1
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[Eerie music]

2
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(Narrator) You unlock this door
with the k e y of ima Gina t/on.

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Beyond it is another dimension...

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A dimension of sound,

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[glass shattering]

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A dimension of sight,

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a dimension of mind.

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You're moving into a land
of both shadowand substance,

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of things and ideas.

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You've just crossed over
into the twilight zone.

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Tonight a presentation
80 special and unique,

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that for the first time
in the five years

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we've been presenting
the twilight zone,

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we're offering a film
shot in France by others.

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Winner of the cannes
film festival of 1962,

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as well as other
international awards,

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here is a haunting study
of the incredible

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from the past master of the
incredible, ambrose bierce.

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Here is the French production

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of "an occurrence
at owl creek bridge."

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[Birds chirping]

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[Drums]

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[Bird calling]

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[Bird calling]

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[Bugle playing]

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(Male voice 1) F IRS t
soua d, 8 ta nd fa 8 t.

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(Male voice 2) Fall out.

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[Bird calling]

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[Birds chirping]

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[Bird calling]

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[Clattering]

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[Wood creaking]

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[Wood creaking]

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[Birds chirping]

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[Wood creaking]

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[Birds chirping]

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[Wood creaking]

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[Birds chirping loudly]

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[Birds chirping]

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[Birds quiet]

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(Male voice, off) L/bb/e.

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[Gears winding 3/0 my]

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L/bb/e.

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L/bb/e.

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[Winding increases]

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[Winding increases
more and more]

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[Winding grows louder]

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(Officer) Take h/s wa toh.

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[Gasps]

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(Male voice) Yes, sir.

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[Watch ticking]

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[Musical tune]

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[Music stops]

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(Male voice) A tten-h u t!

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[Wooden plank moves]

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[Sniffling]

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[Crying quietly]

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[Crying continues]

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[Water bubbling]

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[Water bubbling]

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[Gasping loudly]

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[Guitar strums gentle melody]

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[Male voice sings gently]

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Fia living man fl

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fla living man-i7

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fl I wanna bea living man fl

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fl in all the world fl

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fl he moves around fl

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fl he walks around fl

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fl he turns around fl

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fl / see each treej7

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fl / read each vein fl

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fl / hear each bug fl

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fl upon each leaffl

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fl the buzz/ng fl/es fl

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fl the splash/ng fish fl

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fl they "mo ves" around fl

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fl this living man fl

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fla living man fl

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fla living man-i7

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fl I wanna bea living man flfl

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[distorted voice]
He must be hung!

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Soldier, tell
[Indistinct] to open fire!

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[Distorted voice] Yes, sir.

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If it is necessary,
fire the Cannon as well!

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[Distorted] Shoulder arms.

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Guards, stand fast.

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Steady, m en. Steady.

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He mustn't escape.

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There he is.

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He's moving.

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[Distorted] Pe yton fa rouha r,

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you're caught
likea rat ina trap.

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[Normal voice] In a trap.

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Trap. Trap.

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[Hammer clicks]

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[Birds chirping]

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[Bullet ricochets]

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[Bullets whistling]

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[Gunfire]

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(Male voice) Atten-hut!

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Shoulder arms!

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Ready!

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Aim!

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Fire!

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[Bullets ricocheting]

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Load!

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[Farquhar breathing heavily]

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(Officer) Read y!

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Load!

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Fire!

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(Officer) F/re a t w/ll!

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(Officer 2) Commenoe f /r/n g!

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[Gunshots]

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[Bullets ricocheting]

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[Gunfire stops]

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[Bullet ricocheting]

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[Breathing heavily]

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[Gunfire]

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[Bullets ricocheting]

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[Breathing heavily]

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[Water rushing]

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[Water roaring loudly]

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[Guitar strums gentle melody] [Male
voice sings gently] Fl he walks around fl

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fl he turns around fl

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fl / see each treej7

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fl / read each vein fl

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fl / hear each bug fl

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fl upon each leaffl

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fl the buzz/ng fl/es fl

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fl the splash/ng fish fl

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fl they "mo ves" around fl

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fl this living man flfl

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[Birds chirping]

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[Laughing]

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[Laughing]

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[Laughing]

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[Coughs]

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[Laughs]

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[Birds chirping]

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[Breathing heavily]

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[Laughing]

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[Music plays gently]

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[Laughter continues]

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[Guitar strumming continues]

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[Grunts]

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[Cannonba/I whistling descent]

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[Explosion]

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[Drums playing]

150
00:18:32,194 --> 00:18:33,613
[Drums continue]

151
00:18:59,680 --> 00:19:02,141
[Cannonba/I whistling descent]

152
00:19:02,224 --> 00:19:04,393
[Explosion]

153
00:19:04,477 --> 00:19:09,231
[Birds chirping]

154
00:19:09,315 --> 00:19:11,984
[Breathing heavily]

155
00:19:15,988 --> 00:19:17,490
[Drums playing]

156
00:19:43,349 --> 00:19:44,684
[Drums continue]

157
00:19:56,487 --> 00:19:58,364
[Breathing heavily]

158
00:20:14,505 --> 00:20:16,382
[Drums playing]

159
00:20:58,841 --> 00:20:59,925
[Grunts]

160
00:21:04,597 --> 00:21:06,932
[Breathing heavily]

161
00:21:07,016 --> 00:21:08,601
[Bird screeches]

162
00:21:08,642 --> 00:21:12,438
[Drums playing]

163
00:21:12,521 --> 00:21:16,484
[Crickets chirping]

164
00:21:47,056 --> 00:21:49,934
[Birds chirping]

165
00:22:18,838 --> 00:22:22,216
[Birds chirping]

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00:22:22,299 --> 00:22:26,220
[Music plays gently]

167
00:22:45,447 --> 00:22:49,118
[Breathing heavily]

168
00:23:20,065 --> 00:23:23,068
[Guitar strumming continues]

169
00:23:51,013 --> 00:23:53,432
[Breathing heavily]

170
00:24:02,274 --> 00:24:03,984
[Choking gasp]

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00:24:17,957 --> 00:24:20,376
(Narrator) "An occurrence
a t owl creek bridge"

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00:24:20,459 --> 00:24:22,962
in two forms...

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As it was dreamed and
as it was lived and died.

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This is the stuff of fantasy,

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the thread of ima Gina t/on,

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the ingredients
of the twilight zone.

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(Male presenter)
And now, Mr. Serl/ng.

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00:24:37,476 --> 00:24:40,521
Twilightzone regular Charles
beaumont brings us our next offering,

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a tale of age and youth,
and a beautiful woman.

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Our star is Ann Blyth,
our story, "queen of the nile."

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00:24:46,652 --> 00:24:48,821
They say that beauty
is only skin deep,

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and when the surface
is scratched,

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what you might find underneath

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is something quite
apart from beauty.

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This is the rather
intriguing basis

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of our next presentation
on the twilightzone.

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Miss Ann Blyth in
"queen of the nile."