1 00:00:00,931 --> 00:00:02,171 - I'M THINKING ABOUT BUYING A HOUSE 2 00:00:02,209 --> 00:00:05,729 IN HOPES THAT JASMINE WILL WANT TO COME LIVE IN IT WITH ME. 3 00:00:05,764 --> 00:00:08,424 - THIS PLACE ISN'T A DUMP. I THINK WE CAN FIX IT. 4 00:00:08,456 --> 00:00:10,556 - I SPOKE TO THE DEAN OF ADMISSIONS TODAY. 5 00:00:10,596 --> 00:00:11,736 YOU DIDN'T GET IN. 6 00:00:11,770 --> 00:00:15,500 - I DID THE BEST I COULD TO DO WHAT YOU WANT ME TO DO, 7 00:00:15,532 --> 00:00:17,092 BUT IT'S NOT WORKING FOR ME. 8 00:00:17,120 --> 00:00:19,120 I'M GONNA START MAKING MY OWN DECISIONS 9 00:00:19,157 --> 00:00:20,737 WHETHER YOU LIKE THEM OR NOT. 10 00:00:20,779 --> 00:00:23,609 - HADDIE, I WOULD BE HONORED TO BE YOUR PROM DATE. 11 00:00:23,644 --> 00:00:25,824 - ARE YOU AND ALEX TALKING ABOUT SEX? 12 00:00:25,853 --> 00:00:28,823 - WHEN THE TIME'S RIGHT, WE'RE GONNA KNOW. 13 00:00:32,860 --> 00:00:35,830 [Lykke Li's I Know Places] 14 00:00:35,863 --> 00:00:43,043 ♪ 15 00:00:47,564 --> 00:00:54,574 - ♪ I KNOW PLACES WE CAN GO, BABE ♪ 16 00:00:54,675 --> 00:00:57,125 ♪ COMING HOME 17 00:00:57,160 --> 00:01:01,610 ♪ COME UNFOLD, BABE 18 00:01:01,647 --> 00:01:08,377 ♪ AND WAIT 19 00:01:08,413 --> 00:01:15,423 ♪ NOW WON'T YOU LAY 20 00:01:16,800 --> 00:01:21,700 ♪ AND WAIT 21 00:01:21,736 --> 00:01:24,386 ♪ WAIT ON ME 22 00:01:24,429 --> 00:01:26,779 [loud rock music plays] - OH, YES... 23 00:01:26,810 --> 00:01:28,570 JANET, MY ANGEL. 24 00:01:28,605 --> 00:01:30,745 IT'S NOT A EXACTLY A SNACK, BUT IT'S SOMETHING. 25 00:01:30,780 --> 00:01:31,880 - AMBER DARLING, IT'S TEE TIME. 26 00:01:31,919 --> 00:01:34,749 - OOH, LOVELY. I'LL HAVE AN EARL GREY. 27 00:01:34,784 --> 00:01:36,584 - NO, NO, NOT THAT TEA TIME, SILLY. 28 00:01:36,613 --> 00:01:39,203 LIKE, GOLF TEE TIME. - BUT LOOK. 29 00:01:39,237 --> 00:01:40,687 - OH, THANK GOD. SHE FOUND SOMETHING. 30 00:01:40,721 --> 00:01:42,931 - I KNOW. - I'M STARVING. 31 00:01:42,964 --> 00:01:44,764 IT'S GONNA BE DELICIOUS. - SO GOOD. 32 00:01:44,794 --> 00:01:48,184 - MMM. - MMM. 33 00:01:48,211 --> 00:01:49,011 THESE ARE SO GOOD. 34 00:01:49,039 --> 00:01:50,659 - NOT QUITE SURE HOW THIS IS DONE, 35 00:01:50,696 --> 00:01:52,456 BUT WE'RE GONNA TAKE A STAB AT IT ANYWAY. 36 00:01:52,491 --> 00:01:53,731 COME ON. 37 00:01:53,768 --> 00:01:55,808 - OKAY, I'LL TRY, BUT NO PROMISES. 38 00:01:55,839 --> 00:01:57,389 DON'T BE MAD AT ME IF I'M NOT GOOD. 39 00:01:57,427 --> 00:01:59,147 - NO TRY. DO. COME ON. - OKAY, YODA. 40 00:01:59,188 --> 00:02:01,908 - ALL RIGHT, TAKE IT. YOU GIVE ME THAT. 41 00:02:01,949 --> 00:02:02,919 YEAH. 42 00:02:02,950 --> 00:02:04,610 AND THEN JUST, YOU KNOW, 43 00:02:04,641 --> 00:02:06,261 GET INTO A NICE... 44 00:02:06,298 --> 00:02:07,958 YOU KNOW, BENT-OVER POSITION. 45 00:02:07,989 --> 00:02:09,509 - OKAY. 46 00:02:09,543 --> 00:02:11,793 - AND GET YOUR--YOUR STICK-- IS THAT WHAT IT IS? 47 00:02:11,821 --> 00:02:13,271 WHATEVER. 48 00:02:13,305 --> 00:02:14,855 OKAY, NOW JUST, YOU KNOW, 49 00:02:14,893 --> 00:02:17,763 JUST USE YOUR BODY AND JUST WILL THE BALL IN. 50 00:02:17,792 --> 00:02:19,762 - OKAY. OKAY, READY? 51 00:02:19,794 --> 00:02:21,874 - YEAH, I'M READY. - OKAY, HERE IT GOES. 52 00:02:21,900 --> 00:02:23,520 - OH... 53 00:02:23,557 --> 00:02:25,487 - OH! SO CLOSE. 54 00:02:25,524 --> 00:02:27,184 ALL RIGHT, GIVE ME ANOTHER SHOT. 55 00:02:27,216 --> 00:02:28,976 RETRIEVE IT FOR ME, DARLING. 56 00:02:29,010 --> 00:02:31,250 - I GOT THE EGGS. I GOT MAX'S SNACKS. 57 00:02:31,289 --> 00:02:32,639 BUT DID YOU GET THE WAFFLES? - WHAT? 58 00:02:32,669 --> 00:02:35,289 I THOUGHT YOU WERE GONNA GET THE WAFFLES. 59 00:02:35,327 --> 00:02:36,737 - I TOLD YOU TO GET THEM. 60 00:02:36,777 --> 00:02:37,737 LITTLE CINNAMON WAFFLES FOR HADDIE? 61 00:02:37,778 --> 00:02:39,538 - HONEY, HOW COULD YOU FORGET THE WAFFLES? 62 00:02:39,573 --> 00:02:40,923 THOSE ARE HADDIE'S FAVORITE. 63 00:02:40,953 --> 00:02:42,783 - I KNOW THEY'RE HER FAV-- YOU'RE SUCH A JOKESTER. 64 00:02:42,817 --> 00:02:43,987 - I PUT 'EM IN THE BASKET. - THANK YOU. 65 00:02:44,025 --> 00:02:45,265 [phone ringing] PHONE. 66 00:02:45,303 --> 00:02:46,513 RIGHT THERE--ANSWER THE PHONE. 67 00:02:46,545 --> 00:02:47,745 - I KNOW HOW TO ANSWER THE PHONE. 68 00:02:47,788 --> 00:02:48,928 HELLO? 69 00:02:48,961 --> 00:02:51,931 [moaning, heavy breathing] 70 00:02:51,964 --> 00:02:52,934 - HELLO? 71 00:02:52,965 --> 00:02:55,375 - WHAT--WHAT IS THAT? 72 00:02:55,416 --> 00:02:56,826 - HELLO? 73 00:02:56,866 --> 00:02:58,966 - WHOSE NUMBER IS THAT? CHECK THAT OUT. 74 00:02:59,006 --> 00:03:01,316 - I DON'T KNOW. HOLD ON. 75 00:03:01,353 --> 00:03:04,293 - [breathing heavily] 76 00:03:08,015 --> 00:03:11,015 [moaning] 77 00:03:11,052 --> 00:03:14,402 - THAT'S HADDIE. IT'S HADDIE. 78 00:03:14,435 --> 00:03:16,745 HONEY, I THINK SHE'S PLAYING A JOKE ON US. 79 00:03:16,782 --> 00:03:19,822 - NO, NO, NO, HONEY. 80 00:03:19,854 --> 00:03:21,724 - HADDIE? HONEY... 81 00:03:21,753 --> 00:03:23,383 [Haddie moans] 82 00:03:23,410 --> 00:03:24,890 - OH, GOD. - IT SOUNDS LIKE SHE'S HURT. 83 00:03:24,928 --> 00:03:26,518 - THAT'S NOT WHAT THAT SOUNDS LIKE, HONEY. 84 00:03:26,551 --> 00:03:27,971 - WELL, WHAT DOES IT SOUND LIKE TO YOU? 85 00:03:28,000 --> 00:03:29,830 - THAT SOUNDS LIKE IT'S-- - NO, IT DOESN'T. 86 00:03:29,864 --> 00:03:31,734 - I CAN'T KEEP LISTENING TO THIS, HONEY. I CAN'T. 87 00:03:31,763 --> 00:03:32,873 - SHE'S NOT DOING ANYTHING. - YES, SHE IS. 88 00:03:32,902 --> 00:03:35,042 SHE'S CLEARLY DOING SOMETHING, HONEY. YES, SHE IS. 89 00:03:35,076 --> 00:03:36,766 HONEY, I'M HANGING UP. I'M HANGING UP. 90 00:03:36,802 --> 00:03:38,462 I'M HANGING UP, HONEY. PUT IT ON YOUR HANDSET. 91 00:03:38,494 --> 00:03:39,984 - STOP! [tires screeching] 92 00:03:43,050 --> 00:03:45,500 - [softly] OH, MY GOD. 93 00:03:45,535 --> 00:03:48,435 - ♪ MAY GOD BLESS AND KEEP YOU ALWAYS ♪ 94 00:03:48,469 --> 00:03:50,919 ♪ AND MAY YOUR WISHES ALL COME TRUE ♪ 95 00:03:50,954 --> 00:03:53,414 ♪ MAY YOU ALWAYS DO FOR OTHERS ♪ 96 00:03:53,440 --> 00:03:55,820 ♪ AND LET OTHERS DO FOR YOU 97 00:03:55,856 --> 00:03:58,066 ♪ MAY YOU BUILD A LADDER TO THE STARS ♪ 98 00:03:58,099 --> 00:04:00,269 ♪ AND CLIMB ON EVERY RUNG 99 00:04:00,309 --> 00:04:02,549 ♪ AND MAY YOU STAY 100 00:04:02,587 --> 00:04:04,927 ♪ FOREVER YOUNG 101 00:04:04,968 --> 00:04:08,008 ♪ MAY YOU GROW UP TO BE RIGHTEOUS ♪ 102 00:04:08,040 --> 00:04:09,970 ♪ MAY YOU GROW UP TO BE TRUE ♪ 103 00:04:10,008 --> 00:04:12,488 ♪ MAY YOU ALWAYS KNOW THE TRUTH ♪ 104 00:04:12,528 --> 00:04:14,908 ♪ AND SEE THE LIGHTS SURROUNDING YOU ♪ 105 00:04:14,944 --> 00:04:17,434 ♪ MAY YOU ALWAYS BE COURAGEOUS ♪ 106 00:04:17,464 --> 00:04:19,784 ♪ STAND UPRIGHT AND BE STRONG ♪ 107 00:04:19,811 --> 00:04:21,851 ♪ AND MAY YOU STAY 108 00:04:21,882 --> 00:04:24,302 ♪ FOREVER YOUNG 109 00:04:24,333 --> 00:04:26,653 ♪ MAY YOU STAY 110 00:04:26,680 --> 00:04:28,720 ♪ FOREVER YOUNG 111 00:04:41,350 --> 00:04:43,490 - LOOK, HONEY, THERE IS A CHANCE 112 00:04:43,524 --> 00:04:47,704 THAT WHAT WE THINK WE HEARD WASN'T ANYTHING. 113 00:04:47,735 --> 00:04:49,565 - IT WAS SOMETHING. 114 00:04:49,599 --> 00:04:50,979 IT WAS DEFINITELY SOMETHING. 115 00:04:51,014 --> 00:04:52,784 - YES, WELL, THERE'S A VERY GOOD CHANCE 116 00:04:52,809 --> 00:04:53,879 IT WASN'T THETHING. 117 00:04:53,914 --> 00:04:55,474 - THAT IT WASN'T IT. 118 00:04:55,502 --> 00:04:56,952 - YEAH, I MEAN, MAYBE IT WAS SOMETHING 119 00:04:56,986 --> 00:04:59,916 CLOSE TO THE THING. 120 00:04:59,954 --> 00:05:01,684 - IT SOUNDED ADVANCED. 121 00:05:01,715 --> 00:05:02,915 MAYBE SHE WAS... 122 00:05:02,957 --> 00:05:04,507 EXERCISING? 123 00:05:04,545 --> 00:05:06,855 - HONEY, I HEARD-- - STRETCHING. 124 00:05:06,892 --> 00:05:08,412 - I HEARD IT. NO, THAT WASN'T WHAT IT WAS. 125 00:05:08,446 --> 00:05:09,646 MAYBE IT WASN'T EVEN HER. 126 00:05:09,688 --> 00:05:10,828 YOU KNOW, THERE IS A CHANCE 127 00:05:10,862 --> 00:05:12,832 THAT SHE COULD HAVE HAD TO LOAN HER PHONE TO SOMEBODY 128 00:05:12,864 --> 00:05:14,594 FOR SOME CRAZY REASON-- ONE OF HER FRIENDS. 129 00:05:14,624 --> 00:05:15,424 - YEAH. 130 00:05:15,453 --> 00:05:16,523 - YOU KNOW, MAYBE THAT KAITLIN. 131 00:05:16,557 --> 00:05:18,797 I MEAN, HAVE YOU SEEN THE WAY THAT SHE DRESSES? 132 00:05:18,835 --> 00:05:19,835 - NO. - WHAT? 133 00:05:19,871 --> 00:05:21,601 - WHAT, ARE YOU LOOKING AT HOW SHE'S DRESSED? 134 00:05:21,631 --> 00:05:22,461 - NO, HONEY, I-- - THAT'S WEIRD. 135 00:05:22,494 --> 00:05:24,124 - WHAT? - WHY ARE YOU LOOKING AT... 136 00:05:24,151 --> 00:05:26,121 - I'M NOT. COME ON. - AY, MAMI, PAPI. 137 00:05:26,153 --> 00:05:27,473 - HEY. - HEY. 138 00:05:27,499 --> 00:05:28,499 - HI. 139 00:05:28,535 --> 00:05:30,675 I'M JUST KIDDING. NO LAUGHS? NOT FUNNY? HI. 140 00:05:30,709 --> 00:05:32,539 - WE JUST CAME HOME FROM GETTING GROCERIES. 141 00:05:32,573 --> 00:05:33,853 WHERE HAVE YOU BEEN-- BOOKSTORE? 142 00:05:33,885 --> 00:05:36,915 - UM, YEAH. WOW, GOOD DETECTIVE WORK. 143 00:05:36,957 --> 00:05:38,437 - YEAH. - OH, I GOT MOM-- 144 00:05:38,476 --> 00:05:40,476 UM, I GOT YOU THIS MUSTANG BOOK 145 00:05:40,512 --> 00:05:41,692 BY SHARON METERMAN THAT YOU WANTED. 146 00:05:41,720 --> 00:05:42,960 - OH, YEAH, YEAH, YEAH. THAT'S GREAT. 147 00:05:42,997 --> 00:05:44,617 WHAT ELSE DID YOU DO? 148 00:05:44,654 --> 00:05:46,424 - UM, I WENT AND I GOT COFFEE. 149 00:05:46,449 --> 00:05:48,559 - UH-HUH. WHERE'D YOU GO GET COFFEE? 150 00:05:48,589 --> 00:05:49,519 - AT THE BOOKSTORE. 151 00:05:49,556 --> 00:05:50,696 - OH, RIGHT. RIGHT, RIGHT, RIGHT, RIGHT. 152 00:05:50,729 --> 00:05:52,659 - YOU KNOW IT? - YEAH, SURE. 153 00:05:52,697 --> 00:05:54,657 - OF COURSE YOU KNOW IT. YEAH. 154 00:05:54,699 --> 00:05:55,669 - MM-HMM. 155 00:05:55,700 --> 00:05:57,080 - OKAY. - OKAY. 156 00:05:57,115 --> 00:05:59,695 - YOU GUYS WERE OBVIOUSLY IN THE MIDDLE OF SOMETHING, 157 00:05:59,738 --> 00:06:01,018 SO I'M GONNA GO DO HOMEWORK. 158 00:06:01,050 --> 00:06:02,500 - NO, WE'RE GOOD. - UH, I LOVE YOU. 159 00:06:02,534 --> 00:06:05,854 - WE WERE JUST CHATTING. LOVE YOU TOO. 160 00:06:07,850 --> 00:06:12,410 - HEY, JOEL, CAN WE TACKLE THIS TERRIBLE LIGHT FIXTURE NEXT? 161 00:06:12,441 --> 00:06:13,891 'CAUSE IT LOOKS LIKE A CRACK HOUSE, 162 00:06:13,925 --> 00:06:15,575 AND SHE'S GONNA HATE THIS. 163 00:06:15,616 --> 00:06:18,166 - CAN WE JUST LOOK AT THE DOOR AND MARVEL AT IT FOR A SECOND 164 00:06:18,205 --> 00:06:20,165 AND JUST ADMIRE THE THING WE SPENT FOUR HOURS-- 165 00:06:20,207 --> 00:06:22,037 - IT'S GORGEOUS. - IT IS. ISN'T IT? 166 00:06:22,071 --> 00:06:23,041 - APPRECIATE IT. YEAH. - THANK YOU. 167 00:06:23,072 --> 00:06:25,042 - BUT I-I'M FEELING LIKE WE SHOULD HIT THIS, 168 00:06:25,074 --> 00:06:28,424 AND THEN I WOULD LOVE TO GET RID OF THIS CRAPPY FAKE WOOD. 169 00:06:28,457 --> 00:06:29,627 - UH, THE WAINSCOTING. 170 00:06:29,665 --> 00:06:31,175 - WAINS--WAINSCOTING? - YEP. 171 00:06:31,218 --> 00:06:32,698 - YEAH, WELL, CAN WE RIP IT OUT? 172 00:06:32,737 --> 00:06:35,217 BECAUSE SHE'S NOT GONNA LIKE IT. 173 00:06:35,256 --> 00:06:37,666 - WE CAN. IT'S PHYSICALLY POSSIBLE, YES. 174 00:06:37,707 --> 00:06:39,707 BUT, I MEAN, ARE YOU SURE YOU WANT TO? 175 00:06:39,744 --> 00:06:41,824 - WELL, IT... - HEY. 176 00:06:41,849 --> 00:06:43,089 - IT'S A DUMP. - GOOD MORNING, TROOPS. 177 00:06:43,126 --> 00:06:45,086 - HEY, JULES. - I BROUGHT REINFORCEMENTS. 178 00:06:45,128 --> 00:06:46,748 HAVE YOU EATEN ANYTHING? 179 00:06:46,785 --> 00:06:48,165 - NOT YET. - THIS IS IMPORTANT. 180 00:06:48,200 --> 00:06:50,000 - YES, WE CAN DO IT. IT'S JUST GONNA-- 181 00:06:50,030 --> 00:06:51,550 WHAT--WHAT'S OUR TIME FRAME HERE? 182 00:06:51,583 --> 00:06:52,793 WHAT ARE WE LOOKING AT? 183 00:06:52,826 --> 00:06:54,896 - BEFORE WHAT? - BEFORE YOU SHOW IT TO HER. 184 00:06:54,931 --> 00:06:57,591 I MEAN, THAT IS THE ULTIMATE GOAL HERE, RIGHT? 185 00:06:57,624 --> 00:06:58,564 - YEAH, I'M GONNA SHOW IT TO HER, 186 00:06:58,590 --> 00:07:00,560 BUT, YOU KNOW, I CAN'T BRING HER IN HERE 187 00:07:00,592 --> 00:07:02,152 AND SAY, "WELCOME TO YOUR NEW DUMP. 188 00:07:02,180 --> 00:07:03,940 "SORRY IT LOOKS LIKE A HOWARD JOHNSON'S 189 00:07:03,975 --> 00:07:05,105 FROM THE '70s." OKAY? 190 00:07:05,148 --> 00:07:06,938 I WANT HER TO BE EXCITED AND MOVED AND-- 191 00:07:06,978 --> 00:07:08,768 YOU KNOW, SO I THINK THAT INVOLVES 192 00:07:08,807 --> 00:07:11,147 RIPPING OUT THE WAINSCOTING. 193 00:07:11,189 --> 00:07:15,469 - IT'S JUST, UM, WE'VE RUN INTO A BIT OF A MONEY PROBLEM. 194 00:07:15,504 --> 00:07:16,854 - OKAY. 195 00:07:16,884 --> 00:07:19,754 UM, I'LL SELL MY MOTORCYCLE. 196 00:07:19,784 --> 00:07:22,234 THEN WE WON'T HAVE A MONEY PROBLEM. 197 00:07:22,269 --> 00:07:24,549 THANK YOU FOR BRINGING THAT BY. 198 00:07:24,582 --> 00:07:26,832 I'M GONNA UNLOAD THE SOD, OKAY? 199 00:07:26,860 --> 00:07:29,660 - YOU GOT IT. 200 00:07:29,690 --> 00:07:33,730 - ARE YOU PREPARING THE TITANIC FOR ITS MAIDEN VOYAGE? 201 00:07:33,763 --> 00:07:35,773 - YEAH. I'M ON THE CREW. 202 00:07:35,800 --> 00:07:36,870 YOU KNOW HOW THAT STORY ENDS. 203 00:07:36,904 --> 00:07:41,084 I'M GONNA GO PICK UP SOD AND DO SOMETHING WITH IT. 204 00:07:41,115 --> 00:07:42,805 DOESN'T THE DOOR LOOK GOOD, THOUGH? 205 00:07:42,841 --> 00:07:44,811 - THE DOOR LOOKS FANTASTIC. - YOU DIDN'T HAVE TO SAY THAT. 206 00:07:44,843 --> 00:07:46,883 - I MEAN, DID YOU DO THAT? 207 00:07:46,914 --> 00:07:49,544 - COME ON, JOEL! - YEAH, I'M COMING. 208 00:07:51,781 --> 00:07:53,021 - THAT'S--NO, NO, NO, NO. 209 00:07:53,058 --> 00:07:54,718 THAT'S NOT WHAT I'M SAYING. 210 00:07:54,750 --> 00:07:55,820 - YOU'RE GOING TOO FAST. 211 00:07:55,854 --> 00:07:58,274 SO WHAT YOU'RE SAYING IS THAT EVERYONE YOU MEET 212 00:07:58,305 --> 00:08:00,195 FROM THE TIME YOU GET UP TO THE TIME YOU GET THERE 213 00:08:00,238 --> 00:08:01,788 ARE YOUR OLD BOYFRIENDS, 214 00:08:01,826 --> 00:08:04,036 AND THEY'RE ALL SAYING THE SAME THING? 215 00:08:04,069 --> 00:08:05,929 - YOU THINK THAT IT'S THE BOYFRIENDS OF THE PAST, 216 00:08:05,968 --> 00:08:09,518 BUT, IN FACT, IT'S JUST THE SAME GUY WHO JUST KEEPS ECHOING... 217 00:08:09,558 --> 00:08:10,768 - GREAT. GREAT. GREAT. BRILLIANT. 218 00:08:10,800 --> 00:08:12,560 - [scoffs] GREAT. ALL RIGHT. 219 00:08:12,595 --> 00:08:13,795 I'LL TAKE THAT. 220 00:08:13,838 --> 00:08:17,288 - AND THIS IS WHERE YOUR BREASTS CAN BE OF SOME USE TO US. 221 00:08:17,324 --> 00:08:19,714 - WHAT DID YOU--WHAT? 222 00:08:19,740 --> 00:08:22,780 - TOMORROW NIGHT WE'RE GOING TO THAT, UH, FUND-RAISING PARTY. 223 00:08:22,812 --> 00:08:24,752 - WE ARE? - YES, WE ARE. 224 00:08:24,780 --> 00:08:27,160 AND JACK KRAFT, THE ARTISTIC DIRECTOR 225 00:08:27,196 --> 00:08:29,886 OF THE BERKELEY THEATER, IS GOING TO BE THERE. 226 00:08:29,923 --> 00:08:30,753 - HEARD OF HIM. 227 00:08:30,786 --> 00:08:32,546 - HE'S READ YOUR PLAY. HE LIKES IT. 228 00:08:32,581 --> 00:08:34,101 - WAIT A MINUTE. YOU DIDN'T TELL ME THAT. 229 00:08:34,134 --> 00:08:35,834 HE READ IT? - HE TRAINED UNDER ME. 230 00:08:35,860 --> 00:08:37,340 I GAVE HIM HIS FIRST JOB. 231 00:08:37,378 --> 00:08:39,618 HE OWES HIS WHOLE CAREER TO ME. 232 00:08:39,657 --> 00:08:41,687 - GOOD. THAT'S AMAZING. 233 00:08:41,728 --> 00:08:46,628 - AND THERE IS ONLY ONE SLOT LEFT 234 00:08:46,664 --> 00:08:49,294 IN THE NEW VOICES SERIES, AND WE WANT THAT SLOT, DON'T WE? 235 00:08:49,321 --> 00:08:51,081 - YES, WE WANT THAT SLOT. - YES, WE DO. 236 00:08:51,116 --> 00:08:56,046 NOW, THEATER IS HALF ART AND HALF RELATIONSHIPS. 237 00:08:56,087 --> 00:08:57,357 - OH, GOD. THAT'S WHERE THE-- 238 00:08:57,398 --> 00:09:00,158 - SO TOMORROW NIGHT IS WHEN YOU START USING YOUR RELATIONSHIPS. 239 00:09:00,194 --> 00:09:02,274 - OKAY, YEAH, I'LL PUT THEM TO WORK. 240 00:09:02,300 --> 00:09:04,820 - THAT'S EXACTLY RIGHT. 241 00:09:04,854 --> 00:09:06,624 - ALL RIGHT, WELL, I THINK WE'RE ALMOST THERE. 242 00:09:06,649 --> 00:09:08,029 I LIKE THE CHANGES YOU GUYS HAVE MADE. 243 00:09:08,064 --> 00:09:09,894 I LIKE 'EM A LOT. I LIKE THOSE BACKGROUND IMAGES. 244 00:09:09,928 --> 00:09:11,928 AND, UH, I THINK IT REALLY POPS. 245 00:09:11,965 --> 00:09:13,035 - THANK YOU. - YEAH, YOU BET. 246 00:09:13,069 --> 00:09:15,069 - YEAH, I THINK IT LOOKS GREAT-- REALLY SIMPLIFIED. 247 00:09:15,106 --> 00:09:16,796 - YEAH. - YEAH. 248 00:09:16,832 --> 00:09:19,112 - I THINK THE ONLY THING I'D SAY IS MAYBE THE LETTERING, COPY-- 249 00:09:19,144 --> 00:09:20,664 MAKE IT A LITTLE BOLDER SOMEHOW, 250 00:09:20,698 --> 00:09:23,768 SO IT KIND OF LEAPS OFF THE PAGE, YOU KNOW? 251 00:09:23,804 --> 00:09:24,774 UH... 252 00:09:24,805 --> 00:09:26,385 - HEY. - HEY. 253 00:09:26,427 --> 00:09:27,387 - DID YOU WANT TO TAKE A... - NO. 254 00:09:27,428 --> 00:09:28,668 - YOU SURE? - YEP. 255 00:09:28,706 --> 00:09:30,086 - IT'LL BE READY TO SEE IN 24 HOURS. 256 00:09:30,121 --> 00:09:31,611 - IT'S OKAY. 257 00:09:31,640 --> 00:09:32,810 - THEY'RE JUST GONNA MAKE A COUPLE MORE TWEAKS. 258 00:09:32,848 --> 00:09:33,878 BASICALLY WITH THE COPY. 259 00:09:33,918 --> 00:09:35,638 YOU KNOW, MAYBE IF THEY DID SOME SORT OF 3-D... 260 00:09:35,678 --> 00:09:37,368 - ABSOLUTELY, YEAH. JUST TO MAKE IT A LITTLE MORE HIP. 261 00:09:37,404 --> 00:09:38,794 - BOOM. - YEAH. 262 00:09:38,819 --> 00:09:40,789 - IT'S JUST... 263 00:09:40,821 --> 00:09:44,141 IT LOOKS LIKE A PICTURE. 264 00:09:44,169 --> 00:09:46,719 - WELL, IT'S A PHOTOGRAPH. 265 00:09:46,758 --> 00:09:48,968 - YES. YES. 266 00:09:49,002 --> 00:09:51,832 BUT IT LOOKS LIKE AN AD. 267 00:09:51,867 --> 00:09:53,697 - WELL, IT IS, CORY. IT'S AN AD. 268 00:09:53,731 --> 00:09:55,731 - YES. HOLD THAT THOUGHT. 269 00:09:55,767 --> 00:09:57,627 WAIT. WAIT. 270 00:09:57,666 --> 00:09:59,976 WAIT. 271 00:10:00,013 --> 00:10:01,743 OKAY, IT'S AN AD. 272 00:10:01,773 --> 00:10:02,773 - YEAH. 273 00:10:02,809 --> 00:10:06,809 - WHAT IF IT WAS AN AD THAT LOOKED LIKE ART? 274 00:10:06,847 --> 00:10:08,437 - HMM. 275 00:10:08,469 --> 00:10:10,329 - OKAY, I'VE GOT-- I'VE GOT THIS FRIEND. 276 00:10:10,368 --> 00:10:11,958 HE DOES THESE DRAWINGS. REMEMBER SPYDER, RIGHT? 277 00:10:11,990 --> 00:10:12,780 - I DO REMEMBER SPYDER. 278 00:10:12,819 --> 00:10:14,819 - SPYDER-- WE GET SPYDER IN HERE 279 00:10:14,855 --> 00:10:17,685 TO DO THESE AMAZING DRAWINGS OF THE SHOE, 280 00:10:17,720 --> 00:10:19,140 JUST THE SHOE. 281 00:10:19,170 --> 00:10:20,760 - NOTHING ELSE? - NOTHING ELSE. 282 00:10:20,792 --> 00:10:22,732 - NO COPY? - NO COPY. 283 00:10:22,760 --> 00:10:25,800 - YOU KNOW... - ALL COPY, JUST WORDS. 284 00:10:25,832 --> 00:10:28,842 - SO, NO SHOE? - NO, SHOE WITH WORDS. 285 00:10:28,869 --> 00:10:31,039 THE SHOE...IS WORDS. 286 00:10:31,078 --> 00:10:32,798 - OH, I SEE. SO THE IMAGE OF THE SHOE 287 00:10:32,839 --> 00:10:34,319 IS MADE OF THE COPY, THE WORDS. 288 00:10:34,357 --> 00:10:35,767 - YES. 289 00:10:35,807 --> 00:10:37,187 - OKAY. I THINK THAT'S AN INTERESTING IDEA. 290 00:10:37,222 --> 00:10:38,812 - I'M TEXTING SPYDER RIGHT NOW. 291 00:10:38,845 --> 00:10:40,045 - YOU DON'T HAVE TO DO THAT. 292 00:10:40,087 --> 00:10:41,987 THESE GUYS ARE TOTALLY CAPABLE OF RUNNING WITH THAT IDEA. 293 00:10:42,020 --> 00:10:44,160 - OH, ABSOLUTELY. WHAT DO YOU THINK? 294 00:10:44,195 --> 00:10:47,055 - I THINK IT COULD BE AMAZING. - RIGHT? 295 00:10:47,094 --> 00:10:48,924 I MEAN, THAT'S STREET. 296 00:10:48,958 --> 00:10:50,888 - WHAT'S YOUR NAME? - UH, I'M KAREN. 297 00:10:50,926 --> 00:10:51,996 - KAREN. - THIS IS KIM. 298 00:10:52,030 --> 00:10:55,450 - KIM. KAREN. CORY. COOL. 299 00:10:55,482 --> 00:10:58,112 BRAVERMAN. 300 00:10:58,140 --> 00:11:00,110 - THAT'S MY NAME. 301 00:11:00,142 --> 00:11:02,252 YEAH. 302 00:11:02,282 --> 00:11:05,182 OKAY, WELL, UH... 303 00:11:05,216 --> 00:11:07,176 - WE HAVE THE STATEMENT FROM THE MUNSON CORPORATION, 304 00:11:07,218 --> 00:11:09,768 BUT WE'RE STILL WAITING ON THE DISCOVERY FROM ERIC GAINER, 305 00:11:09,807 --> 00:11:11,737 SO I EXPECT THAT BY THIS AFTERNOON. 306 00:11:11,774 --> 00:11:14,714 DO YOU MIND IF I CATCH UP WITH YOU? 307 00:11:29,240 --> 00:11:30,450 - HEY. 308 00:11:30,482 --> 00:11:33,182 - OH, MY GOD, YOU REEK! 309 00:11:33,209 --> 00:11:35,519 - YOU'RE SO CUTE. OOH. 310 00:11:35,556 --> 00:11:37,936 - AMBER, I KNOW YOU'RE VERY UPSET 311 00:11:37,973 --> 00:11:39,253 ABOUT NOT GETTING INTO COLLEGE, 312 00:11:39,284 --> 00:11:40,874 BUT THIS IS NOT HOW YOU DEAL WITH THINGS. 313 00:11:40,907 --> 00:11:43,147 - AROMATHERAPY. - YOU ARE HUMILIATING. 314 00:11:43,185 --> 00:11:45,495 - I-I CAN EXPLAIN, AND I UNDERSTAND WHAT YOU'RE SAYING, 315 00:11:45,532 --> 00:11:47,532 AND YOU'RE SO NICE, AND I APPRECIATE EVERYTHING, 316 00:11:47,568 --> 00:11:49,738 BUT, LIKE, I'M NOT GONNA BE A LAWYER. 317 00:11:49,778 --> 00:11:51,428 - CLEARLY. - AND NOW I DON'T NEED MONEY, 318 00:11:51,469 --> 00:11:52,919 BECAUSE I'M NOT GONNA GO TO COLLEGE. 319 00:11:52,953 --> 00:11:54,303 DO YOU KNOW WHAT I MEAN? 320 00:11:54,334 --> 00:11:55,964 I DON'T WANT TO BE IN HERE IF I DON'T HAVE TO, 321 00:11:55,991 --> 00:11:59,101 AND I DON'T HAVE TO, SO I QUIT. 322 00:11:59,132 --> 00:12:01,342 I'M SORRY, BUT I QUIT. - AMBER. AMBER. 323 00:12:01,375 --> 00:12:03,135 - I JUST CAN'T TAKE MYSELF SO SERIOUSLY, YOU KNOW? 324 00:12:03,170 --> 00:12:04,760 THIS IS RIDICULOUS. LOOK AT THIS. 325 00:12:04,793 --> 00:12:06,283 WHAT, I WANT THIS? I DON'T WANT THIS. 326 00:12:06,311 --> 00:12:08,211 AND, LOOK, THERE'S NOT EVEN SUNLIGHT IN HERE. 327 00:12:08,244 --> 00:12:11,144 I MEAN, THIS IS, LIKE, A NIGHTMARE, RIGHT, GUYS? 328 00:12:11,178 --> 00:12:13,218 I DON'T WANT THIS. DO YOU GUYS WANT THIS? 329 00:12:13,249 --> 00:12:14,909 THIS IS-- THIS ISN'T EVEN, UH, REAL. 330 00:12:14,941 --> 00:12:16,111 THIS IS TERRIBLE. 331 00:12:16,149 --> 00:12:17,769 I'M SORRY. PLEASE DON'T BE MAD. 332 00:12:17,806 --> 00:12:19,906 - AMBER. - I'LL SEE YOU SOON, OKAY? 333 00:12:25,606 --> 00:12:29,156 [indie rock music playing, knock at door] 334 00:12:29,196 --> 00:12:31,406 - HEY, HONEY. 335 00:12:31,440 --> 00:12:33,510 - HEY. - DOING HOMEWORK? 336 00:12:33,545 --> 00:12:34,855 - KIND OF. LISTENING TO MUSIC. 337 00:12:34,892 --> 00:12:36,132 - THAT'S COOL. 338 00:12:36,169 --> 00:12:37,239 - YEAH. 339 00:12:37,273 --> 00:12:40,043 - I JUST--I WANTED TO TALK TO YOU ABOUT SOMETHING. 340 00:12:40,069 --> 00:12:41,349 - OKAY. 341 00:12:41,381 --> 00:12:42,551 - OKAY. 342 00:12:42,589 --> 00:12:46,109 UM, IT'S--ACTUALLY... 343 00:12:46,144 --> 00:12:48,944 THIS MIGHT MAKE YOU A LITTLE BIT UNCOMFORTABLE, 344 00:12:48,975 --> 00:12:51,865 UM, BUT I JUST NEED TO ASK YOU A QUESTION. 345 00:12:51,909 --> 00:12:54,599 - OKAY. 346 00:12:54,635 --> 00:12:57,185 - ARE YOU AND ALEX HAVING SEX? 347 00:13:01,953 --> 00:13:03,513 - NO. 348 00:13:03,541 --> 00:13:05,611 - HADDIE. - NO. NO. 349 00:13:05,646 --> 00:13:06,956 - OKAY. - OKAY. 350 00:13:06,993 --> 00:13:10,313 - BECAUSE--NO SORT OF INTERCOURSE OR SEX. 351 00:13:10,341 --> 00:13:11,451 - I SAID "NO" THREE TIMES. 352 00:13:11,480 --> 00:13:13,070 - OKAY, 'CAUSE IF YOU WERE, 353 00:13:13,102 --> 00:13:15,902 I'D WANT YOU TO KNOW THAT YOU COULD TALK TO ME ABOUT IT. 354 00:13:15,933 --> 00:13:17,873 - OKAY, I HEAR YOU. 355 00:13:17,900 --> 00:13:19,490 - 'CAUSE I'M HERE FOR YOU. 356 00:13:19,522 --> 00:13:21,082 SO THE ANSWER IS, NO, YOU'RE NOT? 357 00:13:21,110 --> 00:13:22,080 - RIGHT. 358 00:13:22,111 --> 00:13:24,841 I MEAN, WHAT-- YOU WERE MY AGE OR SOMETHING 359 00:13:24,873 --> 00:13:26,363 WHEN YOU FIRST HAD SEX? 360 00:13:26,391 --> 00:13:30,291 IS THAT WHAT'S GOING ON? 361 00:13:30,326 --> 00:13:32,496 - I WAS NOT. I WAS 22. 362 00:13:32,535 --> 00:13:34,845 I WAS 22, AT COLLEGE. 363 00:13:34,883 --> 00:13:36,853 - WOW. 364 00:13:36,885 --> 00:13:37,955 - IT'S A BIG STEP. 365 00:13:37,989 --> 00:13:40,849 I JUST DECIDED THAT I WANTED TO WAIT. 366 00:13:40,889 --> 00:13:43,099 - OKAY. - SO... 367 00:13:43,132 --> 00:13:44,582 - OKAY. - ALL RIGHT. 368 00:13:44,616 --> 00:13:49,066 CONTINUE. I'LL JUST, UM... 369 00:13:49,104 --> 00:13:52,594 HOWEVER, HADDIE, IF YOU ARE WANTING TO TALK ABOUT IT, 370 00:13:52,624 --> 00:13:54,974 I WANT TO TALK TO YOU, OKAY? 371 00:13:55,006 --> 00:13:58,906 - OKAY. 372 00:13:58,941 --> 00:14:01,221 - OKAY. 373 00:14:08,226 --> 00:14:09,636 - I JUST CAN'T DO THIS WITH YOU RIGHT NOW. 374 00:14:09,676 --> 00:14:11,126 - ...OR NONE OF IT'S SUNK IN. 375 00:14:11,160 --> 00:14:12,510 YOU'RE GONNA GO UP AND JUST HIDE IN YOUR ROOM. 376 00:14:12,541 --> 00:14:14,231 - I'M JUST EXHAUSTED... [overlapping arguing] 377 00:14:14,267 --> 00:14:16,227 - WELL, WHY DON'T YOU NOT MAKE ME CHASE YOU UP THE STAIRS... 378 00:14:16,269 --> 00:14:18,099 - I JUST NEED A LITTLE BIT OF ALONE TIME. 379 00:14:18,133 --> 00:14:19,173 - YOU NEED ALONE TIME? 380 00:14:19,203 --> 00:14:21,033 - YOU'RE NOT GONNA FOLLOW ME IN HERE, ARE YOU? 381 00:14:21,067 --> 00:14:22,207 - YEAH, I'M GONNA FOLLOW YOU IN HERE. 382 00:14:22,240 --> 00:14:23,590 - IT'S KIND OF A PRIVATE MATTER, BUT I GUESS I'LL WAIT. 383 00:14:23,621 --> 00:14:24,931 - THAT'S THE KIND OF SUPER MOM I AM. 384 00:14:24,967 --> 00:14:26,307 I'M JUST WONDERING WHO YOU WANT TO BE. 385 00:14:26,348 --> 00:14:27,208 DO YOU WANT TO BE THE PERSON 386 00:14:27,245 --> 00:14:29,005 WHO GETS HIGH AND YELLS AT YOUR AUNT? 387 00:14:29,040 --> 00:14:30,180 - I DON'T KNOW WHO I WANT TO BE YET. 388 00:14:30,214 --> 00:14:31,014 I NEED TO FIGURE IT OUT, OKAY? 389 00:14:31,042 --> 00:14:32,322 I'M JUST TRYING TO FIGURE IT OUT. 390 00:14:32,354 --> 00:14:35,184 AND I FEEL REALLY BAD ABOUT WHAT HAPPENED AT THE OFFICE, OKAY? 391 00:14:35,219 --> 00:14:36,149 - GOOD. 392 00:14:36,185 --> 00:14:38,075 - AND I WAS NOT TRYING TO BE MEAN TO HER. 393 00:14:38,118 --> 00:14:39,598 I JUST WAS TRYING TO, YOU KNOW, 394 00:14:39,637 --> 00:14:41,287 SAY WHAT I FELT IN THE MOMENT. 395 00:14:41,328 --> 00:14:42,668 - YOU CAN'T SAY WHAT YOU FEEL IN THE MOMENT. 396 00:14:42,709 --> 00:14:44,119 THAT'S WHAT A CHILD DOES. 397 00:14:44,159 --> 00:14:45,019 AND YOU'VE BEEN TELLING ME 398 00:14:45,056 --> 00:14:46,676 YOU WANT TO BE TREATED LIKE AN ADULT, 399 00:14:46,713 --> 00:14:48,133 SO YOU HAVE TO ACT LIKE ONE. 400 00:14:48,163 --> 00:14:49,373 YOU HAVE TO FIGURE OUT WHAT YOU'RE GONNA DO. 401 00:14:49,405 --> 00:14:51,235 I KNOW IT WAS A SETBACK NOT TO GET INTO SCHOOL, 402 00:14:51,269 --> 00:14:53,099 BUT WE JUST HAVE TO THINK ABOUT, YOU KNOW, 403 00:14:53,133 --> 00:14:55,933 WHAT'S THE NEXT YEAR GONNA BE. 404 00:14:58,725 --> 00:15:00,305 I THINK WE SHOULD-- 405 00:15:00,347 --> 00:15:03,277 AND DON'T SAY "NO" TO ME. 406 00:15:03,316 --> 00:15:06,276 WE NEED TO HAVE PASTA. 407 00:15:08,114 --> 00:15:08,944 - PASTA. 408 00:15:08,977 --> 00:15:10,387 - WE NEED TO GO TO THE "FARFALLALA," 409 00:15:10,426 --> 00:15:11,946 WHATEVER IT'S CALLED. 410 00:15:11,980 --> 00:15:13,460 - AT THIS POINT, IT'S WORTH A TRY. 411 00:15:13,498 --> 00:15:15,258 - I MEAN, WHAT OPTIONS DO WE HAVE, REALLY? 412 00:15:15,293 --> 00:15:16,503 - NOT MANY. 413 00:15:16,536 --> 00:15:21,056 WE'LL EAT THE PASTA. WE'LL FIGURE IT OUT. 414 00:15:21,092 --> 00:15:23,512 [saw whirring] 415 00:15:26,787 --> 00:15:29,167 - [exhales sharply] 416 00:15:33,277 --> 00:15:35,417 [groans] 417 00:15:35,451 --> 00:15:38,561 - LOOK WHAT THE HOME-IMPROVEMENT STORK DELIVERED US. 418 00:15:38,592 --> 00:15:40,322 - UH-OH. WHAT DO YOU GOT? 419 00:15:40,353 --> 00:15:42,323 - HOW ABOUT SOME KITCHEN TILES? 420 00:15:42,355 --> 00:15:44,145 LOOK AT THESE BAD LARRYS. 421 00:15:44,184 --> 00:15:45,434 - OH, WOW. 422 00:15:45,461 --> 00:15:48,671 UM, THEY'RE THE WRONG COLOR. 423 00:15:48,706 --> 00:15:52,256 - LIGHT BLUE. - THESE ARE AQUA BLUE. 424 00:15:52,296 --> 00:15:54,086 - THEY'RE LIGHT BLUE, MAN. 425 00:15:54,125 --> 00:15:55,535 - WELL, THEY'RE LIGHT AQUA-- 426 00:15:55,575 --> 00:15:59,295 THIS IS WHAT YOU WOULD SEE IN THE LITTLE MERMAID'S KITCHEN. 427 00:15:59,337 --> 00:16:00,577 - OKAY, WELL... 428 00:16:00,614 --> 00:16:03,274 - WE GOT TO ORDER NEW ONES. - WE'RE NOT ORDERING NEW ONES. 429 00:16:03,307 --> 00:16:05,377 THAT'S GONNA TAKE ONE WEEK, MAYBE TWO WEEKS. 430 00:16:05,412 --> 00:16:07,792 - ALL RIGHT, SO IT TAKES A WEEK. 431 00:16:07,828 --> 00:16:09,998 - WE'RE USING THESE TILES. 432 00:16:10,038 --> 00:16:12,178 - LISTEN, JOEL, IT'S GOT TO BE PERFECT, MAN. 433 00:16:12,212 --> 00:16:14,252 YOU CAN'T PUT THOSE IN THERE. 434 00:16:14,283 --> 00:16:15,563 - IT'S A HOUSE, CROSBY. 435 00:16:15,595 --> 00:16:18,315 IT'S GONNA DO WHATEVER IT'S GONNA DO. 436 00:16:18,356 --> 00:16:21,766 AND--AND KITCHEN TILES AREN'T GONNA BE THE DEAL BREAKER HERE. 437 00:16:21,808 --> 00:16:23,468 YOU... 438 00:16:23,499 --> 00:16:27,119 YOU HAVE GOT TO SHOW HER THIS PLACE. 439 00:16:27,158 --> 00:16:28,538 DO YOU UNDERSTAND? 440 00:16:28,573 --> 00:16:33,273 I KNOW IT'S GONNA BE HARD, BUT YOU JUST... 441 00:16:33,302 --> 00:16:35,722 YOU GOT TO FIND OUT. 442 00:16:55,186 --> 00:16:57,256 - HEY. 443 00:16:57,292 --> 00:16:59,232 - HEY. HOW ARE YA? 444 00:16:59,259 --> 00:17:01,709 - UM, I-- - YOU OKAY? 445 00:17:01,744 --> 00:17:03,264 - YEAH, I'M JUST GONNA SAY IT. 446 00:17:03,298 --> 00:17:05,508 UH... - SAY WHAT? 447 00:17:05,541 --> 00:17:08,821 - ALEX AND I HAVE HAD SEX. 448 00:17:18,313 --> 00:17:20,693 UH... 449 00:17:20,729 --> 00:17:23,209 - OKAY. 450 00:17:23,249 --> 00:17:27,219 I JUST DON'T, UH, HAVE ANY IDEA WHAT TO SAY RIGHT NOW. 451 00:17:27,253 --> 00:17:29,263 - I GUESS I SHOULDN'T HAVE TOLD YOU. 452 00:17:29,289 --> 00:17:30,569 - NO, NO, NO, NO, YOU SHOULD HAVE. 453 00:17:30,601 --> 00:17:33,261 I MEAN, ACTUALLY, UH, WE HAD A FEELING 454 00:17:33,293 --> 00:17:34,883 THAT, YOU KNOW, MAYBE-- - WHO'S "WE"? 455 00:17:34,915 --> 00:17:38,225 - DAD AND I. WE HAD A FEELING THAT, YOU KNOW... 456 00:17:38,264 --> 00:17:40,134 HONEY, HE'S YOUR DAD. 457 00:17:40,162 --> 00:17:43,172 IT IS WHAT IT IS, YOU KNOW? 458 00:17:43,200 --> 00:17:46,340 IT IS WHAT IT IS, SO IT'S OKAY. 459 00:17:49,792 --> 00:17:52,762 IS, UM--IS HE PRESSURING YOU TO DO THIS, HONEY? 460 00:17:52,795 --> 00:17:54,175 - NO. - 'CAUSE IF HE IS... 461 00:17:54,211 --> 00:17:56,771 - NO. 462 00:17:56,799 --> 00:17:58,319 - ARE YOU BEING CAREFUL? 463 00:17:58,353 --> 00:18:00,363 ARE YOU USING A CONDOM, UM, SOME SORT OF PROTECTION? 464 00:18:00,389 --> 00:18:02,219 - YES. YES. 465 00:18:02,253 --> 00:18:05,293 - OKAY. 466 00:18:05,325 --> 00:18:08,115 - HOW DID YOU GUYS KNOW? 467 00:18:12,298 --> 00:18:16,678 - UM, WE JUST HAD A FEELING... 468 00:18:16,716 --> 00:18:19,266 PARENTS' INTUITION. 469 00:18:19,305 --> 00:18:22,615 - OKAY. WELL, THAT'S IT. 470 00:18:38,186 --> 00:18:41,256 - OKAY. THAT'S JACK KRAFT. 471 00:18:41,292 --> 00:18:42,952 - THAT IS? HE'S CUTE. 472 00:18:42,983 --> 00:18:46,193 - YEAH. THAT'S WHAT HE THINKS. 473 00:18:47,229 --> 00:18:49,229 - OH, HE WAVED. 474 00:18:49,266 --> 00:18:52,226 - I DON'T THINK HE SAW YOU. 475 00:18:52,269 --> 00:18:54,199 - YES, HE DID. 476 00:18:54,236 --> 00:18:56,886 - I'LL BE RIGHT BACK. - DAD. DAD. 477 00:18:56,928 --> 00:18:57,898 DAD. 478 00:18:57,929 --> 00:19:01,379 - HANG ON. 479 00:19:01,416 --> 00:19:03,516 EXCUSE ME. HI. 480 00:19:03,556 --> 00:19:05,316 HOW DO YOU DO? 481 00:19:05,351 --> 00:19:06,661 JUST WANTED TO-- MR. KRAFT. 482 00:19:06,697 --> 00:19:07,657 - YEAH. 483 00:19:07,698 --> 00:19:09,178 - ZEEK BRAVERMAN. - HI. 484 00:19:09,217 --> 00:19:10,427 - IT'S REALLY AN HONOR TO MEET YOU. 485 00:19:10,459 --> 00:19:11,529 - THANK YOU VERY MUCH. 486 00:19:11,564 --> 00:19:13,674 - I THINK YOU RECOGNIZE THAT GENTLEMAN OVER THERE, 487 00:19:13,704 --> 00:19:15,264 GILLIAM T. BLOUNT? 488 00:19:15,292 --> 00:19:16,292 COULD YOU COME OVER AND SAY HI? 489 00:19:16,327 --> 00:19:18,257 - WELL, YOU KNOW WHAT? I'M ACTUALLY KIND OF... 490 00:19:18,295 --> 00:19:21,255 - YOU KNOW WHAT? THAT WASN'T REALLY A REQUEST. 491 00:19:21,298 --> 00:19:24,198 I MEAN, DIDN'T HE GIVE YOU YOUR FIRST BREAK IN SHOW BUSINESS? 492 00:19:24,232 --> 00:19:25,612 NOW, COME ON. 493 00:19:25,647 --> 00:19:27,337 WHAT THE HECK, HUH? - SURE. 494 00:19:27,373 --> 00:19:30,823 - GOT YOU YOUR FIRST GIG, GOT YOU STARTED AND ALL THAT. 495 00:19:30,859 --> 00:19:33,339 - HE'S GONNA NEED A LITTLE SOFTENING UP, 496 00:19:33,379 --> 00:19:35,689 BECAUSE OUR LAST EXCHANGE WAS NOT SO GREAT. 497 00:19:35,726 --> 00:19:36,656 - OH. 498 00:19:36,692 --> 00:19:38,902 - SURE. HI. - THANK YOU. 499 00:19:38,936 --> 00:19:40,416 - GILLIAM, HOW YOU DOING? - GOOD. 500 00:19:40,455 --> 00:19:41,865 YOU'VE BEEN DOING GOOD. 501 00:19:41,904 --> 00:19:43,424 - THANKS. THANKS A LOT. HI. 502 00:19:43,458 --> 00:19:44,318 - HI. 503 00:19:44,355 --> 00:19:45,935 - LISTEN, UM, I HAVE A NEW PROJECT, 504 00:19:45,977 --> 00:19:47,497 AND IT'S GREAT. 505 00:19:47,531 --> 00:19:49,711 THIS IS THE AUTHOR, SARAH BRAVERMAN. 506 00:19:49,740 --> 00:19:51,360 - HI. VERY NICE TO MEET YOU. 507 00:19:51,397 --> 00:19:52,257 - NICE TO MEET YOU TOO. 508 00:19:52,294 --> 00:19:53,644 - SHE'S WRITTEN QUITE A UNIQUE PLAY-- 509 00:19:53,675 --> 00:19:55,675 A COMBINATION OF MILLER AND WASSERSTEIN. 510 00:19:55,711 --> 00:19:56,921 - WOW. - IT'S FUNNY, AND... 511 00:19:56,954 --> 00:19:58,064 - I COULD NEVER LIVE UP TO THAT. 512 00:19:58,093 --> 00:20:00,483 - THAT'S A RINGING ENDORSEMENT FROM GILLIAM BLOUNT, 513 00:20:00,509 --> 00:20:01,859 WHO'S A LEGEND. 514 00:20:01,890 --> 00:20:03,930 I MEAN, IF WE ALL HAD ONE-TENTH OF THE CAREER YOU HAD, 515 00:20:03,961 --> 00:20:05,691 GILLIAM, THEN I THINK WE'D ALL BE VERY LUCKY. 516 00:20:05,721 --> 00:20:07,031 SO, GOOD LUCK. THANKS FOR COMING TONIGHT. 517 00:20:07,067 --> 00:20:08,787 HAVE A GOOD TIME. - WHY DON'T YOU READ IT? 518 00:20:08,828 --> 00:20:11,658 - YOU KNOW WHAT? IT'S ALL ABOUT GLAD-HANDING TONIGHT. 519 00:20:11,693 --> 00:20:13,703 I REALLY CAN'T MAKE THOSE PROMISES. 520 00:20:13,729 --> 00:20:15,519 GREAT TO MEET YOU. - VERY NICE TO MEET YOU. 521 00:20:15,559 --> 00:20:17,039 - JACK--JACK, DON'T. 522 00:20:17,077 --> 00:20:19,357 DON'T BLOW HER OFF BECAUSE OF ME. 523 00:20:19,390 --> 00:20:21,770 - GILLIAM, YOU'RE FORGETTING 524 00:20:21,806 --> 00:20:24,326 THAT YOU TOLD SAM SHEPARD THAT I WAS INCOMPETENT. 525 00:20:24,361 --> 00:20:26,291 - YOU DID? 526 00:20:26,328 --> 00:20:29,568 - I TOLD HIM THAT YOU WEREN'T RIGHT FOR THAT PARTICULAR PLAY. 527 00:20:29,607 --> 00:20:31,917 - YOU SAID "INCOMPETENT." THAT'S WHAT YOU DID. 528 00:20:31,954 --> 00:20:35,034 - YES. YES, I DID. 529 00:20:35,061 --> 00:20:38,001 AND THAT'S WHAT YOU WERE, AND NOW YOU'RE NOT. 530 00:20:38,029 --> 00:20:39,999 - THERE'S HOPE FOR US ALL, THEN, I GUESS. 531 00:20:40,031 --> 00:20:40,891 - WOW, I MEAN... 532 00:20:40,929 --> 00:20:42,659 - REALLY GOOD MEETING YOU. GOOD LUCK. 533 00:20:42,689 --> 00:20:45,309 HAVE SOME DRINKS. SEE YOU ALL LATER. 534 00:20:49,351 --> 00:20:52,041 - JACK. - OH, THERE HE IS. 535 00:20:52,078 --> 00:20:55,318 THANK YOU VERY, VERY MUCH. BYE-BYE. 536 00:20:57,325 --> 00:20:58,565 - UH, MR. KRAFT. 537 00:20:58,602 --> 00:21:01,052 MR., UH, KRAFT. HI. HI. 538 00:21:01,087 --> 00:21:02,607 - HEY. WOW. - SORRY. 539 00:21:02,640 --> 00:21:06,300 I WANTED TO JUST SAY THAT I-- HAVING WORKED WITH GIL-- 540 00:21:06,334 --> 00:21:09,064 KNOW WHAT AN INCREDIBLE PILL HE CAN BE, AND I'M-- 541 00:21:09,095 --> 00:21:10,335 - GIL THE PILL. 542 00:21:10,372 --> 00:21:13,412 - AND I'M SORRY FOR WHATEVER THE HISTORY IS WITH YOU GUYS. 543 00:21:13,444 --> 00:21:14,864 - IT'S ALL RIGHT. 544 00:21:14,894 --> 00:21:17,074 - I HOPE THAT YOU'LL BE ABLE TO READ MY PLAY UNBIASED. 545 00:21:17,103 --> 00:21:19,073 - UH-HUH. YOU OKAY? 546 00:21:19,105 --> 00:21:20,445 - YEAH, I'M OKAY. I'M NERVOUS. 547 00:21:20,486 --> 00:21:22,726 - WELL, I'VE GOT AN ARMY OF READERS, 548 00:21:22,764 --> 00:21:24,324 AND THEY LOOK AT ALL THE SUBMISSIONS, 549 00:21:24,352 --> 00:21:25,562 AND THE BEST ONES END UP ON MY DESK, 550 00:21:25,594 --> 00:21:27,804 AND I READ THOSE UNBIASED. 551 00:21:27,838 --> 00:21:29,808 - OKAY, I DON'T WANT TO BE READ BY THE ARMY. 552 00:21:29,840 --> 00:21:32,500 I WANT TO BE READ BY YOU. 553 00:21:32,532 --> 00:21:33,842 - AY. 554 00:21:33,878 --> 00:21:35,778 OKAY. UH, SARAH...WHAT? 555 00:21:35,811 --> 00:21:37,091 - BRAVERMAN. SARAH BRAVERMAN. 556 00:21:37,123 --> 00:21:38,643 - OKAY, SARAH BRAVERMAN, 557 00:21:38,676 --> 00:21:41,086 SO, UH, WHERE MIGHT I HAVE SEEN YOU WORK BEFORE? 558 00:21:41,127 --> 00:21:44,027 - [laughs] - THAT'S FUNNY BECAUSE...? 559 00:21:44,061 --> 00:21:45,991 - NOWHERE. 560 00:21:46,028 --> 00:21:48,028 - YOU'VE NEVER HAD A PLAY PRODUCED? 561 00:21:48,065 --> 00:21:49,955 - BETTER--I'VE NEVER WRITTEN A PLAY BEFORE. 562 00:21:49,998 --> 00:21:52,068 - SO YOU'VE BEEN ON THE EARTH A LONG TIME 563 00:21:52,103 --> 00:21:54,493 WITHOUT HAVING EVER WRITTEN A PLAY. 564 00:21:54,520 --> 00:21:55,830 NO OFFENSE. 565 00:21:55,866 --> 00:21:58,966 - LISTEN, UH, YES, NO, YOU'RE--YOU'RE RIGHT. 566 00:21:59,007 --> 00:22:01,037 BUT, YOU KNOW, MARGARET EDSON WROTE WITWHEN SHE WAS 35, 567 00:22:01,078 --> 00:22:02,938 AND SHE WAS A KINDERGARTEN TEACHER, 568 00:22:02,976 --> 00:22:04,626 AND IT WON THE PULITZER PRIZE IN 1999, 569 00:22:04,668 --> 00:22:06,388 SO I THINK YOU SHOULD, UH... - I'M VERY AWARE OF WIT. 570 00:22:06,428 --> 00:22:09,808 - READ MY PLAY, PLEASE, BECAUSE I BELIEVE IN IT, 571 00:22:09,845 --> 00:22:12,775 AND IT IS REALLY IMPORTANT TO ME. 572 00:22:14,678 --> 00:22:17,648 - WELL, UH, SARAH BRAVERMAN, I'LL TELL YOU WHAT-- 573 00:22:17,681 --> 00:22:19,921 I WILL READ YOUR PLAY. 574 00:22:19,959 --> 00:22:21,409 - WOW. - OKAY? 575 00:22:21,443 --> 00:22:22,763 - REALLY? - YES, I PROMISE. 576 00:22:22,789 --> 00:22:23,759 - THANK YOU VERY MUCH. 577 00:22:23,790 --> 00:22:25,410 - GET OUT OF MY WAY, PLEASE. - ARE YOU SURE? 578 00:22:25,447 --> 00:22:26,587 - UH, I'M SURE, YEAH. - OKAY. 579 00:22:26,621 --> 00:22:28,141 - YOU'RE FRIGHTENING ME ONLY A LITTLE BIT. 580 00:22:28,174 --> 00:22:29,524 - THANK YOU SO MUCH. - YOU'RE WELCOME. 581 00:22:29,555 --> 00:22:30,965 - THANK YOU. - BYE. HAVE A GOOD NIGHT. 582 00:22:31,004 --> 00:22:33,044 - THAT'S AWESOME. - THANKS FOR COMING. 583 00:22:48,953 --> 00:22:49,923 - HEY. 584 00:22:49,954 --> 00:22:51,964 - HEY. 585 00:22:56,029 --> 00:22:58,479 SO I TALKED TO HADDIE. 586 00:22:58,515 --> 00:22:59,685 - YEAH? 587 00:22:59,723 --> 00:23:01,483 - MM-HMM. 588 00:23:01,518 --> 00:23:06,138 AND WHAT WE THOUGHT WE HEARD HER DOING... 589 00:23:06,177 --> 00:23:07,967 SHE'S DOING. 590 00:23:26,197 --> 00:23:29,097 - SO SHE'S HAVING SEX. 591 00:23:29,131 --> 00:23:30,581 - MM-HMM. 592 00:23:30,616 --> 00:23:33,196 - [scoffs] 593 00:23:36,173 --> 00:23:40,003 - HMM. 594 00:23:40,039 --> 00:23:42,729 ALL RIGHT, WELL, DID YOU TELL HER TO USE PROTECTION? 595 00:23:42,766 --> 00:23:43,726 - I DID. 596 00:23:43,767 --> 00:23:44,767 - AND YOU TOLD HER TO DO IT 597 00:23:44,802 --> 00:23:45,942 BECAUSE SHE WANTS TO BE DOING IT, 598 00:23:45,976 --> 00:23:48,146 AND BE DOING IT WITH SOMEBODY THAT SHE CARES ABOUT... 599 00:23:48,185 --> 00:23:49,075 - SHE WANTS TO DO IT, 600 00:23:49,117 --> 00:23:51,597 AND I TALKED TO HER ABOUT EVERYTHING. 601 00:23:51,637 --> 00:23:53,427 - ALL RIGHT. 602 00:23:57,194 --> 00:24:01,034 YEAH, I GUESS THAT'S IT, THEN. - I MEAN, I-- 603 00:24:09,620 --> 00:24:10,970 - I'M LOVING THIS IDEA. 604 00:24:11,001 --> 00:24:12,111 - THAT WAS KAREN'S IDEA. 605 00:24:12,140 --> 00:24:13,900 - YEAH, THAT WAS KAREN'S, RIGHT? 606 00:24:13,935 --> 00:24:16,005 KAREN, YOU'RE A GENIUS. 607 00:24:16,040 --> 00:24:17,660 YO, BRAVERMAN. - YEAH? 608 00:24:17,697 --> 00:24:19,147 - DON'T HATE, MAN. COME ON IN. 609 00:24:19,181 --> 00:24:22,121 CELEBRATE. - I'M NOT HATING, ALL RIGHT? 610 00:24:22,150 --> 00:24:23,810 - OKAY. ALL RIGHT, MAN. 611 00:24:23,841 --> 00:24:25,191 - LITTLE FLOOR SKATEBOARD YOU GOT HERE. 612 00:24:25,222 --> 00:24:28,292 - OKAY. WHOA. OKAY. ARE YOU OKAY? 613 00:24:28,328 --> 00:24:29,708 - YEAH, I'M FINE. - OKAY. 614 00:24:29,744 --> 00:24:31,264 ALL RIGHT, MAN, YOU REMEMBER SPYDER? 615 00:24:31,297 --> 00:24:33,127 - I DO. - YES, BRAVERMAN. 616 00:24:33,161 --> 00:24:34,271 - SPYDER. - WHAT'S UP? 617 00:24:34,300 --> 00:24:35,820 - GOOD TO SEE YOU. 618 00:24:35,853 --> 00:24:36,893 - YEAH, FINISH IT OFF. 619 00:24:36,923 --> 00:24:38,173 - BOOM. - THERE YOU GO. 620 00:24:38,200 --> 00:24:39,060 - YEAH. - YEAH. 621 00:24:39,098 --> 00:24:41,068 CHECK OUT WHAT SPYDER WAS ABLE TO DO 622 00:24:41,100 --> 00:24:43,270 IN, LIKE, UNDER TWO HOURS, MAN. 623 00:24:43,309 --> 00:24:45,139 LOOK AT THIS. - WOW. 624 00:24:45,173 --> 00:24:46,973 - YES. - YES. 625 00:24:47,002 --> 00:24:49,182 - YEAH, IT'S JUST, LIKE, THE IDEAS KEEP COMING TOO. 626 00:24:49,211 --> 00:24:50,971 IT'S, LIKE, FLOWING DOWN FROM THE MOUNTAINTOP, 627 00:24:51,006 --> 00:24:52,206 AND I CAN'T STOP. 628 00:24:52,249 --> 00:24:53,839 - ALL RIGHT. THAT'S EXCELLENT. 629 00:24:53,871 --> 00:24:57,321 - KAREN, MY SWEET, SHOW HIM THE MOCK-UP. 630 00:24:57,357 --> 00:25:00,287 - UH... 631 00:25:00,326 --> 00:25:02,666 YOU KNOW WHAT? THAT LOOKS REALLY GOOD. 632 00:25:02,708 --> 00:25:04,188 - SEE HOW YOU HAD TO LEAN IN ON THAT? 633 00:25:04,226 --> 00:25:05,536 YOU--YOU GOOD, KAREN? 634 00:25:05,573 --> 00:25:07,203 - YEAH. YEAH, IT'S FABULOUS. 635 00:25:07,229 --> 00:25:09,959 I'M JUST-- I THINK IT'S WONDERFUL. 636 00:25:09,991 --> 00:25:11,161 - UH-HUH. EXCELLENT. 637 00:25:11,199 --> 00:25:12,889 - SHE'S GREAT. KAREN'S GREAT. 638 00:25:12,925 --> 00:25:15,815 - AND GREAT NEWS, MAN-- I HIRED SPYDER, MAN. 639 00:25:15,859 --> 00:25:16,959 - YOU DID? 640 00:25:16,998 --> 00:25:18,548 - I MEAN, I DIDN'T HIRE SPIDER-MAN. 641 00:25:18,586 --> 00:25:21,206 I HIRED SPYDER, MAN. ISN'T THAT INSPIRING, MAN? 642 00:25:21,243 --> 00:25:23,043 - IT IS. I'M--I'M VERY HAPPY. 643 00:25:23,073 --> 00:25:24,253 A MILLION IDEAS-- I GOT IT. 644 00:25:24,281 --> 00:25:25,871 LISTEN, DID YOU TELL EDDIE? 645 00:25:25,903 --> 00:25:28,673 EDDIE'S THE HEAD OF THE DESIGN DEPARTMENT. 646 00:25:28,699 --> 00:25:30,249 - IS EDDIE BLOND? 647 00:25:30,287 --> 00:25:32,247 - NO, HE'S GOT DARK HAIR. HE'S GOT A BEARD. 648 00:25:32,289 --> 00:25:36,189 - NO, UM, DO YOU WANT TO DO THAT? 649 00:25:36,224 --> 00:25:37,744 - YEAH. - OKAY, GREAT. 650 00:25:37,777 --> 00:25:39,087 - YEAH, I'LL TAKE CARE OF THAT. 651 00:25:39,123 --> 00:25:40,333 - NICE, MAN. - OKAY. 652 00:25:40,366 --> 00:25:41,366 - ALL RIGHT. COOL. 653 00:25:41,401 --> 00:25:43,131 - THAT'S A HAPPY-LOOKING CLOUD IN THOSE SHOES. 654 00:25:43,162 --> 00:25:44,092 THAT'S GREAT. 655 00:25:44,128 --> 00:25:46,128 - WELL, PEOPLE ARE GONNA WEAR THE SHOES... 656 00:25:46,165 --> 00:25:48,195 - ALL RIGHT, BRAVERMAN. DON'T BE SHY, MAN. 657 00:25:48,236 --> 00:25:49,816 COME BACK LATER. WE'LL BE PARTYING. 658 00:25:49,858 --> 00:25:50,718 - BYE, BRAVERMAN. 659 00:25:50,756 --> 00:25:52,686 - ALL RIGHT, COOL. MORE CLOUDS, MAN. 660 00:25:52,723 --> 00:25:54,353 - THOUGHT YOU SAID I WAS THE HEAD. 661 00:25:54,380 --> 00:25:57,040 - HEY, SYDNEY. - HI, JABBAR. 662 00:25:57,072 --> 00:25:59,212 LET'S GO UP AND PLAY. COME ON. 663 00:25:59,247 --> 00:26:00,767 - WHAT WAS THAT? 664 00:26:00,800 --> 00:26:02,600 I'M SO SORRY THEY DON'T GET ALONG. 665 00:26:02,630 --> 00:26:04,220 OH, NO. 666 00:26:04,252 --> 00:26:06,052 - WELL, THANKS FOR HAVING HIM. 667 00:26:06,081 --> 00:26:07,081 - OF COURSE. 668 00:26:07,117 --> 00:26:08,977 - WHAT TIME DO YOU THINK I SHOULD PICK HIM UP? 669 00:26:09,015 --> 00:26:10,635 - AFTER DINNER? IS THAT ALL RIGHT? 670 00:26:10,672 --> 00:26:11,782 - YEAH. - OKAY, COOL. 671 00:26:11,811 --> 00:26:13,091 - COOL. THANK YOU. 672 00:26:13,123 --> 00:26:14,093 - YES. - BYE. 673 00:26:14,124 --> 00:26:15,954 - HEY, UM, JAS. - YEAH? 674 00:26:15,988 --> 00:26:19,888 - HAVE YOU SPOKEN TO CROSBY AT ALL LATELY? 675 00:26:19,923 --> 00:26:24,103 - UM, I, UH-- I SAW HIM 676 00:26:24,134 --> 00:26:27,904 WHEN HE DROPPED JABBAR OFF A FEW DAYS AGO. 677 00:26:27,931 --> 00:26:30,731 - OKAY, I'M--I'M SORRY TO... 678 00:26:30,761 --> 00:26:34,081 I DON'T WANT TO OVERSTEP MY BOUNDS HERE... 679 00:26:34,109 --> 00:26:35,419 BUT, UM... - IT'S OKAY. 680 00:26:35,455 --> 00:26:37,315 - HE'S JUST REALLY DIFFERENT. 681 00:26:37,354 --> 00:26:39,154 I'VE NEVER SEEN HIM LIKE THIS. 682 00:26:39,183 --> 00:26:41,293 HE'S REALLY... 683 00:26:41,323 --> 00:26:45,163 HE'S GROWN UP ALL OF A SUDDEN, 684 00:26:45,189 --> 00:26:49,369 SO I THOUGHT THAT WAS WORTH MENTIONING. 685 00:26:49,400 --> 00:26:51,230 - I'M GLAD FOR HIM, 686 00:26:51,264 --> 00:26:54,964 BUT IT'S TOO BAD HE DIDN'T GROW UP A FEW WEEKS EARLIER. 687 00:26:56,442 --> 00:26:58,342 - YEAH. 688 00:26:58,375 --> 00:27:00,715 WELL... 689 00:27:00,757 --> 00:27:04,107 HE REALLY LOVES YOU. 690 00:27:04,139 --> 00:27:06,109 - I LOVE HIM TOO. 691 00:27:06,141 --> 00:27:08,731 BUT I'M SO ANGRY AT HIM, 692 00:27:08,765 --> 00:27:12,145 I DON'T THINK I'LL EVER NOT BE ANGRY AT HIM. 693 00:27:15,185 --> 00:27:18,075 [sighs] IT'S NOT GONNA HAPPEN, JULIA. 694 00:27:18,119 --> 00:27:21,329 I'M SORRY. 695 00:27:21,363 --> 00:27:23,953 I'LL SEE YOU AFTER DINNER, OKAY? 696 00:27:23,987 --> 00:27:26,437 - YEAH. BYE. 697 00:27:39,865 --> 00:27:42,105 - GOOD CHICKEN, HUH? 698 00:27:42,143 --> 00:27:46,493 - UM, I SCORED THREE GOALS AT SOCCER TODAY. 699 00:27:46,526 --> 00:27:48,216 - THAT'S GREAT. ISN'T THAT GREAT? 700 00:27:48,252 --> 00:27:50,252 - THAT'S COOL, BUT DID YOU WIN? 701 00:27:50,289 --> 00:27:52,079 - YEAH, WE WON. 702 00:27:52,118 --> 00:27:54,218 - THAT'S GOOD. SOUNDS LIKE SOCCER'S GOING REALLY WELL. 703 00:27:54,258 --> 00:27:56,878 - YEAH. PRETTY GOOD. - GOOD. 704 00:27:56,916 --> 00:27:59,506 - HEY, DID YOU KNOW THAT ON AVERAGE 705 00:27:59,539 --> 00:28:03,199 3,400,065 CHICKENS ARE SLAUGHTERED DAILY 706 00:28:03,233 --> 00:28:05,173 JUST TO MEET THE DEMANDS OF THE WORLD EVERY DAY? 707 00:28:05,200 --> 00:28:07,240 - MAX, DON'T TALK ABOUT THAT WHEN YOU'RE EATING CHICKEN. 708 00:28:07,271 --> 00:28:09,101 - IT'S NOT GONNA BRING THE CHICKEN BACK TO LIFE. 709 00:28:09,135 --> 00:28:10,235 WHERE'D YOU READ THAT? 710 00:28:10,274 --> 00:28:13,074 - UH, THE ANNUAL FARMING REPORT. 711 00:28:13,105 --> 00:28:15,275 - HMM. INTERESTING. 712 00:28:15,314 --> 00:28:18,284 - AND ALSO IT SAYS THAT CHICKENS WITH RED EARLOBES 713 00:28:18,317 --> 00:28:19,727 LAY BROWN EGGS, 714 00:28:19,767 --> 00:28:22,357 AND CHICKENS WITH WHITE EARLOBES LAY WHITE EGGS. 715 00:28:22,390 --> 00:28:23,250 - A LOT OF GOOD FACTS. 716 00:28:23,287 --> 00:28:26,737 - SO HADDIE SCORED THREE TIMES TODAY. 717 00:28:26,774 --> 00:28:29,224 I CAN'T BEL--I MEAN, I'VE NEVER EVEN SCORED ONCE, 718 00:28:29,259 --> 00:28:31,919 AND HADDIE SCORED THREE TIMES IN ONE DAY. 719 00:28:31,951 --> 00:28:33,261 THAT'S AMAZING. 720 00:28:33,297 --> 00:28:36,267 [Hugo's Bread and Butter] 721 00:28:36,300 --> 00:28:42,270 ♪ 722 00:28:42,306 --> 00:28:45,236 - ♪ SHE TASTES LIKE MIDNIGHT 723 00:28:45,275 --> 00:28:48,205 ♪ SHE TASTES LIKE WINE 724 00:28:48,243 --> 00:28:50,043 ♪ SHE TASTES LIKE MIDNIGHT 725 00:28:50,073 --> 00:28:51,323 ♪ SHE TASTES LIKE WINE 726 00:28:51,350 --> 00:28:53,350 - IT'S A LITTLE WEIRD DOING THIS IN HERE. 727 00:28:53,386 --> 00:28:55,416 IT'S LIKE MY FAMILY'S WATCHING OR SOMETHING. 728 00:28:55,457 --> 00:28:58,147 - THAT'S KIND OF HOT, ACTUALLY. 729 00:28:58,184 --> 00:29:00,464 - ♪ JUST LIKE THE BAD DREAMS 730 00:29:00,497 --> 00:29:03,287 ♪ STAY ON MY MIND 731 00:29:03,327 --> 00:29:05,987 ♪ GONNA SPREAD YOU LIKE BUTTER ♪ 732 00:29:06,020 --> 00:29:08,260 ♪ GIVE ME ALL MY BREAD 733 00:29:08,298 --> 00:29:10,328 - OH, I GOT TO LEAVE. 734 00:29:10,369 --> 00:29:11,819 SHOOT. WHAT TIME IS IT? 735 00:29:11,853 --> 00:29:14,513 - WHAT? I DON'T KNOW. WHAT? - I HAVE TO GO. 736 00:29:14,545 --> 00:29:16,505 - WHY DO YOU HAVE TO GO? WHY? - I'M LATE. 737 00:29:16,547 --> 00:29:18,477 I HAVE A STUPID DINNER THINGY 738 00:29:18,515 --> 00:29:20,785 THAT I-I PROMISED MY MOM I WOULD GO, AND... 739 00:29:20,828 --> 00:29:21,788 - ALL RIGHT, THAT'S FINE. 740 00:29:21,829 --> 00:29:23,239 - OKAY, SORRY, SORRY. 741 00:29:23,278 --> 00:29:25,248 UM, WAIT. I WILL CALL YOU. 742 00:29:25,280 --> 00:29:27,560 AND--AND I'LL COME OVER LATER. OKAY. 743 00:29:27,593 --> 00:29:30,563 - BUT, UM, I-I THINK THAT, UH... 744 00:29:30,596 --> 00:29:32,316 - YOU DROVE ME. I NEED YOU TO DRIVE ME. 745 00:29:32,356 --> 00:29:35,976 - I SHOULD DRI-- YEAH, I DROVE. 746 00:29:36,015 --> 00:29:39,225 - ♪ AT ANY MOMENT, WE'LL BE THERE ♪ 747 00:29:39,260 --> 00:29:40,950 ♪ FEELS LIKE HEAVEN WHEN I... ♪ 748 00:29:40,986 --> 00:29:43,126 - WHAT, UH... - I KNOW. I'M SORRY. 749 00:29:43,160 --> 00:29:44,850 IT'S A CRAZY STORY. 750 00:29:44,886 --> 00:29:46,126 IT'S KIND OF A FUNNY STORY, ACTUALLY. 751 00:29:46,163 --> 00:29:48,133 - YOU DON'T WRITE, YOU DON'T CALL, YOU DON'T SEND FLOWERS. 752 00:29:48,165 --> 00:29:49,885 - MY FRIEND GARY TOOK ME TO THE WRONG PLACE. 753 00:29:49,926 --> 00:29:50,996 - WHO'S GARY? WHO'S GARY? 754 00:29:51,030 --> 00:29:52,240 - JUST MY FRIEND. SO WE WERE LIKE-- 755 00:29:52,273 --> 00:29:54,213 - DO YOU HAVE A NEW SPECIAL FRIEND? 756 00:29:54,240 --> 00:29:55,620 - NO, JUST A FRIEND. LISTEN. 757 00:29:55,655 --> 00:29:57,865 AND HE THOUGHT HE KNEW WHERE IT WAS, 758 00:29:57,899 --> 00:29:59,939 AND HE THOUGHT IT WAS THIS PLACE ACROSS THE STREET, 759 00:29:59,970 --> 00:30:01,350 AND WE WENT IN THERE, AND THERE WAS, LIKE, 760 00:30:01,385 --> 00:30:02,345 A QUINCEAÑERAOR SOMETHING? 761 00:30:02,386 --> 00:30:04,286 - A WHAT? - BUT IT WAS, LIKE, 762 00:30:04,319 --> 00:30:05,389 PEOPLE IN FLUFFY DRESSES. 763 00:30:05,424 --> 00:30:07,944 IT'S, LIKE, A BIRTHDAY PARTY, 764 00:30:07,978 --> 00:30:09,838 AND THERE WAS, LIKE, SINGING IN SPANISH, AND... 765 00:30:09,877 --> 00:30:11,327 [laughter] 766 00:30:11,361 --> 00:30:13,261 AND THERE WAS A CAKE, 767 00:30:13,294 --> 00:30:15,994 AND IT HAD A PICTURE OF THIS GIRL... 768 00:30:16,021 --> 00:30:17,611 IT WAS SO WEIRD, 769 00:30:17,643 --> 00:30:20,203 BUT, ANYWAY, I THOUGHT YOU WERE GONNA BE IN THERE, 770 00:30:20,232 --> 00:30:22,892 AND YOU WEREN'T IN THERE. 771 00:30:22,924 --> 00:30:24,374 IT WAS SO WEIRD. YOU WOULD HAVE LOVED IT. 772 00:30:24,408 --> 00:30:26,238 I WISH YOU COULD HAVE SEEN IT. 773 00:30:26,272 --> 00:30:29,592 OH, MY GOD. IT WAS... WHOO. 774 00:30:29,620 --> 00:30:32,550 [laughs] 775 00:30:36,144 --> 00:30:37,284 [laughs] 776 00:30:37,318 --> 00:30:39,348 - WHAT KIND OF HIGH ARE YOU? 777 00:30:39,389 --> 00:30:41,219 - [snickers] HERE WE GO. 778 00:30:41,253 --> 00:30:43,223 - I DON'T THINK IT'S JUST POT, IS IT? 779 00:30:43,255 --> 00:30:44,945 - IT'S REALLY NOT THAT BIG OF A DEAL, OKAY? 780 00:30:44,981 --> 00:30:46,601 - YOU'RE IN TROUBLE. 781 00:30:46,637 --> 00:30:48,637 - OKAY, I'M IN BIG TROUBLE. 782 00:30:48,674 --> 00:30:52,204 HERE WE GO INTO BUZZKILL TOWN. 783 00:30:52,229 --> 00:30:53,229 - WE'RE LEAVING. 784 00:30:53,265 --> 00:30:55,575 - I'M NOT GOING. I'M EATING. 785 00:30:55,612 --> 00:30:57,892 - HEY, YOU'RE COMING WITH ME RIGHT NOW. 786 00:30:57,925 --> 00:31:00,435 YOU'VE GOT TWO MINUTES TO COME TO THE CAR. 787 00:31:00,479 --> 00:31:02,929 - THAT'S NOT EVEN ENOUGH TIME FOR OYSTERS. 788 00:31:02,964 --> 00:31:05,354 COME ON. 789 00:31:15,011 --> 00:31:16,321 - HEY, DAD. - HEY. 790 00:31:16,357 --> 00:31:18,007 - THE SHOWERHEAD IS LEAKING AGAIN. 791 00:31:18,048 --> 00:31:20,218 - THANKS FOR TELLING ME. I'LL TAKE CARE OF IT. 792 00:31:20,257 --> 00:31:22,977 - OKAY. GOOD MORNING. 793 00:31:23,019 --> 00:31:25,189 - YEP, GOOD MORNING. 794 00:31:32,580 --> 00:31:33,550 [knock at door] 795 00:31:33,581 --> 00:31:35,071 - HADDIE? - YEAH? 796 00:31:35,100 --> 00:31:36,690 - CAN I COME IN, HONEY? 797 00:31:36,722 --> 00:31:39,172 - SURE. 798 00:31:44,178 --> 00:31:45,348 - HI. 799 00:31:45,386 --> 00:31:48,286 [door closes] 800 00:31:48,320 --> 00:31:50,290 LISTEN, I'M SORRY ABOUT EVERYTHING WITH DAD. 801 00:31:50,322 --> 00:31:51,532 I KNOW THINGS ARE TENSE AND AWKWARD-- 802 00:31:51,564 --> 00:31:53,534 - I JUST WISH THAT I HADN'T TOLD YOU. 803 00:31:53,566 --> 00:31:56,046 - HONEY, I'M SO GLAD THAT YOU TOLD ME. 804 00:31:56,086 --> 00:31:58,426 ARE YOU KIDDING ME? - WELL, I WISH I DIDN'T. 805 00:31:58,468 --> 00:32:01,128 I WISH I DIDN'T, AND I DON'T UNDERSTAND... 806 00:32:01,160 --> 00:32:03,400 - WHAT? NO. - WHY, LIKE, EVERY INTERACTION 807 00:32:03,438 --> 00:32:06,228 THAT I HAVE WITH DAD IS, LIKE, HIM JUST JUDGING ME. 808 00:32:06,269 --> 00:32:09,199 - HE'S NOT JUDGING YOU AT ALL, HONEY. 809 00:32:09,237 --> 00:32:10,307 - YEAH, WELL, IT FEELS LIKE THAT, 810 00:32:10,342 --> 00:32:13,552 AND IT JUST MAKES ME FEEL SAD. 811 00:32:13,586 --> 00:32:15,206 - HONEY, NOBODY'S JUDGING YOU. 812 00:32:15,243 --> 00:32:18,563 I MEAN, YOU'RE OUR BABY, YOU KNOW? 813 00:32:21,594 --> 00:32:24,114 AND WE WISH THAT YOU WOULD HAVE WAITED. 814 00:32:24,149 --> 00:32:27,319 THAT'S ALL. 815 00:32:27,359 --> 00:32:31,779 BUT I PROMISE YOU HE'LL COME AROUND. 816 00:32:31,811 --> 00:32:33,231 I PROMISE. 817 00:32:33,261 --> 00:32:36,711 COME HERE. GIVE ME A HUG. 818 00:32:36,747 --> 00:32:38,437 I LOVE YOU. 819 00:32:38,473 --> 00:32:40,613 - I LOVE YOU TOO. 820 00:32:43,582 --> 00:32:46,522 - I LIED. 821 00:32:46,550 --> 00:32:48,520 - ABOUT WHAT? 822 00:32:48,552 --> 00:32:50,492 - I WASN'T 22. 823 00:32:50,520 --> 00:32:54,320 I WAS--I WAS 15. 824 00:32:54,351 --> 00:32:56,221 IT WAS AWFUL. 825 00:32:56,250 --> 00:32:57,420 IT WAS WITH THIS BOY NAMED ROY. 826 00:32:57,458 --> 00:32:59,218 ANYWAY, I THOUGHT I WAS IN LOVE WITH HIM, 827 00:32:59,253 --> 00:33:00,673 AND HE WENT TO SCHOOL THE NEXT DAY 828 00:33:00,702 --> 00:33:03,712 AND TOLD EVERYBODY THAT WE DID IT, 829 00:33:03,740 --> 00:33:05,740 AND IT WAS JUST AWFUL. 830 00:33:05,776 --> 00:33:09,056 - OH. - I KNOW. 831 00:33:09,090 --> 00:33:12,990 I'M JUST HAPPY THAT IT WAS DIFFERENT FOR YOU. 832 00:33:17,616 --> 00:33:19,306 - WELL, WHAT DID YOU GUYS TALK ABOUT? 833 00:33:19,342 --> 00:33:21,282 YOU DIDN'T TELL HER ABOUT THE HOUSE, DID YOU? 834 00:33:21,309 --> 00:33:22,829 - NO, I DIDN'T TELL HER ABOUT THE HOUSE. 835 00:33:22,862 --> 00:33:24,552 WE WEREN'T TALKING ABOUT THAT AT ALL. 836 00:33:24,588 --> 00:33:25,448 I WOULDN'T DO THAT TO YOU. 837 00:33:25,486 --> 00:33:27,176 - WELL, THEN WHY ARE YOU LOOKING AT ME 838 00:33:27,212 --> 00:33:29,182 LIKE MY DOG WAS RUN OVER OR SOMETHING? 839 00:33:29,214 --> 00:33:30,424 - [sighs] 840 00:33:30,456 --> 00:33:32,216 WELL, YOU KNOW... 841 00:33:32,251 --> 00:33:34,701 SHE'S NOT EXACTLY ON THE SAME PAGE AS YOU. 842 00:33:34,736 --> 00:33:36,496 I THINK YOU SHOULD START TO CONSIDER... 843 00:33:36,531 --> 00:33:37,741 - YEAH, WELL, LISTEN, YOU KNOW, 844 00:33:37,774 --> 00:33:39,714 A RELATIONSHIP'S BETWEEN TWO PEOPLE, 845 00:33:39,741 --> 00:33:41,641 SO I DON'T KNOW IF YOU SHOULD BE GETTING INVOLVED. 846 00:33:41,674 --> 00:33:43,264 - CROSBY, I HAVE A RELATIONSHIP. 847 00:33:43,297 --> 00:33:45,367 I KNOW. I MEAN, I'M NOT A COMPLETE IDIOT 848 00:33:45,402 --> 00:33:46,472 ON THIS SUBJECT. 849 00:33:46,507 --> 00:33:48,437 - YEAH, I KNOW YOU HAVE A RELATIONSHIP, 850 00:33:48,474 --> 00:33:49,484 BUT, YOU KNOW, IT MIGHT JUST BE 851 00:33:49,510 --> 00:33:51,550 THAT I KNOW MORE ABOUT JASMINE THAN YOU, OKAY? 852 00:33:51,581 --> 00:33:54,411 - CROSBY, SHE DOESN'T WANT TO BE WITH YOU. 853 00:33:54,446 --> 00:33:56,066 SHE SAID IT'S NOT GONNA HAPPEN. 854 00:33:56,103 --> 00:33:57,243 - YEAH, NO KIDDING, JULIA. 855 00:33:57,276 --> 00:33:58,756 WHAT DO YOU THINK I'M DOING HERE? 856 00:33:58,795 --> 00:34:00,725 I SOLD MY HOUSEBOAT AND MY MOTORCYCLE 857 00:34:00,762 --> 00:34:02,702 AND BOUGHT THIS PIECE-OF-CRAP HOUSE. 858 00:34:02,730 --> 00:34:05,080 THERE'S NO OPTIONS LEFT. 859 00:34:05,112 --> 00:34:07,392 THIS IS THE HAIL MARY PASS. THERE'S NO TIME LEFT. 860 00:34:07,424 --> 00:34:09,744 BUT YOU KNOW WHAT? SOMETIMES HAIL MARY PASSES WORK. 861 00:34:09,771 --> 00:34:11,501 AND THEY'RE AMAZING WHEN THEY DO. 862 00:34:11,532 --> 00:34:13,742 EVERYONE CHEERS, AND PEOPLE WIN. 863 00:34:13,775 --> 00:34:15,635 LOOK, IT'S A LONG SHOT. 864 00:34:15,674 --> 00:34:18,334 I RECOGNIZE THAT, BUT IT MIGHT JUST WORK. 865 00:34:18,366 --> 00:34:21,156 AND I HAVE TO BELIEVE IT MIGHT WORK, 866 00:34:21,197 --> 00:34:24,197 SO, PLEASE, JUST LET ME BELIEVE THAT. 867 00:34:36,557 --> 00:34:38,727 - HI. - HEY. 868 00:34:38,766 --> 00:34:40,146 WHAT? 869 00:34:40,181 --> 00:34:41,841 - YOU NEED TO TALK TO HER. 870 00:34:41,872 --> 00:34:45,322 SHE THINKS THAT YOU'RE COMPLETELY ANGRY WITH HER, OKAY? 871 00:34:45,359 --> 00:34:47,879 SHE'S HUMILIATED, AND... - HUMILIATED? WHY? 872 00:34:47,913 --> 00:34:49,603 - YOU'RE NOT TALKING TO HER, ADAM. 873 00:34:49,639 --> 00:34:51,259 - I AM TALKING TO HER. 874 00:34:51,296 --> 00:34:53,256 - YOU HAVEN'T SAID TWO WORDS TO THE GIRL THE WHOLE WEEK. 875 00:34:53,298 --> 00:34:54,888 IT'S JUST LIKE I'M HAVING TO DEFEND YOU. 876 00:34:54,920 --> 00:34:56,780 - WELL, I DON'T KNOW WHAT TO SAY TO HER, KRISTINA, OKAY? 877 00:34:56,818 --> 00:34:57,918 - YOU KNEW THAT THIS DAY WOULD COME. 878 00:34:57,957 --> 00:34:59,787 - WELL, I DIDN'T THINK IT WAS GONNA COME THIS FAST, 879 00:34:59,821 --> 00:35:00,861 AND I DON'T KNOW WHAT TO SAY TO HER, OKAY? 880 00:35:00,891 --> 00:35:02,481 WHAT AM I SUPPOSED TO DO-- GIVE HER A HIGH FIVE 881 00:35:02,514 --> 00:35:04,144 AND CONGRATULATE HER FOR HAVING SEX? 882 00:35:04,171 --> 00:35:05,241 - THAT'S NOT WHAT I'M SAYING. 883 00:35:05,275 --> 00:35:07,795 YOU'RE SHUTTING HER OUT COMPLETELY. 884 00:35:12,386 --> 00:35:14,216 - I DON'T KNOW WHAT TO SAY TO HER, KRISTINA. 885 00:35:14,250 --> 00:35:16,360 I'M SORRY. 886 00:35:16,390 --> 00:35:18,560 - THANKS, ADAM. [door opens] 887 00:35:18,599 --> 00:35:20,259 [door closes] 888 00:35:24,294 --> 00:35:26,684 - WHAT ELSE HAS SHE TOLD YOU? - I DON'T KNOW. 889 00:35:26,710 --> 00:35:28,330 I... 890 00:35:28,367 --> 00:35:29,917 - DO YOU REALLY NOT KNOW? - NO... 891 00:35:29,955 --> 00:35:31,815 - WHEN YOU SAY DRUGS, DO YOU MEAN JUST POT? 892 00:35:31,853 --> 00:35:33,793 - I DON'T KNOW-- - WHAT HAS SHE TOLD YOU? 893 00:35:33,821 --> 00:35:35,861 - ALL I KNOW IS SOME GUY... [cell phone ringing] 894 00:35:35,892 --> 00:35:36,892 - WHO'S GARY? WHO'S THAT? 895 00:35:36,927 --> 00:35:38,307 - NO WAY. OH, MY GOD. THAT'S HIM. 896 00:35:38,343 --> 00:35:40,173 - IS THAT HIM? - HELLO? 897 00:35:40,207 --> 00:35:42,857 YEAH. UH, NO, THIS IS HER BROTHER. 898 00:35:42,899 --> 00:35:45,179 UM, NO, I DON'T THINK SHE NEEDS A RIDE, ACTUALLY. 899 00:35:45,212 --> 00:35:46,182 SO, YEAH. - NO, SHE DOESN'T. 900 00:35:46,213 --> 00:35:47,733 - ALL RIGHT, MAN, LATER. 901 00:35:47,766 --> 00:35:49,006 - HEY, WHAT THE HELL ARE YOU DOING? 902 00:35:49,043 --> 00:35:51,493 - I'M NOT GONNA LET YOU GO OUT WITH SOME GUY AND DO DRUGS. 903 00:35:51,528 --> 00:35:54,358 - THAT'S MY PHONE. I TOLD YOU THAT IN PRIVACY. 904 00:35:54,393 --> 00:35:55,883 - DON'T YOU GUYS FIGHT. IT'S YOUR FAULT. 905 00:35:55,912 --> 00:35:58,192 YOU'RE THE ONE WHO'S CAUSING ALL OF THIS! 906 00:35:58,225 --> 00:36:01,295 - WHAT IS THIS? ARE YOU GOING THROUGH MY STUFF? 907 00:36:01,331 --> 00:36:03,201 WHAT'S WRONG WITH YOU? THIS IS MY STUFF. 908 00:36:03,230 --> 00:36:04,300 I TRUSTED YOU! - WHAT'S IN HERE? 909 00:36:04,334 --> 00:36:05,994 NOW I HAVE TO QUESTION EVERYTHING. 910 00:36:06,025 --> 00:36:08,715 - IT'S MINTS, YOU IDIOT. - DON'T CALL ME AN IDIOT. 911 00:36:08,752 --> 00:36:11,342 YOU'RE NOT GOING ANYWHERE. WHERE DO YOU THINK YOU'RE GOING? 912 00:36:11,376 --> 00:36:13,266 COME BACK HERE! COME BACK HERE! 913 00:36:13,309 --> 00:36:15,969 YOU'RE GOING TO SCHOOL! 914 00:36:16,001 --> 00:36:17,421 - I'M GOING OUT. 915 00:36:17,451 --> 00:36:19,251 - GREAT. SO THAT'S YOUR PLAN? 916 00:36:19,280 --> 00:36:20,660 YOU'RE NOT GONNA FINISH HIGH SCHOOL. 917 00:36:20,695 --> 00:36:22,005 YOU'RE NOT GONNA GO TO COLLEGE. 918 00:36:22,041 --> 00:36:23,561 OH, THIS MUST BE GARY. 919 00:36:23,595 --> 00:36:25,355 I'M NOT LETTING YOU LEAVE WITH THIS LOSER. 920 00:36:25,390 --> 00:36:26,600 - STOP! 921 00:36:26,632 --> 00:36:28,262 - AAH! 922 00:36:28,289 --> 00:36:29,909 - WHAT THE HELL IS WRONG WITH YOU? 923 00:36:29,946 --> 00:36:32,256 - WHAT ARE YOU GUYS DOING? - LEAVE ME ALONE. 924 00:36:32,293 --> 00:36:33,233 DON'T ATTACK ME! 925 00:36:33,260 --> 00:36:35,300 - AMBER, WHAT ARE YOU-- MOM, ARE YOU OKAY? 926 00:36:35,331 --> 00:36:37,401 - YOU JUST ATTACKED ME. GO. GO. 927 00:36:37,436 --> 00:36:39,536 - ARE YOU ALL RIGHT? 928 00:36:46,997 --> 00:36:48,027 - I JUST DON'T KNOW WHAT ELSE TO DO. 929 00:36:48,067 --> 00:36:49,377 I'VE CALLED 15 TIMES NOW, 930 00:36:49,414 --> 00:36:50,974 AND I JUST WANT TO HEAR THAT YOU'RE OKAY. 931 00:36:51,001 --> 00:36:52,931 THAT'S ALL. I JUST WANT TO HEAR THAT YOU'RE OKAY. 932 00:36:52,969 --> 00:36:54,899 I LOVE YOU. HI. THIS IS REALLY NOT A GOOD TIME. 933 00:36:54,936 --> 00:36:56,696 - UM, YOU KNOW HOW PEOPLE 934 00:36:56,731 --> 00:36:58,631 PUT OFF WHAT'S RIGHT IN FRONT OF THEM 935 00:36:58,664 --> 00:37:01,014 BECAUSE THEY'RE SO TERRIFIED THEY THINK THEY'RE GONNA DIE? 936 00:37:01,046 --> 00:37:02,046 - I DO. YES. 937 00:37:02,081 --> 00:37:03,841 - THE NEW TITLE OF THE PLAY-- 938 00:37:03,876 --> 00:37:05,666 A STORY FOR ANOTHER DAY. 939 00:37:05,706 --> 00:37:07,016 - I LIKE IT. THAT'S GREAT. 940 00:37:07,052 --> 00:37:08,922 LET ME CALL YOU LATER. 941 00:37:08,950 --> 00:37:10,990 - OKAY. ALL RIGHT. - OKAY. 942 00:37:11,021 --> 00:37:13,301 - UH, ONE MORE LITTLE THING. 943 00:37:13,334 --> 00:37:14,854 THEY WANT US. WE'RE IN. 944 00:37:14,887 --> 00:37:15,717 - WHO? 945 00:37:15,750 --> 00:37:19,750 - MR. KRAFT, THE ARTISTIC DIRECTOR. 946 00:37:19,789 --> 00:37:21,479 HELLO? HE LIKED IT. 947 00:37:21,515 --> 00:37:23,475 WE'RE IN THE READING SERIES. 948 00:37:23,517 --> 00:37:24,967 - HE LIKED IT? 949 00:37:25,001 --> 00:37:28,001 - YEAH, HE LIKED IT. 950 00:37:28,038 --> 00:37:29,758 OKAY. OKAY. 951 00:37:29,799 --> 00:37:31,899 UM, AT SOME FUTURE DATE, 952 00:37:31,939 --> 00:37:33,839 YOU'RE GOING TO WANT TO GIVE ME A PRESENT. 953 00:37:33,872 --> 00:37:35,702 DON'T THINK ABOUT FLOWERS. - OKAY. 954 00:37:35,736 --> 00:37:37,046 - THINK ABOUT SINGLE-MALT WHISKEY. 955 00:37:37,082 --> 00:37:38,772 - RIGHT. - THANK YOU. 956 00:37:38,808 --> 00:37:41,468 - THANK YOU. 957 00:37:43,916 --> 00:37:45,746 IT WAS TERRIBLE. IT WAS BRUTAL. 958 00:37:45,780 --> 00:37:46,950 - AND THEN SHE JUST TOOK OFF WITH THE GUY? 959 00:37:46,988 --> 00:37:48,368 - YEAH. 960 00:37:48,404 --> 00:37:50,754 - WELL, I'VE SEEN THAT BEFORE. YOU CALLED HER? 961 00:37:50,785 --> 00:37:52,885 - ADAM, THIS IS NOT THE SAME THING. 962 00:37:52,925 --> 00:37:55,575 THIS IS SOMETHING ELSE. I MEAN... 963 00:37:55,618 --> 00:37:58,718 HONESTLY, THERE'S A PART OF ME THAT WONDERS... 964 00:37:58,759 --> 00:38:00,549 IF SHE'LL COME BACK. 965 00:38:00,588 --> 00:38:02,558 - LOOK, SARAH, THEY'RE TEENAGERS. 966 00:38:02,590 --> 00:38:03,800 THIS IS WHAT THEY DO. 967 00:38:03,833 --> 00:38:05,943 THEY PUSH AGAINST US. THEY REBEL, YOU KNOW? 968 00:38:05,973 --> 00:38:08,363 WHEN I THINK ABOUT THE CRAP THAT HADDIE'S PULLED THIS YEAR... 969 00:38:08,389 --> 00:38:10,529 - NO OFFENSE, ADAM, BUT THAT STUFF IS SO MUCH MORE NORMAL. 970 00:38:10,564 --> 00:38:12,464 I MEAN, YOU KNOW, SHE'S DATING A GUY. 971 00:38:12,497 --> 00:38:14,947 OH, YOU KNOW, SO... 972 00:38:14,982 --> 00:38:17,572 - WELL, ACTUALLY, HADDIE AND ALEX 973 00:38:17,605 --> 00:38:19,495 ARE DOING A LOT MORE THAN DATING NOW. 974 00:38:19,538 --> 00:38:21,918 - OH, REALLY? - YEAH. 975 00:38:21,954 --> 00:38:22,964 - OH, WELL... 976 00:38:22,990 --> 00:38:24,680 - SHE'S 16 YEARS OLD. 977 00:38:24,716 --> 00:38:26,606 SHE'S HAVING SEX, AND THERE'S NOTHING I CAN DO ABOUT IT. 978 00:38:26,649 --> 00:38:28,819 YOU KNOW, I WANT TO BE ABLE TO SAY SOMETHING TO HER ABOUT IT, 979 00:38:28,858 --> 00:38:29,858 AND I DON'T KNOW WHAT TO SAY. 980 00:38:29,893 --> 00:38:31,763 - IS SHE HAPPY? - COME ON, SARAH. 981 00:38:31,792 --> 00:38:32,722 PLEASE DON'T ASK ME THAT. 982 00:38:32,758 --> 00:38:34,618 YEAH, SHE'S HAPPY. SHE'S REAL SATISFIED. 983 00:38:34,657 --> 00:38:35,967 - THAT'S NOT WHAT I MEAN. 984 00:38:36,003 --> 00:38:37,523 I JUST MEAN AT LEAST THEY LOVE EACH OTHER, 985 00:38:37,556 --> 00:38:38,826 AND SHE'S BEING HONEST WITH YOU. 986 00:38:38,868 --> 00:38:40,728 IT'S A LOT BETTER THAN THE WAY AMBER STARTED. 987 00:38:43,942 --> 00:38:46,322 - NICE. THANKS FOR THE PLATE. 988 00:38:49,499 --> 00:38:51,669 YOU KNOW, IT WAS SO NICE WHEN SHE WAS A LITTLE KID, 989 00:38:51,708 --> 00:38:53,158 AND I COULD JUST SIT WITH HER 990 00:38:53,192 --> 00:38:54,852 AND HAVE A PEANUT BUTTER AND JELLY SANDWICH 991 00:38:54,884 --> 00:38:57,064 AND MAKE FACES AT HER AND MAKE HER LAUGH. 992 00:38:57,093 --> 00:38:59,343 NICE AND SIMPLE. 993 00:39:02,409 --> 00:39:03,889 - I KNOW IT DOESN'T HELP NOW, 994 00:39:03,927 --> 00:39:07,027 BUT I REALIZE I MADE A MISTAKE. 995 00:39:07,068 --> 00:39:09,998 - I DON'T THINK SO. 996 00:39:10,037 --> 00:39:12,137 - I LET HER TELL ME WHEN SHE WAS READY TO GROW UP, 997 00:39:12,177 --> 00:39:14,077 AND... 998 00:39:14,110 --> 00:39:17,600 I SHOULD HAVE FOUGHT HER MORE. 999 00:39:17,631 --> 00:39:20,981 - LOOK, I'VE BEEN DEALING WITH THIS STUFF WITH HADDIE. 1000 00:39:21,013 --> 00:39:23,193 EVERY TIME I GET INTO A CONFLICT WITH HER, ENGAGE, 1001 00:39:23,222 --> 00:39:24,742 LEADS NOWHERE. 1002 00:39:24,776 --> 00:39:26,046 SEEMS LIKE THE BEST THING I CAN DO 1003 00:39:26,087 --> 00:39:27,737 IS JUST TO GIVE HER SPACE. 1004 00:39:27,779 --> 00:39:30,949 - NO. YOU DON'T GIVE THEM SPACE. 1005 00:39:30,989 --> 00:39:32,849 JUST WHEN THEY TELL YOU THEY DON'T NEED YOU ANYMORE 1006 00:39:32,887 --> 00:39:35,607 IS EXACTLY WHEN THEY NEED YOU THE MOST. 1007 00:39:35,649 --> 00:39:38,889 YOU HAVE TO FIGHT IT. YOU HAVE TO SHOW UP. 1008 00:39:38,928 --> 00:39:40,898 IT'S WHEN THEY'RE PUSHING YOU AWAY. 1009 00:39:40,930 --> 00:39:42,790 IT'S WHEN THEY'RE TELLING YOU THEY KNOW BETTER. 1010 00:39:42,828 --> 00:39:45,418 THAT'S WHEN YOU HAVE TO SHOW UP. 1011 00:39:45,452 --> 00:39:49,942 NOW I'M... AFRAID IT'S TOO LATE. 1012 00:40:07,128 --> 00:40:09,958 - ♪ IF I WAS OLDER NOW 1013 00:40:09,993 --> 00:40:12,003 ♪ I COULD GIVE YOU ADVICE 1014 00:40:12,030 --> 00:40:14,070 - OH, MY DAD'S HERE. I GUESS HE'S GONNA PICK ME UP. 1015 00:40:14,101 --> 00:40:16,141 I'LL SEE YOU GUYS. 1016 00:40:16,172 --> 00:40:18,762 WHAT ARE YOU DOING? - HEY. 1017 00:40:18,795 --> 00:40:21,515 UH, I JUST TOOK OFF WORK EARLY. I WANTED TO PICK YOU UP. 1018 00:40:21,557 --> 00:40:23,517 WHAT HAPPENED TO YOUR ELBOW THERE? 1019 00:40:23,559 --> 00:40:24,419 YOU'RE BLEEDING, KIDDO. - OH, YEAH. 1020 00:40:24,456 --> 00:40:25,906 - YEAH, LET ME GET THE FIRST-AID KIT. 1021 00:40:25,940 --> 00:40:26,980 - DAD. - YEAH. 1022 00:40:27,010 --> 00:40:28,840 - YOU DON'T HAVE TO. IT'S, LIKE, A TINY THING. 1023 00:40:28,874 --> 00:40:30,264 WE'LL JUST CLEAN IT OFF AT HOME. 1024 00:40:30,289 --> 00:40:31,949 IT'S JUST, LIKE, DRIED, GOOPY BLOOD. 1025 00:40:31,981 --> 00:40:34,221 - YEAH, WELL, WE DON'T WANT THAT TO GET INFECTED, ALL RIGHT? 1026 00:40:34,259 --> 00:40:35,949 - IT DOESN'T SEEM LIKE IT WOULD, BUT, YEAH. 1027 00:40:35,985 --> 00:40:37,635 THIS IS UNNECESSARY. 1028 00:40:37,676 --> 00:40:39,886 HONESTLY, IT'S, LIKE, A TEENY GUY RIGHT THERE. 1029 00:40:39,920 --> 00:40:41,470 - YOU DON'T WANT THAT FLESH-EATING BACTERIA 1030 00:40:41,508 --> 00:40:42,958 TO GET IN THERE. - OKAY. 1031 00:40:42,992 --> 00:40:47,582 - ALL RIGHT? 1032 00:40:47,617 --> 00:40:49,137 JUST, UH... 1033 00:40:55,245 --> 00:40:58,655 I JUST DON'T EVER WANT YOU TO GET HURT, HADDIE. 1034 00:41:03,219 --> 00:41:06,019 THAT'S ALL. 1035 00:41:06,049 --> 00:41:07,599 - OKAY. - ALL RIGHT? 1036 00:41:07,637 --> 00:41:09,807 - YEAH. 1037 00:41:09,846 --> 00:41:11,916 - YOU WANT TO GET AN ICE CREAM OR SOMETHING? 1038 00:41:11,952 --> 00:41:12,952 - YEAH! - YEAH? 1039 00:41:12,987 --> 00:41:14,987 - LET'S DO IT. LET'S GO TO THE MOVIES. CAN WE? 1040 00:41:15,024 --> 00:41:16,784 - ALL RIGHT, YEAH. I GOT TIME FOR THAT. 1041 00:41:16,819 --> 00:41:18,919 - AND, YOU KNOW, SHE MAKES ME FEEL LIKE MY WHOLE LIFE IS OVER 1042 00:41:18,959 --> 00:41:20,859 BECAUSE, YOU KNOW, I'M NOT GOING TO COLLEGE. 1043 00:41:20,892 --> 00:41:22,242 THERE'S OTHER OPTIONS. 1044 00:41:22,272 --> 00:41:23,902 YOU KNOW, I DON'T JUST HAVE TO GO TO COLLEGE. 1045 00:41:23,929 --> 00:41:25,619 - WELL, NOT EVERYONE GOES TO COLLEGE. IT'S NOT FOR EVERYBODY. 1046 00:41:25,655 --> 00:41:27,065 - NO, I MEAN, LIKE, I COULD PLAY MUSIC 1047 00:41:27,105 --> 00:41:28,515 OR, YOU KNOW-- OR TRAVELING. 1048 00:41:28,555 --> 00:41:29,825 - YEAH, TRAVELING. 1049 00:41:29,866 --> 00:41:31,726 I WISH I'D TRAVELED. I HAVEN'T EVEN LEFT THE COUNTRY BEFORE. 1050 00:41:31,765 --> 00:41:33,175 - ME EITHER. I WANT TO GO. 1051 00:41:33,214 --> 00:41:34,944 - WELL, YOU KNOW WHAT? WE SHOULD JUST GO. 1052 00:41:34,975 --> 00:41:38,565 WE SHOULD JUST GO TO EUROPE. - I MEAN, IT'S NOT A BAD IDEA. 1053 00:41:38,599 --> 00:41:40,709 - GO TO SPAIN, YOU KNOW? 1054 00:41:40,739 --> 00:41:41,569 - SPAIN? - YEAH. 1055 00:41:41,602 --> 00:41:42,742 YOU COULD BE, LIKE, A, YOU KNOW-- 1056 00:41:42,776 --> 00:41:45,916 A FLAMENCO DANCER WITH A FLOWER IN YOUR EAR, YOU KNOW? 1057 00:41:45,951 --> 00:41:47,541 I COULD BE A MATADOR. YOU KNOW WHAT I MEAN? 1058 00:41:47,574 --> 00:41:49,164 WHY NOT? 1059 00:41:49,196 --> 00:41:51,716 [tires screeching] 1060 00:41:51,750 --> 00:41:54,060 [horn blaring]