YUP.
- I MEAN, WE'RE GONNA RECORD UPSTAIRS,
WHICH IS ALSO A GREAT SPACE.
THIS ROOM ISN'T SET YET.
- I HAVE AN IDEA.
I WANT TO RECORD IN HERE.
IT'S JANIS.
DON'T YOU FEEL IT?
IT'S PERFECT.
- WELL, DO YOU WANT TO CHECK UPSTAIRS OUT
AND SEE IF-- - IT WON'T BE NECESSARY.
- 'CAUSE THAT ONE'S REALLY-- - NAH, NAH, NAH.
NAH, NAH. THE SPIRIT OF JANIS IN THE ROOM
WHILE HE RECORDING? COME ON, MAN.
THAT'S THAT FIRE RIGHT THERE. - THAT'S THAT FIRE RIGHT THERE.
- THAT'S THAT FIRE. both: FIRE.
- FIRE. - FIRE.
- ADAM KNOWS WHAT I'M TALKING ABOUT.
- FIRE. - BY WEDNESDAY?
- YEAH. WE CAN GET THIS READY.
SURE. UH-HUH. - I WAS THINKING
THAT WE'D RECORD ON TAPE TO GET THAT CLASSIC FEEL.
- SWEET. TAPE IT IS. - YEAH, MAN, I LOVE TAPE.
I LOVE TAPE, BUT, YOU KNOW, IF YOU WANT
TO CUT AND PASTE-- JUST THROWING IT OUT THERE.
- DUDE, DUDE, DUDE, THIS IS CEE LO, MAN.
HE GOING TO HIT YOU WITH A COUPLE STRAIGHT TAKES
ALL THE WAY THROUGH, AND WE GOOD, ALL RIGHT?
- TELL 'EM AGAIN. - YOU GUYS CAN HANDLE THAT?
- IT'S CEE LO, MAN. - WE CAN HANDLE IT.
- WHAT'S MY NAME? CEE LO.
WHAT'S MY NAME? [overlapping statements]
[laughter]
ALL RIGHT. GIRLS, SOUTHERN COMFORT,
INCENSE, TURKEY BURGERS,
CHICKEN WINGS, DRUMLETS...
- OH, MAN.
YOU KNOW, I GOT TO ADMIT,
I WAS A LITTLE STARSTRUCK.
I MEAN, CEE LO GREEN WAS HERE.
CEE LO GREEN-- - REALLY, YOU WERE STARSTRUCK?
I COULDN'T TELL. I MEAN, 48 HOURS TO GET
THIS WHOLE ROOM WIRED UP?
- WE GOTTA GET SOME PICTURES OF HIM IN THE LOBBY.
- ARE YOU KIDDING?
THIS TWO-INCH MACHINE IS 60 YEARS OLD.
- WELL, ISN'T THAT EXACTLY WHAT THEY'RE LOOKING FOR?
THEY'RE LOOKING FOR THIS RIGHT HERE.
ALL RIGHT, THIS IS WHAT'S GONNA DELIVER THAT CLASSIC SOUND--
- YOU CAN'T JUST WILL THIS TO WORK.
ALL RIGHT? I'VE DONE IT.
I KNOW WHAT I'M TALKING ABOUT. - ALL RIGHT. TAKE A BREATH.
ALL RIGHT?
WE HAVE TO GIVE THE CUSTOMER WHAT HE WANTS.
IF CEE LO WANTS IT, WE GIVE IT TO HIM,
BECAUSE HE'S GOT TO WALK OUT OF THIS PLACE LOVING IT.
- YEAH, I KNOW.
- ALL RIGHT, SO WHAT DO YOU NEED ME TO DO?
LET'S MAKE A LIST. PRIORITIZE.
WHAT'S THE FIRST THING THAT HAS TO HAPPEN?
- START TEARING DOWN STUDIO "A".
- ALL RIGHT, I'M ON IT.
- OH, MY GOD.
- LET'S GO.
- ♪ WHERE DO WE GO FROM HERE ♪
♪
♪ WHERE DO WE GO
- YOU KNOW WHAT, ACTUALLY DON'T TEAR CABLES
OUT OF ANYTHING. I'LL DO IT.
[keys clicking]
- ♪ IS IT REAL
♪ OR JUST SOMETHING WE THINK WE KNOW ♪
♪
- [sighs]
YOU'RE RIGHT.
- ♪ 'CAUSE IF IT'S THE SAME AS YESTERDAY ♪
♪ YOU KNOW I'M OUT
- I WANT TO GET HELP.
I'LL GO TO REHAB.
- ♪ BECAUSE, BECAUSE
- WHATEVER IT TAKES.
- ♪ OUR PATHS THEY CROSS
♪ YESTERDAY WAS HARD
♪ ON ALL OF US
♪
♪ ON ALL OF US
♪
- OKAY. OKAY.
[footsteps]
- HEY.
- HI.
- WAIT, WHY ARE THESE OUT?
I THOUGHT WE WERE DONE WITH THESE.
- UM, YEAH, I'M JUST LOOKING AGAIN
AT HOW THE AGENCIES SCREEN THE MOTHERS.
- DOES THIS HAVE ANYTHING TO DO WITH YOUR DAD?
'CAUSE YOU KNOW HOW HE GETS, HONEY.
- I KNOW HOW HE GETS, BUT HE HAD SOME VALID POINTS...
- OKAY. - ACTUALLY, SO...
- YOU KNOW, ALL THE POINTS THAT HE BROUGHT UP
ARE POINTS THAT WE ACTUALLY ALREADY COVERED, SO...
- I JUST DON'T WANT TO--
I DON'T WANT TO REGRET ANYTHING.
I DON'T WANT TO DO ANYTHING STUPID.
- OKAY, WELL, YOU'RE NOT STUPID.
I'M NOT STUPID.
WE'RE NOT GOING TO DO ANYTHING STUPID.
- I'M GONNA GET DRESSED.
[sighs]
- I'M GONNA APOLOGIZE IN ADVANCE
FOR ASKING THIS.
- OH, MY GOD.
I CAN'T GIVE YOU DRUGS.
- OKAY.
UM...
HOW DO YOU EXACTLY...
KISS SOMEONE?
- [laughs]
- I SHOULD JUST LEAVE. - THIS IS SO EXCITING.
- I SHOULD JUST GO. - WAIT, W-WAIT.
IS IT AMY? - YEAH.
- YOU'RE GONNA KISS AMY ON THE MOUTH.
- YES. - I'M SO EXCITED.
OKAY, I'M SORRY.
I MEAN, IS SHE INTO IT?
LIKE, HAVE THERE BEEN MOMENTS THAT YOU FEEL--
- I FEEL LIKE YES. - WOW.
- BUT I CAN'T-- I MEAN, I'M NOT POSITIVE.
- OKAY, ALL RIGHT, ALL RIGHT. CALM DOWN, CALM DOWN.
- HOW DO I GAUGE WHAT'S HAPPENING?
- OKAY, I CAN HELP YOU WITH THIS.
- ALL RIGHT, I APPRECIATE THIS.
- SO, FIRST, YOU KNOW, GO KIND OF, LIKE,
SIT NEXT TO HER OR SOMETHING. - UH-HUH.
- AND PUT LIKE YOUR LEG NEXT TO HER LEG.
YOU KNOW, LIKE, SO IT'S TOUCHING A LITTLE BIT.
- MAN, I CAN'T... - WHAT? YOU COME TO ME,
YOU ASK ME, I'M TELLING YOU.
JUST LISTEN.
SO JUST, LIKE, IF SHE DOESN'T MOVE HER LEG,
THEN SHE'S PROBABLY INTO IT, OKAY?
SO PHASE TWO IS, YOU KNOW, YOU'RE SITTING
NEXT TO HER, AND YOU JUST KIND OF WANT
TO GIVE HER A LOOK.
YOU KNOW, AND YOU JUST KIND OF KEEP
HER EYE CONTACT, AND, IF SHE DOESN'T LOOK AWAY,
YOU JUST KIND OF...
- NO. I CAN'T.
- COME ON.
- OH, MAN. - I KNOW. I'M SORRY.
IT'S A LOT EASIER THAN IT SEEMS.
HONESTLY.
I'M SURE SHE WANTS TO KISS YOU.
AND I'M SURE IT'S GONNA BE GREAT.
- THANK YOU.
- NO PROBLEM.
- ALL RIGHT, SO HOW MANY TIMES
HAS HE TRIED TO GET CLEAN?
- I DON'T KNOW. A LOT.
THIS IS DIFFERENT. - HOW? WHY?
- BECAUSE EVERY OTHER TIME HE'S TRIED TO GET SOBER,
HE HAS TRIED TO DO IT BY HIMSELF.
THIS TIME, HE'S SAYING HE WANTS HELP.
HE'S GOING TO REHAB.
- OH, MAN, WHY AREN'T WE THROWING HIM A PARTY?
- OKAY.
- WELL, IT IS-- IT IS DIFFERENT.
- SARAH, HE'S PLAYING YOU.
- HE'S NOT. - WELL, THAT'S NOT FAIR.
COME ON. LET'S JUST LISTEN.
- YOU KNOW, I DON'T EVEN OWE YOU AN EXPLANATION, OKAY?
HE'S MADE A DECISION FOR HIMSELF
FOR HIS FAMILY.
HE'S LOOKED INTO PLACES.
HE WOULD BE THERE TODAY,
BUT THERE'S A WAITING LIST
AT THE STATE FACILITY,
AND THE PRIVATE FACILITIES ARE EXPENSIVE,
AND HE'S FIGURING THAT OUT.
- HEY, HERE IT COMES.
HERE IT IS. - WHAT IS HERE?
WHAT IS COMING?
- HE'S WORKING YOU FOR MONEY.
- HE'S NOT WORKING ME FOR MONEY.
- OH, HONEY, PLEASE.
SARAH, MY GOD.
YOUR LOSER EX-HUSBAND SHOWS UP
AFTER ALL THIS TIME... - THAT'S NICE.
- AND, WHAT, HE DECIDES HE'S GOT TO CLEAN UP
HIS ACT, BUT, OH, THERE'S A PROBLEM.
"I NEED SOME MONEY."
SO WHERE'S HE GONNA GET IT FROM?
GOTTA COME FROM YOU. - HE HAS NOT ASKED ME
FOR ONE PENNY.
- NOT YET. - I'M DONE WITH THIS.
SO...
AND YOU KNOW WHAT, DAD?
ACTUALLY, I DON'T CARE IF YOU BELIEVE IN HIM OR NOT,
BECAUSE I DO.
I BELIEVE HE CAN CHANGE.
I REALLY DO.
[door shuts]
- DAMN IT.
- DON'T GIVE HER ANY MONEY, CAMILLE.
- I DON'T HAVE ANY MONEY.
- HELLO?
HELLOOO?
MOM.
MAMA.
MOM.
- [snoring]
- HAVE 'EM PUT ALL THE DRUMMING EQUIPMENT
RIGHT OVER HERE IN THE CORNER.
ALL RIGHT, YOU GOT IT?
GREAT. HEY.
THE LOAD IN. WE'RE GETTING THERE, AREN'T WE?
- YEAH.
WE'RE GONNA BE THERE RIGHT AS THEY WALK IN TO RECORD.
I DON'T THINK THIS WAS SUCH A GOOD IDEA, MAN.
- HEY, IT WAS THE ONLY IDEA.
- OR WE COULD HAVE TOLD 'EM WE WEREN'T READY.
- WELL, WE'RE GONNA BE READY. WE HAVE TO BE READY.
- LOOK, THIS ISN'T A JOB THAT A MONKEY CAN DO, YOU KNOW.
I HAVE TO BE PRESENT. I HAVE TO MAKE DECISIONS
AND BE MINDFUL, YOU KNOW.
I NEED TO BE AWAKE. - I KNOW.
AND WE'RE GONNA GET ALL THIS STUFF DONE,
GET A SOUND CHECK IN, SO YOU CAN GET
SOME REST BEFORE YOU GOT TO DO YOUR THING TOMORROW.
OKAY? HEY.
HONEY, HOW ARE YA?
IS EVERYTHING OKAY? - HEY.
HOW ARE YOU? I'M JUST...
JUST CHECKING IN.
EVERYTHING'S FINE. I JUST...
WANTED TO SAY THAT WE MISS YOU.
- OH, I MISS YOU TOO.
HOW'S OUR LITTLE NORA?
- [giggles] SHE'S GREAT.
SHE'S HUNGRY. SHE JUST ATE AGAIN.
SHE'S POOPING A LOT.
SO DO YOU THINK YOU'LL BE ABLE
TO COME HOME AT ALL TONIGHT OR...?
- UH, NO. HONEY, IT'S NOT GONNA HAPPEN.
WE'RE GONNA BE SETTING UP UNTIL THEY GET HERE.
YOU KNOW, I GOT A LOT TO DO,
AND I GOT TO BE HERE FOR CROSBY, SO...
- OKAY.
NO PROBLEM. I JUST CALLED
TO SAY THAT I LOVE YOU AND THAT EVERYTHING'S GREAT.
- I LOVE YOU TOO.
HEY, YOU JUST TELL NORA THAT I'M DOING THIS FOR HER,
OKAY? SHE'LL UNDERSTAND.
- I WILL.
BYE.
- GOOD NIGHT.
[beep]
- [sighs]
- HERE WE GO. HERE WE GO.
ALL RIGHT.
AND WE MARK THAT.
OKAY. - YOU ALL SET?
- YUP. RAGAVOY TRIBUTE, TAKE NINE,
CEE LO GREEN.
- ALL RIGHT, THIS IS THE ONE.
- ONE, TWO, THREE.
AH.
[Janis Joplin's Piece of My Heart]
♪
- ♪ I WANT YOU TO COME ON ♪
♪ COME ON, COME ON
♪ COME ON
[clears throat]
SORRY, MAN.
- THERE A PROBLEM?
- YEAH, YEAH, YEAH, I WANT TO SWITCH
THIS OLD MICROPHONE OUT. I DON'T LIKE HOW IT SOUNDS.
- UH, HAPPY TO DO THAT.
IT SOUNDS GREAT IN HERE, THOUGH.
YEAH, AWESOME. YOU WERE SHREDDING IT.
IT'S ON FIRE, BURNING LIKE A TORCH.
- I MEAN, THAT'S COOL, BUT IT'S GOT
TO SOUND GOOD TO ME, GUYS.
- I HEAR WHAT YOU'RE SAYING, CEE LO.
- THANK YOU. - OKAY.
YOU KNOW, I'LL SWITCH IT RIGHT NOW.
- YEAH, IT DEFINITELY SOUNDED THIN.
- OKAY.
- SAID IT SOUNDED KIND OF THIN?
- YEAH. - IT SOUNDED GOOD, BUT YEAH.
OKAY, I'M GONNA JUST SEE IF HE NEEDS A HAND HERE.
HEY, THIS IS ALL NORMAL, RIGHT?
I MEAN, IT'S COOL, RIGHT?
- I DON'T KNOW WHAT TO TELL YOU, OKAY?
MAYBE THIS IS NORMAL FOR HIM. MAYBE IT'S NOT.
I DON'T KNOW.
- SO THIS IS NOT NORMAL?
- OKAY.
HERE WE GO.
- HEY, HADDIE. - HI.
- DID YOU TAKE YOUR COLLEGE ESSAY BACK?
- YEAH, I TOOK IT BACK.
- OH, WELL, I WANTED TO READ IT.
- I TOOK IT 'CAUSE YOU WERE SLEEPING ON IT.
- OH.
HONEY, I'M SO TIRED.
I'M TELLING YOU, I'M SLEEP-DEPRIVED.
YOU CANNOT TAKE THAT PERSONALLY.
- NO. I'M NOT TAKING IT PERSONALLY.
I KNOW YOU'RE REALLY TIRED.
UH, THAT'S WHY I DIDN'T ASK YOU TO DO IT.
- I UNDERSTAND, BUT, HADDIE, I WANT TO READ IT.
YOU KNOW THAT I WANT TO READ IT, RIGHT?
[Nora crying]
- YEAH, I KNOW-- - IT'S NOT A BIG DEAL.
- THERE'S A LOT OF STUFF GOING ON RIGHT NOW,
AND WE DON'T NECESSARILY HAVE TIME TO DO EVERYTHING
WE'D LIKE TO DO.
- I'M GONNA GET TO IT. YOU'VE GOT TO UNDERSTAND THAT.
- I'M GONNA GO TO THE LIBRARY, OKAY?
- [groans]
- ♪ YOU KNOW YOU GOT IT
♪ IF IT MAKES YOU FEEL GOOD
- THAT WAS GREAT. - YEAH!
- LET'S TAKE FIVE.
- LET'S GO TALK TO HIM, MAN.
- MM.
- WHAT'S GOING ON? I THOUGHT THAT SOUNDED GREAT.
I MEAN, IF I'M THE AUDIENCE, THAT WAS STELLAR.
I DON'T THINK WE HAVE TO GO AGAIN.
I MEAN, HE NAILED THAT FROM TOP TO BOTTOM.
BUT THEY GOT TO HAVE ANOTHER CONFERENCE.
IS THIS NORMAL FOR THEM TO--
- CAN YOU STOP ASKING ME IF EVERYTHING IS NORMAL?
I NEED YOU TO GET OUT OF HERE SO I CAN WORK, OKAY?
PLEASE!
- I'M JUST TRYING TO HELP OUT.
I'M TRYING TO UNDERSTAND WHAT'S GOING ON.
HEY. - WE'RE GONNA GO AGAIN.
- I JUST-- I GOT SOME STUFF TO DO.
EXCUSE ME. EXCUSE ME.
- WE'RE GOING AGAIN? - YEAH, WE'LL GO AGAIN.
- RAGAVOY TRIBUTE, TAKE 29.
29. CEE LO GREEN.
- I'M SO EMBARRASSED.
BUT I JUST DON'T KNOW WHO ELSE TO ASK.
AND I DID LOOK INTO THE STATE FACILITIES, YOU KNOW.
- YEAH. - AND THERE'S SUCH
A LONG WAITING LIST, AND I REALLY DO FEEL
LIKE HE'S READY, YOU KNOW.
HE'S SO READY TO CHANGE.
HE'S SO FULL OF HOPE,
AND, I MEAN, HE WANTS TO CHANGE, YOU KNOW.
HE REALLY WANTS TO BE THERE FOR THEM.
AND WHO ELSE DOES HE HAVE, YOU KNOW?
AND, WHAT, I'M SUPPOSED TO WATCH HIM GO TO JAIL
OR WORSE? - NO.
YEAH, NO.
- I MEAN, HE'S THEIR DAD.
- WE'RE GONNA--WE'RE GONNA FIGURE SOMETHING OUT.
- DON'T SAY YES IF YOU DON'T WANT TO, REALLY.
DON'T FEEL LIKE YOU HAVE TO DO THIS RIGHT NOW.
- NO, IT'S IMPORTANT.
IT'S IMPORTANT. I GET IT.
OF COURSE I'LL HELP.
- THANK YOU SO MUCH.
- OF COURSE.
- THIS IS A DISASTER.
THEY ARE CONFERRING IN THERE
AND WANTED TO DO THAT WITHOUT ME THERE.
- CROSBY, WE CAN'T DO THAT AGAIN.
WE CAN'T LOSE IT IN FRONT OF THE CLIENTS, OKAY?
AND YOU CAN'T KICK ME OUT OF THE CONTROL BOOTH.
- OKAY, YOU KNOW WHAT, THAT'S THE LEAST
OF OUR WORRIES RIGHT NOW.
- WELL, MAYBE TO YOU, BUT TO ME, IT'S OF VITAL CONCERN, OKAY?
WE ARE BUSINESS PARTNERS. WE'RE NOT JUST BROTHERS, OKAY?
WE CAN'T BRING THAT-- - LOOK, YOU GOT TO BE SENSITIVE.
WE ARE FAILING IN THERE. DO YOU UNDERSTAND THAT?
YOU NEED TO SEE WHAT'S GOING ON HERE.
I DON'T KNOW, MAN. HE HASN'T LIKED A SINGLE TAKE.
I DON'T KNOW WHAT'S WRONG.
YOU KNOW, I'VE DONE THIS 100 TIMES.
- MAYBE IT'S NOT YOU. MAYBE IT'S THEM.
- YOU GUYS TAKING A LITTLE BREAK?
- NO. NO.
WE'RE DONE FOR THE DAY.
- SEE YOU TOMORROW.
- WE'LL BE IN TOUCH.
- WELL, I THINK WE WERE PROBABLY JUST FIRED.
- ♪ THEN WE
- WHAT?
- MARK. - YEAH?
- SETH'S GONNA GO INTO REHAB, HE TOLD ME.
- OKAY.
UM...
WELL, THAT'S GOOD.
THAT'S GREAT. - YEAH.
- AND GREAT FOR YOUR KIDS TOO.
- YEAH, I THINK HE'S REALLY TRYING TO BE THERE
FOR THEM.
- WHAT DOES THAT MEAN? FOR YOU, I MEAN?
IS HE TRYING TO BE THERE FOR YOU TOO?
- I'LL SEE HIM THROUGH IT.
- OKAY.
- WHAT DO YOU THINK OF THAT?
- I DON'T KNOW. I UNDERSTAND WHY YOU...
NEED TO GET INVOLVED, AND I-I MEAN,
I WOULD EXPECT NOTHING LESS OF YOU.
- BUT?
- I DON'T LIKE IT.
- GOOD MORNING.
- WELL, WHAT'S THE WORD? ARE WE FIRED YET?
- YEAH, I DON'T THINK THEY'RE COMING BACK, ADAM.
- THAT HOW THEY DO IT? THEY JUST DON'T SHOW UP?
IS THAT HOW WE'RE GONNA GET FIRED?
- NO, MAYBE THEY'LL CALL US
OR THEY'LL PROBABLY JUST SEND AN ASSISTANT DOWN
TO GRAB ALL THEIR EQUIPMENT.
I MEAN-- I MEAN, UGH.
WHO KNOWS?
OH, MAN.
- ALL RIGHT, WELL,
SO THAT'S IT THEN.
- I'M SO SORRY.
I FEEL LIKE I LET YOU DOWN AND YOUR WHOLE FAMILY
AND THE NEW BABY. - [mutters]
WE'LL GET OTHER MUSICIANS IN HERE TO RECORD.
WE WEREN'T READY.
BUT YOU KNOW WHAT WE DID?
WE GAVE IT OUR ALL.
AND THAT'S ALL ANYBODY CAN DO EVER.
LEARN FROM YOUR MISTAKES.
WE HIT A LITTLE BUMP.
- WHAT'S THIS? - WELL, I GOT THIS
SO THAT WE COULD TOAST WRAPPING UP THIS JOB.
GUESS WE'RE JUST HAVING IT A LITTLE EARLIER
THAN I THOUGHT WE WOULD.
TO THE LEMONADE STAND.
- TO THE LUNCHEONETTE.
- YO.
GOOD MORNING. - HI.
- WHAT'S UP, GUYS? - HOW ARE YA?
- ALL RIGHT. - YOU GUYS READY
TO HIT IT AGAIN? - ANY TIME YOU WANT.
WE'RE READY TO GO. - YESTERDAY WAS KIND OF
LIKE A SUCK ASS DAY, MAN. - YEAH.
[overlapping statements]
- I WAS KIND OF CAUGHT UP IN TRYING
TO DO IT LIKE JANIS,
AND I REALLY WASN'T FEELING THAT.
BUT I FOUND THIS OTHER APPROACH TO IT.
ERMA FRANKLIN'S VERSION.
HAVE YOU EVER HEARD THAT? - YEAH, YEAH.
IT'S A LITTLE MORE SOUL. - EXACTLY.
- YEAH, YEAH. - IT'S MY THING,
SO WE'LL TRY THAT TODAY.
- THAT'S GONNA BE GOOD. - ALL RIGHT, COOL,
SO I'LL SEE Y'ALL IN THERE. - YEAH.
- ALL RIGHT. COOL. - PEACE.
- GOOD TO SEE YOU, GENTLEMEN.
OH, MAN. LISTEN TO ME. - YEAH.
- DON'T WORRY ABOUT MY FAMILY HERE EVER, OKAY?
WE ARE BUSINESS PARTNERS HERE. THAT IS NOT YOUR RESPONSIBILITY.
YOU JUST GOT TO GO IN THERE AND MAKE GREAT MUSIC.
- OKAY.
- ALL RIGHT. KICK ASS.
- YEAH, HOLD ON.
HEY, ADAM. - YEAH.
- I NEED YOU, MAN.
- [grumbles] - OH.
- NO WAY. SHE'S REALLY OUT, RIGHT?
- SHE IS KNOCKED OUT.
- HEY. - HI.
- OH, WAIT A MINUTE - SHE'S ASLEEP.
- I GOT TO PROPOSE A TOAST HERE IF YOU DON'T MIND.
- GET READY. - KRISTINA AND NORA.
OKAY, THEY'RE NOT HERE.
AND TO ADAM AND CROSBY AND THEIR NEW BUSINESS VENTURE.
- CHEERS.
- AND TO THE REST OF 'EM.
THERE'S OTHER PEOPLE, BUT THEY'RE IRRELEVANT.
[laughter]
- THANK YOU FOR DINNER IN ADVANCE.
- YOU'RE WELCOME. OH. - I DIDN'T KNOW
ABOUT THE ABSENT PEOPLE TOAST.
- YEAH. THAT'S A WHOLE SIDE OF HIM...
- SO SYDNEY WAS REALLY, REALLY WIPED OUT.
- I'M SO HUNGRY.
- BY THE WAY... - IT'S SOFTBALL.
- SHE TOLD ME ABOUT THE THING,
AND WE ARE HAPPY, MORE THAN HAPPY,
TO HELP OUT. - OH. YEAH.
YEAH, YEAH.
- ANYWAY, WE'RE... - WHAT?
- HUH?
- WHAT?
- NOTHING, MOM. NOTHING.
- IT'S A SECRET. IS IT A SECRET?
- SEEMS LIKE IT.
- COME ON.
OH, THERE IS SOMETHING GOING ON.
WHAT'S HAPPENING? - THIS IS JUNIOR HIGH.
- NO, I WANT TO KNOW WHAT'S GOING ON.
WHAT'S UP?
- I'M SORRY.
- MOM AND DAD,
JOEL AND JULIA ARE GIVING ME MONEY
TO PUT SETH IN REHAB.
- ARE YOU KIDDING?
- NO.
- WHY? I MEAN...WAIT A MINUTE.
- DAD, THIS IS HOW I'M HANDLING IT.
- WHAT THE HELL DID HE EVER DO FOR YOU?
YOU'RE KIDDING, RIGHT?
I MEAN, AFTER WE TALKED, SARAH. THIS IS WHAT YOU'RE--
HE DIDN'T ASK YOU FOR MONEY?
JULIA, YOU CAN'T GIVE THIS GUY MONEY.
- ZEEK.
THAT'S ENOUGH.
I RESPECT THAT YOU'RE TRYING TO PROTECT YOUR FAMILY.
I UNDERSTAND THAT. I DO.
BUT YOU HAVE TO RESPECT THE DECISION
THAT MY SISTER-IN-LAW MADE HERE.
YOU RAISED TWO SMART, WONDERFUL GIRLS.
AND THIS ONE, I MEAN, SHE'S OPENED HER HEART HERE.
AND ANYTIME YOU DO THAT, IT'S THE RIGHT CHOICE.
AND, YOU KNOW WHAT, EVEN IF YOU'RE NOT COMFORTABLE WITH IT,
WE'RE GONNA GIVE MONEY TO WHOEVER WE WANT.
AND WE'RE GONNA ADOPT FROM WHOMEVER WE WANT
HOWEVER WE WANT.
AND YOU'RE GONNA HAVE TO BE OKAY WITH THAT.
- ♪ YOU'RE OUT ON THE STREET ♪
♪ LOOKING GOOD
♪ LOOKING REAL GOOD, BABY
♪ AND YOU KNOW DEEP DOWN IN YOUR HEART ♪
♪ THAT IT AIN'T RIGHT
♪ OH, YOU AIN'T RIGHT, DARLING ♪
♪ BUT YOU NEVER, NEVER, NEVER HEAR ME ♪
♪ WHEN I CRY AT NIGHT
♪ OOH
♪
♪ I TELL MYSELF
♪ THAT I CAN NO LONGER STAND THE PAIN ♪
♪ BUT WHEN YOU HOLD ME IN YOUR ARMS ♪
♪ I SING IT ALL OVER AGAIN
♪ I WANT YOU TO COME ON
♪ COME ON
♪ COME ON, BABY
♪ TAKE IT
♪ TAKE ANOTHER LITTLE PIECE OF MY HEART, NOW, BABY ♪
♪ AND BREAK IT
♪ BREAK ANOTHER LITTLE BIT
♪ OF MY HEART NOW, HONEY
♪ HEY - ♪ HAVE A
- ♪ HAVE ANOTHER LITTLE PIECE OF MY HEART NOW, BABY ♪
♪ YOU KNOW YOU GOT IT
♪ IF IT MAKES YOU FEEL GOOD
- ♪ TAKE IT
- ♪ TAKE ANOTHER LITTLE PIECE
♪ OF MY HEART NOW, BABY
- ♪ HAVE A
- ♪ HAVE ANOTHER LITTLE PIECE
♪ OF MY HEART NOW, BABY
♪ AND TAKE IT
♪ TAKE ANOTHER LITTLE PIECE
♪ OF MY HEART NOW, BABY
- ♪ HAVE A
- ♪ HAVE ANOTHER LITTLE PIECE OF MY HEART NOW, BABY ♪
- ♪ TAKE IT
♪
- ♪ TAKE A LITTLE PIECE OF ME
- ♪ HAVE A
- ♪ BREAK MY HEART AGAIN
♪
♪ YOU KNOW YOU GOT IT
♪ IF IT MAKES YOU FEEL GOOD
♪ YEAH
[applause] - AH.
- GREAT.
[cheers and applause]
- COME ON.
YEAH, WE GOT THAT.
- NORA, COME ON, BURP, HONEY.
CAN YOU BURP? - [murmurs]
- HEY.
- HI.
- YOU'RE UP. - I'M UP.
I'M SORT OF UP. - AH.
- I'M FINALLY FINISHED.
HONEY, IT WAS GREAT.
OH.
- SHE DIDN'T BURP. - I GOT HER.
- SO TRY TO GET HER TO BURP A LITTLE BIT.
- HONEY, IT WAS FANTASTIC. - GOOD JOB.
- I THINK THIS RECORDING STUDIO IS GOING TO WORK, YOU KNOW.
- I THINK SO. - ALL RIGHT.
- I GOTTA GO LAY DOWN. - ALL RIGHT. I GOT HER.
- I GOT TO LAY DOWN. - OH.
- I GOT HER HONEY. GET SOME REST.
COME ON.
- [burps] - AH.
THERE WE GO.
YOU MIND IF I USE THIS?
SEE IF WE CAN GET SOME SLEEP, HUH?
- ♪ AND YOU CAN'T LIVE
♪ FOR DYING
♪ THAT RUNNING IS RUNNING ♪
♪ AND THERE'S NO REST
♪ FOR THE WEARY
- HADDIE.
[laughs]
- MM-HMM. I'M AWAKE. I'M JUST LAYING HERE.
- [sighs]
♪
♪ THEY RISE WITH ME
♪ AND FALL WITH ME
- I READ YOUR ESSAY.
- WE DON'T HAVE TO TALK ABOUT IT.
IT'S FINE.
- IT'S AWESOME.
IT'S REALLY, REALLY AWESOME.
[laughs] - I'M GLAD YOU LIKE IT.
- YOU SHOULD BE REALLY PROUD OF YOURSELF.
- THANKS. THANK YOU.
I FEEL GOOD ABOUT MYSELF.
DO YOU HAVE NOTES?
- I DON'T REALLY HAVE ANY NOTES.
- NO. - NOT A NOTE.
NOT EVEN ONE. IT'S THAT GOOD.
I'M SORRY IT TOOK ME SO LONG TO READ IT, YOU KNOW.
- IT'S OKAY.
SORRY THAT I GOT UPSET.
I GUESS I JUST MISS YOU A LITTLE BIT.
- I MISS YOU TOO, KIDDO.
OH, BABE.
I LOVE YOU.
- I LOVE YOU TOO.
- A LOT.
- [speaks indistinctly]
- ♪ GOOD-BYE, LITTLE SKY
- THE ALARM DIDN'T GO OFF YET, RIGHT?
A FEW MORE MINUTES.
[indistinct chatter]
- DO YOU LIKE MANGO? - I HOPE.
I'VE NEVER ACTUALLY EATEN IT, SO...
- MY MOM'S ALLERGIC TO MANGO.
I MEAN, I'M NOT.
- SHOULD WE-- DO WE WANT THESE?
- I DON'T KNOW. DO YOU LIKE BLUEBERRIES?
- I MEAN, WE MAY AS WELL, RIGHT?
JUST FOR THE COLOR. - YES.
- ALL RIGHT. - THAT'S GONNA BE
ONE BIG, BLUE SMOOTHIE.
- YEAH. - OKAY, SO WE HAVE BLUEBERRIES,
BANANAS, MANGO, YOGURT,
AND WE NEED...
A BOWL OF FRESH STRAWBERRIES.
- ♪ I WON'T TELL A SOUL
♪ I WON'T SHED A TEAR
♪ AND WE'LL DRIVE SOFT AND STEADY ♪
♪ TILL THE SUN GIVES IN
♪
♪ I'LL KEEP YOU WARM
♪ TILL THE SUN GIVES IN
- THIS CAN'T BE ABOUT ME. SHE CAN'T GET ME IN TROUBLE.
I DON'T EVEN LIVE HERE.
I MEAN, I AM NERVOUS, THOUGH.
WHAT DID YOU DO, YOU PERV? - NOTHING.
- DID YOU DO SOMETHING WRONG?
- HEY, I MADE EYE CONTACT, TOOK YOUR ADVICE.
- HOW DID IT GO? - IT WENT WELL.
- DID YOU GET A KISS? - TO SAY THE LEAST. YEAH.
- MY LITTLE BROTHER GOT A BIG KISS.
- MAYBE THAT'S WHAT SHE CALLED THE MEETING FOR.
DAD.
- HI, SON.
[sighs]
IT'S BEEN A LONG TIME COMING.
I KNOW THAT, AND I'M SORRY.
BUT YOUR MOM'S HELPED ME COME TO AN IMPORTANT DECISION
IN MY LIFE,
AND I WANT TO TELL YOU ABOUT IT.
I'M GONNA GO TO REHAB,
AND I KNOW IT'S GONNA BE A LONG, HARD ROAD.
IT'S GONNA BE DIFFICULT.
BUT I'M GONNA DO IT.
AND I NEED YOUR SUPPORT.
AND WE CAN GET THROUGH THIS.
AS A FAMILY.
- ♪ THE RISING TIDE
♪
♪ THE RISING TIDE
♪