1 00:00:01,242 --> 00:00:02,802 - WELL, LOOK, I KNOW HE WAS HAVING SOME FINANCIAL TROUBLE-- 2 00:00:02,830 --> 00:00:04,110 - YOU DO? - YEAH. 3 00:00:04,142 --> 00:00:06,662 HE WENT COMPLETELY UPSIDE DOWN ON THIS REAL ESTATE INVESTMENT. 4 00:00:06,696 --> 00:00:08,346 - WHAT? - IT'S A LOT OF LYING. 5 00:00:08,387 --> 00:00:10,697 BEEN GOING ON FOR A LOT OF YEARS. 6 00:00:10,734 --> 00:00:13,014 NOT JUST ABOUT MONEY. THERE WAS A WOMAN. 7 00:00:14,428 --> 00:00:16,188 - HEY, SONNY. - HEY. 8 00:00:16,223 --> 00:00:17,713 - WELL, ARE YOU GONNA LET ME IN OR WHAT? 9 00:00:17,741 --> 00:00:20,191 - I DON'T THINK THAT THIS WHOLE THING IS WORKING. 10 00:00:20,227 --> 00:00:22,397 I HAVE TO GO. 11 00:00:22,436 --> 00:00:24,056 WE BROKE UP. 12 00:00:24,093 --> 00:00:25,403 - I'VE BEEN THINKING ABOUT THIS WHOLE THING WITH HADDIE. 13 00:00:25,439 --> 00:00:26,579 WHAT I'M FEELING NOW 14 00:00:26,612 --> 00:00:29,442 ISN'T WHAT I WAS FEELING WITH HER. 15 00:00:29,477 --> 00:00:31,447 - THANKS. 16 00:00:31,479 --> 00:00:34,449 [birds chirping, sprinklers] 17 00:00:37,278 --> 00:00:42,208 - HMM. 18 00:00:42,249 --> 00:00:44,869 OH, MY GOD. 19 00:00:44,906 --> 00:00:46,866 OH, MY GOD. STEVE, GET UP. 20 00:00:46,908 --> 00:00:48,698 GET UP. PUT YOUR CLOTHES ON. 21 00:00:48,738 --> 00:00:50,078 OH, MY GOD. 22 00:00:50,119 --> 00:00:51,219 - I DON'T UNDERSTAND. WHAT'S WRONG? 23 00:00:51,258 --> 00:00:53,158 - IF YOU TELL ANYBODY ABOUT THIS, I WILL KILL YOU. 24 00:00:53,191 --> 00:00:54,331 DO YOU UNDERSTAND? I WILL KILL YOU. 25 00:00:54,364 --> 00:00:56,234 - AMBER, WHAT IS WRONG? - WHAT DO YOU THINK IS WRONG? 26 00:00:56,263 --> 00:00:57,573 YOU'RE, YOU'RE HADDIE'S BOYFRIEND. 27 00:00:57,609 --> 00:00:59,749 - I'M NOT HADDIE'S BOYFRIEND. SHE DUMPED ME. 28 00:00:59,783 --> 00:01:01,203 - IT DOESN'T MATTER. IT DOESN'T MATTER. 29 00:01:01,233 --> 00:01:02,893 I'M HER COUSIN. I CAN'T BELIEVE I DID THIS. 30 00:01:02,924 --> 00:01:04,204 - IT'S OKAY. - NO, IT'S NOT OKAY. 31 00:01:04,236 --> 00:01:05,376 - LOOK, CAN'T WE JUST TALK ABOUT THIS? 32 00:01:05,410 --> 00:01:06,620 - NO, WE CANNOT TALK ABOUT IT. 33 00:01:06,652 --> 00:01:08,102 WE CAN'T TALK ABOUT ANYTHING, 34 00:01:08,137 --> 00:01:09,547 BECAUSE THERE'S NO "WE," OKAY? 35 00:01:09,586 --> 00:01:11,376 - LAST NIGHT... 36 00:01:11,416 --> 00:01:12,826 I KNOW YOU FELT IT TOO. 37 00:01:12,865 --> 00:01:14,795 - IT DOESN'T MATTER. I CAN'T DO THIS. 38 00:01:14,833 --> 00:01:15,873 THIS, THIS WAS A MISTAKE. 39 00:01:15,903 --> 00:01:18,533 I CAN'T, I CAN'T DO THIS WITH YOU. 40 00:01:18,561 --> 00:01:20,701 - AMBER. 41 00:01:20,735 --> 00:01:22,115 [sighs] 42 00:01:22,151 --> 00:01:24,151 - DON'T MOVE YOUR GLASS. KEEP YOUR GLASS STILL. 43 00:01:24,187 --> 00:01:26,117 - HADDIE. PUT THAT AWAY FOR ME. 44 00:01:26,155 --> 00:01:27,285 - YEAH. 45 00:01:27,328 --> 00:01:29,848 - I'M SORRY, I'M SORRY. - MOM! 46 00:01:29,882 --> 00:01:31,192 EXCUSE ME. 47 00:01:31,229 --> 00:01:32,439 - MORNING, GRANDPA. 48 00:01:32,471 --> 00:01:33,921 - EXCUSE ME. 49 00:01:33,955 --> 00:01:34,885 - DAD. 50 00:01:34,922 --> 00:01:36,542 - MORNING, DAD. 51 00:01:36,579 --> 00:01:38,199 - COFFEE. - DO YOU WANT SOME FRUIT? 52 00:01:38,236 --> 00:01:39,376 - YOU SLEEP ALL RIGHT? 53 00:01:39,409 --> 00:01:42,339 - OH, THERE WAS THIS CHIRPING IN MY HEAD ALL NIGHT. 54 00:01:42,378 --> 00:01:43,898 - OH, THAT-- THOSE WERE MY CRICKETS. 55 00:01:43,931 --> 00:01:47,141 - REALLY? - YEP. 56 00:01:47,176 --> 00:01:48,376 - THAT'S AN INTERESTING PET. 57 00:01:48,418 --> 00:01:49,658 - DID YOU JUST PUT THE MILK AWAY? 58 00:01:49,695 --> 00:01:51,175 - YEAH. OKAY. 59 00:01:51,214 --> 00:01:53,184 - OH, MAN, WHAT THE HECK IS THIS STUFF? 60 00:01:53,216 --> 00:01:54,176 - IT'S HAZELNUT. 61 00:01:54,217 --> 00:01:56,287 - HAZELNUT? - YEAH, IT'S GOOD. 62 00:01:56,323 --> 00:01:57,953 - GEEZ. 63 00:01:57,979 --> 00:01:59,839 - I CAN GET YOU SOMETHING ELSE. 64 00:01:59,878 --> 00:02:00,908 - SO WHERE ARE YOU GOING? 65 00:02:00,948 --> 00:02:02,398 - UH, I'M GONNA GO TO THE CORNER. 66 00:02:02,432 --> 00:02:03,852 I'M GONNA GET SOME COFFEE AND SOME DOUGHNUTS. 67 00:02:03,882 --> 00:02:05,232 - DOUGHNUTS? I WANT DOUGHNUTS. 68 00:02:05,263 --> 00:02:06,853 - NO. - MAX, YOU CAN'T HAVE DOUGHNUTS. 69 00:02:06,885 --> 00:02:08,395 - HE GETS TO HAVE DOUGHNUTS AND I DON'T? 70 00:02:08,438 --> 00:02:09,608 - MAX. - MAX. 71 00:02:09,646 --> 00:02:10,606 - THAT'S NOT FAIR. - HERE, HAVE SOME FRUIT. 72 00:02:10,647 --> 00:02:12,507 - BECAUSE I GET DOUGHNUTS-- - MAX, SHUT UP. 73 00:02:12,546 --> 00:02:14,646 - WE HEARD YOU SAY THAT. WE HEARD YOU. 74 00:02:14,686 --> 00:02:16,826 - WHY DON'T YOU EAT SOME FRUIT. - WHY DOES HE GET DOUGHNUTS? 75 00:02:16,860 --> 00:02:17,930 I DON'T GET DOUGHNUTS! - MAX. 76 00:02:17,965 --> 00:02:20,205 - SO GRANDMA AND GRANDPA HAD A FIGHT, 77 00:02:20,243 --> 00:02:21,833 YOU KNOW, LIKE PEOPLE DO. IT'S NOT A BIG DEAL. 78 00:02:21,865 --> 00:02:23,825 - WELL, LIKE, WHAT KIND OF FIGHT? 79 00:02:23,867 --> 00:02:24,867 - I DON'T KNOW, HONEY. 80 00:02:24,903 --> 00:02:26,593 BUT, UH, GRANDPA'S GONNA STAY WITH UNCLE ADAM 81 00:02:26,629 --> 00:02:27,909 FOR A COUPLE OF DAYS. 82 00:02:27,940 --> 00:02:29,430 - WHAT HAPPENED? I DON'T UNDERSTAND. 83 00:02:29,459 --> 00:02:30,529 - I DON'T KNOW. 84 00:02:30,564 --> 00:02:32,914 LET'S JUST BE EXTRA, SUPER NICE TO GRANDMA, OKAY? 85 00:02:32,945 --> 00:02:34,325 DO YOU WANT A REAL DONE ONE OR A NOT DONE ONE? 86 00:02:34,361 --> 00:02:36,261 - I-- JUST CHOOSE, I DON'T CARE. 87 00:02:36,294 --> 00:02:37,784 - HERE. TAKE ONE OF EACH. HI, HONEY. 88 00:02:37,812 --> 00:02:38,742 YOU'RE HOME EARLY. 89 00:02:38,779 --> 00:02:41,229 - YEAH, WELL, YOU KNOW, KAYLA WAS SNORING, 90 00:02:41,264 --> 00:02:42,584 SO I COULDN'T, I COULDN'T SLEEP. 91 00:02:42,610 --> 00:02:43,680 - YOU OKAY? - YEAH. 92 00:02:43,715 --> 00:02:45,855 - LISTEN, UM, GRANDMA AND GRANDPA HAD A FIGHT-- 93 00:02:45,889 --> 00:02:46,989 - OKAY, WELL, WE'LL, WE'LL TALK LATER, OKAY? 94 00:02:47,028 --> 00:02:49,448 - HI, SWEETIE. - OKAY. 95 00:02:51,032 --> 00:02:53,552 - HEY, MOM. LOOK, I MADE PANCAKES. 96 00:02:53,587 --> 00:02:55,237 - YEAH, THEY'RE, THEY'RE REALLY GOOD, ACTUALLY. 97 00:02:55,278 --> 00:02:56,868 - I CAN'T. I HAVE PAINTING CLASS. 98 00:02:56,900 --> 00:02:57,970 - OH. 99 00:02:58,005 --> 00:02:59,935 - UH, BUT YOU KNOW WHAT? 100 00:02:59,972 --> 00:03:01,802 UH, YOU KNOW HOW I'VE BEEN TALKING ABOUT 101 00:03:01,836 --> 00:03:03,486 TURNING THE ATTIC INTO MY ART STUDIO? 102 00:03:03,528 --> 00:03:04,598 - YEAH. 103 00:03:04,632 --> 00:03:05,842 - YEAH. I'M FINALLY GONNA DO IT. 104 00:03:05,875 --> 00:03:06,975 - NOW? - YEAH. 105 00:03:07,014 --> 00:03:07,954 AND THERE'S A LOT OF JUNK UP THERE. 106 00:03:07,980 --> 00:03:09,360 - JUNK. MOM, THAT'S-- 107 00:03:09,396 --> 00:03:10,706 ALL OF OUR CHILDHOOD STUFF IS UP THERE. 108 00:03:10,742 --> 00:03:12,022 - YEAH, WELL, YOU'RE GONNA HAVE TO GO THROUGH IT 109 00:03:12,053 --> 00:03:13,333 AND SEE WHAT YOU WANT. 110 00:03:13,365 --> 00:03:15,015 AND ASK YOUR BROTHERS AND YOUR SISTER 111 00:03:15,056 --> 00:03:16,366 IF THEY'LL GO THROUGH IT TOO. 112 00:03:16,403 --> 00:03:17,713 ANYTHING THAT'S IMPORTANT TO THEM, 113 00:03:17,749 --> 00:03:19,789 THEY SHOULD TAKE HOME, 'CAUSE WHATEVER'S LEFT, 114 00:03:19,820 --> 00:03:23,510 I'M GONNA, YOU KNOW, EITHER GIVE AWAY OR BURN. 115 00:03:23,548 --> 00:03:25,998 - BURN? 116 00:03:26,033 --> 00:03:28,313 MOM. 117 00:03:28,346 --> 00:03:29,306 - [sighs] 118 00:03:29,347 --> 00:03:32,587 MY DAD IS SO FAR UNDERWATER ON THIS THING. 119 00:03:32,626 --> 00:03:33,766 - YEAH, I WAS LOOKING AT THOSE. 120 00:03:33,799 --> 00:03:36,529 - IT'S JUST-- IT'S QUITE A HOLE. 121 00:03:36,561 --> 00:03:38,871 - HOW ARE YOU DOING WITH YOUR PARENTS? 122 00:03:38,908 --> 00:03:41,428 - UM...THEY'LL BE FINE. 123 00:03:41,462 --> 00:03:43,052 IT'S JUST, YOU KNOW, THE WHOLE THING STARTED 124 00:03:43,084 --> 00:03:45,814 BECAUSE HE WENT UPSIDE DOWN ON A BAD INVESTMENT, 125 00:03:45,846 --> 00:03:47,566 WHICH A LOT OF PEOPLE DO, I MIGHT ADD. 126 00:03:47,606 --> 00:03:48,986 ALL I HAVE TO DO IS HELP HIM DIG HIS WAY OUT 127 00:03:49,021 --> 00:03:51,821 AND HE'LL PATCH THINGS UP WITH MOM IN NO TIME. 128 00:03:51,852 --> 00:03:53,372 - BABE, I LOOKED AT THE VALUE OF THE LAND 129 00:03:53,405 --> 00:03:54,675 AND THE BUILDINGS. 130 00:03:54,717 --> 00:03:58,687 I--I DON'T KNOW HOW YOU, YOU DIG HIM OUT OF THAT. 131 00:03:58,721 --> 00:04:01,621 - WELL... THAT'S ACTUALLY WHAT I, 132 00:04:01,655 --> 00:04:02,785 WHAT I NEED TO TALK TO YOU ABOUT. 133 00:04:02,828 --> 00:04:06,868 I WAS THINKING OF CALLING TIMM. 134 00:04:06,901 --> 00:04:07,871 - OH. 135 00:04:07,902 --> 00:04:08,942 - I KNOW TIMM'S NOT YOUR FAVORITE PERSON. 136 00:04:08,972 --> 00:04:11,422 - NOT EVEN CLOSE. - BUT HE KNOWS REAL ESTATE. 137 00:04:11,458 --> 00:04:12,868 - WELL, I KNOW REAL ESTATE, JULIE. 138 00:04:12,907 --> 00:04:14,497 I WAS A CONTRACTOR. 139 00:04:14,530 --> 00:04:16,290 - NO, I KNOW, BUT, YOU KNOW, HE'S A FUND MANAGER. 140 00:04:16,325 --> 00:04:18,835 HE HAS A TON OF CONNECTIONS. THIS IS HIS JOB. 141 00:04:18,879 --> 00:04:21,989 - TIMM. 142 00:04:22,020 --> 00:04:23,990 TIMMMMM. 143 00:04:24,022 --> 00:04:26,022 - OKAY, SO HE HAS TWO "M"s IN HIS NAME. 144 00:04:26,058 --> 00:04:27,368 LET'S KEEP IT IN PERSPECTIVE HERE. 145 00:04:27,405 --> 00:04:29,475 - I AMMMM. 146 00:04:29,510 --> 00:04:30,650 - JOEL. 147 00:04:30,684 --> 00:04:32,004 - THE GUY TRIED TO STEAL YOU FROM ME. 148 00:04:32,030 --> 00:04:33,690 I MEAN, WHAT DO YOU WANT? 149 00:04:33,721 --> 00:04:35,721 - IT'S FOR MY DAD. 150 00:04:39,555 --> 00:04:41,755 - OKAY. 151 00:04:41,798 --> 00:04:42,938 I'LL DO IT FOR HIMMMM. 152 00:04:42,972 --> 00:04:44,112 - SHUT UP. 153 00:04:44,145 --> 00:04:48,425 - BUT NOT FOR TIMMMMM. - CUT IT OUT. 154 00:04:55,122 --> 00:04:56,472 - RELAX. 155 00:04:56,503 --> 00:04:59,683 IT'S NOT THE LARGE SUPER COLLIDER. 156 00:04:59,713 --> 00:05:00,923 - I DON'T THINK YOU REALIZE THIS, 157 00:05:00,955 --> 00:05:02,955 BUT I HAVE THE PERFECT SYSTEM. 158 00:05:02,992 --> 00:05:04,202 - MM. 159 00:05:04,234 --> 00:05:06,824 - EVERY OTHER WEEKEND, I WOULD DROP MY DIRTY CLOTHES OFF 160 00:05:06,858 --> 00:05:08,858 AT MOM AND DAD'S, THEN HAVE TEA WITH HER, 161 00:05:08,894 --> 00:05:11,694 WATCH THE GAME WITH HIM, AND THEN MAGICALLY 162 00:05:11,725 --> 00:05:12,925 AT THE END OF ALL THAT, 163 00:05:12,967 --> 00:05:14,797 MY CLOTHES WOULD BE FOLDED AND CLEAN. 164 00:05:14,831 --> 00:05:16,871 - AND HOW LONG DID THIS GO ON FOR? 165 00:05:16,902 --> 00:05:19,772 - 14 YEARS. 166 00:05:19,802 --> 00:05:21,152 BUT NOW THAT THEY'RE IN THIS FIGHT, 167 00:05:21,182 --> 00:05:22,912 I CAN'T EVEN STOP BY THERE 'CAUSE IT'S TOO STRESSFUL. 168 00:05:22,943 --> 00:05:24,083 - MM. 169 00:05:24,116 --> 00:05:26,456 - SO PERFECT SYSTEM-- PFFT. 170 00:05:26,498 --> 00:05:28,158 - IT'S A REAL TRAGEDY. - RIGHT? IT'S A BUMMER. 171 00:05:28,189 --> 00:05:29,359 - YEAH. 172 00:05:29,398 --> 00:05:33,538 OKAY, SO, UM, YOU KNOW ABOUT SEPARATING COLORS, RIGHT? 173 00:05:33,574 --> 00:05:37,444 - WELL, CLEARLY I DON'T KNOW HOW TO SEPARATE COLORS. 174 00:05:37,475 --> 00:05:38,435 - OH, NO. 175 00:05:38,476 --> 00:05:40,616 - WHY ARE YOU TRYING TO SEGREGATE MY LAUNDRY? 176 00:05:40,650 --> 00:05:42,890 - [laughs] - HMM? 177 00:05:42,928 --> 00:05:44,068 - DON'T FREAK OUT. 178 00:05:44,102 --> 00:05:45,902 THIS-- LOOK, THIS IS GOOD NEWS, OKAY? 179 00:05:45,931 --> 00:05:47,801 WE JUST HAVE TO FIGURE OUT HOW WE CAN AMP UP PRODUCTION 180 00:05:47,830 --> 00:05:50,590 ON THE SUMMER LINE AS FAST AS WE CAN. 181 00:05:50,626 --> 00:05:53,036 ALL RIGHT, UH... 182 00:05:53,076 --> 00:05:56,006 LOOK, THE--LOOK, THE SAMPLES FOR THE SUMMER LINE 183 00:05:56,045 --> 00:05:58,625 HAVE PRACTICALLY SOLD OUT AT EVERY STORE WE SENT THEM TO, 184 00:05:58,668 --> 00:06:03,638 SO WE CAN MAKE UP A LOT OF LOST MONEY HERE. 185 00:06:03,673 --> 00:06:05,613 ALL RIGHT, WELL, JUST-- LOOK, GET THOSE GUYS ON IT. 186 00:06:05,641 --> 00:06:06,711 OKAY? 187 00:06:06,745 --> 00:06:08,775 UH, YOU KNOW WHAT, I'M GONNA HAVE TO CALL YOU BACK. 188 00:06:08,816 --> 00:06:11,986 ALL RIGHT? BYE. 189 00:06:12,026 --> 00:06:14,166 - [sniffling] 190 00:06:14,201 --> 00:06:17,861 - YOU OKAY? 191 00:06:17,894 --> 00:06:20,524 - SORRY, I JUST CAME TO ASK YOU A QUESTION AND, UH, 192 00:06:20,552 --> 00:06:22,932 I DIDN'T MEAN TO-- 193 00:06:22,968 --> 00:06:27,108 - SARAH, WHAT'S HAPPENING? WHAT'S GOING ON? 194 00:06:27,145 --> 00:06:29,595 - YOU WANNA KNOW WHY MOM WAS SO UPSET LAST NIGHT? 195 00:06:29,630 --> 00:06:30,940 - YEAH. 196 00:06:30,976 --> 00:06:32,426 I MEAN, IT'S BECAUSE DAD DIDN'T TELL HER ABOUT 197 00:06:32,461 --> 00:06:33,951 THE INVESTMENTS, THE BAD INVESTMENTS HE MADE. 198 00:06:33,979 --> 00:06:38,229 [sniffles] 199 00:06:38,259 --> 00:06:41,849 - ADAM, DAD CHEATED ON MOM. 200 00:06:41,884 --> 00:06:44,684 AND SHE MADE ME PROMISE NOT TO TELL, BUT I, 201 00:06:44,714 --> 00:06:48,994 I JUST CAN'T HANDLE IT. 202 00:06:49,029 --> 00:06:50,509 - WHEN DID THIS HAPPEN? 203 00:06:50,548 --> 00:06:51,998 - I DON'T KNOW. 204 00:06:52,032 --> 00:06:53,972 SOMETIME BEFORE WE CAME BACK FROM FRESNO, I DON'T KNOW. 205 00:06:53,999 --> 00:06:56,039 IT'S OVER NOW, BUT, YOU KNOW, 206 00:06:56,070 --> 00:06:58,900 THAT'S WHAT HAPPENED AND THAT'S WHY THEY'RE SO UPSET. 207 00:06:58,935 --> 00:06:59,825 - OKAY. 208 00:06:59,867 --> 00:07:00,897 - BUT SHE MADE ME PROMISE NOT TO TELL 209 00:07:00,937 --> 00:07:05,007 AND NOW YOU HAVE TO PROMISE NOT TO TELL, OKAY? 210 00:07:05,045 --> 00:07:07,045 - ALL RIGHT, I PROMISE. 211 00:07:14,882 --> 00:07:16,612 GOD, THAT SON OF A BITCH. 212 00:07:16,643 --> 00:07:19,063 - ♪ MAY GOD BLESS AND KEEP YOU ALWAYS ♪ 213 00:07:19,093 --> 00:07:21,923 ♪ AND MAY YOUR WISHES ALL COME TRUE ♪ 214 00:07:21,958 --> 00:07:24,058 ♪ MAY YOU ALWAYS DO FOR OTHERS ♪ 215 00:07:24,098 --> 00:07:26,648 ♪ AND LET OTHERS DO FOR YOU 216 00:07:26,687 --> 00:07:29,067 ♪ MAY YOU BUILD A LADDER TO THE STARS ♪ 217 00:07:29,103 --> 00:07:31,493 ♪ AND CLIMB ON EVERY RUNG 218 00:07:31,520 --> 00:07:33,800 ♪ AND MAY YOU STAY 219 00:07:33,832 --> 00:07:36,112 ♪ FOREVER YOUNG 220 00:07:36,145 --> 00:07:38,975 ♪ MAY YOU GROW UP TO BE RIGHTEOUS ♪ 221 00:07:39,010 --> 00:07:41,010 ♪ MAY YOU GROW UP TO BE TRUE ♪ 222 00:07:41,046 --> 00:07:43,806 ♪ MAY YOU ALWAYS KNOW THE TRUTH ♪ 223 00:07:43,842 --> 00:07:46,022 ♪ AND SEE THE LIGHTS SURROUNDING YOU ♪ 224 00:07:46,051 --> 00:07:48,781 ♪ MAY YOU ALWAYS BE COURAGEOUS ♪ 225 00:07:48,813 --> 00:07:50,923 ♪ STAND UPRIGHT AND BE STRONG ♪ 226 00:07:50,953 --> 00:07:52,893 ♪ AND MAY YOU STAY 227 00:07:52,920 --> 00:07:55,580 ♪ FOREVER YOUNG 228 00:07:55,613 --> 00:07:57,863 ♪ MAY YOU STAY 229 00:07:57,891 --> 00:08:01,001 ♪ FOREVER YOUNG 230 00:08:04,035 --> 00:08:04,995 - THAT SON OF A BITCH. 231 00:08:05,036 --> 00:08:06,036 - I MEAN, HOW COULD HE DO THIS TO HER, HOW? 232 00:08:06,071 --> 00:08:08,001 - I DON'T KNOW, THE SAME REASON ANY OTHER GUY 233 00:08:08,039 --> 00:08:09,319 DOES IT TO THEIR WIFE, YOU KNOW? 234 00:08:09,350 --> 00:08:11,110 LOW SELF-ESTEEM. - YEAH. 235 00:08:11,145 --> 00:08:12,865 - THEY TAKE THOSE LITTLE BLUE PILLS 236 00:08:12,906 --> 00:08:14,076 THAT MAKE THEIR THINGS GO-- 237 00:08:14,114 --> 00:08:15,914 - IT'S NOT GENETIC, OKAY? 238 00:08:15,943 --> 00:08:18,813 'CAUSE I WOULD NEVER EVER... DO THAT TO YOU. 239 00:08:18,843 --> 00:08:20,153 - I DIDN'T EVEN THINK OF THAT. 240 00:08:20,189 --> 00:08:21,879 I KNOW. 241 00:08:21,915 --> 00:08:23,875 - OKAY, WELL, OF COURSE, I WOULD NEVER. 242 00:08:23,917 --> 00:08:24,947 - I HOPE NOT. 243 00:08:24,987 --> 00:08:26,777 NO, I KNOW THAT YOU WOULDN'T. 244 00:08:26,816 --> 00:08:28,126 - [sighs] - I JUST-- 245 00:08:28,162 --> 00:08:30,132 - IT MAKES ME SICK. - IT MAKES ME SICK, HONEY. 246 00:08:30,164 --> 00:08:31,304 THIS IS AWKWARD TOO, 247 00:08:31,338 --> 00:08:32,648 BECAUSE HE'S IN OUR HOUSE RIGHT NOW. 248 00:08:32,684 --> 00:08:33,934 - YEAH, I KNOW. 249 00:08:33,961 --> 00:08:35,721 - BUT I WON'T SAY ANYTHING. I WON'T ACT WEIRD AROUND HIM. 250 00:08:35,756 --> 00:08:36,956 - YEAH, WE CAN'T, OKAY? - I WON'T. 251 00:08:36,999 --> 00:08:37,789 I'LL PRETEND THAT EVERYTHING'S NORMAL. 252 00:08:37,827 --> 00:08:39,347 - I CAN'T HAVE THIS CONFRONTATION 253 00:08:39,380 --> 00:08:40,280 WITH HIM RIGHT NOW. 254 00:08:40,312 --> 00:08:41,662 - ARE YOU GONNA SAY SOMETHING 255 00:08:41,693 --> 00:08:43,253 TO JULIA OR CROSBY OR ANYBODY? 256 00:08:43,281 --> 00:08:44,971 - I DON'T THINK SO. - OH, MY GOD. 257 00:08:45,007 --> 00:08:47,837 - NO, I DON'T KNOW. - THIS IS CRAZY. 258 00:08:53,187 --> 00:08:54,977 - OH, COME ON. 259 00:08:55,017 --> 00:08:58,747 - HEY, AMBER. HI. 260 00:08:58,779 --> 00:09:00,749 CAN WE TALK ABOUT WHAT HAPPENED? 261 00:09:00,781 --> 00:09:02,581 - NO. 262 00:09:02,611 --> 00:09:04,851 - OKAY. 263 00:09:04,889 --> 00:09:05,749 IT SOMETIMES GETS STUCK. I MEAN, YOU-- 264 00:09:05,786 --> 00:09:07,926 - LOOK, STOP. YOU HAVE TO STOP, OKAY? 265 00:09:07,961 --> 00:09:10,691 PLEASE, SERIOUSLY. LEAVE ME ALONE. STOP. 266 00:09:16,003 --> 00:09:18,113 - [sighs] 267 00:09:18,143 --> 00:09:20,253 - SO I CALLED TIMM. 268 00:09:20,283 --> 00:09:21,353 - MASTER OF THE UNIVERSE TIMM? 269 00:09:21,388 --> 00:09:23,938 TIMMBERWOLF? X-TIMM? TIMM-DOG? 270 00:09:23,977 --> 00:09:25,317 - YEAH, TIMM. 271 00:09:25,357 --> 00:09:26,877 AND HE AND I ARE MEETING FOR SECOND LUNCH. 272 00:09:26,911 --> 00:09:29,331 - WHAT'S A SECOND LUNCH? - YOU KNOW-- 273 00:09:29,361 --> 00:09:31,161 IT'S SOMETHING YOU DO WHEN YOU DON'T WEAR SHORTS TO WORK. 274 00:09:31,191 --> 00:09:33,021 - THAT'S SOCIOPATHIC. - THANK YOU. 275 00:09:33,055 --> 00:09:34,295 - ARE YOU GUYS HEARING THIS CRAP? SECOND LUNCH? 276 00:09:34,332 --> 00:09:35,952 YOU BELIEVING THIS? SECOND LUNCH? 277 00:09:35,989 --> 00:09:37,779 - OKAY, WHEN TIMM PUTS HIS REAL ESTATE ACUMEN 278 00:09:37,818 --> 00:09:39,298 TO WORK ON THIS, WE WILL NOT HAVE A PROBLEM. 279 00:09:39,337 --> 00:09:40,747 WE WILL HAVE A FIX. 280 00:09:40,787 --> 00:09:42,127 MOM AND DAD WILL GET BACK TOGETHER. 281 00:09:42,167 --> 00:09:43,887 END. YOU'RE WELCOME. 282 00:09:43,928 --> 00:09:46,758 - AND I WON'T HAVE TO DO MY LAUNDRY ANYMORE. 283 00:09:46,793 --> 00:09:47,903 ALL WILL BE RIGHT IN THE WORLD. 284 00:09:47,932 --> 00:09:49,312 - HOW'S MOM? 285 00:09:49,347 --> 00:09:52,107 - SHE'S, UH, UH, FINE. SHE'S A LITTLE FRAGILE. 286 00:09:52,143 --> 00:09:53,283 SHE'S ALL RIGHT. 287 00:09:53,316 --> 00:09:56,316 - MM. MM. HOW ABOUT DAD? 288 00:10:00,323 --> 00:10:02,053 - WELL, HE'S HIMSELF. 289 00:10:02,084 --> 00:10:03,094 - YOU'RE SAYING IT LIKE YOU'RE NOT SURE, 290 00:10:03,119 --> 00:10:05,019 BUT YOU GUYS ARE STILL LIVING TOGETHER, YEAH? 291 00:10:05,052 --> 00:10:05,952 - YEAH. - OKAY. 292 00:10:05,984 --> 00:10:08,024 - ANYWAY, LISTEN, MOM WANTS EVERYBODY 293 00:10:08,055 --> 00:10:09,255 TO COME GET THEIR STUFF OUT OF THE ATTIC, OKAY? 294 00:10:09,298 --> 00:10:10,888 SO IF THERE'S ANYTHING IN THERE YOU WANT, 295 00:10:10,920 --> 00:10:12,920 TAKE IT, OTHERWISE SHE'S GONNA THROW IT OUT. 296 00:10:12,957 --> 00:10:15,197 - WELL, WHAT, IS THAT HER WAY OF GETTING BACK AT DAD? 297 00:10:15,235 --> 00:10:16,435 - WHAT WOULD THAT HAVE TO DO WITH DAD? 298 00:10:16,477 --> 00:10:17,957 - 'CAUSE WHAT HE DID IS UNBELIEVABLE. 299 00:10:17,996 --> 00:10:19,096 - WHOA. 300 00:10:19,135 --> 00:10:20,095 DID YOU GUYS BOTH WAKE UP 301 00:10:20,136 --> 00:10:21,826 ON THE WRONG SIDE OF THE BED THIS MORNING? 302 00:10:21,862 --> 00:10:23,312 - HE SHOULDN'T HAVE LIED. - OKAY-- 303 00:10:23,346 --> 00:10:25,306 - WHAT? - HE WAS EMBARRASSED, OKAY? 304 00:10:25,348 --> 00:10:27,278 HALF THE COUNTRY'S UNDERWATER FINANCIALLY. 305 00:10:27,316 --> 00:10:28,416 IT'S NOT LIKE HE DID IT ON PURPOSE. 306 00:10:28,455 --> 00:10:31,215 - WHEN YOU SAY "EVERYTHING," 307 00:10:31,251 --> 00:10:32,841 YOU DON'T MEAN THE PIANO. 308 00:10:32,873 --> 00:10:34,013 - WHAT DO YOU THINK, CROSBY? 309 00:10:34,047 --> 00:10:35,837 EVERYTHING. EVERYTHING. 310 00:10:35,876 --> 00:10:37,146 - YEAH, WELL, I LEARNED HOW TO PLAY ON THAT PIANO. 311 00:10:37,188 --> 00:10:38,328 ALL RIGHT? 312 00:10:38,361 --> 00:10:40,121 IT SAYS W.M. SCHAUM & SONS ON THE KEYS. 313 00:10:40,156 --> 00:10:41,326 I MEAN, I SPENT A LOT OF TIME. 314 00:10:41,364 --> 00:10:42,754 I NEED THAT PIANO. 315 00:10:42,780 --> 00:10:43,920 - WHEN DID YOU BECOME SO SENTIMENTAL? 316 00:10:43,953 --> 00:10:45,853 I BET YOU HAVEN'T THOUGHT ABOUT THAT PIANO IN 15 YEARS. 317 00:10:45,886 --> 00:10:47,886 - I CAN TELL YOU I'M THINKING ABOUT IT RIGHT NOW 318 00:10:47,923 --> 00:10:49,173 AND I DON'T WANT YOU GUYS IN THERE 319 00:10:49,200 --> 00:10:51,000 GETTING YOUR HANDS ON IT BEFORE I-- 320 00:10:51,029 --> 00:10:53,889 - CAN I ASK YOU HOW YOU'RE GONNA PUT A PIANO IN A HOUSEBOAT? 321 00:10:53,929 --> 00:10:55,069 - WHAT ARE YOU, THE ZONING COMMISSION? 322 00:10:55,102 --> 00:10:56,412 WHAT DO YOU CARE? 323 00:10:56,448 --> 00:10:57,418 - THAT'S THE LEAST OF OUR WORRIES. 324 00:10:57,449 --> 00:10:58,899 - ALL RIGHT, ANYWAY. - WHAT DOES THAT MEAN? 325 00:10:58,934 --> 00:11:00,004 - NOTHING. JUST COME GET YOUR STUFF. 326 00:11:00,038 --> 00:11:01,758 - ADAM. - WHAT? 327 00:11:01,799 --> 00:11:04,729 - I WILL SOLVE DAD'S FINANCIAL PROBLEMS, ADAM. 328 00:11:04,767 --> 00:11:07,217 I'VE GOT THIS. I WILL. 329 00:11:07,252 --> 00:11:09,392 - I KNOW YOU WILL. 330 00:11:09,427 --> 00:11:12,977 - HEY, HADDIE. - HEY. 331 00:11:13,017 --> 00:11:16,847 - HOW WAS SCHOOL? - IT WAS FINE. 332 00:11:16,883 --> 00:11:18,853 - HEY, YOU WANT A VIRGIN SCREWDRIVER? 333 00:11:18,885 --> 00:11:22,815 - NO, THANKS. 334 00:11:22,854 --> 00:11:24,444 - HEY, SWEETHEART, I KNOW THINGS ARE TOUGH, 335 00:11:24,476 --> 00:11:26,336 SO YOU HANG IN THERE, ALL RIGHT? 336 00:11:26,375 --> 00:11:28,925 - OKAY. YEAH. 337 00:11:28,964 --> 00:11:30,764 - AND GOOD FOR YOU FOR RESISTING 338 00:11:30,793 --> 00:11:33,243 WHEN THAT BOY, YOU KNOW, 339 00:11:33,278 --> 00:11:37,868 WAS TRYING TO GET YOU TO HAVE INTERCOURSE WITH HIM. 340 00:11:37,904 --> 00:11:42,464 I'M SO PROUD OF YOU. 341 00:11:42,494 --> 00:11:43,944 - YEAH. 342 00:11:43,979 --> 00:11:45,259 THANKS, GRANDPA. 343 00:11:45,290 --> 00:11:46,950 - YOU'RE WELCOME. 344 00:11:50,157 --> 00:11:51,427 - HEY. 345 00:11:51,469 --> 00:11:53,159 WAIT, WHOA, WHOA, WHOA. WHAT'S THE MATTER? 346 00:11:53,195 --> 00:11:54,885 WHAT'S WRONG? WHAT'S WRONG? 347 00:11:54,921 --> 00:11:56,751 - GRANDPA. - OH, HONEY, I'M SORRY. 348 00:11:56,785 --> 00:11:58,985 WHAT HAPPENED? 349 00:11:59,028 --> 00:12:00,058 - NOTHING, OKAY? 350 00:12:00,098 --> 00:12:01,238 I'M JUST GONNA BE ALONE, ALL RIGHT? 351 00:12:01,272 --> 00:12:02,552 - UH-UH. YOU KNOW WHAT? 352 00:12:02,583 --> 00:12:03,553 YOU'VE BEEN SPENDING WAY TOO MUCH TIME ALONE. 353 00:12:03,584 --> 00:12:05,834 I'M STARTING TO GET WORRIED A LITTLE BIT. 354 00:12:05,863 --> 00:12:08,353 - MOM. IT'S FINE. - NO, IT'S NOT FINE. 355 00:12:08,382 --> 00:12:10,352 HADDIE, WHY DON'T YOU HAVE A-- 356 00:12:10,384 --> 00:12:12,254 OKAY, DON'T GROSS OUT AT THE WORD-- 357 00:12:12,283 --> 00:12:15,533 BUT A GOOD OLD-FASHIONED SLUMBER PARTY. 358 00:12:15,562 --> 00:12:17,012 YOU KNOW, INVITE SOME GIRLS OVER. 359 00:12:17,046 --> 00:12:18,186 IT'D BE REALLY FUN. 360 00:12:18,220 --> 00:12:20,020 WE COULD MAKE MUDDY BUDDIES. NO, NOT FUN? 361 00:12:20,049 --> 00:12:21,119 - I DON'T KNOW. ARE YOU BEING SERIOUS? 362 00:12:21,154 --> 00:12:22,474 - MAYBE I'LL MAKE HANKY PANKIES. 363 00:12:22,500 --> 00:12:24,020 - MOM. 364 00:12:24,053 --> 00:12:25,163 - WE'LL HAVE FUN, WE'LL DO THE OUIJA BOARD-- 365 00:12:25,192 --> 00:12:27,332 - MOM, STOP. - WHAT? 366 00:12:27,367 --> 00:12:28,957 NO? 367 00:12:28,989 --> 00:12:30,779 - I DON'T KNOW, WOULD YOU REALLY DO THAT? 368 00:12:30,819 --> 00:12:33,339 - YES. I AM. I WANT YOU TO DO THIS. 369 00:12:33,373 --> 00:12:35,513 I WANNA DO THIS FOR YOU. YOU JUST... 370 00:12:35,547 --> 00:12:37,827 YOU'RE SO DOWN. 371 00:12:37,860 --> 00:12:39,900 - OKAY. - OKAY? 372 00:12:39,931 --> 00:12:42,001 - THANKS. - I'LL GET YOU SOME "MICHIS." 373 00:12:42,037 --> 00:12:44,447 - MOCHI. - MOCHI. 374 00:12:46,006 --> 00:12:47,866 - THANKS. - YOU'RE WELCOME. 375 00:12:47,905 --> 00:12:50,285 - [gasps] OH, MY GOD. 376 00:12:50,321 --> 00:12:53,981 IT'S MY BUNNY. MY COTTON BALL BUNNY. 377 00:12:54,014 --> 00:12:55,294 DO YOU THINK MOM WOULD TORCH THAT? 378 00:12:55,326 --> 00:12:58,016 SHE WOULD, RIGHT? SHE'D TORCH IT IN A SECOND. 379 00:12:58,053 --> 00:12:59,193 WHAT ARE YOU DOING? 380 00:12:59,226 --> 00:13:02,846 - I MEAN, HOW THE HELL DID THEY GET THIS THING IN HERE? 381 00:13:02,885 --> 00:13:04,015 - UH, I DON'T KNOW. 382 00:13:04,059 --> 00:13:05,889 - I MEAN, DID THEY ASSEMBLE IT IN HERE? 383 00:13:05,923 --> 00:13:09,033 - I DON'T KNOW. HOW WOULD YOU GET IT OUT? 384 00:13:09,064 --> 00:13:10,174 - I DON'T KNOW. 385 00:13:10,203 --> 00:13:13,033 - PUT IT THROUGH THE WINDOW WITH A REAL STRONG ROPE? 386 00:13:13,068 --> 00:13:14,168 - THE WHOLE POINT OF HAVING PARENTS 387 00:13:14,207 --> 00:13:15,897 IS TO KEEP YOUR CRAP IN THEIR ATTIC. 388 00:13:15,933 --> 00:13:17,903 - MOM WANTS THIS SPACE, CROSBY. 389 00:13:17,935 --> 00:13:19,515 I THINK WE SHOULD BE RESPECTFUL OF THAT. 390 00:13:19,557 --> 00:13:21,557 - YOU DON'T THINK THAT THIS IS ABOUT SOMETHING ELSE 391 00:13:21,593 --> 00:13:22,733 AND NOT REALLY ABOUT THE SPACE? 392 00:13:22,767 --> 00:13:24,937 - WHY ARE YOU BEING SO SENTIMENTAL ABOUT THIS ANYWAY? 393 00:13:24,976 --> 00:13:26,976 YOU'VE NOT EVEN BEEN UP HERE IN TEN YEARS. 394 00:13:27,013 --> 00:13:29,393 - I'M NOT FEELING SENTIMENTAL. I'M FEELING PRAGMATIC. 395 00:13:29,429 --> 00:13:34,609 I'M PRAGMATICALLY PRESERVING THIS IMPORTANT PIECE 396 00:13:34,641 --> 00:13:36,161 OF OUR FAMILY'S HISTORY. 397 00:13:36,194 --> 00:13:37,964 AND YOU KNOW-- MOM! 398 00:13:37,989 --> 00:13:39,199 - NO, NO, NO, NO. - MOM. 399 00:13:39,232 --> 00:13:40,962 - HEY, CROS, NO. - MOM! 400 00:13:40,992 --> 00:13:43,102 - LEAVE--OOH. - MOM. MOM. 401 00:13:43,132 --> 00:13:45,032 - HEY. 402 00:13:45,065 --> 00:13:46,195 - MOM, I'M SORRY, 403 00:13:46,239 --> 00:13:49,039 BUT YOU'RE GONNA HAVE TO RETHINK THIS ART STUDIO IDEA. 404 00:13:49,069 --> 00:13:50,659 WHY DON'T YOU PAINT IN THE BACKYARD, 405 00:13:50,691 --> 00:13:52,041 THE GREAT OUTDOORS? 406 00:13:52,072 --> 00:13:53,212 THAT'S WHAT MATISSE DID AND EVERY-- 407 00:13:53,246 --> 00:13:54,386 YOU KNOW, ALL THE GREATS. 408 00:13:54,419 --> 00:13:56,179 - YEAH? 409 00:13:56,214 --> 00:13:57,464 - I'M NOT POSITIVE ABOUT MATISSE, 410 00:13:57,491 --> 00:13:59,461 BUT I THINK-- I DO KNOW THAT SOME ARTISTS DID. 411 00:13:59,493 --> 00:14:01,253 BUT LISTEN. 412 00:14:01,288 --> 00:14:03,188 I CAN'T MAKE A DECISION ABOUT THE STUFF IN THE ATTIC. 413 00:14:03,221 --> 00:14:04,361 IT'S, IT'S TOO HARD. 414 00:14:04,395 --> 00:14:06,045 - WELL, I KNOW IT'S PAINFUL, GOOSE, 415 00:14:06,086 --> 00:14:08,086 BUT YOU KIDS ARE AT THE POINT WHERE YOU HAVE YOUR OWN HOMES. 416 00:14:08,123 --> 00:14:09,993 - WELL. 417 00:14:10,021 --> 00:14:12,271 - OR WORKING TOWARD HAVING YOUR OWN HOMES, 418 00:14:12,299 --> 00:14:13,609 AND I CAN'T MAKE THESE DECISIONS FOR YOU. 419 00:14:13,645 --> 00:14:15,095 YOU'RE GONNA HAVE TO DECIDE FOR YOURSELF 420 00:14:15,130 --> 00:14:16,440 WHAT'S IMPORTANT TO YOU. 421 00:14:16,476 --> 00:14:17,886 - WELL, IT'S ALL IMPORTANT. 422 00:14:17,926 --> 00:14:19,266 - CHANGE IS HEALTHY. 423 00:14:19,306 --> 00:14:22,516 - NO, IT'S NOT. THAT'S AN URBAN LEGEND. 424 00:14:22,551 --> 00:14:25,451 - SOMETIMES YOU JUST HAVE TO MAKE A CHOICE. 425 00:14:25,485 --> 00:14:28,105 - [mumbles] 426 00:14:28,143 --> 00:14:29,283 - THERE ARE NO GOOD SNACKS IN THIS HOUSE. 427 00:14:29,316 --> 00:14:30,276 - WHAT IS THAT SUPPOSED TO MEAN? 428 00:14:30,317 --> 00:14:31,937 "SOMETIMES YOU JUST HAVE TO MAKE A CHOICE." 429 00:14:31,974 --> 00:14:33,494 DO YOU THINK SHE'S TALKING ABOUT DAD AND HER? 430 00:14:33,527 --> 00:14:34,937 - I DON'T KNOW. 431 00:14:34,977 --> 00:14:37,977 - WELL, HOW SERIOUS IS THIS? 432 00:14:38,015 --> 00:14:39,285 - WHAT AM I, A MIND READER? I DON'T KNOW. 433 00:14:39,326 --> 00:14:40,466 - WELL, YOU'RE SUPPOSED TO-- 434 00:14:40,500 --> 00:14:42,050 YOU'RE, YOU'RE ON SITE, OKAY? 435 00:14:42,088 --> 00:14:45,258 YOU'RE OUR EYES AND EARS TO THE SITUATION. 436 00:14:45,298 --> 00:14:47,398 WELL, I REJECT THIS. ENTIRELY. 437 00:14:47,438 --> 00:14:49,438 - THAT'LL HELP. - I DO, FOR REAL. 438 00:14:49,474 --> 00:14:51,724 THEY'RE GONNA WORK IT OUT LIKE THEY ALWAYS DO. 439 00:14:51,752 --> 00:14:54,412 END OF STORY. 440 00:14:54,445 --> 00:14:58,035 - TOTALLY, I HOPE SO. 441 00:14:58,069 --> 00:14:59,999 [sighs] 442 00:15:00,037 --> 00:15:01,937 - I DON'T UNDERSTAND HOW YOU HAD LUNCH WITH THE GUY 443 00:15:01,970 --> 00:15:03,630 TO TALK ABOUT YOUR FATHER'S INVESTMENT 444 00:15:03,661 --> 00:15:04,701 AND NEVER TALKED ABOUT IT. 445 00:15:04,731 --> 00:15:06,421 - IT'S JUST LIKE I SAID. 446 00:15:06,457 --> 00:15:08,007 IT GOT CUT SHORT FOR THAT CONFERENCE CALL 447 00:15:08,045 --> 00:15:09,115 HE HAD WITH TOKYO. 448 00:15:09,149 --> 00:15:11,569 - OKAY, SO THERE'S NOT GOING TO BE ANOTHER LUNCH? 449 00:15:11,600 --> 00:15:13,220 - I'M SORRY, I KNOW. 450 00:15:13,257 --> 00:15:14,597 I'M, I'M REALLY-- I'M SORRY. 451 00:15:14,637 --> 00:15:17,047 - TOKYO. WHAT A JERK. - BUT WHAT ARE YOU GONNA DO? 452 00:15:17,088 --> 00:15:18,608 HE'S A JERK BECAUSE HE HAS A CONFERENCE CALL 453 00:15:18,641 --> 00:15:19,991 WITH SOMEONE IN TOKYO? 454 00:15:20,022 --> 00:15:21,962 - HEY, I'M ALLOWED TO NOT LIKE PEOPLE. 455 00:15:21,990 --> 00:15:23,720 JUST LIKE YOU NEVER LIKED STACY. 456 00:15:23,750 --> 00:15:25,720 - WELL, SHE'S NOT LIKABLE. - SHE IS LIKABLE. 457 00:15:25,752 --> 00:15:29,172 - SHE HAD THAT WEIRD-- THAT THING, 458 00:15:29,204 --> 00:15:31,074 THAT TALL GIRL WAY OF WALKING AROUND. 459 00:15:31,102 --> 00:15:33,382 - I DON'T EVEN KNOW WHAT YOU'RE TALKING ABOUT. 460 00:15:33,415 --> 00:15:34,725 - SO ARROGANT. 461 00:15:34,761 --> 00:15:37,211 - ALL RIGHT, WELL, WE'LL HAVE HIM OVER FOR DINNER. 462 00:15:37,246 --> 00:15:38,626 - NO, NO, NO, NO, NO, NO, NO. 463 00:15:38,661 --> 00:15:41,041 - WHAT? I'LL BEHAVE. - NO, NO, NO. 464 00:15:41,078 --> 00:15:44,598 - AS LONG AS HE DOES. 465 00:15:44,633 --> 00:15:46,393 - YOU WOULD DO THAT? 466 00:15:46,428 --> 00:15:48,048 - YOUR DAD NEEDS HELP, 467 00:15:48,085 --> 00:15:50,115 AND HE'S BEEN SO KIND TO ME OVER THE YEARS, 468 00:15:50,156 --> 00:15:51,356 WHAT WITH THE EUNUCH JOKES. 469 00:15:51,398 --> 00:15:54,258 I FIGURE IT'S THE LEAST I COULD DO. 470 00:15:54,298 --> 00:15:56,018 - SO YOU'D DO THIS FOR ME? 471 00:15:56,058 --> 00:15:58,268 - YES. - YES? 472 00:15:58,302 --> 00:16:00,032 - YES. - OH. 473 00:16:00,062 --> 00:16:02,382 IF ONLY HE KNEW HOW MUCH OF A EUNUCH YOU'RE NOT. 474 00:16:02,409 --> 00:16:05,209 MM. MM, MM. 475 00:16:05,240 --> 00:16:06,380 - LET'S TELL HIM. 476 00:16:06,413 --> 00:16:10,043 [both laugh] 477 00:16:10,072 --> 00:16:11,692 - LET'S KEEP IT OUR LITTLE SECRET. 478 00:16:11,729 --> 00:16:13,419 - OKAY, THAT'S A GOOD IDEA. 479 00:16:13,455 --> 00:16:16,415 - HEY, JUST BECAUSE PEOPLE DON'T NORMALLY 480 00:16:16,458 --> 00:16:18,248 PUT PIANOS ON HOUSEBOATS DOESN'T MEAN 481 00:16:18,287 --> 00:16:20,077 IT'S NOT A GOOD IDEA, ALL RIGHT? 482 00:16:20,117 --> 00:16:21,427 I'M AN INNOVATOR. HOLD THAT. 483 00:16:21,463 --> 00:16:23,093 I'M LIKE THE FIRST GUY TO BRING A MICROWAVE 484 00:16:23,120 --> 00:16:24,260 ON A HOUSEBOAT. 485 00:16:24,293 --> 00:16:25,613 THEY PROBABLY SAID THAT GUY WAS CRAZY. 486 00:16:25,639 --> 00:16:29,299 - RIGHT, BUT A MICROWAVE WEIGHS TEN POUNDS. 487 00:16:29,333 --> 00:16:31,713 - AND A PIANO WEIGHS SIX MILLION. 488 00:16:31,749 --> 00:16:33,099 - SIX MILLION? 489 00:16:33,130 --> 00:16:34,750 I FIND THAT HARD TO BELIEVE. 490 00:16:34,786 --> 00:16:37,576 I THINK IT'S 600, WHICH IS WELL WITHIN 491 00:16:37,617 --> 00:16:38,787 THE CARRYING CAPACITY OF THIS VESSEL. 492 00:16:38,825 --> 00:16:40,445 BESIDES, IF THERE'S TOO MUCH WEIGHT, 493 00:16:40,482 --> 00:16:43,042 I'LL JUST START HANGING OUT WITH TINIER PEOPLE LIKE YOU. 494 00:16:43,071 --> 00:16:46,351 LIKE LITTLE MINIATURE, TINY LITTLE CURLY-HAIRED 495 00:16:46,384 --> 00:16:47,834 MINIATURE PEOPLE! 496 00:16:47,868 --> 00:16:49,698 - WHY DON'T YOU STORE IT AT ADAM'S? 497 00:16:49,732 --> 00:16:51,182 - YEAH. 498 00:16:51,217 --> 00:16:52,487 I CAN'T REALLY DO THAT TO HIM. 499 00:16:52,528 --> 00:16:54,048 HE'S ALREADY STORING MY DAD. 500 00:16:54,082 --> 00:16:56,192 - WELL, IF, UH, YOU'RE NOT WILLING TO GIVE IT UP, 501 00:16:56,222 --> 00:16:57,642 THEN THERE'S ONLY ONE OTHER OPTION. 502 00:16:57,671 --> 00:16:58,601 - WHICH IS? 503 00:16:58,638 --> 00:17:02,188 - YOU'RE GONNA NEED A BIGGER BOAT, MATE! 504 00:17:02,228 --> 00:17:04,058 ARR! ARR! 505 00:17:04,092 --> 00:17:07,132 - IS THAT FROM JAWS? YOU DID QUINT. 506 00:17:07,164 --> 00:17:11,174 AND IT'S RAY SCHEIDER'S LINE. 507 00:17:11,202 --> 00:17:13,692 - ACTUALLY, IT'S ROY SCHEIDER'S LINE, BUT-- 508 00:17:13,722 --> 00:17:16,452 - RIGHT, ROY SCHEIDER'S LINE. - RIGHT. 509 00:17:16,483 --> 00:17:17,863 WHAT I DO KNOW IS THAT DINNER IS READY, 510 00:17:17,898 --> 00:17:20,178 SO WHY DON'T YOU COME SIT DOWN, SIT DOWN. 511 00:17:20,211 --> 00:17:21,631 HUH? - LET'S DO IT. 512 00:17:21,661 --> 00:17:24,801 - ALL RIGHT. HOT POT, HOT POT. 513 00:17:24,836 --> 00:17:25,596 - WOW. 514 00:17:25,630 --> 00:17:28,840 THIS IS REALLY NICE. THANK YOU. 515 00:17:28,875 --> 00:17:30,455 - YOU'RE WELCOME. 516 00:17:30,497 --> 00:17:31,737 IT IS NICE, HUH? 517 00:17:31,774 --> 00:17:33,714 - REALLY NICE. - NOT TOO MUCH CHEESE. 518 00:17:33,742 --> 00:17:35,712 - OKAY. 519 00:17:35,744 --> 00:17:39,754 - YEAH, IT IS. 520 00:17:39,782 --> 00:17:43,202 - REALLY NICE. 521 00:17:43,234 --> 00:17:45,374 - YOU'VE GOT FOUR GUYS OUT THERE, PASS THE BALL. 522 00:17:45,409 --> 00:17:47,409 THERE YOU GO. HE'S OPEN. 523 00:17:47,445 --> 00:17:48,785 [TV chimes] 524 00:17:48,826 --> 00:17:50,446 WHAT THE HELL IS-- 525 00:17:50,483 --> 00:17:52,523 - ♪ WHO LIVES IN A PINEAPPLE UNDER THE SEA ♪ 526 00:17:52,554 --> 00:17:54,284 - ♪ SPONGEBOB SQUAREPANTS - OH, COME ON. 527 00:17:54,314 --> 00:17:56,774 WAIT A MINUTE. WHAT THE HELL? 528 00:17:56,799 --> 00:17:58,389 HEY, ADAM. 529 00:17:58,422 --> 00:18:00,772 - SIT DOWN, GRANDPA. - ADAM! HUH? 530 00:18:00,803 --> 00:18:03,293 ADAM! COME HERE A MINUTE. YOUR TV'S ALL SCREWED UP. 531 00:18:03,323 --> 00:18:05,333 THE CARTOON THING CAME ON. 532 00:18:05,360 --> 00:18:06,740 - HEY, HEY, HEY, HEY. CALM DOWN. 533 00:18:06,775 --> 00:18:08,735 - I HAD THE GAME ON AND THE CARTOONS SHOW UP. 534 00:18:08,777 --> 00:18:10,397 - IT'S SPONGEBOB. - OH. OKAY, RELAX. 535 00:18:10,434 --> 00:18:11,644 - SPONGEBOB? 536 00:18:11,676 --> 00:18:12,846 - LET'S TALK ABOUT IT IN THE OTHER ROOM, OKAY? 537 00:18:12,884 --> 00:18:13,894 - WHAT? 538 00:18:13,920 --> 00:18:14,890 - WE'LL EXPLAIN IT TO YOU IN HERE. 539 00:18:14,921 --> 00:18:15,851 - I'LL EXPLAIN IT TO YOU. 540 00:18:15,887 --> 00:18:17,507 - YAY, IT'S SPONGEBOB. 541 00:18:17,544 --> 00:18:20,694 - NO, COME ON. - HAVE A SEAT. 542 00:18:20,720 --> 00:18:24,240 - DAD, COME ON. LOOK. 543 00:18:24,275 --> 00:18:26,925 DAD, I KNOW YOU WANNA WATCH YOUR GAME. 544 00:18:26,967 --> 00:18:29,757 BUT WE HAVE TO LIMIT MAX'S TV TIME. 545 00:18:29,798 --> 00:18:31,798 - YES, AND IT HAS TO BE PREDICTABLE FOR HIM. 546 00:18:31,834 --> 00:18:34,564 - OKAY, SO THE THING IS SET TO SWITCH TO SPONGEBOB 547 00:18:34,596 --> 00:18:35,526 EXACTLY AT 7:00. 548 00:18:35,562 --> 00:18:37,632 - IT STAYS ON FOR THE LENGTH OF THE SHOW, 549 00:18:37,668 --> 00:18:39,598 THEN IT TURNS ITSELF OFF; IT'S LOCKED IN. 550 00:18:39,635 --> 00:18:41,495 - ALL RIGHT, AND EVER SINCE WE SET UP THE DVR LIKE THIS, 551 00:18:41,534 --> 00:18:42,884 WE HAVEN'T HAD A SINGLE FIGHT ABOUT THE TV. 552 00:18:42,914 --> 00:18:44,784 - NOT ONE PROBLEM. - ALL RIGHT? 553 00:18:44,813 --> 00:18:45,923 - IT'S GOOD. IT'S GOOD FOR MAX. 554 00:18:45,952 --> 00:18:48,302 - [sighs] 555 00:18:48,334 --> 00:18:49,404 - WELL, SO-- [clears throat] 556 00:18:49,438 --> 00:18:51,158 THERE ARE NO EXCEPTIONS, I MEAN, EVEN FOR OVERTIMES 557 00:18:51,199 --> 00:18:52,339 OR SOMETHING? 558 00:18:52,372 --> 00:18:55,552 - HEY, IF YOU DON'T LIKE IT HERE... 559 00:18:55,582 --> 00:18:56,832 - HEY. 560 00:18:56,859 --> 00:18:58,759 - IS IT-- YOU WANNA PLAY IT THAT WAY? 561 00:18:58,792 --> 00:18:59,972 - YEAH. 562 00:19:00,000 --> 00:19:01,900 - IS THAT HOW-- OKAY. 563 00:19:01,933 --> 00:19:04,523 FINE, THEN I'LL JUST LISTEN TO MY GAME ON THE RADIO 564 00:19:04,557 --> 00:19:08,347 THAT I HAVE UPSTAIRS... ME AND THE CRICKETS. 565 00:19:08,388 --> 00:19:11,908 THOSE OTHER INSECTS THAT ARE UP THERE. 566 00:19:14,498 --> 00:19:15,708 - I'M GONNA KILL HIM. - I'M GONNA KILL HIM FIRST. 567 00:19:15,740 --> 00:19:17,330 - I'M GONNA KILL HIM. - I'M GONNA KILL HIM. 568 00:19:20,366 --> 00:19:21,226 [bell ringing] 569 00:19:21,263 --> 00:19:22,713 - HEY. - HEY. 570 00:19:22,747 --> 00:19:24,607 - SO MY MOM HAD THIS IDEA 571 00:19:24,646 --> 00:19:28,436 AND IT'S STUPID BUT COULD ALSO BE REALLY FUN. 572 00:19:28,477 --> 00:19:31,687 UM, WE'RE HAVING A SLUMBER PARTY. 573 00:19:31,722 --> 00:19:32,862 - OH. 574 00:19:32,895 --> 00:19:33,715 - IT COULD BE FUN. 575 00:19:33,758 --> 00:19:35,828 IT'S ME, UH, TISHA, KAYLA, GRACE, 576 00:19:35,864 --> 00:19:37,354 AND I REALLY WANT YOU TO COME. 577 00:19:37,383 --> 00:19:40,213 - IT'S TONIGHT? - YEAH. 578 00:19:40,248 --> 00:19:41,588 - I HAVE, UH, AN ALGEBRA TEST. 579 00:19:41,628 --> 00:19:43,768 - NO WAY. YOU HAVE TO BE THERE. 580 00:19:43,803 --> 00:19:45,813 SERIOUSLY, WHEN YOU MAKE FUN OF STEVE, 581 00:19:45,839 --> 00:19:47,949 IT MAKES ME FEEL SO MUCH BETTER. 582 00:19:47,979 --> 00:19:51,669 PLEASE? 583 00:19:51,707 --> 00:19:53,227 - OKAY. YEAH, OF COURSE. 584 00:19:53,261 --> 00:19:54,571 I'LL TOTALLY BE THERE. 585 00:19:54,607 --> 00:19:58,467 - GREAT. I'LL SEE YOU. 586 00:19:58,507 --> 00:20:01,297 [bell ringing] 587 00:20:01,338 --> 00:20:03,338 - YOU KNOW, I'M NOT SURE THAT I'M IN THE MARKET 588 00:20:03,374 --> 00:20:05,654 TO MOVE IN, YOU KNOW, ANY TIME SOON. 589 00:20:05,687 --> 00:20:07,787 I JUST SAW THE OPEN HOUSE SIGN AND... 590 00:20:07,827 --> 00:20:08,857 - ALL RIGHT, WELL, GREAT. 591 00:20:08,897 --> 00:20:11,037 SO IT'S TWO BEDROOMS, ONE BATH. 592 00:20:11,071 --> 00:20:12,141 - OKAY. 593 00:20:12,176 --> 00:20:14,276 DO YOU THINK A PIANO WOULD FIT THROUGH THAT DOOR? 594 00:20:14,316 --> 00:20:15,836 - UPRIGHT OR GRAND? 595 00:20:15,869 --> 00:20:16,939 - WELL, IT'S NOT ELTON JOHN'S PIANO. 596 00:20:16,974 --> 00:20:19,804 IT'S MY UPRIGHT. 597 00:20:19,839 --> 00:20:20,869 - UH, MY GUESS IS IT WOULD, YEAH. 598 00:20:20,909 --> 00:20:22,499 - IT WOULD. - I THINK SO. 599 00:20:22,531 --> 00:20:24,911 - OKAY. AND UM... 600 00:20:24,947 --> 00:20:26,877 HOW ABOUT THE SCHOOLS? ARE THEY ANY GOOD? 601 00:20:26,915 --> 00:20:27,845 - VERY, YEAH. 602 00:20:27,881 --> 00:20:30,571 BEST TEST SCORES IN THE EAST BAY, ACTUALLY. 603 00:20:30,608 --> 00:20:31,888 UM, DO YOU HAVE A FAMILY? 604 00:20:31,920 --> 00:20:36,610 - UH, YEAH, YOU KNOW, IT'S, UH, COMPLICATED. 605 00:20:36,649 --> 00:20:39,999 BUT, UM, I DID RECENTLY ACQUIRE A SON. 606 00:20:40,031 --> 00:20:42,451 HE'S, UH, HE'S REALLY CUTE. YOU WANNA SEE SOME PICTURES? 607 00:20:42,482 --> 00:20:44,972 - SURE. YEAH. 608 00:20:45,002 --> 00:20:46,622 - OKAY. 609 00:20:46,659 --> 00:20:49,729 THAT'S HIM, AND THEN THAT'S HIS MOM. 610 00:20:49,765 --> 00:20:51,865 - OH, NICE FAMILY. - YEAH, THEY ARE, HUH? 611 00:20:51,905 --> 00:20:53,035 - YEAH. 612 00:20:53,079 --> 00:20:54,809 SO IS IT JUST THE THREE OF YOU OR-- 613 00:20:54,839 --> 00:20:59,739 - UM, YEAH. PROBABLY. 614 00:20:59,775 --> 00:21:02,395 UH, BUT THE PIANO'S A DEFINITE, THOUGH. 615 00:21:02,433 --> 00:21:05,953 SO, YOU KNOW, THE REST IS KIND OF A WORK IN PROGRESS. 616 00:21:05,988 --> 00:21:07,888 - OKAY, WELL, UH, THROUGH HERE, 617 00:21:07,921 --> 00:21:09,891 WE'VE GOT A FULL DINING ROOM. 618 00:21:09,923 --> 00:21:12,693 IT'S REALLY COZY, A LOT OF NATURAL SUNLIGHT. 619 00:21:12,719 --> 00:21:15,379 AND, UH, IN HERE, FULL KITCHEN, 620 00:21:15,412 --> 00:21:18,732 DISHWASHER, GARBAGE DISPOSAL, AND, UH, 621 00:21:18,760 --> 00:21:20,870 OVER HERE, A WASHER/DRYER. 622 00:21:20,900 --> 00:21:22,380 - OOH, YOU KNOW WHAT? 623 00:21:22,419 --> 00:21:23,659 I KNOW HOW TO OPERATE THESE. 624 00:21:23,696 --> 00:21:25,836 - [growls] 625 00:21:25,870 --> 00:21:28,740 GEEZ, MAX, LOOKIE HERE. 626 00:21:28,770 --> 00:21:30,770 YOU COULD HAVE ONE OF THESE, YOU KNOW? 627 00:21:30,806 --> 00:21:32,426 YOU COULD CALL HIM SKIPPER. 628 00:21:32,463 --> 00:21:34,333 HE LOOKS LIKE A SKIPPER, DOESN'T HE? 629 00:21:34,362 --> 00:21:36,472 - I THINK I LIKE THIS TORTOISE. 630 00:21:36,502 --> 00:21:37,642 - WHAT? 631 00:21:37,675 --> 00:21:40,885 AH, GEEZ, I DON'T KNOW. HE DOESN'T-- 632 00:21:40,920 --> 00:21:42,960 NOT VERY GOOD-LOOKING. 633 00:21:42,991 --> 00:21:45,031 ALL THEY DO IS MOVE THEIR HEAD IN AND OUT AND-- 634 00:21:45,062 --> 00:21:46,862 YOU MIGHT AS WELL GET A GREEN ROCK. 635 00:21:46,891 --> 00:21:49,691 - I LIKE HIM. HE'S THINKING. 636 00:21:49,722 --> 00:21:50,722 DO YOU LIKE THE NAME MILES? 637 00:21:50,757 --> 00:21:52,407 - MILES? - YEAH, MILES. 638 00:21:52,449 --> 00:21:54,659 - I'M TRYING TO REMEMBER EXACTLY WHEN AND WHY 639 00:21:54,692 --> 00:21:56,422 THIS PET PROMISE WAS MADE. 640 00:21:56,453 --> 00:21:57,943 - LAST TUESDAY, HIS PROGRESS REPORT. 641 00:21:57,971 --> 00:21:59,111 NO TANTRUMS. 642 00:21:59,145 --> 00:22:00,595 SO WE PROMISED HIM THAT WE'D GET HIM-- 643 00:22:00,629 --> 00:22:01,979 - RIGHT, RIGHT, RIGHT, RIGHT. GREAT. 644 00:22:02,010 --> 00:22:03,390 - MAX WANTS A TURTLE. 645 00:22:03,425 --> 00:22:04,875 - TORTOISE. - ALL RIGHT. 646 00:22:04,909 --> 00:22:06,599 - HIS NAME IS MILES. - EXCELLENT CHOICE. 647 00:22:06,635 --> 00:22:07,735 - HE'S CUTE. - EXCELLENT CHOICE. 648 00:22:07,774 --> 00:22:08,914 - LOW MAINTENANCE CHOICE. - HUH? 649 00:22:08,948 --> 00:22:10,738 - NOTHING. - DON'T SAY ANYTHING. 650 00:22:10,777 --> 00:22:11,707 NOTHING. WE LIKE THE TORTOISE. 651 00:22:11,744 --> 00:22:12,814 - HE'S CUTE. 652 00:22:12,848 --> 00:22:14,818 - HEY, MOM? - YEAH? 653 00:22:14,850 --> 00:22:16,890 - DO YOU WANNA ORDER SOMETHING LIKE PIZZA? 654 00:22:16,921 --> 00:22:18,721 I JUST SAW SOMEBODY EATING IT ON TV. 655 00:22:18,751 --> 00:22:20,031 IT LOOKS SO GOOD. 656 00:22:20,062 --> 00:22:21,652 OKAY, THAT'S GONNA BE A LITTLE FORMAL FOR PIZZA. 657 00:22:21,685 --> 00:22:23,785 - YES, I'M GOING OUT TONIGHT. DIDN'T I TELL YOU? 658 00:22:23,825 --> 00:22:26,095 - OH, NO. REALLY? YOU LOOK GREAT. 659 00:22:26,137 --> 00:22:27,687 WHERE ARE YOU GOING? - REALLY? 660 00:22:27,725 --> 00:22:30,065 YOU THINK FOR, FOR AN ART SHOW OPENING? 661 00:22:30,107 --> 00:22:31,827 MY WHOLE PAINTING CLASS IS GOING. 662 00:22:31,867 --> 00:22:33,457 - OH. OKAY. 663 00:22:33,490 --> 00:22:34,730 - I CAN'T REMEMBER THE LAST TIME 664 00:22:34,767 --> 00:22:36,527 I GOT ALL DRESSED UP TO GO OUT. 665 00:22:36,562 --> 00:22:40,052 - AH, ME NEITHER. HEY, CAN I COME? 666 00:22:40,082 --> 00:22:41,772 - SERIOUSLY? - YEAH, I'D LOVE TO COME. 667 00:22:41,808 --> 00:22:44,638 I LOVE ART. GIRLS' NIGHT OUT? 668 00:22:44,673 --> 00:22:46,783 - SURE. 669 00:22:46,813 --> 00:22:47,813 OF COURSE. GO GET DRESSED. 670 00:22:47,849 --> 00:22:49,709 - OH, NO, I AM DRESSED. 671 00:22:49,747 --> 00:22:51,847 - NO, REALLY DRESSED. 672 00:22:58,860 --> 00:23:00,970 - A PORSCHE. - I LOVE YOU. 673 00:23:01,000 --> 00:23:02,970 - 45 MINUTES LATE. - I LOVE YOU SO MUCH. 674 00:23:03,002 --> 00:23:07,522 - YES, YOU DO. OKAY. - ALL RIGHT. OKAY. 675 00:23:07,558 --> 00:23:09,148 [knocks on door] 676 00:23:09,180 --> 00:23:13,080 - YEAH, YOU GET IT-- - OKAY. 677 00:23:13,115 --> 00:23:14,975 HEY! OH... - THERE HE IS. 678 00:23:15,014 --> 00:23:16,154 - WORST DINNER GUEST EVER, RIGHT? 679 00:23:16,187 --> 00:23:17,527 - NO, OF COURSE NOT. COME IN. 680 00:23:17,568 --> 00:23:19,188 - I'M 40 MINUTES LATE. I'M SO SORRY. 681 00:23:19,225 --> 00:23:20,565 - GOOD TO SEE YOU. DON'T WORRY ABOUT IT. 682 00:23:20,606 --> 00:23:21,466 - JOEL. - HEY. 683 00:23:21,503 --> 00:23:23,443 - GOOD TO SEE YOU, MAN. YOU LOOK GREAT. 684 00:23:23,471 --> 00:23:24,751 LOOK AT THE ARMS, THE HAIR. 685 00:23:24,782 --> 00:23:25,752 GUY'S LIKE A ROCK STAR. 686 00:23:25,783 --> 00:23:28,103 - BOY. OKAY. THANKS, I GUESS. 687 00:23:28,130 --> 00:23:29,480 - AH, THING IS, THEY, THEY SAY IT'S GONNA BE 688 00:23:29,511 --> 00:23:30,821 A TEN-MINUTE PHONE CALL. 689 00:23:30,857 --> 00:23:32,757 YOU'RE NOT JUST DOTTING THE "I"s, CROSSING THE "T"s. 690 00:23:32,790 --> 00:23:34,620 THEN SUDDENLY THEY WANT TO REOPEN ALL THE DEAL POINTS 691 00:23:34,654 --> 00:23:36,144 WE SPENT THE LAST SIX MONTHS GRINDING THEM ON. 692 00:23:36,173 --> 00:23:39,563 - THAT'S THE WORST. - YEAH, THAT SUCKS. 693 00:23:39,590 --> 00:23:40,830 - BET YOU'RE GLAD YOU DON'T HAVE TO DEAL WITH 694 00:23:40,867 --> 00:23:42,137 CRAP LIKE THAT, HUH, JOEL? 695 00:23:42,179 --> 00:23:43,769 - PHEW. - [chuckles nervously] 696 00:23:43,801 --> 00:23:47,151 - STAY-AT-HOME DAD. - YUP. 697 00:23:47,184 --> 00:23:49,884 - MAN. WHAT DO I HAVE TO DO TO GET THAT JOB? 698 00:23:49,911 --> 00:23:51,811 SERIOUSLY, THOUGH, IT'S HONORABLE, WHAT YOU DO. 699 00:23:51,844 --> 00:23:52,914 - YEP. 700 00:23:52,948 --> 00:23:54,498 - OH, UH, THIS IS A LITTLE SOMETHING I PICKED UP 701 00:23:54,536 --> 00:23:56,916 IN TUSCANY, LITTLE VINEYARD LAST MONTH. 702 00:23:56,952 --> 00:23:58,092 - OH, YOU SHOULDN'T HAVE. 703 00:23:58,126 --> 00:23:59,606 - THIS IS THE WHOLE PLACE, OR-- 704 00:23:59,645 --> 00:24:00,885 - THIS IS IT. 705 00:24:00,922 --> 00:24:03,202 - WELL, YOU KNOW, THERE'S THE SECOND FLOOR. 706 00:24:03,234 --> 00:24:05,134 BUT SHOULD WE HAVE SOME WINE? 707 00:24:05,167 --> 00:24:07,857 - WINE WOULD BE AWESOME. - YOUR, YOUR CALL, ABSOLUTELY. 708 00:24:07,894 --> 00:24:08,964 - LET'S START WITH OUR POOR WINE, 709 00:24:08,999 --> 00:24:11,519 AND THEN WE'LL MOVE ON TO THIS TUSCANY. 710 00:24:11,553 --> 00:24:14,943 - SAVE THIS FOR A SPECIAL OCCASION. 711 00:24:14,970 --> 00:24:16,730 - DAD? - HEY, SWEETHEART. 712 00:24:16,765 --> 00:24:18,935 - HI. 713 00:24:18,974 --> 00:24:20,154 - BOY, YOU LOOK NICE. 714 00:24:20,182 --> 00:24:21,872 - THANKS. YOU SCARED ME. 715 00:24:21,908 --> 00:24:23,668 WHAT ARE YOU DOING? 716 00:24:23,703 --> 00:24:27,603 - OH, WELL, YOU KNOW, JUST GETTING SOME CLOTHES. 717 00:24:29,226 --> 00:24:31,606 SO HOW'S YOUR MOM? 718 00:24:31,642 --> 00:24:35,782 - YOU KNOW, FINE. SHE'S KEEPING BUSY. 719 00:24:35,819 --> 00:24:37,749 - YOU WOULD NOT BELIEVE WHAT I AM GOING THROUGH 720 00:24:37,786 --> 00:24:39,166 AT YOUR BROTHER'S HOUSE. 721 00:24:39,201 --> 00:24:41,761 YOU KNOW THAT EIGHT-YEAR-OLD KID RUNS THE JOINT? 722 00:24:41,790 --> 00:24:44,240 AND THE GIRL'S VIRGINITY'S HANGING BY A THREAD. 723 00:24:44,275 --> 00:24:47,275 ADAM, ADAM CAN'T EVEN WATCH A BASKETBALL GAME WITH ME-- 724 00:24:55,701 --> 00:24:57,811 BOY, YOU LOOK BEAUTIFUL. 725 00:25:03,709 --> 00:25:08,819 SO, UH, WHERE ARE YOU GIRLS OFF TO, THE COTILLION? 726 00:25:08,852 --> 00:25:12,032 - NO, WELL, WE'RE GOING TO AN ART GALLERY OPENING. 727 00:25:12,062 --> 00:25:13,892 - OH. 728 00:25:13,926 --> 00:25:16,516 - MY WHOLE CLASS IS GOING. 729 00:25:21,623 --> 00:25:22,763 - UH, MILLIE, CAN I-- 730 00:25:22,797 --> 00:25:24,627 - WE'D BETTER GET GOING. 731 00:25:28,768 --> 00:25:30,838 SARAH? - DAD. 732 00:25:30,874 --> 00:25:33,264 YEAH, OKAY, I'M COMING. OKAY, BYE. 733 00:25:33,290 --> 00:25:35,290 SEE YOU LATER. 734 00:25:39,054 --> 00:25:40,644 - HAVE A GOOD TIME. 735 00:25:48,616 --> 00:25:50,826 - THAT'S INGRID. IN THE KIMONO. 736 00:25:50,859 --> 00:25:51,999 SHE'S ALL ABOUT DAFFODILS. 737 00:25:52,033 --> 00:25:53,693 SHE SNEAKS THEM INTO ALL HER PAINTINGS. 738 00:25:53,724 --> 00:25:55,114 - UH-OH. 739 00:25:55,139 --> 00:25:56,689 - AND THAT'S HARVEY THERE, WITH THE BUSHY HAIR 740 00:25:56,727 --> 00:25:57,997 AND THE ORTHOPEDIC SHOES. 741 00:25:58,039 --> 00:26:00,799 YEAH, HE'S OBSESSED WITH AFRICAN MASKS. 742 00:26:00,835 --> 00:26:02,245 THAT'S ALL HE PAINTS. - HUH. 743 00:26:02,284 --> 00:26:04,224 - THAT'S MATTHEW. - UH-HUH. 744 00:26:04,252 --> 00:26:05,702 OH, THAT'S YOUR TEACHER? 745 00:26:05,736 --> 00:26:07,806 - [chuckles] HE'S AMAZING. 746 00:26:07,842 --> 00:26:09,642 - TRUE ART HAS JUST ENTERED THE ROOM. 747 00:26:09,671 --> 00:26:10,811 - OH, HE ALWAYS DOES THAT. 748 00:26:10,845 --> 00:26:12,805 - YOU LOOK ABSOLUTELY STUNNING. 749 00:26:12,847 --> 00:26:16,607 - REALLY? I DO? THANK YOU. 750 00:26:16,644 --> 00:26:17,754 - IS THIS SARAH? 751 00:26:17,783 --> 00:26:19,853 - HI. HOW ARE YOU? - GLAD TO MEET YOU. 752 00:26:19,888 --> 00:26:21,678 DO YOU KNOW HOW TALENTED YOUR MOTHER IS? 753 00:26:21,718 --> 00:26:22,618 - YEAH. 754 00:26:22,650 --> 00:26:24,070 - HE'S SAYING THAT BECAUSE YOU'RE HERE. 755 00:26:24,099 --> 00:26:26,379 - MM-HMM. - NO. REALLY. 756 00:26:26,412 --> 00:26:28,352 CAN I STEAL YOUR MOTHER AWAY FOR A BIT? 757 00:26:28,379 --> 00:26:30,689 - OH, HE'S-- HE'S GONNA STEAL ME AWAY. 758 00:26:30,727 --> 00:26:34,277 - OKAY. WELL, STEAL, STEAL, STEAL. 759 00:26:38,838 --> 00:26:41,948 - SO THE PLAN IS TO BUNDLE YOUR DAD'S HOLDINGS 760 00:26:41,979 --> 00:26:43,769 WITH A BUNCH OF HIGHER-END PROPERTIES-- 761 00:26:43,809 --> 00:26:46,879 BUNDLING IS WHEN WE PACKAGE A LESS ATTRACTIVE INVESTMENT 762 00:26:46,915 --> 00:26:47,985 WITH SOME BLUE CHIPS, SO AS TO-- 763 00:26:48,020 --> 00:26:50,230 - I UNDERSTAND WHAT BUNDLING... - [clears throat] 764 00:26:50,263 --> 00:26:52,923 - WELL, UH, THEN WE CALL THE, UH, THE KEPPLER GROUP. 765 00:26:52,956 --> 00:26:54,266 THEY'LL, UH-- THEY'RE WIRED UP TO 766 00:26:54,302 --> 00:26:55,442 A BIG PILE OF CHINA MONEY. 767 00:26:55,475 --> 00:26:56,545 - MM-HMM. 768 00:26:56,580 --> 00:26:58,380 - KEPPLER BUYS THE BUNDLE, WHICH BUYS OUT YOUR DAD. 769 00:26:58,409 --> 00:27:01,169 AND HE COMES AWAY WITH MAYBE 40£ ON THE DOLLAR, 770 00:27:01,205 --> 00:27:03,235 BUT HEY, IT'S A HELL OF A LOT BETTER THAN 0£, RIGHT? 771 00:27:03,276 --> 00:27:05,376 - AND THE KEPPLER GUYS, WHY ARE THEY INTO IT? 772 00:27:05,416 --> 00:27:06,416 - THEY OWE ME A FAVOR FOR KEEPING THEIR NAME 773 00:27:06,452 --> 00:27:08,872 OUT OF THE PAPERS DURING THE WHOLE T.A.R.P. MESS. 774 00:27:08,903 --> 00:27:11,733 T.A.R.P. STANDS FOR, UH, TROUBLED ASSET RELIEF PROGRAM. 775 00:27:11,768 --> 00:27:13,868 - MM. HMM. 776 00:27:13,908 --> 00:27:16,318 - EXCUSE ME, THIS ONE-- I GOTTA TAKE THIS ONE. 777 00:27:16,358 --> 00:27:17,838 - DANA, WHAT'S GOING ON, BROTHER? 778 00:27:17,877 --> 00:27:19,707 WHAT HAPPENED? 779 00:27:19,741 --> 00:27:22,781 UH-HUH. 780 00:27:22,813 --> 00:27:25,333 - YOU'RE MY HERO. 781 00:27:25,367 --> 00:27:27,847 - OKAY. - [chuckles] 782 00:27:27,887 --> 00:27:30,817 [peaceful string music] 783 00:27:30,856 --> 00:27:32,746 ♪ 784 00:27:32,789 --> 00:27:34,689 - UNBELIEVABLE. - EXCUSE ME? 785 00:27:34,722 --> 00:27:37,692 - OH, I'M SORRY, NOT YOU. IT'S-- 786 00:27:37,725 --> 00:27:38,925 I MEAN, I GET IT, YOU KNOW? 787 00:27:38,967 --> 00:27:42,727 YOU'RE HURT, YOU WANT REVENGE, BUT THAT, THIS-- 788 00:27:42,764 --> 00:27:44,284 - WHO, WHO ARE WE TALKING ABOUT? 789 00:27:44,317 --> 00:27:45,387 - IT'S MY MOTHER. IT'S MY-- 790 00:27:45,422 --> 00:27:47,772 THAT LITTLE LADY WITH THE NECKLACE IS MY MOTHER, 791 00:27:47,804 --> 00:27:49,434 AND THE GUY SHE'S TALKING TO IS HER ART TEACHER. 792 00:27:49,460 --> 00:27:50,840 - OH, THEY MAKE A CUTE COUPLE. 793 00:27:50,876 --> 00:27:52,076 [laughs] 794 00:27:52,118 --> 00:27:53,838 - THEY'RE NOT A COUPLE. 795 00:27:53,879 --> 00:27:56,159 THAT WOMAN IS A GRANDMOTHER. 796 00:27:56,191 --> 00:27:57,751 LOOK AT HER FLIRTING AND GIGGLING. 797 00:27:57,779 --> 00:27:59,709 IT'S LIKE SHE'S IN THE SEX AND THE CITY MOVIE. 798 00:27:59,747 --> 00:28:00,847 - OH, I'M SO LOOKING FORWARD TO SEEING THAT SEQUEL. 799 00:28:00,886 --> 00:28:02,816 - WELL, SO AM I, I'M NOT DEAD INSIDE. 800 00:28:02,853 --> 00:28:04,513 BUT THE FACT IS, THAT GUY'S A HOME WRECKER. 801 00:28:04,544 --> 00:28:06,514 - I AM GONNA GO AND LOOK AT SOME ART. 802 00:28:06,546 --> 00:28:08,126 - SORRY. 803 00:28:13,899 --> 00:28:16,209 - TAKE IT. - OH, YEAH, I DID. 804 00:28:16,246 --> 00:28:17,866 [all talking at once] 805 00:28:17,903 --> 00:28:20,423 - WE'LL PUT A CAT ON IT, BUT, LIKE, IT'LL LOOK BETTER-- 806 00:28:20,457 --> 00:28:21,767 - SINCE WHEN DO YOU LIKE DEATH CAB? 807 00:28:21,803 --> 00:28:22,533 WHO BURNED THIS? 808 00:28:22,562 --> 00:28:24,982 - OH, UM...NOBODY. 809 00:28:25,013 --> 00:28:26,463 I JUST HAVE TO RETURN THAT TO SOMEBODY. 810 00:28:26,497 --> 00:28:28,287 - TO WHO? TO STEVE? 811 00:28:28,327 --> 00:28:29,537 - LET ME SEE THAT. 812 00:28:29,569 --> 00:28:32,539 - UM...HMM. 813 00:28:32,572 --> 00:28:34,852 OOH. - TISHA. 814 00:28:34,885 --> 00:28:35,885 - IT WAS AN ACCIDENT. 815 00:28:35,921 --> 00:28:36,991 - UM, I SAY YAY. 816 00:28:37,025 --> 00:28:38,335 STEVE IS A DOUCHE. 817 00:28:38,371 --> 00:28:39,511 - HE IS. 818 00:28:39,545 --> 00:28:41,405 - THE DECEMBERISTS, IS THIS ONE HIS TOO? 819 00:28:41,443 --> 00:28:44,213 - NO, IT'S NOT. I LOVE THEM. 820 00:28:44,239 --> 00:28:46,519 - DO IT. - DO IT. 821 00:28:46,552 --> 00:28:47,422 - OH, I DON'T KNOW. - YEAH. 822 00:28:47,449 --> 00:28:48,349 - HE WAS A TOTAL JERK TO YOU, COME ON. 823 00:28:48,381 --> 00:28:50,761 - BREAK IT. - HE TOTALLY DESERVES IT. 824 00:28:50,798 --> 00:28:54,798 - DO YOU THINK I SHOULD, AMBER? 825 00:28:54,836 --> 00:28:57,006 - WHATEVER YOU WANT. 826 00:28:57,045 --> 00:28:59,075 - DO IT. - DO IT. 827 00:28:59,116 --> 00:29:00,946 [laughter] 828 00:29:00,980 --> 00:29:03,910 - EVERYBODY TAKE ONE. 829 00:29:03,949 --> 00:29:06,779 - THAT FEELS SO GOOD. - COME ON, AMBER. 830 00:29:06,814 --> 00:29:08,024 - WHOO! 831 00:29:08,056 --> 00:29:10,466 [laughter] 832 00:29:10,507 --> 00:29:13,297 - YEAH, BREAK IT. 833 00:29:13,337 --> 00:29:16,337 - [snoring] 834 00:29:22,899 --> 00:29:24,799 - MILES IS MISSING. - WHAT? 835 00:29:24,832 --> 00:29:26,562 - UH, I WENT TO SAY GOOD NIGHT TO HIM 836 00:29:26,592 --> 00:29:29,042 AND HE WASN'T-- HE RAN AWAY! 837 00:29:29,077 --> 00:29:31,487 - DID YOU CHECK EIGHT INCHES AWAY FROM WHERE YOU LEFT HIM? 838 00:29:31,528 --> 00:29:33,878 - WHAT ARE WE GOING TO DO? - OKAY, HE'S NOT IN HIS ROOM. 839 00:29:33,910 --> 00:29:36,050 I DON'T KNOW WHERE THE HECK THIS THING IS. 840 00:29:36,084 --> 00:29:37,504 IT JUST DISAPPEARED. 841 00:29:37,534 --> 00:29:38,434 - ALL RIGHT, LISTEN TO ME. EVERYTHING'S GONNA BE OKAY. 842 00:29:38,466 --> 00:29:40,916 YOU GO LOOK AROUND THE HOUSE WITH MOM. 843 00:29:40,951 --> 00:29:42,161 GRANDPA AND I'LL LOOK OUTSIDE, OKAY? 844 00:29:42,194 --> 00:29:43,474 WE'LL GET HADDIE AND HER FRIENDS TO HELP. 845 00:29:43,505 --> 00:29:45,575 - OKAY, WELL, SEE, I-- 846 00:29:45,611 --> 00:29:50,861 SON, THIS IS WHERE A DOG WOULD COME IN HANDY, RIGHT? 847 00:29:50,892 --> 00:29:52,482 YOU GO, "HERE, SKIPPER. HERE BOY." 848 00:29:52,514 --> 00:29:53,584 [makes kissing sounds] 849 00:29:53,619 --> 00:29:54,969 AND YOUR DOG COMES. 850 00:29:55,000 --> 00:29:58,040 YOU DO THAT TO A TURTLE, NOTHING. 851 00:29:58,072 --> 00:30:00,072 - I'M GONNA GET US SOME FLASHLIGHTS. 852 00:30:04,457 --> 00:30:05,557 - DE KOONING GETS A ROYALTY 853 00:30:05,596 --> 00:30:07,316 EVERY TIME SOMEONE LOOKS AT THAT. 854 00:30:07,357 --> 00:30:08,627 - [laughs weakly] 855 00:30:08,668 --> 00:30:10,638 THAT'S AN ART JOKE I ACTUALLY GET. 856 00:30:10,670 --> 00:30:13,050 - IT'S FUNNY. WE'RE GONNA GO. 857 00:30:13,087 --> 00:30:14,877 - YOU'RE GONNA-- 858 00:30:14,916 --> 00:30:16,366 - FRIEND OF MINE HAS A GALLERY IN OAKLAND 859 00:30:16,400 --> 00:30:17,470 AND THEY'RE ALSO HAVING AN OPENING TONIGHT. 860 00:30:17,505 --> 00:30:18,635 - OH. 861 00:30:18,678 --> 00:30:21,438 - BUT IT'S A FEW NOTCHES DOWN ON THE PRETENTIOUS METER. 862 00:30:21,474 --> 00:30:23,584 - OKAY. WELL, WHERE IS IT? I'LL, I'LL JOIN YOU. 863 00:30:23,614 --> 00:30:26,244 - OH, NO, NO. NOT NECESSARY. 864 00:30:26,272 --> 00:30:29,482 - BUT, MOM, HOW ARE YOU GONNA GET HOME? 865 00:30:29,517 --> 00:30:30,447 DO YOU WANT ME TO COME GET YOU LATER? 866 00:30:30,483 --> 00:30:32,453 - WELL, MATTHEW WILL GIVE ME A RIDE HOME. 867 00:30:32,485 --> 00:30:35,555 - YEAH, NO PROBLEM. SURE. - OH, SURE. 868 00:30:35,592 --> 00:30:36,942 OKAY. 869 00:30:36,973 --> 00:30:38,983 - WELL, HAVE FUN. - YES. 870 00:30:39,009 --> 00:30:41,979 BYE, DARLING. - OKAY. 871 00:30:42,012 --> 00:30:43,362 - BYE, SARAH. 872 00:30:43,393 --> 00:30:44,953 - BYE-BYE. 873 00:30:53,644 --> 00:30:56,894 [crickets chirping] 874 00:30:56,924 --> 00:30:58,274 - WELL, WE COULD BE OUT HERE ALL NIGHT 875 00:30:58,304 --> 00:30:59,374 LOOKING FOR THE TURTLE. 876 00:30:59,409 --> 00:31:02,029 - WAIT A SECOND. I THINK I GOT HIM. 877 00:31:02,067 --> 00:31:04,547 - BOY, IF THAT'S HIM, 878 00:31:04,586 --> 00:31:09,066 I'M GONNA ENTER HIM INTO A MARATHON. 879 00:31:09,108 --> 00:31:11,658 HEY, LOOK, ADAM, WHY DON'T YOU AND ME 880 00:31:11,697 --> 00:31:13,937 GO TO THE PET STORE, WE'LL GET A GOLDEN RETRIEVER 881 00:31:13,975 --> 00:31:15,245 AND HE CAN FIND A TURTLE? 882 00:31:15,287 --> 00:31:17,047 - STOP WITH THE DAMN DOG. 883 00:31:17,082 --> 00:31:18,572 - WELL, I MEAN, YOU REALLY OUGHT TO GET MAX 884 00:31:18,600 --> 00:31:19,910 A REAL PET, ADAM. 885 00:31:19,947 --> 00:31:22,397 - OH, MY GOD, WOULD YOU SHUT UP? 886 00:31:22,432 --> 00:31:24,572 WHAT, DO YOU THINK I DON'T KNOW WHY YOU'RE HERE? 887 00:31:24,606 --> 00:31:25,436 - WHAT DO YOU MEAN? 888 00:31:25,469 --> 00:31:27,609 - I KNOW THAT YOU CHEATED ON MOM. 889 00:31:27,644 --> 00:31:29,514 - WHAT? 890 00:31:29,542 --> 00:31:32,272 - YOU HEARD ME. 891 00:31:32,304 --> 00:31:33,624 - WHO TOLD YOU THAT? 892 00:31:33,650 --> 00:31:38,310 - WELL, DOES IT MATTER? 893 00:31:38,344 --> 00:31:39,594 - THAT'S NONE OF YOUR DAMN BUSINESS, SON. 894 00:31:39,621 --> 00:31:41,421 - WELL, HOW COULD YOU DO THAT TO HER? 895 00:31:41,451 --> 00:31:44,631 - WE DID IT TO EACH OTHER, ADAM. 896 00:31:44,661 --> 00:31:46,251 IT TAKES TWO TO TANGO. 897 00:31:46,283 --> 00:31:47,663 - WELL, THAT'S A LOAD OF CRAP, YOU SON OF A BITCH. 898 00:31:47,698 --> 00:31:51,558 - OH, NO, IT'S NOT THAT SIMPLE, SON. 899 00:31:51,599 --> 00:31:52,569 - REALLY? REALLY? 900 00:31:52,600 --> 00:31:54,120 YOU'RE GONNA BLAME MOM FOR SCREWING AROUND 901 00:31:54,153 --> 00:31:55,293 WITH SOME OTHER WOMAN? 902 00:31:55,327 --> 00:31:58,707 - HEY, LET ME TELL YOU SOMETHING. 903 00:31:58,744 --> 00:32:00,444 WHEN YOU'VE BEEN MARRIED 46 YEARS, 904 00:32:00,470 --> 00:32:01,610 YOU COME AND TALK TO ME. 905 00:32:01,643 --> 00:32:05,163 UNTIL THEN, YOU JUST BACK THE HELL OFF. 906 00:32:26,116 --> 00:32:28,046 - OH, MY GOSH. THANK YOU. 907 00:32:28,084 --> 00:32:29,674 THANK YOU, THANK YOU, THANK YOU-- 908 00:32:29,706 --> 00:32:31,666 - WORSE THAN I REMEMBERED. WAY WORSE. 909 00:32:31,708 --> 00:32:35,988 - I KNOW, HE'S A MEANS TO AN END. 910 00:32:36,023 --> 00:32:38,033 - I DON'T THINK SO. 911 00:32:41,787 --> 00:32:44,647 WE'RE DONE WITH THAT GUY. 912 00:32:44,686 --> 00:32:47,066 - WHAT ARE YOU TALKING ABOUT? 913 00:32:47,103 --> 00:32:49,623 - I DON'T TRUST HIM. 914 00:32:49,657 --> 00:32:52,277 - JOEL, DON'T LET BAGGAGE FROM A MILLION YEARS AGO 915 00:32:52,315 --> 00:32:54,415 BECOME A FACTOR IN WHAT'S HAPPENING RIGHT NOW. 916 00:32:54,455 --> 00:32:55,585 - JULIA, THIS ISN'T ABOUT BAGGAGE. 917 00:32:55,628 --> 00:32:57,628 THIS IS ABOUT HIM BUNDLING MONEY. 918 00:32:57,665 --> 00:32:59,355 LIKE ALL THE CROOKS WHO GOT THIS COUNTRY 919 00:32:59,391 --> 00:33:00,771 INTO THE WHOLE MESS IT'S IN, IT'S JUST-- 920 00:33:00,806 --> 00:33:03,286 - LOOK. TIMM IS NOT A CRIMINAL. 921 00:33:03,326 --> 00:33:04,496 - WE COULD FIND SOMEBODY BETTER. 922 00:33:04,534 --> 00:33:05,644 - WHO? - TO HELP YOUR DAD. 923 00:33:05,673 --> 00:33:07,433 SOMEBODY WHO'S NOT SUCH A SCUMBAG. 924 00:33:07,468 --> 00:33:08,538 FOR STARTERS, ME. 925 00:33:08,572 --> 00:33:10,612 I CAN, I CAN DRIVE OUT, 926 00:33:10,643 --> 00:33:12,133 I CAN TAKE A LOOK AT THE PROPERTY, 927 00:33:12,162 --> 00:33:14,372 EVALUATE IT, MAYBE THERE'S SOME WAY I CAN 928 00:33:14,406 --> 00:33:16,236 DO SOME WORK ON IT, UH, BRING THE VALUE UP. 929 00:33:16,270 --> 00:33:17,440 - JOEL. 930 00:33:17,478 --> 00:33:18,548 WE'RE NOT PUTTING ANYTHING MORE INTO THIS. 931 00:33:18,582 --> 00:33:20,762 THAT'S THROWING GOOD MONEY AFTER BAD. 932 00:33:20,791 --> 00:33:25,041 YOU DON'T HAVE A SAY IN THIS. 933 00:33:25,072 --> 00:33:26,522 - YOU GOTTA BE KIDDING ME. 934 00:33:26,556 --> 00:33:27,696 - [sighs] 935 00:33:27,729 --> 00:33:30,219 YOU KNOW I'VE BEEN OVER THE NUMBERS. 936 00:33:30,249 --> 00:33:34,319 AND I'VE BEEN OVER THEM AND THE HOLE IS HUGE. 937 00:33:34,357 --> 00:33:36,257 AND THERE'S NO ONE WHO WILL 938 00:33:36,290 --> 00:33:38,640 DO US THIS KIND OF MASSIVE FAVOR 939 00:33:38,671 --> 00:33:40,571 THAT TIMM'S TALKING ABOUT DOING. 940 00:33:40,604 --> 00:33:41,504 THE CRISIS IS HUGE. 941 00:33:41,536 --> 00:33:44,226 MY PARENTS' MARRIAGE IS IN THE BALANCE. 942 00:33:44,263 --> 00:33:46,403 I DON'T KNOW WHAT ELSE TO SAY. 943 00:33:49,406 --> 00:33:52,406 - OKAY. 944 00:33:56,413 --> 00:33:57,793 - [sighs] 945 00:33:57,828 --> 00:34:01,518 - ♪ DOO, DOO DOO DOO 946 00:34:01,556 --> 00:34:04,176 ♪ 947 00:34:04,214 --> 00:34:06,804 - MAX KIND OF LOOKS LIKE A TURTLE. 948 00:34:06,837 --> 00:34:09,527 - I CAN SEE THAT. - OR LIKE--I MEAN, A TORTOISE. 949 00:34:09,564 --> 00:34:11,294 I DON'T KNOW. I DON'T KNOW WHICH ONE IT IS. 950 00:34:11,325 --> 00:34:12,495 - YEAH, I DON'T REALLY KNOW THE DIFFERENCE. 951 00:34:12,533 --> 00:34:14,473 - YEAH. - SAME SNAPPY LITTLE FACE. 952 00:34:14,500 --> 00:34:16,540 - I KNOW. WHICH IS LIKE MAX'S FACE, YOU KNOW? 953 00:34:16,571 --> 00:34:18,441 LIKE EVERY DAY-- 954 00:34:18,470 --> 00:34:20,580 - HADDIE. CAN I TALK TO YOU FOR ONE SECOND? 955 00:34:20,610 --> 00:34:22,410 - YEAH. 956 00:34:22,439 --> 00:34:23,849 - ABOUT STEVE. 957 00:34:23,889 --> 00:34:26,309 - OH, MY GOD. I KNOW. 958 00:34:26,340 --> 00:34:27,890 I SAW YOU GUYS TALKING IN THE CAFETERIA. 959 00:34:27,927 --> 00:34:29,647 HE PROB-- DID HE SAY SOMETHING WEIRD, 960 00:34:29,688 --> 00:34:31,658 BECAUSE HE MAKES JOKES, AND, LIKE-- 961 00:34:31,690 --> 00:34:33,520 - HADDIE, IT'S NOT THAT. 962 00:34:33,554 --> 00:34:34,594 UH-- 963 00:34:34,624 --> 00:34:37,594 - WHAT? WHAT? 964 00:34:37,627 --> 00:34:40,387 - NO, I JUST-- 965 00:34:40,423 --> 00:34:41,603 THIS IS HARD. 966 00:34:41,631 --> 00:34:44,631 - WHAT? 967 00:34:44,668 --> 00:34:48,848 - I--I SLEPT, I SLEPT WITH HIM. 968 00:34:48,879 --> 00:34:51,229 - HA HA. 969 00:34:51,261 --> 00:34:52,881 - I DON'T KNOW, I DON'T KNOW, 970 00:34:52,918 --> 00:34:54,608 I DON'T KNOW WHAT HAPPENED. 971 00:34:54,644 --> 00:34:55,514 I DON'T KNOW WHAT HAPPENED, HADDIE. 972 00:34:55,541 --> 00:34:59,551 UH, IT WAS AN ACCIDENT. I, I MESSED UP. 973 00:34:59,580 --> 00:35:02,650 I, I WAS DRINKING AND HE WAS BEING NICE, 974 00:35:02,686 --> 00:35:05,276 AND I JUST-- SOMETHING IS WRONG WITH ME. 975 00:35:05,310 --> 00:35:07,660 I'M SORRY. I WISH I COULD TAKE IT BACK. 976 00:35:07,691 --> 00:35:09,591 IT WAS AN ACCIDENT. 977 00:35:09,624 --> 00:35:12,524 AND I'M SORRY, I'M SORRY. I'M SO SORRY. 978 00:35:12,558 --> 00:35:14,418 PLEASE TRY TO-- - CAN YOU JUST-- 979 00:35:14,457 --> 00:35:16,867 CAN YOU, CAN YOU STOP... TALKING? 980 00:35:16,907 --> 00:35:18,217 - I DON'T KNOW WHAT HAPPENED. 981 00:35:18,254 --> 00:35:19,534 PLEASE, PLEASE DON'T BE MAD AT ME. 982 00:35:19,565 --> 00:35:22,145 PLEASE DON'T BE MAD AT ME. I'M SO SORRY. 983 00:35:22,189 --> 00:35:26,809 PLEASE. 984 00:35:26,848 --> 00:35:28,638 OH, GOD. 985 00:35:28,678 --> 00:35:31,748 - MAX, MAX. WE ARE GOING TO FIND MILES. 986 00:35:31,784 --> 00:35:34,204 NO, WE'RE NOT! - I PROMISE. 987 00:35:34,235 --> 00:35:36,435 - YOU CAN'T PROMISE BECAUSE YOU DON'T KNOW WHERE HE IS! 988 00:35:36,479 --> 00:35:38,379 - YOU'RE RIGHT, YOU'RE RIGHT, I CAN'T. 989 00:35:38,412 --> 00:35:41,312 BUT LOOK, MAX, A TORTOISE IS NEVER REALLY LOST 990 00:35:41,346 --> 00:35:42,856 BECAUSE A TORTOISE CARRIES ITS HOUSE ON ITS BACK, RIGHT? 991 00:35:42,899 --> 00:35:44,209 - [screams] 992 00:35:44,245 --> 00:35:46,315 - HEY. MAX. 993 00:35:46,351 --> 00:35:48,321 HEY. MAX. 994 00:35:48,353 --> 00:35:50,673 HEY. MAX. 995 00:35:50,700 --> 00:35:53,530 MAX. MAX. 996 00:35:53,565 --> 00:35:55,355 YOU'RE GONNA BE ALL RIGHT. OKAY? 997 00:35:55,394 --> 00:35:58,604 ALL RIGHT? 998 00:35:58,639 --> 00:36:00,639 OKAY. 999 00:36:13,516 --> 00:36:16,476 - YOU WAITED UP. 1000 00:36:16,519 --> 00:36:18,659 - REVENGE, HUH, FOR ALL THOSE NIGHTS 1001 00:36:18,693 --> 00:36:19,973 I MADE YOU WAIT UP? 1002 00:36:20,005 --> 00:36:21,515 - YEAH, RIGHT. 1003 00:36:21,558 --> 00:36:23,248 THERE AREN'T ENOUGH NIGHTS IN THE YEAR. 1004 00:36:23,284 --> 00:36:24,534 - MOM. - WHAT? 1005 00:36:24,561 --> 00:36:27,671 - HOW WAS IT? - OH, IT WAS FUN. 1006 00:36:27,702 --> 00:36:29,012 WE HAD A REALLY GOOD TIME. - WHAT DID YOU DO? 1007 00:36:29,048 --> 00:36:31,428 - WELL, UM, WE WENT TO THE-- 1008 00:36:31,465 --> 00:36:33,605 [chuckles] THE OTHER ART SHOW. 1009 00:36:33,639 --> 00:36:35,469 YOU WOULD NOT BELIEVE HOW BAD THE ART WAS. 1010 00:36:35,503 --> 00:36:37,543 IT WAS LIKE SOMEONE THREW UP ALL OVER THE CANVAS. 1011 00:36:37,574 --> 00:36:39,894 WE GOT OUT OF THERE IN ABOUT FIVE MINUTES. 1012 00:36:39,921 --> 00:36:42,031 AND WE WENT TO, UM, UH, A BAR. 1013 00:36:42,061 --> 00:36:43,721 IT WAS A PUB. IRISH PUB. 1014 00:36:43,753 --> 00:36:47,383 WE HAD IRISH COFFEE. AND, UH, IT WAS NICE. 1015 00:36:47,412 --> 00:36:49,312 THERE WAS A, THERE WAS A BAND THERE 1016 00:36:49,345 --> 00:36:50,655 THAT WASN'T SO GREAT. 1017 00:36:50,691 --> 00:36:52,561 SO WE LEFT THERE AND WE WENT BACK TO MATTHEW'S PLACE. 1018 00:36:52,589 --> 00:36:56,349 AND, UM, HE MADE US A FIRE 1019 00:36:56,386 --> 00:36:58,726 AND, UH, SERVED US SOME PORT. 1020 00:36:58,768 --> 00:37:02,768 AND WE TALKED, AND, UM... 1021 00:37:06,500 --> 00:37:07,850 AND, UM... 1022 00:37:07,880 --> 00:37:09,990 - AND? 1023 00:37:20,755 --> 00:37:22,755 OH, MOM. 1024 00:37:33,837 --> 00:37:34,937 - GO SLOW. 1025 00:37:34,976 --> 00:37:36,046 - I'M LOSING IT. 1026 00:37:36,081 --> 00:37:37,981 - NO, NO, NO, NO. BRAVERMAN, COME ON. DIG DEEP. 1027 00:37:38,014 --> 00:37:40,364 - NO, I CAN'T. ALL RIGHT, EASY. EASY. 1028 00:37:40,396 --> 00:37:41,946 OH, GOD, OH, GOD, I'M LOSING IT. 1029 00:37:41,983 --> 00:37:44,883 - COME ON, DIG DEEP. - OH, OH, GOD. 1030 00:37:44,917 --> 00:37:46,017 - WELL, YOU KNOW WHAT, THAT'S NOT FUNNY. 1031 00:37:46,056 --> 00:37:47,706 THIS IS A PRICELESS INSTRUMENT. 1032 00:37:47,748 --> 00:37:50,918 HEY, HEY, NEPHEW OF MINE, DON'T ENCOURAGE HIM. 1033 00:37:50,958 --> 00:37:52,368 - ALL RIGHT, I'M SORRY, I'M SORRY. 1034 00:37:52,408 --> 00:37:53,508 - HE'S NOT THE ONE WHO'S MAKING HIS NEPHEW 1035 00:37:53,547 --> 00:37:55,067 CARRY A PIANO DOWN THE STAIRS. - EXACTLY, EXACTLY. 1036 00:37:55,100 --> 00:37:56,720 - ALL RIGHT, HOLD ON. 1037 00:37:56,757 --> 00:37:57,547 HOLD ON, HOLD ON, HOLD ON. 1038 00:37:57,585 --> 00:37:58,855 - JUST-- DO YOU NEED ME TO GET IT? 1039 00:37:58,897 --> 00:38:00,377 - YEAH, WOULD YOU JUST GRAB THIS? 1040 00:38:00,416 --> 00:38:01,686 - OKAY, ALL RIGHT, I GOT IT. 1041 00:38:01,727 --> 00:38:03,377 OKAY. - YOU GOT IT? 1042 00:38:03,419 --> 00:38:06,319 - I'M HOLDING IT, YEAH. - JUST GOTTA GET THIS-- 1043 00:38:06,353 --> 00:38:08,633 - OH. OH, DON RICKLES IS HERE. 1044 00:38:08,665 --> 00:38:10,425 THE FIRST TIME YOU'VE EVER MADE A JOKE, 1045 00:38:10,460 --> 00:38:11,670 AND YOU DECIDE TO DO IT WHEN I'M HOLDING A PIANO. 1046 00:38:11,703 --> 00:38:13,393 - IT FELT PRETTY GOOD. 1047 00:38:13,429 --> 00:38:14,709 - YOU KNOW WHAT? - WHAT? 1048 00:38:14,740 --> 00:38:16,120 - I'M NEVER ASKING YOU GUYS TO HELP ME 1049 00:38:16,155 --> 00:38:17,535 MOVE ANYTHING EVER AGAIN. 1050 00:38:17,571 --> 00:38:20,061 - YOU PROMISE? - EXCELLENT. 1051 00:38:20,090 --> 00:38:21,710 - COME ON, LET'S GO, GO, GO, GO, GO! 1052 00:38:21,747 --> 00:38:23,717 KEEP THE MOMENTUM. GO, GO, GO, GO, GO! 1053 00:38:23,749 --> 00:38:27,679 - COME ON. COME ON. 1054 00:38:27,719 --> 00:38:29,819 - I LIKE THIS PICTURE, MOMMY. 1055 00:38:29,859 --> 00:38:31,899 YOU LOOK LIKE A PRINCESS. 1056 00:38:31,930 --> 00:38:33,760 - OH, YEAH, THAT'S PROM. 1057 00:38:33,794 --> 00:38:35,004 - IS THAT DADDY? 1058 00:38:35,036 --> 00:38:38,416 - NO, SWEETIE, LOOK AT IT. 1059 00:38:38,454 --> 00:38:40,664 IT'S MY FRIEND, TIMM. 1060 00:38:40,697 --> 00:38:45,697 - TIMMMMM. 1061 00:38:45,737 --> 00:38:46,627 - COME ON BACK. - COME ON BACK. 1062 00:38:46,669 --> 00:38:47,879 - LET'S PULL. YOU'RE UP. 1063 00:38:47,911 --> 00:38:49,711 - AH! 1064 00:38:49,741 --> 00:38:51,671 - SO WHERE'S HADDIE? 1065 00:38:51,708 --> 00:38:52,568 - ADAM? 1066 00:38:52,606 --> 00:38:53,986 THAT'S IT? YOU GOT THAT RIGHT ANGLE? 1067 00:38:54,021 --> 00:38:55,161 - YUP. - COME ON BACK. 1068 00:38:55,194 --> 00:38:58,994 - UP, UP, UP, UP, UP, UP, UP, PUSH. 1069 00:38:59,026 --> 00:39:00,056 - YES! 1070 00:39:00,096 --> 00:39:01,676 - I ACTUALLY DID SOMETHING. THANKS. 1071 00:39:01,718 --> 00:39:03,128 - WHOO! 1072 00:39:03,168 --> 00:39:05,548 AND YOU SAID IT COULDN'T BE DONE. 1073 00:39:05,584 --> 00:39:06,594 OKAY. 1074 00:39:06,620 --> 00:39:09,620 TO THANK YOU FOR YOUR NOT-SO-HEROIC EFFORTS, 1075 00:39:09,657 --> 00:39:13,827 I PRESENT TO YOU SOLACE, A MEXICAN SERENADE. 1076 00:39:13,868 --> 00:39:16,008 - NO! - NO! 1077 00:39:16,043 --> 00:39:17,703 - PLAY SOMETHING ELSE. 1078 00:39:17,734 --> 00:39:19,434 - WELL, WHAT'S WRONG WITH THAT ONE? 1079 00:39:19,460 --> 00:39:21,460 - OH, IT'S A SONG HE PLAYED FOR HIS SIXTH GRADE RECITAL. 1080 00:39:21,497 --> 00:39:22,807 - WE'VE HEARD IT LIKE 10,000 TIMES. 1081 00:39:22,843 --> 00:39:24,503 - TEN MILLION. - I WANNA HEAR IT. 1082 00:39:24,534 --> 00:39:25,744 - IT'S GONNA BRING ME BACK IN TIME 1083 00:39:25,777 --> 00:39:27,017 TO A VERY UNATTRACTIVE HAIRDO. 1084 00:39:27,054 --> 00:39:29,474 - KEEPS GETTING BETTER AND BETTER, DOESN'T IT? 1085 00:39:29,505 --> 00:39:31,915 - AW. IT SOUNDS GOOD. 1086 00:39:31,955 --> 00:39:34,155 - IT'S NOT AS AWFUL AS I REMEMBER IT. 1087 00:39:34,199 --> 00:39:36,579 - OH, SOME SONGS NEVER GET OLD, RIGHT? 1088 00:39:36,615 --> 00:39:37,475 - EXCEPT THAT ONE. 1089 00:39:37,513 --> 00:39:38,823 - EXCEPT FOR THIS ONE, THAT'S RIGHT. 1090 00:39:38,859 --> 00:39:40,409 - I LIKE IT. 1091 00:39:40,447 --> 00:39:42,517 - OH, PLEASE. 1092 00:39:42,552 --> 00:39:44,492 - GO AHEAD, JOEL. - MAY I? 1093 00:39:44,520 --> 00:39:45,660 - YEAH, GIVE JASMINE A WHIRL. 1094 00:39:45,693 --> 00:39:46,943 - OH, HERE WE GO, YES. 1095 00:39:46,970 --> 00:39:50,010 - JOEL! JOEL, LET'S KEEP A LITTLE DISTANCE. 1096 00:39:50,042 --> 00:39:51,702 - WHOO! 1097 00:39:51,734 --> 00:39:53,154 - I'LL DO A-- I'LL JUST DO A-- 1098 00:39:53,183 --> 00:39:56,603 - DO I GET A DIP? - YEAH. 1099 00:39:56,635 --> 00:39:57,945 - YOU KNOW WHO'S A GOOD DANCER. 1100 00:39:57,981 --> 00:39:59,881 AUNT SARAH. 1101 00:39:59,914 --> 00:40:01,544 SHE HATES TO DO IT, BUT ONCE SHE GETS STARTED, 1102 00:40:01,571 --> 00:40:03,231 BOY, THERE'S NOTHING STOPPING HER. 1103 00:40:03,262 --> 00:40:10,442 ♪ 1104 00:40:47,686 --> 00:40:48,786 - WELL. 1105 00:40:48,825 --> 00:40:50,545 LOOK WHO'S THE HERO. 1106 00:40:50,586 --> 00:40:52,966 WHERE DID YOU FIND HIM? - HE WAS IN MY SHOE. 1107 00:40:53,002 --> 00:40:55,942 THEY DON'T HAVE A VERY GOOD SENSE OF SMELL. 1108 00:40:55,970 --> 00:40:57,180 - WELL, MAX IS GONNA BE THRILLED. 1109 00:40:57,213 --> 00:40:59,533 WHY DON'T YOU GO GIVE IT TO HIM? 1110 00:40:59,560 --> 00:41:01,150 - OH, NO, HERE, YOU GIVE IT TO HIM. 1111 00:41:01,182 --> 00:41:04,082 - ALL RIGHT. 1112 00:41:04,116 --> 00:41:06,766 HERE, BUDDY. 1113 00:41:06,809 --> 00:41:10,639 - YOU KNOW SOMETHING, SONNY, 1114 00:41:10,675 --> 00:41:12,535 YOU'RE TEN TIMES THE FATHER I EVER WAS. 1115 00:41:12,573 --> 00:41:14,643 - THAT'S NOT TRUE. - YES, IT IS. 1116 00:41:14,679 --> 00:41:18,029 - FIVE TIMES MAYBE. 1117 00:41:18,061 --> 00:41:19,751 - MILES! - YEAH. 1118 00:41:19,787 --> 00:41:21,577 - MILES! - GRANDPA FOUND HIM. 1119 00:41:21,617 --> 00:41:23,757 - MILES! 1120 00:41:23,791 --> 00:41:25,791 - [sighs] 1121 00:41:28,347 --> 00:41:32,177 - I THINK YOUR MOM'S GONNA FORGIVE ME. 1122 00:41:32,213 --> 00:41:36,673 - I WOULDN'T. 1123 00:41:36,701 --> 00:41:38,911 BUT THEN AGAIN, I HAVEN'T BEEN MARRIED FOR 46 YEARS. 1124 00:41:42,776 --> 00:41:44,536 - [chuckles]