- HEY, HOW'D THAT, UH, JOB INTERVIEW GO?
- GREAT, FANTASTIC.
- REALLY? - NO.
YOU KNOW WHAT YOU SHOULD INVENT?
LIKE A SHOE LOJACK. LIKE A BEEPER THING, YOU KNOW.
- I WAS THINKING ABOUT A KID'S SHOE WITH A CLICKER.
BEEPS, YOU FIND IT.
- THAT'S GREAT, I LOVE IT. IT'S BRILL!
- IT WAS MY IDEA,
AND I FEEL LIKE YOU JUST KIND OF TOOK IT.
- HEY, GORD, NOBODY'S PHONING IT IN.
- YOU ARE AN ESSENTIAL PART OF THIS COMPANY, OKAY?
AND WE'RE IN TROUBLE.
- GORDON IS THE BOSS, AND YOU'RE JUST A SERF, SON.
YOU KNOW WHAT HAPPENS TO SERFS. THEY GET BEHEADED.
- I'D LIKE TO OFFER YOU A JOB.
- COME ON!
- I'M IN, I'M IN, I'M IN!
- OH, YEAH, OH, YEAH, OH, YEAH.
- NEW YORK. - YES.
- I MISS YOU GUYS. - MISS YOU.
- YEAH? YOU SURE? - YEAH, I DO.
[brushing teeth]
- THIS IS GONNA BE FINE, RIGHT?
- YEP.
- WHAT, YOU DON'T THINK?
YOU DON'T THINK IT'S GONNA BE FINE?
- HONEY, I JUST SAID EVERYTHING'S GONNA BE FINE.
- WELL, YOU DIDN'T SOUND VERY CONVINCING.
- OH, MY GOD, GIVING SARAH A JOB IS A GREAT IDEA.
- IT'S GONNA WORK OUT. - YEAH, I MEAN, SHE'S SMART.
SHE'S TALENTED, SHE KNOWS IT'S MY TERRITORY.
SHE'S GONNA RESPECT THAT, RIGHT?
- 100%.
YOU'RE ALL FIDGETY.
- I'M NOT FIDGETY. - YOU ARE FIDGETY.
YOU'RE, LIKE, FIDGETY. - I'M NOT FIDGETY.
- GO GET IN YOUR CAR, GRAB A LATTE.
GET YOUR MUFFIN. HAVE YOUR MORNING ROUTINE.
YOU'LL BE FINE.
- HONEY, WHY IS SUZE LESSING WALKING UP TO OUR FRONT DOOR
AT 7:30 IN THE MORNING?
- WHAT? - SUZE LESSING.
- UH-OH. - SHE HAS THAT LOOK.
- WHAT LOOK?
- THAT LOOK LIKE SHE WANTS SOMETHING FROM US.
LISTEN, YOU'RE GONNA HAVE TO DEAL WITH THIS.
I GOTTA GET TO WORK.
[doorbell rings]
- HELLO. GOOD MORNING. I CAN'T WALK IN MY SHOES.
WILL YOU HOLD THAT FOR ONE SECOND?
WHAT DO YOU THINK?
I FEEL LIKE I JUST NEED SOMETHING TO COVER UP, YOU KNOW.
- THE BLAZER, BUT IT'S GOOD ON ITS OWN.
- YOU LOOK GREAT. - FABULOUS.
- SO, WHAT, YOU'RE WORKING AT UNCLE ADAM'S,
BUT YOU'RE STILL WORKING AT THE BAR?
- YEAH, BUT IT'S JUST TEMPORARY.
AND GRANDMA AND GRANDPA WILL LOOK AFTER YOU.
NOT THAT YOU NEED BABYSITTING, BUT, YOU KNOW,
JUST MAKE SURE THEY DO SOMETHING.
- IT'S COOL. TAKE IT EASY.
- HEY, IF YOU NEED HELP WITH YOUR MATH,
JUST CALL AUNT JULIA, 'CAUSE, DISTURBINGLY,
SHE REMEMBERS EVERYTHING FROM HIGH SCHOOL.
- I REMEMBER MATH. I CAN HELP HER WITH--
- IT'S CHANGED, MOM. IT'S DIFFERENT NOW.
IT'S NOT THE SAME MATH. YOU KNOW WHAT?
- WE GOT YOUR BACK, SWEETHEART.
- CAN'T EVEN DRINK THIS 'CAUSE I'M JUST TOO...
- TAKE IT EASY. - NERVOUS.
OKAY! I'M GONNA DO IT.
HERE I GO. - OKAY.
MAKE IT HAPPEN. BYE!
- BYE. GOOD LUCK. - GOOD LUCK!
- YEAH, THANK YOU.
JUST NEED THE KEYS AND MY WALLET, THAT'S ALL.
OKAY, LOVE YOU! BYE!
- ALL RIGHT, BUG, YOU HAVE A GOOD DAY, ALL RIGHT?
SEE YOU TONIGHT.
- LOVE YOU. - LOVE YOU!
MMM!
- EXCUSE ME.
- WELL, HELLO.
- YOU'RE SYDNEY'S MOM.
- YES, I AM. AND WHO ARE YOU?
- I'M AMY, AND I WANT TO HAVE A PLAY DATE WITH SYDNEY.
- YOU DO? WELL, GREAT.
- HOW'S TOMORROW, AFTER SCHOOL?
- UM, TOMORROW...
I DON'T SEE WHY NOT.
- SO WE'RE ON?
- WE'RE ON.
- GREAT.
- [chuckles]
[indistinct chatter]
- [whistles]
- THERE HE IS, THERE HE IS, THERE HE IS!
- BUDDY, COME HERE!
OH, I'M SO HAPPY TO SEE YOU!
MMM! I MISSED YOU.
MMM.
- [laughs]
NICE OUTFIT. - THANK YOU.
'80s, ISN'T IT?
both: MMM.
MMM.
I MISSED YOU. - I MISSED YOU TOO.
I CAN'T WAIT TO TALK TO YOU [whispers] IN PRIVATE.
- [gasps] - I NEED TO TALK TO YOU TOO.
[whispers] IN PRIVATE.
- OKAY. - OKAY.
- BUDDY, HOW COME YOU SMELL SO GOOD?
- I TOOK A BATH.
- YOU TOOK A BATH?
YOU MUST HAVE WOKE UP SO EARLY TO TAKE A BATH.
- ALL RIGHT, JUST REMEMBER, THIS IS AN INTERNSHIP.
SO EXPECTATIONS LOW.
- WHAT DO YOU MEAN? WHOSE EXPECTATIONS?
MY EXPECTATIONS? - YOUR EXPECTATIONS.
EVERYBODY'S EXPECTATIONS.
- IT'S A TERRIBLE PEP TALK. - YOU'RE GONNA DO GREAT.
- I'M NOT GONNA DO GREAT. IT'S A BAD MISTAKE.
IT'S A DUMB IDEA.
- LISTEN TO ME. YOU'RE GONNA DO GREAT.
- I DON'T EVEN KNOW WHAT I'M SUPPOSED TO BE DOING GREAT AT.
- LOOK, ALL YOU GOTTA DO IS GO WITH THE FLOW.
JUST LISTEN AND LEARN.
THAT'S IT. - LISTEN AND LEARN.
- YEAH. - OKAY, I CAN DO THAT.
- OKAY. AFTER YOU. - OKAY. OH, HEY.
- YEP.
HEY, EVERYBODY. GOOD MORNING.
I'D LIKE TO INTRODUCE YOU TO SARAH BRAVERMAN.
THIS IS MY SISTER, OBVIOUSLY.
SHE'S THE INTERN THAT I TOLD YOU ABOUT.
THIS IS EDDIE, HE'S THE HEAD OF OUR DESIGN TEAM.
HE'S GONNA INTRODUCE EVERYBODY AND GET YOU STARTED.
- OKAY. - ALL RIGHT?
HAVE A GOOD DAY. - THANKS.
AHEM.
HI. HEH.
ANYONE EVER HEARD OF NEPOTISM?
'CAUSE I SURE HAVE.
I'M JUST KIDDING, THAT'S-- WELL, I'M NOT KIDDING.
BUT ANYWAY...
- ♪ MAY GOD BLESS AND KEEP YOU ALWAYS ♪
♪ AND MAY YOUR WISHES ALL COME TRUE ♪
♪ MAY YOU ALWAYS DO FOR OTHERS ♪
♪ AND LET OTHERS DO FOR YOU ♪
♪ MAY YOU BUILD A LADDER TO THE STARS ♪
♪ AND CLIMB ON EVERY RUNG ♪
♪ AND MAY YOU STAY ♪
♪ FOREVER YOUNG ♪
♪ MAY YOU GROW UP TO BE RIGHTEOUS ♪
♪ MAY YOU GROW UP TO BE TRUE ♪
♪ MAY YOU ALWAYS KNOW THE TRUTH ♪
♪ AND SEE THE LIGHTS SURROUNDING YOU ♪
♪ MAY YOU ALWAYS BE COURAGEOUS ♪
♪ STAND UPRIGHT AND BE STRONG ♪
♪ AND MAY YOU STAY ♪
♪ FOREVER YOUNG ♪
♪ MAY YOU STAY ♪
♪ FOREVER YOUNG ♪
- [sniffles]
- IT'S OKAY. HERE.
IT'S REALLY HOT, OKAY?
- OKAY. THANKS.
[crying softly]
- OHH.
- I DON'T--I DON'T KNOW HOW IT HAPPENED.
I WAS JUST A DAY LIKE ANY OTHER DAY,
AND THEN, THE NEXT THING I KNOW,
WE'RE GETTING DIVORCED.
I'M SORRY. - HE SAYS I'M OBSESSED...
WITH NOEL.
I MEAN, OF COURSE I'M OBSESSED.
WHO ISN'T OBSESSED?
I MEAN, DOES HE THINK THAT I WANT TO SPEND
EVERY WAKING HOUR FOCUSING ON GETTING NOEL THROUGH THE DAY?
- ANYTHING ADAM AND I CAN DO? - OH, GOD!
- I'M SORRY.
- [sobbing] AND NOEL DOESN'T KNOW YET!
I CAN'T FIGURE OUT HOW TO TELL HIM
AND NEITHER CAN PHIL AND...
HE'S SUCH A GOOD DAD.
I MEAN, HE'S-- HE LOVES NOEL SO MUCH.
AND I'M SO MAD AT HIM! - YEAH.
- [sobbing]
- WHAT CAN I DO TO HELP YOU? - OH, GOD.
- I WANT TO HELP YOU. I WANT TO.
- I HAVE A MEETING WITH NOEL'S TEACHER AFTER SCHOOL,
AND THEN I HAVE A BOARD MEETING AFTER THAT.
- WHY DON'T I PICK HIM UP?
- NO. NO. - I'LL PICK NOEL UP, OF COURSE.
- NO. - SUZE...
LET ME.
- I COULD DROP HIM OFF, MAYBE?
IS THAT OKAY? - ABSOLUTELY.
- [sobbing] OH, THANK YOU SO MUCH.
- IT'S OKAY. I'M SO SORRY.
WANT YOUR TEA?
- YES. - IT'S HOT.
- IT'S TOO HOT. [sobbing] NOTHING WORKS.
- OH, GOD, I'M SORRY. I CAN COOL IT DOWN.
- I HAVEN'T EVEN BEEN HERE THAT LONG.
I'M DOING SO WELL.
IT'S LIKE THOSE LAME BRAINS
DIDN'T EVEN KNOW ANYTHING ABOUT SHOES.
- HEY, SARAH. SARAH. - 'CAUSE I'M TELLING THEM--WHAT?
- I WANT YOU TO MEET GORDON FLINT.
HE'S THE FOUNDER AND PRESIDENT OF T&S.
THIS IS MY SISTER SARAH. - OH, MY GOD.
- YOU, UH, WERE SAYING?
- I--I HAVE A TERRIBLE SELF-ESTEEM,
AND IT CAUSES ME TO OVERCOMPENSATE.
THE DESIGN TEAM IS AWESOME, TRULY.
- I--I KNOW. I...HIRED THEM.
- [laughs] YES, I'M SURE YOU DID.
THERE'S SO--GOOD-- WELL DONE.
OKAY, I DON'T KNOW WHY I CAME IN HERE,
BUT, UM, I AM GONNA--OH!
I WANTED TO SAY THANK YOU SO MUCH
FOR THIS OPPORTUNITY TO WORK HERE.
AND THANK YOU SO MUCH FOR SIGNING OFF ON ME.
- I-I DIDN'T SIGN OFF ON YOU YET.
- [laughs]
- JUST--I'M JUST KIDDING.
- THAT WAS LIKE A MINI HEART ATTACK.
OKAY.
OH, UM...WELL...
I'M GONNA--I BETTER GET BACK TO WORK.
- BYE. - OKAY, ALL RIGHT.
- HEY... - HEY.
- NICE MEETING YOU.
- OH...NICE TO MEET YOU TOO.
- HEY.
[electric saw buzzing]
- HEY, YOU.
[laughing] HEY, YOU!
HUH? COME HERE.
MWAH!
LOOK AT THAT.
- HEY. - IT'S COMIN' RIGHT ALONG.
- THANK YOU.
- YES, INDEED. - HEY.
- HI. OOH.
GETTIN' A LITTLE WARM THERE.
- I KNOW. THERE ARE KIDS PRESENT.
- YES, INDEED.
- HEY, DID YOU MAKE A PLAY DATE FOR SYDNEY
WITH AMY GARDENER?
- NO, AMY G. SCHEDULED A PLAY DATE WITH ME.
- YEAH? OKAY.
WE'RE GONNA HAVE TO CANCEL THAT.
- REALLY? - YEAH.
- WHY?
- WELL, AMY G. WAS MEAN TO ISABEL,
WHO'S ASHLEY'S SISTER,
AND, UH, IF AMY G. HAS A PLAY DATE WITH SYDNEY,
THEN IT'S JUST GONNA BE A WHOLE THING
WHERE THEY ACTUALLY... FIGHT.
AND ASHLEY AND SYDNEY, WHEW, THEY ARE BEST FRIENDS.
- UH, I THOUGHT HARMONY AND SYDNEY WERE BEST FRIENDS.
- OH, A LOT HAS CHANGED OVER THE SUMMER.
- UM, I CAN'T BELIEVE THAT GIRL AMY
WOULD BE MEAN TO ANYONE.
- BELIEVE IT.
- WELL, SYD, YOU KNOW WHAT?
SHE SEEMED LIKE A REALLY NICE GIRL.
MAYBE SHE MESSED UP.
YOU WANNA GIVE HER A SECOND SHOT,
SEE HOW IT GOES?
YOU MIGHT END UP BEING FRIENDS.
- LISTEN, MOM, ASHLEY'S GOING TO HATE ME.
AND THEN I WON'T HAVE ANY FRIENDS.
PLEASE, MOMMY, DON'T MAKE ME.
[sighs]
- [singsong] I TOLD YOU.
- HI.
MAKE YOURSELF AT HOME.
- YOU'RE OUT OF MUSTARD. YOU NEED MORE.
- THANKS FOR LETTING ME KNOW.
- HEY, BUDDY. - YOU'RE OUT OF MUSTARD.
- DID YOU GET ENOUGH TO EAT?
DO YOU WANT A BAG?
- NO.
- HI.
- HONEY, WHY IS NOEL LESSING IN OUR HOUSE?
- [whispering] SUZE AND PHIL ARE GETTING SEPARATED.
- WHAT? REALLY?
- YEAH. HE DOESN'T KNOW YET, SO I OFFERED TO HELP.
- WHAT ARE THEY PLANNING ON DOING WITH HIM?
- I DON'T KNOW, HONEY. I HAVE NO IDEA.
SHE'S A MESS. A COMPLETE MESS.
IT'S REALLY SAD.
[clatter]
OH, HOW WAS YOUR DAY
WITH YOUR NEW EMPLOYEE?
- UH, IT WAS ACTUALLY GOOD.
UH...SHE MET GORDON. GORDON SEEMED TO LIKE HER, SO--
- OH, WOW. SHE ALREADY MET GORDON.
- AH, SHE JUST WALKED INTO MY OFFICE.
- SHE JUST WALKED IN? THAT'S KIND OF WEIRD.
- I DON'T THINK SHE MEANT TO. - NO, SHE SHOULD KNOCK, THOUGH.
- WHAT TIME IS SUZE COMING TO GET NOEL?
- I DON'T KNOW, I LEFT A MESSAGE ON HER CELL PHONE.
I HAVE NO IDEA. I'M NOT GONNA--
- SHE JUST DROPPED HIM OFF AND DIDN'T SAY
WHAT TIME SHE WAS GONNA COME BACK TO GET HIM?
- SHE JUST GOT SEPARATED. I'M NOT GONNA HOUND HER.
- OKAY. WELL, WHERE ARE THE KIDS?
'CAUSE WE GOTTA GET OVER TO MY MOM AND DAD'S
FOR THE JASMINE/JABBAR THING.
- THEY ARE UPSTAIRS.
HIDING.
[kids trilling Ode to Joy]
♪ ♪
- NO, YOU DON'T GET TO EAT POTATO CHIPS IN THE CAR.
WHY DOES HE GET TO EAT IN THE CAR, AND I DON'T?
WHY DOES HE GET TO-- - BECAUSE NOEL'S PARENTS
LET HIM EAT CHIPS IN THE CAR, AND I WANT HIM TO FEEL AT HOME.
- NO, THAT'S NOT FAIR! WHY?
- HONEY, IT'S OKAY. - THEY'RE MY CHIPS.
- WELL, IT DOESN'T MATTER IF THEY'RE YOUR CHIPS.
IT'S A RULE. - GUYS...
- HONEY... - STOP IT!
- THEY'RE MY CHIPS.
- THAT GUY'S SINGING.
- YEAH? THAT'S RAY LAMONTAGNE. HE'S GREAT.
- HE CAN'T SING.
- UH, I'LL TURN HIM DOWN.
- OFF WOULD BE BETTER.
- STOP EATING. - TURNING IT OFF.
- OFF! - TURNING IT OFF!
- ADAM, OFF. - IT'S OFF.
- STOP. - NO.
- STOP EATING THEM.
- [sighs] - STOP.
- MAX! - WHAT?
TELL HIM TO STOP!
- YOU'RE PRETTY.
- THANK YOU.
- TELL HIM TO STOP, MOM!
- HAVE A CHIP, MAX.
- OKAY, YOU GUYS READY? COVER YOUR CARDS.
THE FIRST THREE ARE CALLED THE FLOP.
OKAY? NOW WE'RE GONNA SHARE THESE THREE CARDS.
- HEY, YOU GUYS, IT'S THE LAST ONE FROM THE BASEMENT, OKAY?
SO SLOW DOWN. - ALL RIGHT.
- HEY, BOSS.
- PLEASE DON'T CALL ME THAT. SERIOUSLY.
- OKAY. CHIEF... - OH, GOD.
- CAN YOU PICK ME UP TOMORROW?
BECAUSE THE CAR'S GIVING ME TROUBLE AGAIN.
- YEAH, I KNOW, NO PROBLEM. - HUH?
- BE GLAD TO.
- YEAH? - YEAH. SAVE A TREE, RIGHT?
- OKAY. - MOM, MOM, MOM.
- WHAT? - CAN YOU CHECK THIS OUT?
- THAT'S PRETTY. WHERE'D WE GET THOSE?
- I MADE IT. TA-DA!
- NO, YOU DIDN'T. - YES, SHE DID.
- YOU DIDN'T MAKE THAT. - YEAH.
- YOU KNOW YOU DIDN'T. - SHE'S A PRETTY GOOD COOK.
- I HAVE ABILITIES. - I AM SURPRISED.
WE DON'T COOK. WE'RE NOT COOKING.
- BECAUSE YOU DON'T KNOW WHAT YOU'RE DOING.
- SOMETIMES TALENT SKIPS A GENERATION.
- WOW, NANNY TAUGHT YOU. WOW.
- HEY, MOM. - HI. WAIT, WHOA!
HEY! WHAT IS THAT?
- UH, GRANDPA AND I ARE BUILDING A BIRD HATCHERY.
- A WHAT, NOW? - BIRD HATCHERY.
- HEY, DID YOU GUYS DO YOUR HOMEWORK AND EVERYTHING?
- SARAH, YOUR MOTHER AND I ARE ALL OVER THE HOMEWORK THING.
MY GOSH, WE RAISED FOUR KIDS, BY GOLLY.
THREE OF THEM TURNED OUT PRETTY GOOD.
- MM!
- SEE YA.
- BIRD HATCHERY?
- ARE YOU READY?
WHO'S GONNA BE THE BIG WINNER?
- 'SCUSE ME, FELLAS.
CAN I TALK TO YOU FOR A SECOND?
- WAIT, CROSBY, WE'RE NOT DONE WITH THE HAND YET.
- YEAH, UM, OKAY, YOU CAN FINISH WITHOUT ME, ALL RIGHT?
YOU BE THE DEALER?
NO, NO, YOU DON'T LOOK AT EVERYONE'S...
YOU'RE IN CHARGE.
- YAY!
- [whispering] IT'S A SECRET SPOT.
- WHERE ARE WE GOING? - COME OVER HERE.
- [laughing]
MMM. - MMM.
- MMM, YOU'RE REALLY INTO IT.
- OH, YEAH.
I USED TO BRING GIRLS BACK HERE WHEN I WAS 14.
- [laughing]
MMM.
- LISTEN. - WHAT?
- THIS LONG-DISTANCE RELATIONSHIP THING
IS FOR THE BIRDS.
AND I THINK I'M... READY TO MOVE TO NEW YORK
TO BE WITH YOU GUYS.
YOU KNOW, NO PRESSURE. I'LL GET MY OWN PLACE.
BUT I'LL BE CLOSE,
AND I CAN HELP WITH JABBAR.
AND I THINK IT'LL BE...
WHAT'S THAT LOOK?
- WELL...I'VE GOT SOMETHING TO TELL YOU.
- OKAY.
- I'VE BEEN, UH, CHOSEN
TO JOIN THE TOUR COMPANY.
THE TOURING COMPANY FOR--
- THE EURO-- THE EUROPEAN TOUR?
- YEAH.
YEAH.
- UM...WHEN?
- NOW. - YOU'RE KIDDING.
- THAT'S WHY-- - FOR REAL? NOW?
- THAT'S WHY I CAME BACK, BECAUSE I'M GONNA HAVE TO--
- YOU JUST MOVED TO NEW YORK. - I KNOW.
I KNOW.
- AND NOW YOU'RE GOING TO EUROPE?
AND THEN WHAT? CHINA?
DANCE ALONG THE GREAT WALL, THE MOON?
- CROSBY-- - WHAT ABOUT JABBAR?
- I'M THINKING THAT... HE SHOULD STAY OUT HERE.
AND HE CAN LIVE WITH MY MOM.
- YOU THINK HE SHOULD LIVE WITH YOUR MOM?
- YEAH.
- WHY WOULD HE STAY WITH YOUR MA?
HE SHOULD STAY WITH ME.
- REALLY? - YEAH, HE--I'M--
I'M HIS DAD. HE SHOULD STAY WITH ME.
- IT'S A LOT TO TAKE ON, CROSBY.
THIS IS NOT A NIGHT OR TWO. IT'S FOUR WEEKS.
- LISTEN, DON'T DO THAT.
IT'S ALREADY HARD ENOUGH THAT YOU'RE GOING AWAY.
OKAY, IT...
IT'LL BE FINE. I CAN DO IT.
OKAY?
HE'LL COME STAY WITH ME.
WE'RE GONNA HAVE AN AMAZING TIME.
WE'LL SKYPE YOU EVERY NIGHT.
AND THEN YOU CAN DANCE YOUR WAY THROUGH EUROPE.
- [laughs] - AND IT'LL GO QUICK.
OKAY?
- ARE YOU SURE?
- YEAH, I PROMISE.
BUT JUST, HE'S-- HE'LL STAY WITH ME, THOUGH.
OKAY?
- SARAH!
- ♪ CAN YA HEAR ♪ - SARAH!
- I KNOW! I'M COMING, I'M COMING, I'M COMING.
- THEN COME ON.
- HI. - HEY.
- HERE YOU GO.
- UH, YOU KNOW, I ACTUALLY PICK UP AT BERKELEY COFFEE.
SO I DON'T NEED. - OH, WELL...
TODAY I SAVED YOU, LIKE, $12.
- THAT'S MY SPECIAL BLEND COFFEE.
YOU'RE GONNA LOVE THESE, I'M GONNA PUT ON LATER.
GORGEOUS TO LOOK AT. COMFORTABLE TO WEAR.
- WHAT, ARE YOU PLANNING ON
SPENDING THE NIGHT AT THE OFFICE?
WHAT IS ALL THIS?
- LOOK, THE KIDS MADE ME LUNCH.
I THINK THEY ACTUALLY MISS ME...
FROM BEING GONE 24 HOURS A DAY.
- THAT'S REALLY SWEET.
CAN YOU HOLD THESE SO I CAN BACK OUT OF HERE?
- OKAY. ONE SECOND.
WHAT IS THIS WE'RE LISTENING TO?
- THIS IS RAY LAMONTAGNE. - OH, IT'S NICE.
BUT CAN WE LISTEN TO-- - IT'S GREAT, ISN'T IT?
WELL, ACTUALLY-- - [shuts off music]
I DON'T THINK I-- - CAN YOU JUST TAKE THESE?
- JUST PUT IT HERE. - SEE, THIS IS NOT GONNA WORK.
IT DOESN'T-- YOU KNOW WHAT?
FINE. LET'S JUST GO.
- SO HERE'S WHAT I'VE BEEN THINKING.
I FEEL LIKE THE DESIGN TEAM IS NOT THINKING BIG ENOUGH.
- WHAT ARE YOU TALKING ABOUT?
- JUST NOT THINKING MODERN ENOUGH AND HIP ENOUGH,
AND I--I JUST WANT TO KEEP BRAINSTORMING.
- SARAH, IT'S GONNA BE FINE. - NO, NO, NO, NO.
BUT LISTEN, SO WHAT IF IT HAD A PERSONALIZED--
- OH, MY GOD! - IT'S STRONG, RIGHT?
LIKE ON THOSE GREETING CARDS,
WHERE YOU CAN MAKE YOUR OWN RECORDING.
I'M JUST SAYING LET'S THINK BIGGER--
- I HAVE TO STOP AT BERKELEY COFFEE, OKAY?
- WHY? [sighs]
[indistinct chatter]
- MOM... - I GOT YOU.
- HI, CINDY'S MOM. - HI, AMY!
- I'M LOOKING FORWARD TO THIS AFTERNOON.
- YES, INDEED.
- BYE, HONEY. MWAH!
- SEE YOU. - OKAY.
- HI! - HI.
- SO I'M-- - SYDNEY'S MOM.
- YES. JULIA. - CYNTHIA.
- SO NICE TO MEET YOU.
- AMY IS REALLY LOOKING FORWARD TO--
- SO I'M GONNA HAVE TO CANCEL
THE PLAY DATE FOR THIS AFTERNOON.
- OH, WHY?
- WELL, THE SITUATION WITH ISABEL, I GUESS.
- WHAT SITUATION?
I DON'T KNOW ABOUT ANY SITUATION.
- OH, HEH.
OKAY, SO...
APPARENTLY, THERE WAS SOME BAD BLOOD
BETWEEN AMY AND ISABEL,
AND ISABEL IS ASHLEY'S SISTER, SO...
- BAD BLOOD? WHAT ARE YOU TALKING ABOUT?
EVERYBODY LOVES AMY.
- OH, YEAH.
YEAH...OF COURSE.
I MEAN, I KNOW I DO.
- NO, LISTEN...I GET IT.
- I'M SO GLAD YOU UNDERSTAND.
- I UNDERSTAND EXACTLY.
- GREAT.
WELL, I'M--I'M GLAD WE GOT THE CHANCE TO...
- CAN YOU BELIEVE THIS GUY?
UNBELIEVABLE.
- HELLO, ADAM'S SISTER.
- HI. SARAH.
- SARAH. RIGHT.
- IS THAT, UH, CHOCOLATE PUDDING?
- YES, IT IS.
- I WILL GIVE YOU MY ENTIRE,
PERSONALLY PREPARED BY MY NUTRITIONIST,
GLUTEN-FREE, VEGAN LUNCH
FOR JUST ONE BITE OF THAT CHOCOLATE PUDDING.
- NO, THANKS. - I'LL GIVE YOU A RAISE.
- [laughs] REALLY?
- NO, BUT... COME ON, PLEASE.
HAVE A HEART.
- MMM, OH, IT'S SO DELICIOUS.
- YOU'RE NOT GONNA GO THERE.
- YOU KNOW WHAT I LIKE ABOUT CHOCOLATE PUDDING?
EVERYTHING. [laughs]
- YOU KNOW WHAT I LOVE ABOUT TOFU
SHAPED LIKE A BURGER AND HEAVIER THAN A BRICK?
- NOTHING. - NOTHING, PRECISELY.
- OH, NO.
- EXCELLENT FOR THE COLON.
- YOU KNOW WHAT?
YOU NEED THIS MORE THAN I DO.
- NO. - YEAH.
- REALLY? - TAKE IT.
- THIS IS NOT SOME KIND OF...
- [laughing] - TRICK, IS IT?
- I DON'T HAVE ANOTHER SPOON.
- THAT'S OKAY. I'LL JUST USE YOURS.
- REALLY? - THINK THAT'S GONNA STOP ME?
- I--
- YOU, MY LADY,
ARE A KIND AND DECENT WOMAN.
MMM.
WOW.
YOU CAN'T TELL MY NUTRITIONIST.
HERE, HAVE A LITTLE TASTE.
- NO, SERIOUSLY, I DON'T WANT--
I CAN'T DOUBLE DIP. - I JUST DID.
- HEY, YO.
- HEY. HEY!
- ADAM. - YEAH?
- WHAT'S DOING?
- JUST GRABBING MY LUNCH.
- COOL. - JOIN US.
- YEAH, WE GOT PUDDING.
- PUDDING? REALLY? - YEAH.
- YOU HAVE ENOUGH PUDDING TO GO AROUND?
- EXCUSE ME, ADAM. - YEAH?
- PHIL LESSING'S HERE TO SEE YOU.
- PHIL IS HERE? - YEAH.
DO YOU WANT ME TO TELL HIM--
- NO, I'LL...
- WHO'S PHIL?
- AH, HE'S A FRIEND.
- PHIL HAS AN AUTISTIC KID TOO,
AND SO THE KIDS PLAY TOGETHER.
PHIL'S MARRIAGE IS KIND OF FALLING APART.
SO ADAM AND KRISTINA HAVE BEEN WATCHING PHIL'S KID...
HE'S A FRIEND.
- I'LL TAKE A RAIN CHECK ON THAT PUDDING.
MORE FOR ME.
- OH.
OH, YOU MIGHT WANT TO DO SOMETHING
ABOUT THAT LIGHTER FLUID THERE.
- THAT'S A GREAT IDEA.
SHOULD STOW THAT SOMEWHERE.
- SO, UH...
WHERE'S JABBAR'S ROOM?
- OH, IT'S JUST THE ONE ROOM.
IT'S PRETTY COZY.
- YEAH, TOUR IS ONLY FOR FOUR WEEKS, MOM.
- WELL, I'M JUST CURIOUS, WHERE'S THE BOY GOING TO SLEEP?
- WELL, IN THE PAST, HE'S SLEPT THERE.
- HERE? ON THIS RICKETY CHAIR?
- WELL, IT'S A COUCH.
AND IT'S MORE COMFORTABLE THAN IT LOOKS.
BUT I HAVE BEEN THINKING ABOUT GETTING A SLEEPING BAG,
MAYBE, FOR ME,
AND THEN PUTTING JABBAR ON THE FULL-SIZE BED.
- TRUST ME, MOM. IT'S GONNA BE FINE.
IT'S GONNA BE JUST FINE.
- WHATEVER YOU SAY, HONEY.
JUST KNOW THAT HE'S GOT A BED AT MY PLACE
IF IT DOESN'T WORK OUT.
WELL, LET'S HAVE SOME WAFFLES, HUH?
- SO HOW WOULD YOU GO ABOUT TELLING MAX
THAT YOU AND KRISTINA WERE SEPARATED?
- WELL, PHIL, I DON'T THINK THAT CRISTINA AND I WOULD--
- NEITHER DID I, MY FRIEND. NEITHER DID I.
AND THEN, BAM! IT JUST HAPPENS.
SUZE GOES TO SLEEP TALKING ABOUT NOEL
AND WAKES UP FEEDING HIM.
SPENDS ALL DAY DRIVING AROUND TO THE THERAPIES.
AND BY THE TIME SHE GETS HOME AT NIGHT, IT'S JUST...
I LOVE HIM. I LOVE HIM TO DEATH.
IT'S JUST THAT THERE IS NO "US" LEFT.
CAN I CONFIDE IN YOU, ADAM?
- WELL, PHIL, I THINK IT MIGHT BE BEST--
- DO YOU REMEMBER OUR PINK CARDS
FROM OUR INDEX CARD SYSTEM?
- VAGUELY.
- OUR SEX CARDS. - MM-HMM.
- WE USED TO CALL THE PINK ONES OUR "FORNICARDS."
- YEAH.
- THAT WAS BEFORE THEY STARTED PILING UP.
UNUSED.
[indistinct conversation]
- OH, REALLY? OH.
[laughs]
- HEY, PHIL, I'M GONNA GET YOU SOME PEPPERMINT TEA, OKAY?
THAT'LL MAKE YOU FEEL BETTER. OKAY?
- ADAM... - AND I--YEAH?
- YOU'RE THE BEST.
[crying]
- HEY.
HEY THERE.
YOU'RE GONNA BE OKAY.
OKAY? LET ME JUST, UH...
LET ME--LET ME JUST--
I'M GONNA GET YOUR TEA. OKAY?
I'LL BE RIGHT BACK. - I'D PREFER COFFEE.
- COFFEE?
- WITH A LITTLE CREAM. - SUGAR?
- A LITTLE SUGAR. - OKAY.
- HEY... - YEAH?
- DO YOU GUYS HAVE AN ESPRESSO MACHINE?
- YES, WE DO.
ESPRESSO? - CAPPUCCINO.
- SOY MILK.
- WOW, I NEVER KNEW ABOUT THE TANTRUMS.
- I KNOW. WELL MOST OF THE TIME, MAX IS A REALLY SWEET KID.
IT'S JUST ONCE IN A WHILE-- - SOUNDS PRETTY INTENSE.
- YEAH, IT GETS A LITTLE BLOWN UP.
- HEY, YO. - HI!
- HOW'S YOUR BUDDY PHIL?
- UH, HE'S FINE.
- DIVORCE IS TOUGH. - YEAH.
- JUST, UH, MAKING HIM A LITTLE CAPPUCCINO.
- NICE. - HEY, YOU MISSED OUT, BUDDY.
PUDDING AND POTATO CHIPS FOR LUNCH.
AND YOU BETTER NOT TELL MY NUTRITIONIST.
YOU PROMISED.
- THAT LADY SOUNDS TOO SCARY.
ALL RIGHT, I GOTTA GET BACK TO WORK.
MY BOSS IS GONNA BE MAD AT ME.
- YEAH, LOOK OUT. - BOTH OF 'EM.
- LOOK OUT!
- HEY...THANKS... FOR SHARING.
- OF COURSE, YEAH.
IT WAS FUN. SEE YA.
OKAY, SEE YOU GUYS.
- YOUR SISTER...IS AWESOME.
[singsong] AWESOME.
[steam hissing]
- MATT. - YEAH?
- DO YOU WANT TO TRY ONE WHERE THE DRUMS COME IN
JUST A HAIR LATER? - YEAH, LET'S DO IT.
- ALL RIGHT, COOL.
- [strums guitar] 1, 2, 3, 4.
[playing mellow rock]
♪ I WAS WITH YOU WHEN THE WAR BEGAN ♪
♪ A WAR WITH YOU MY MEMORY RAN ♪
- I THINK I'M A GENIUS.
- ♪ WHEN I KEPT YOU TUCKED AWAY ♪
BOO! - OH, MY GOD.
OH, HEY!
- ♪ YOU ALWAYS RETURNED ♪ - MISS ME?
- I DID.
- COULDN'T STAY AWAY FOR A WHOLE DAY.
- I COULDN'T. GOOD BAND.
- RIGHT? THEY'RE REALLY GOOD.
WHAT'S GOING ON?
- WELL...
JUST MY MOTHER.
BUGGIN' ME.
- UH-HUH.
- YEAH. - IMAGINE THAT.
- [chuckles]
- SHE THINKS THAT, UH, JABBAR
WILL BE BETTER OFF STAYING WITH HER.
- OH, I'M SO SHOCKED TO HEAR THAT.
- SHE'S SO OBSESSED ABOUT THAT BOAT.
- REALLY, I DIDN'T GET THAT IMPRESSION
WHEN SHE WAS OVER FOR WAFFLES.
SHE DOESN'T LIKE THE BOAT?
- NO, SHE DOES NOT LIKE THE BOAT.
AND SHE'S GOT THIS WHOLE THING THAT, YOU KNOW,
LIKE HE'S STAYED WITH HER BEFORE LONG-TERM,
AND HE'S ONLY STAYED WITH YOU FOR, LIKE, A NIGHT OR TWO.
- MM-HMM. - SO SHE'S...
- THEN YOU REMINDED HER THAT I WAS HIS FATHER
AND THAT WASN'T REALLY ANY OF HER CONCERN?
- YEAH. YEAH, I DID.
♪ ♪
- ♪ IT'S BEEN YEARS SINCE I SAW YOU LAST ♪
♪ ♪
- HOW DO YOU FEEL?
- ME? - YEAH.
- I FEEL LIKE IT'S SOMETHING TO DISCUSS.
- MEANING...
- MEANING I DON'T THINK MY MOTHER'S COMPLETELY WRONG.
- RIGHT. SEE, I'M ASKING YOU HOW YOUFEEL,
AND YOU KEEP SAYING,
"MY MOTHER THIS," AND "MY MOTHER THIS."
I DIDN'T HAVE A KID WITH YOUR MOM!
- OKAY, I--I THINK THAT HE'D BE BETTER OFF WITH HER.
NO, I MEAN, HE'S GOT HIS OWN ROOM THERE.
HE'S COMFORTABLE.
HE'S KNOWN HIS GRANDMOTHER HIS WHOLE LIFE.
- YEAH, WELL, I'M HIS DAD.
- AND...YOU'LL SEE HIM EVERY DAY, CROSBY.
- OH, IS THAT WHAT YOU GUYS DECIDED,
THAT I CAN SEE HIM EVERY DAY?
YOU AND YOUR MOM FIGURED THIS OUT?
I DON'T THINK, LEGALLY, YOU GUYS CAN JUST
MAKE ALL THESE DECISIONS WITHOUT ASKING ME.
- NO, NO, NO. WE'RE NOT GONNA GO THERE.
- IT'S AN ELEMENT IN THIS. YOU CAN'T JUST--
- NO, IT'S NOT AN ELEMENT.
IT'S NOT-- HAS NOTHING TO DO--
NO ONE'S TALKING ABOUT YOUR RIGHTS!
IT HAS NOTHING TO DO WITH THAT.
I JUST WANNA DO WHAT'S BEST FOR JABBAR.
- YOU THINK GOING TO EUROPE FOR SIX WEEKS
IS WHAT'S BEST FOR JABBAR?
THAT--WHAT PARENTING MAGAZINE DID THAT COME FROM?
- FIRST OF ALL, GET YOUR FACTS RIGHT.
IT'S FOUR WEEKS, NOT SIX.
- OH, IT'S FOUR WEEKS. THAT'S SO MUCH BETTER.
- AND I'M NOT GOING EUROPE ON SOME VACATION,
LIKE I'M GOING TO BACKPACK THROUGH EUROPE
AND DUMP MY KID OVER HERE.
IS THAT WHAT I'M DOING?
- WELL, YOU'RE NOT GOING TO CURE CANCER!
- YOU KNOW WHAT? I'M NOT EVEN...
THIS IS CRAZY. YOU KNOW WHAT?
ACTUALLY, HE'S STAYING WITH MY MOTHER, SO DEAL WITH IT.
- WELL, WE'LL SEE WHAT JULIA THINKS ABOUT THAT.
- I DON'T CARE ABOUT WHAT YOUR SISTER HAS TO SAY!
ARE YOU KIDDING ME? YOU WANNA GET YOUR SISTER?
REALLY? THAT'S WHAT YOU'RE GONNA TAKE IT TO?
- NO, I-- - SEE WHAT I COME BACK WITH.
GO GET YOUR SISTER! - I DIDN'T MEA...
[song ends]
- HEY, CROSBY, HOW WAS THAT TAKE, MAN?
- I GOTTA BE HONEST, DUDE.
I DIDN'T HEAR THAT LAST TAKE.
I'M SORRY.
I MEAN, WHAT WOULD YOU DO IF SOMEONE WAS TELLING YOU
THEY DIDN'T WANT YOUR SON TO LIVE WITH YOU?
- WELL, I DON'T THINK
THAT I WOULD EVER FIND MYSELF IN THAT POSITION.
- WELL, THAT SOUNDS JUDGMENTAL.
WHERE THE HELL HAVE YOU BEEN?
I NEED INPUT.
- I HAD A MEETING.
- WHAT DO YOU MEAN, YOU HAD A MEETING?
- I MEAN--I DON'T KNOW.
THE JUST BROUGHT ME ALONG TO THE THING ABOUT THE LOGO.
- THE LOGO MEETING? - WHO CARES ABOUT THE LOGO?
LISTEN, JASMINE'S TAKING OFF FOR FOUR WEEKS,
AND SHE WANTS JABBAR TO STAY WITH HER MOM.
- CAN YOU BELIEVE THIS? - WELL--
- I MEAN, THAT'S NOT RIGHT, IS IT?
I MEAN, I SHOULD HAVE A SAY IN THIS, DON'T YOU THINK?
- OF COURSE YOU SHOULD HAVE A SAY.
- DON'T I HAVE A RIGHT? RIGHT?
- I DON'T KNOW WHAT YOUR RIGHTS ARE.
YOU SHOULD CALL JULIA, I MEAN, JUST TO KNOW--
- I THINK THAT'S AN EXCELLENT IDEA.
- LET'S CALL HER. - BY THE WAY, IT'S TREMENDOUS
THAT YOU TWO ARE WORKING TOGETHER NOW.
IT REALLY SAVES ME A LOT OF TIME.
- THAT'S GOOD.
WHAT WAS THE MEETING ABOUT THE LOGO?
- LOOKIT, YOU'RE GONNA CALL. - ALL RIGHT, ALL RIGHT.
- CALL JULIA.
- GOTTA BREAK UP YOUR RELAXATION FACE.
- I'M TIRED.
- HI, JULIA BRAVERMAN, PLEASE.
- NO, PUT HER ON THE VIDEO CONFERENCE.
VIDEO CONFERENCE IS AWESOME.
- YOU GUYS HAVE VIDEO CONFERENCE?
- AND THEN YOU CAN TALK TO HER IN THE COMPUTER.
- LIKE IN TRON. - IT'S HER BROTHER ADAM.
- DICK TRACY. - PUT HER ON.
- GUYS, GUYS. UH-HUH.
NO, I UNDERSTAND. THANKS. OKAY, BYE.
UH, SHE'S IN A VERY IMPORTANT CONFERENCE CALL
AND CANNOT BE DISTURBED. - OH, GIVE ME A BREAK.
THAT'S PRETTY OFFENSIVE. THE THREE OF US?
- BUT LISTEN, HERE'S WHAT YOU GOTTA DO.
YOU GOTTA TALK TO JASMINE, AND YOU HAVE TO LET HER KNOW
THAT SHE DOESN'T HAVE THE RIGHT TO MAKE UNILATERAL DECISIONS
ABOUT WHERE AND WITH WHOM JABBAR IS GONNA LIVE
WHILE SHE'S AWAY.
THERE'S GOTTA BE A DIALOG. - UNILATERAL, I LIKE THAT.
- AND YOU HAVE TO BE READY TO, YOU KNOW,
PUT YOUR MONEY WHERE YOUR MOUTH IS AND--
- WHAT DOES THAT MEAN? WHAT ARE YOU SAYING?
- LIKE MAYBE GET AN APARTMENT
INSTEAD OF HAVING HIM ON THE BOAT.
- YEAH, WELL, I CAN'T DO THAT
BETWEEN RIGHT NOW AND TOMORROW.
SO ARE YOU SAYING-- - I JUST MEAN ARE YOU READY?
- SHE'S JUST ASKING YOU IF YOU THINK THAT
THAT'S WHAT'S BEST FOR JABBAR.
I THINK THAT THAT'S THE QUESTION YOU HAVE TO ASK YOURSELF.
- WAIT, SO YOU DON'T THINK HE SHOULD BE WITH ME, EITHER?
- THAT'S NOT WHAT I'M SAYING.
- THAT'S WHAT YOU GUYS ARE BOTH--
- I'M SAYING YOU SHOULD TAKE SOME TIME AND THINK ABOUT IT.
- [sighs] I SHOULD TAKE SOME TIME.
ALL RIGHT. - SOMEWHERE ELSE.
'CAUSE, BELIEVE IT OR NOT,
THIS IS ACTUALLY A PLACE OF BUSINESS,
AND I HAVE WORK TO DO.
- I'M NOT GETTING IN THE WAY OF YOUR WORK
WITH YOUR LEG UP ON THE DESK WHILE I'M THINKING.
I'M SURE YOU CAN MANAGE BOTH THINGS.
- ALL RIGHT, OKAY, YOU SIT THERE AND THINK,
AND I'LL GET BACK TO WORK AND FIND OUT
JUST EXACTLY WHAT THE HELL IS GOING ON
WITH THE LOGO MEETING.
- SEE WHAT I'M DEALING WITH?
HE'S SO TENSE HERE, ALL DAY.
- I'VE BEEN REVIEWING A MENTAL TRANSCRIPT OF THE CONVERSATION,
AND, IN RETROSPECT, I BELIEVE THAT MY COMMENTS
WERE NOT ONLY APPROPRIATE,
BUT THEY WERE ENTIRELY JUSTIFIED.
- JULIA, YOU ESSENTIALLY TOLD THIS MOM
THAT HER DAUGHTER HAS ISSUES.
- NO, I DID NOT.
YOU'RE TWISTING MY WORDS, COUNSELOR.
- OH, NO, PLEASE. NOT WITH THE LEGAL TALK.
FREAKS ME OUT. - ALL RIGHT...BABE.
I WAS JUST TRYING TO HELP SYDNEY
OUT OF THIS WHOLE PLAY DATE THING
BY BEING HONEST WITH THE WOMAN,
AND SHE GOES AND WRITES ME THIS ANGRY EMAIL.
- WELL, WHAT EXACTLY DID YOU SAY TO HER?
- I SAID NOTHING. - NOTHING?
- MAYBE I SAID SOMETHING ABOUT THERE BEING BAD BLOOD
BETWEEN AMY G. AND ISABEL.
- BAD--YOU SAID BAD BLOOD?
[laughs] WHAT IS THIS, THE GODFATHER?
- THAT'S WHAT YOU TOLD ME. IS THAT NOT THE TRUTH?
- SWEETHEART, AMY G'S MOM IS A POWERHOUSE.
SHE'S THE PRESIDENT OF THE PARENTS' ASSOCIATION.
SO FIX THIS, OR THE WHOLE MOTHERS MAFIA
WILL PREVENT OUR DAUGHTER EVER HAVING A PLAY DATE
EVER AGAIN.
- OKAY, HOW DO I FIX IT?
- UH, TELL HER YOU WERE WRONG.
- I'M NOT WRONG.
I WILL NOT COMPROMISE MY INTEGRITY.
- OKAY, WELL, YOU CAN KEEP YOUR INTEGRITY,
AND OUR DAUGHTER WILL END UP BITTER AND LONELY.
IF THAT'S WHAT YOU WANT.
- UGH.
THESE ARE FIVE-YEAR-OLDS.
I CAN'T BELIEVE THEIR SOCIAL POLITICS
ARE THIS COMPLICATED.
- WELCOME TO MY HELL.
- ALL RIGHT, PICK ME UP TOMORROW?
- YEAH. - OKAY, THANKS.
BYE!
- OH, HEY, SARAH.
WAIT. [grunts]
FORGOT YOUR COFFEE MUGS. - THANK YOU.
OKAY, SEE YA. - HEY, YOU KNOW...
I WAS THINKING IT ACTUALLY MIGHT BE BETTER
FOR US NOT TO CARPOOL ANYMORE.
- YOU REALLY HATE MY COFFEE?
- NO, NO, NO. NO, IT'S JUST--IT'S--
IT'S THE ONLY TIME OF THE DAY THAT I GET TO BE BY MYSELF.
NOTHING PERSONAL. - I UNDERSTAND.
NO, I REALLY DO UNDERSTAND. - OKAY.
- OKAY, I'LL MEET YOU THERE TOMORROW.
- THANKS. - BYE.
- HEY, UH, SARAH, IF, UH...
ALSO, I JUST WANT TO ASK YOU NOT TO TALK ABOUT...
MAX OR MY PERSONAL LIFE AT WORK.
- YEAH. I DIDN'T--I MEAN--
I DIDN'T MEAN TO GET INTO IT, YOU KNOW.
JUST PHIL LESSING-- - YEAH, I KNOW.
YOU DON'T HAVE TO EXPLAIN YOURSELF.
JUST DON'T DO IT. - I DIDN'T KNOW IT WAS A SECRET.
- IT'S NOT A SECRET, SARAH, IT'S MY PERSONAL LIFE,
AND I SHOULD BE ABLE TO CHOOSE HOW AND WHEN
I WANT TO TALK ABOUT IT. - YEAH, YEAH, YEAH, OKAY.
IF YOU HAVE ANY OTHER THINGS YOU'D LIKE TO DECIDE
WHEN AND HOW YOU TALK ABOUT THEM,
JUST GIVE ME A HEAD'S UP, JUST LET ME KNOW, JUST SO--
- IT'S NOT SOMETHING I SHOULD HAVE TO ASK YOU FOR.
- OKAY, OKAY, OKAY, OKAY, OKAY.
- YOU SHOULD JUST RESPECT MY PRIVACY.
- OH, GOD, ADAM, I'LL SEE YOU TOMORROW.
- AND I ALSO DON'T THINK YOU SHOULD BE
SPENDING QUITE SO MUCH TIME WITH GORDON.
- WHAT DOES THAT MEAN?
- WELL...
SARAH, I MEAN, YOU HAD LUNCH WITH HIM
FOR 77 MINUTES TODAY.
- OH, MY GOD, YOU TIMED OUR LUNCH?
- I THINK HE MIGHT BE GETTING THE WRONG IDEA.
- GETTING THE WRONG IDEA?
ADAM, WHAT ARE YOU TALKING ABOUT?
- YOU'RE JUST REALLY CHATTY.
YOU WERE FLIRTING WITH THE GUY.
- I WASN'T BEING CHATTY AND FLIRTY.
I HAVE A PERSONALITY. I HAD PUDDING AND--
- LOOK, IT'S A DIFFERENT KIND OF WORKPLACE, OKAY?
IT'S NOT A BAR.
- OOH! DON'T SAY THAT TO ME!
I KNOW IT'S NOT A BAR.
YOU DON'T HAVE TO TELL ME IT'S NOT A BAR.
I KNOW HOW TO CONDUCT MYSELF OUTSIDE OF A BAR!
- THIS GUY IS A DOG!
HE'S NOT A GOOD GUY FOR YOU TO GET INVOLVED WITH!
- ...BY MYSELF, FOR MYSELF! I DON'T NEED YOUR HELP!
- IT'S YOUR SECOND DAY ON THE JOB!
YOU SHOULDN'T BE HANGING OUT FOR AN HOUR AND A HALF--
- 77 MINUTES! IT WAS ONLY 77 MINUTES.
I DON'T EVEN UNDERSTAND THIS.
IT JUST FEELS LIKE YOU REGRET DOING THIS AT ALL.
- WELL, DON'T MAKE ME REGRET IT.
- OKAY, I WON'T MAKE YOU REGRET IT.
I QUIT. - OH, OKAY.
THAT'S A BIG SURPRISE.
QUITTING IS DEFINITELY THE ANSWER.
- YOU CAN SEND MY MY $29 CHECK OR WHATEVER YOU'RE PAYING ME
FOR THIS GREAT INTERNSHIP IN THE MAIL.
- OKAY, QUITTER. NOTHIN' NEW.
- I QUIT! - THERE YOU GO, BE A QUITTER.
GREAT.
- YOU READY?
- I THINK STAR IS WRONG HERE, THOUGH.
THE ONE ACROSS IS-- - YOU'RE RIGHT.
- HI! I'M HOME.
- THREE DOWN. THREE DOWN.
- CANE. HE USED A CANE.
TAKE THE CANE AND GO LIKE THAT.
- I'M GONNA LIGHTLY PENCIL IT IN.
- HI, I'M HOME! - HEY.
- JUST A MINUTE. I'M SERVING.
- WHAT ARE YOU GUYS DOING?
I FEEL LIKE THOSE BACKPACKS HAVEN'T BEEN OPENED.
DID ANYONE DO ANYTHING, HUH?
HEY, UM, DO YOU WANT ME TO HELP YOU START
SOMETHING FOR DINNER, MOM? - DAMN IT.
- NO, WE ATE ALREADY.
- OH. - LOOSEN, 44 DOWN.
- OKAY. HEY, DID YOU ORDER CONTACT LENSES, YOU KNOW?
- I WILL, MOM, I PROMISE. PLEASE.
- WELL, BARETTA'S RIGHT.
- HEY, YOU KNOW, PEOPLE NEED TO GET THINGS DONE, OKAY?
IT CAN'T JUST ALL BE CROSSWORD PUZZLES AND PAC-MAN!
YOU HAVE TO ACTUALLY DO THINGS, OKAY?
AND DO YOUR HOMEWORK. OKAY?
- PAC-MAN?
- [giggling] PAC-MAN.
- PAC-MAN! - WHERE DID SHE--
WHERE DID SHE COME UP WITH THAT?
- FORGET IT, GUYS.
- WHO'S SERVING? - YOURS.
- MINE? - YEAH.
- [crying] I'M SORRY.
JUST HAD A REALLY BAD DAY.
[overlapping chatter]
- ARE YOU READY?
- YEAH.
- GONNA GO KILL MYSELF.
[overlapping chatter]
NOTHING. NOT EVEN HERE.
[loud music playing]
♪ ♪
[Ray LaMontagne's Devil in the Jukeboxplaying]
- ♪ BIG YELLOW MOON ♪
♪ RISIN' UP OVER THEM OL' HILLS ♪
♪ BIG YELLOW MOON ♪
♪ RISIN' UP OVER THEM OLD HILLS ♪
[taps on glass]
♪ BIG YELLOW MOON RISIN' UP OVER THE HILLS ♪
- YOU OKAY? - YEAH.
YEAH, I'M JUST-- - HIDING?
YOU WANNA BE ALONE?
- NO. - ARE YOU SURE?
- YEAH. - ALL RIGHT, I'M GETTING IN.
OHH.
[exhales]
I LIKE THIS.
- ♪ DEVIL'S IN THE JUKEBOX ♪
♪ JUMPIN' ON THE RIVER ♪
- WHY IS THERE A TRAMPOLINE IN OUR LIVING ROOM?
- NOEL NEEDS THE STIMULATION.
- IS THERE AN END TO IT?
- TO WHAT?
- TO NOEL LESSING BEING IN OUR HOUSE
WHEN I COME HOME FROM WORK?
- [sighs]
- HONEY, I DON'T KNOW WHAT TO SAY.
I MEAN, SUZE'S IN A LOT OF PAIN.
- I'VE TRIED TO SAY NO, BUT I CAN'T.
IT'S JUST NOT IN ME, AND...I'M SORRY.
- YOU HAVE A BIG HEART.
- HMM. - BIGGER THAN MINE.
- I DON'T KNOW ABOUT THAT. YOU HIRED YOUR SISTER.
SOMETHING I WOULDN'T DO. - SHE QUIT.
- SHE QUIT? WHY?
- BECAUSE I CRITICIZED HER FOR HAVING A TWO-HOUR LUNCH
WITH GORDON, AND THEN TALKING TO HIM ABOUT MAX.
- MAYBE THAT'S BETTER, THEN, SHE QUIT, YOU KNOW?
- I DON'T KNOW, I JUST, YOU KNOW,
MAYBE I SHOULDN'T HAVE HIRED SARAH.
I JUST, I DID IT BECAUSE I WAS FEELING GUILTY.
- HONEY, SHE IS YOUR SISTER. IT'S OKAY.
YOU KNOW, YOU WERE JUST BEING YOU.
- HMM.
- JUST YOU'RE KIND AND COMPASSIONATE.
AND GENEROUS AND...
- STUPID.
- NO.
I WAS GONNA SAY...
[whispers] SEXY.
- [chuckles]
- WE SHOULD MAKE OUT.
- HMM? - YOU WANT DO?
- [chuckles]
[knock on window]
- KRISTINA, HEY!
- HI. - HEY.
- NOEL WAS WONDERING IF YOU HAVE ANY MORE
OF THE PASTA SALAD?
- YEAH. YEAH. LET ME GET IT.
- OH, NO, YOU KNOW, I CAN GET IT MYSELF.
- UM-- - NO, IT'S FINE.
I CAN GET IT. JUST TELL ME WHERE IT IS.
- UM...
- IT'S ON THE SECOND SHELF...
NEXT TO THE MAYO, BEHIND THE PICKLES.
- WHAT'S GOING ON IN HERE? HI, GUYS.
YOU KNOW WHAT? GET A ROOM.
- [laughs] - FOR REALS.
- OKAY. OH, HONEY.
- MY GOD.
THAT KID IS A BOTTOMLESS PIT.
- [laughing]
- GOTTA BREAK IT UP A LITTLE SO THAT THE...
- THE ROOTS...
- YEAH, AND THEN YOU...
THEN YOU JUST KIND OF PACK IT IN.
- [chuckles] - DADDY!
- HEY, BUDDY!
YOU GARDENING? - YEAH.
- HELLO, CROSBY.
- HI, RENEE.
- HOW ARE YOU? - GOOD.
JABBAR, LET'S GO GET SOME LEMONADE.
- YEAH. - LEMONADE!
[door shuts]
- SO...I THOUGHT ABOUT IT.
AND...
I REALLY WANT JABBAR TO STAY WITH ME.
BUT I CAN SEE HOW IT'S PROBABLY BETTER FOR HIM HERE.
TILL I GET...AN APARTMENT OR SOMETHING, AT LEAST.
- THANK YOU.
- BUT I'M WORRIED YOU...
YOU'RE PULLING AWAY.
THIS FEELS LIKE SOMETHING I'VE DONE TO PEOPLE.
ARE YOU PULLING AWAY FROM ME?
- NO, I'M NOT PULLING AWAY FROM YOU.
- YOU SURE?
- YEAH.
YOU'RE REALLY CUTE.
- IT'S THE MOTORCYCLE.
- IS IT? - YEAH, I'M JUST A SIX.
BUT WITH THE MOTORCYCLE, I'M AN EIGHT.
- [laughs]
[indistinct chatter]
- I WANT THAT!
UNH! MM!
- [sighs] - SO YOU TOLD AMY G.'s MOM
THAT AMY P. WAS ACTUALLY THE PROBLEM.
I JUST TALKED TO AMY P.'s MOM,
AND SHE WAS, UM, NOT HAPPY.
- GIVE IT TIME. IT'LL BLOW OVER.
- YEAH? - YEAH.
AND BESIDES, THERE ARE THREE AMYS, RIGHT?
SO THEY CAN BLAME IT ON THE OTHER ONE.
- HMM.
WHAT HAPPENS WHEN WE RUN OUT OF AMYS?
- YOU...WILL THINK OF SOMETHING.
- YOU SAID THAT SO SEDUCTIVELY.
CLEVER GIRL.
- CAN I COME IN?
- OF COURSE.
UM...
LISTEN, I'M SORRY. I OVERREACTED.
OKAY, SO I APOLOGIZE.
- THAT'S OKAY.
I OVERREACTED TOO. IT'S OKAY.
- IT'S REALLY NOT OKAY, BECAUSE...
THINGS HAVE NOT BEEN GREAT AT WORK, AS YOU KNOW,
AND I TOOK IT OUT ON YOU.
IT'S JUST I FEEL ALL THIS PRESSURE AT WORK
BECAUSE OF GORDON, AND I JUST--
IF HE KNEW HOW MUCH TIME I SPENT THINKING ABOUT MAX
AND ASPERGER'S AND...
KRISTINA, HADDIE, MOM, DAD,
YOU, JABBAR, CROSBY, ALL OF THAT, YOU KNOW,
HE WOULD PROBABLY FIRE ME.
- HE'S NOT GONNA FIRE YOU.
HE LIKES YOU. YOU'RE INDISPENSABLE TO HIM.
- DID HE SAY THAT TO YOU?
- WELL, HE IMPLIED IT IN 77 MINUTES.
- NO, NO. NOBODY'S INDISPENSABLE.
NOT THESE DAYS. NOT IN THIS ECONOMY, SO...
- ADAM, YOU'RE TOO HARD ON YOURSELF.
RELAX, DON'T WORRY.
YOU DO SUCH A GOOD JOB. - [grumbles]
SO, COME ON, YOU'RE NOT REALLY QUITTING.
SO...LET'S GO.
- [scoffs] YES, I AM QUITTING.
I DON'T WANT TO MAKE THINGS HARDER FOR YOU.
- SARAH, LISTEN TO ME. OKAY?
LOOK AT ME. I WANT YOU THERE.
OKAY?
[chuckles]
- [snickering] - WHAT?
I DO, I REALLY DO. I WANT YOU THERE.
- YOU DON'T REALLY BELIEVE THAT.
YOU COULDN'T EVEN REALLY SAY IT.
- I'M WORKING ON IT. - [laughs]
- SO COME ON, WILL YOU GET DRESSED?
LET'S GO TO WORK.
- REALLY? - YEAH. COME ON.
- THIS IS SUCH A GOOD IDEA.
YOU WILL NOT REGRET IT.
BECAUSE I WAS JUST GETTING STARTED.
I MEAN, I WAS JUST GETTING IN A GROOVE, YOU KNOW?
AND, UM, LISTEN, I WON'T DO ANY OF THE STUFF
THAT WAS BUGGING YOU, OKAY?
I WON'T TALK ABOUT YOUR PERSONAL LIFE.
OH, BUT YOU'RE GONNA HAVE TO TAKE ME TO WORK
EVERY DAY THIS WEEK, OKAY,
BECAUSE THE CAR IS IN THE SHOP,
AND, UM, CAN WE PLAY SOME DIFFERENT MUSIC?
- HEY, THAT'S RAY LAMONTAGNE, OKAY?
THE MAN'S A GENIUS.
THAT'S WHAT WE LISTEN TO IN MY CAR.
- LIKE, CAN'T WE HAVE A LITTLE, LIKE, YOU KNOW,
SOMETHING SNAPPIER?
- GET DRESSED, OKAY? WE'RE LATE.
- OKAY, I'M HURRYING. I'M HURRYING.
- GOD. - YOU'RE THE BEST!
- I GAVE YOU THE PEDIATRICIAN'S NUMBER, RIGHT?
- YES, YOU DID.
- [sighs]
- OKAY, BUDDY.
WE'RE GONNA TALK EVERY DAY, TWICE A DAY, OKAY?
- WHY CAN'T I COME?
- YOU CAN'T COME, HONEY.
YOU HAVE TO STAY WITH YOUR GRANDMA AND YOUR DAD.
ALL RIGHT, GIVE ME A HUG.
I LOVE YOU.
- I LOVE YOU TOO.
- LAST CALL.
NOW BOARDING ALL... ALL SECTIONS.
ALL ROWS ARE NOW BOARDING.
- I GOTTA GO.
I GOTTA GO.
- ♪ ON MY WAY BACK HOME ♪
- IT'S OKAY. WE'LL BE FINE.
YOU'LL SHINE.
- ♪ A CHANCE I THOUGHT OF ♪
- HAVE FUN.
- ♪ MY FAVORITE SONG ♪
♪ WHERE I'D GONE WRONG ♪
♪ THE ONLY WORDS THAT I COULD THINK OF ♪
- YOU WANNA GO GET SOME WAFFLES ON THE WAY HOME,
OR YOU WANNA WAIT TILL WE GET HOME?
- BOTH.
- ♪ ON MY WAY BACK HOME ♪
♪ ♪
♪ EVERY STEP ♪
- HELLO! I'M HOME!
- ♪ A VICTORY IT WAS ♪
♪ I WAS CHEATING DEATH ♪
♪ JUST IN TIME, I WOKE ♪
♪ MY MEMORIES START TO WANDER OFF ♪
♪ COME TO ME ♪
[man announcing baseball game]
- ♪ ON MY WAY BACK HOME ♪
- AHH.
- AND HE TAKES A FAST BALL UP AND AWAY OUTSIDE
FOR BALL NUMBER ONE.
- [trilling]
- AND MAX'S SOLO.
- HEY, NOEL. - AND NOEL'S SOLO.
- [trilling]
- OH, YOU KNOW WHAT?
YOUR MOM SAID YOU DO A GREAT RUSSIAN ACCENT.
- YEAH, YEAH, YEAH. [Russian accent] YES, I CAN.
- HOW COME YOU DON'T HAVE TO EAT YOUR STRING BEANS?
- 'CAUSE I DON'T WANT TO.
- WHY DOESN'T HE HAVE TO EAT HIS STRING BEANS?
- WELL, BECAUSE NOEL'S OUR GUEST.
- ♪ LUCKILY I ♪
- HI. - HI.
- THOUGHT YOU SAID DAD WASN'T COMING.
- SCOOCH OVER, WOULD YOU?
- HI, ADAM. - HOW ARE YOU, NOEL?
- I'M GOOD. - YOU'RE GOOD?
- [trilling]