1
00:00:09,718 --> 00:00:12,804
You're tra vel/ng
through another dimension.

2
00:00:12,888 --> 00:00:16,058
A dimension not onl y of sight
and sound, but of mind,

3
00:00:16,141 --> 00:00:17,893
a journey into a wondrous land

4
00:00:17,976 --> 00:00:20,145
whose boundaries
are tha t of ima Gina t/on.

5
00:00:20,229 --> 00:00:23,190
Your next stop,
the twilight zone.

6
00:00:45,671 --> 00:00:48,382
M omm y!

7
00:00:52,302 --> 00:00:54,555
Hm?

8
00:00:58,684 --> 00:01:00,644
I'll get it.

9
00:01:03,605 --> 00:01:05,899
Momm y!

10
00:01:07,609 --> 00:01:10,571
Momm y!

11
00:01:10,654 --> 00:01:12,406
You're going?

12
00:01:12,489 --> 00:01:14,950
I'm just putting my slippers on.

13
00:01:15,033 --> 00:01:16,577
Momm y!

14
00:01:16,660 --> 00:01:19,496
All right, sweetheart,
I'm coming.

15
00:01:22,541 --> 00:01:23,834
Hush up, Mac.

16
00:01:25,961 --> 00:01:27,254
Sh!

17
00:01:29,965 --> 00:01:33,260
What's the matter, baby?

18
00:01:33,343 --> 00:01:36,263
What'd you do, fall off?

19
00:01:36,346 --> 00:01:41,101
Come on.

20
00:01:41,184 --> 00:01:46,106
Well, what? t'd you
do, roll undernea th?

21
00:01:46,189 --> 00:01:47,691
Da dd y!

22
00:01:47,774 --> 00:01:48,775
All right, honey.

23
00:01:48,859 --> 00:01:49,943
I'm right here.

24
00:01:50,027 --> 00:01:51,653
Now, come on out.

25
00:01:51,737 --> 00:01:55,490
Come on, you just crawled
underneath the bed.

26
00:01:55,574 --> 00:01:57,284
Tina.

27
00:01:59,786 --> 00:02:05,626
All right, honey,
come on, take my hand.

28
00:02:05,709 --> 00:02:08,003
Come on.

29
00:02:08,086 --> 00:02:11,006
What in the...

30
00:02:11,089 --> 00:02:12,799
Daddy.

31
00:02:12,883 --> 00:02:17,262
All right, just a minute.

32
00:02:17,346 --> 00:02:19,348
Chris, what? t is it?

33
00:02:19,431 --> 00:02:20,641
I don't know.

34
00:02:36,239 --> 00:02:38,325
Missing. One frightened
little girl.

35
00:02:38,408 --> 00:02:40,285
Name. Bettina Miller.

36
00:02:40,369 --> 00:02:43,955
Description. Six years of age,
average height and build,

37
00:02:44,039 --> 00:02:46,291
light-brown hair, quite pretty.

38
00:02:46,375 --> 00:02:50,712
Last seen. Being tucked in bed
by her mother a few hours ago.

39
00:02:50,796 --> 00:02:54,966
Last heard. "Aye, there's
the rub," as Hamlet put it.

40
00:02:55,050 --> 00:02:57,761
For bettina Miller can
be heard quite clearly,

41
00:02:57,844 --> 00:03:02,516
despite the rather curious
fact that she can't be seen at all.

42
00:03:02,599 --> 00:03:05,852
Present location.
Let's say for the moment,

43
00:03:05,936 --> 00:03:08,772
in the twilight zone.

44
00:03:33,755 --> 00:03:37,050
What's the matter?

45
00:03:37,134 --> 00:03:39,219
She's not here.

46
00:03:39,302 --> 00:03:40,846
What do you mean she's not...

47
00:03:40,929 --> 00:03:44,850
Look for yourself.

48
00:03:44,933 --> 00:03:46,518
Tina?

49
00:03:46,601 --> 00:03:49,771
Momm y!

50
00:03:49,855 --> 00:03:51,189
Iturned on the light.

51
00:03:51,273 --> 00:03:52,733
Oh, no, no, it's crazy.

52
00:03:52,816 --> 00:03:57,738
It just sounds as if she's...

53
00:03:57,821 --> 00:04:02,534
Mommy, pick me up.

54
00:04:06,830 --> 00:04:08,415
Chris, where is she?

55
00:04:08,498 --> 00:04:10,751
I don't know.

56
00:04:13,837 --> 00:04:15,422
Well, what are we going to do?

57
00:04:15,505 --> 00:04:16,798
I don't know, honey,

58
00:04:16,882 --> 00:04:18,675
but we're not going to panic.

59
00:04:26,641 --> 00:04:28,393
Tina!

60
00:04:59,716 --> 00:05:01,384
Shut up, Mac!

61
00:05:05,347 --> 00:05:06,473
Bill?

62
00:05:06,556 --> 00:05:08,183
Bill, this is Chris.

63
00:05:08,266 --> 00:05:11,645
Can you come over
to the house right away?

64
00:05:11,728 --> 00:05:14,272
I'm sorry, bill,
this is an emergency.

65
00:05:14,356 --> 00:05:17,400
Tina has disappeared.

66
00:05:17,484 --> 00:05:19,444
No, no, she hasn't
been kidnapped.

67
00:05:19,528 --> 00:05:21,655
Tina is... Tina is here.

68
00:05:21,738 --> 00:05:23,782
But she's not... here.

69
00:05:23,865 --> 00:05:28,161
Bill, for crying out loud,
will you get over here?

70
00:05:28,245 --> 00:05:30,205
Hurry.

71
00:05:42,551 --> 00:05:45,428
Shouldn't we...

72
00:05:45,512 --> 00:05:46,763
Wake h er?

73
00:05:46,847 --> 00:05:48,306
Bill's coming over, honey.

74
00:05:48,390 --> 00:05:49,599
Bill?

75
00:05:49,683 --> 00:05:50,934
Well, he's a physicist.

76
00:05:51,017 --> 00:05:52,769
Maybe he can help us out.

77
00:05:52,853 --> 00:05:55,772
I don't know, I couldn't
think of anything else.

78
00:05:55,856 --> 00:05:57,357
Oh, god, where is she?

79
00:06:02,237 --> 00:06:03,822
Where is she?

80
00:06:03,905 --> 00:06:06,366
Listen, I'd better go
and let that dog in

81
00:06:06,449 --> 00:06:09,035
before he wakes up
the whole neighborhood.

82
00:06:09,119 --> 00:06:11,538
Honey, I'm going to check
underneath the house.

83
00:06:22,674 --> 00:06:24,092
Mac, come here.

84
00:06:24,175 --> 00:06:25,886
Come here!

85
00:06:27,137 --> 00:06:28,889
Come here, Mac.

86
00:06:38,189 --> 00:06:39,816
He's gone.

87
00:06:47,115 --> 00:06:49,826
They're not under the house.

88
00:07:08,428 --> 00:07:09,971
What's wrong, Chris?

89
00:07:10,055 --> 00:07:12,098
Listen, Tina woke us
up with her crying.

90
00:07:12,182 --> 00:07:13,892
80 I went into the bedroom

91
00:07:13,975 --> 00:07:15,852
and I couldn't find her.

92
00:07:15,936 --> 00:07:17,854
I let the dog in and
he went under the bed

93
00:07:17,938 --> 00:07:19,272
and he's gone, too.

94
00:07:32,369 --> 00:07:33,536
Let's move the bed.

95
00:07:33,620 --> 00:07:34,871
Oh, bill, where is she?

96
00:07:34,955 --> 00:07:36,289
I'm about to lose my mind.

97
00:07:36,373 --> 00:07:38,124
Hold on, Ruth.

98
00:07:38,208 --> 00:07:40,710
She's breathing normally,
she must be all right.

99
00:07:40,794 --> 00:07:46,174
Now wait a second. We'd
better Mark where the legs go.

100
00:07:46,257 --> 00:07:48,009
Here.

101
00:08:13,201 --> 00:08:14,703
Still there?

102
00:08:14,786 --> 00:08:17,497
Yes.

103
00:08:17,580 --> 00:08:20,166
Now, you've felt all over here?

104
00:08:20,250 --> 00:08:21,334
Yes.

105
00:08:21,418 --> 00:08:22,502
And?

106
00:08:22,585 --> 00:08:23,920
Nothing.

107
00:08:24,004 --> 00:08:26,172
Okay.

108
00:08:31,469 --> 00:08:35,640
What are you looking for?

109
00:08:35,724 --> 00:08:37,851
The opening maybe.

110
00:08:37,934 --> 00:08:40,061
The opening to what?

111
00:08:43,064 --> 00:08:44,357
I'm not sure, Ruth.

112
00:08:45,817 --> 00:08:48,653
You're...

113
00:08:48,737 --> 00:08:51,031
It's as if you were
going to step on her.

114
00:09:00,915 --> 00:09:02,208
Are you sure

115
00:09:02,292 --> 00:09:03,752
that you felt all over here?

116
00:09:03,835 --> 00:09:05,670
Well, maybe not
every single inch!

117
00:09:05,754 --> 00:09:09,215
Take it easy. Take it easy.

118
00:09:09,299 --> 00:09:11,051
I just don't get it.

119
00:09:11,092 --> 00:09:13,053
Now, wait.

120
00:09:13,094 --> 00:09:14,554
Now, wait.

121
00:09:30,028 --> 00:09:33,031
What is it?

122
00:09:33,114 --> 00:09:34,199
The opening.

123
00:09:34,282 --> 00:09:35,575
The...

124
00:09:35,658 --> 00:09:37,368
To what?

125
00:09:39,370 --> 00:09:42,290
I think,

126
00:09:42,373 --> 00:09:44,751
to another dimension.

127
00:09:44,834 --> 00:09:47,003
Another what?

128
00:09:47,087 --> 00:09:49,589
I don't know if I'm right,

129
00:09:49,672 --> 00:09:53,093
but I can't think
of anything else.

130
00:09:53,176 --> 00:09:57,138
Tina must have
fallen out of bed,

131
00:09:57,222 --> 00:10:00,975
accidentally rolled
under it and...

132
00:10:04,062 --> 00:10:06,564
Gone through.

133
00:10:06,648 --> 00:10:08,566
And that's where
Mac went, too, huh?

134
00:10:08,650 --> 00:10:10,485
Probabl y sensed it.

135
00:10:10,568 --> 00:10:13,780
Animals are sharper about
these things than humans.

136
00:10:15,281 --> 00:10:17,117
He knew she was in there and...

137
00:10:17,200 --> 00:10:18,785
Went after her.

138
00:10:18,868 --> 00:10:20,370
Then why can't we?

139
00:10:22,163 --> 00:10:23,915
We don't know what's in there.

140
00:10:23,998 --> 00:10:25,500
My daughter's in there!

141
00:10:25,583 --> 00:10:27,502
I know that, Ruth, but we can't.

142
00:10:27,585 --> 00:10:29,963
Bill, for crying out
loud, she's right here!

143
00:10:30,046 --> 00:10:32,257
All we have to do is
reach in and pull her out.

144
00:10:32,340 --> 00:10:33,967
If it was as simple as that,

145
00:10:34,050 --> 00:10:37,804
why hasn't Mac found her yet?

146
00:10:37,887 --> 00:10:39,055
Nope.

147
00:10:39,139 --> 00:10:41,891
If it's what I think,

148
00:10:41,975 --> 00:10:45,812
it's kind of a gap opening

149
00:10:45,895 --> 00:10:48,398
on another dimension.

150
00:10:48,481 --> 00:10:52,110
Probably the fourth dimension.

151
00:10:52,193 --> 00:10:54,028
It just wouldn't be laid out

152
00:10:54,112 --> 00:10:55,655
like our world, Chris.

153
00:10:55,738 --> 00:10:59,200
Well, there must be
something we can do.

154
00:11:00,702 --> 00:11:02,370
Have you got a, a crayon,

155
00:11:02,453 --> 00:11:04,664
a piece of chalk?

156
00:11:09,836 --> 00:11:12,380
Here.

157
00:11:12,463 --> 00:11:15,967
All right, now let's just
see how big this thing is.

158
00:11:16,050 --> 00:11:18,052
Bill, I just don't understand...

159
00:11:19,429 --> 00:11:20,763
Understand it.

160
00:11:26,728 --> 00:11:30,732
The third dimension
is, just a, step

161
00:11:30,815 --> 00:11:32,817
below the fourth, Chris.

162
00:11:32,901 --> 00:11:36,905
It's a big step, granted,
but it's just one step.

163
00:11:36,988 --> 00:11:38,823
Now, every point in our space

164
00:11:38,907 --> 00:11:42,911
is part of a
perpendicular line in the...

165
00:11:42,994 --> 00:11:46,289
Four th dimension.

166
00:11:46,372 --> 00:11:47,916
So?

167
00:11:51,127 --> 00:11:55,632
Although all the lines
forming the fourth dimension

168
00:11:55,715 --> 00:11:58,384
are perpendicular to
every point in the third,

169
00:11:58,468 --> 00:12:04,182
they're not necessarily
parallel to us.

170
00:12:07,435 --> 00:12:11,814
But if enough of
the lines are parallel

171
00:12:11,898 --> 00:12:14,692
in both dimensions
in a given area,

172
00:12:14,776 --> 00:12:18,238
it might create, an opening.

173
00:12:20,657 --> 00:12:24,661
What, has this opening
always been here?

174
00:12:24,744 --> 00:12:26,246
It might have been.

175
00:12:31,626 --> 00:12:33,670
I doubt it, though.

176
00:12:36,339 --> 00:12:40,385
Believe me, I'm
no expert on this.

177
00:12:44,097 --> 00:12:46,724
Who is?

178
00:12:50,186 --> 00:12:54,274
But I suspect that,

179
00:12:54,357 --> 00:12:58,111
junctures between dimensions

180
00:12:58,194 --> 00:13:03,533
are freaks of nature that happen

181
00:13:03,616 --> 00:13:06,786
who knows how often.

182
00:13:10,623 --> 00:13:12,834
Rare ly, I'd say.

183
00:13:16,963 --> 00:13:18,756
I hope.

184
00:13:21,551 --> 00:13:23,469
There it is.

185
00:13:35,481 --> 00:13:36,524
What...

186
00:13:36,607 --> 00:13:37,775
Shh.

187
00:13:37,859 --> 00:13:40,987
What's the matter?

188
00:13:41,070 --> 00:13:43,531
I can't hear her anymore.

189
00:13:43,614 --> 00:13:45,325
What?

190
00:13:45,408 --> 00:13:46,909
Oh, no!

191
00:13:46,993 --> 00:13:49,078
Tina!

192
00:13:49,162 --> 00:13:51,497
Tina!

193
00:14:11,809 --> 00:14:13,603
Hold it down.

194
00:14:18,900 --> 00:14:20,818
Start moving around.

195
00:14:20,902 --> 00:14:22,236
Huh?

196
00:14:22,320 --> 00:14:24,030
Move around. Move around.

197
00:14:40,838 --> 00:14:42,173
Sh!

198
00:14:54,811 --> 00:14:56,938
Oh, what in heaven's name...

199
00:14:57,021 --> 00:14:58,898
Start looking for her.

200
00:14:58,981 --> 00:15:00,358
Where?

201
00:15:00,441 --> 00:15:01,943
Anywhere... the whole house.

202
00:16:35,161 --> 00:16:36,662
In here!

203
00:16:47,340 --> 00:16:50,426
I want my doll y.

204
00:16:50,510 --> 00:16:52,094
What is this?

205
00:16:52,178 --> 00:16:54,138
Chris, I told you what I think.

206
00:16:54,222 --> 00:16:56,682
But if she went
into this other dimension

207
00:16:56,766 --> 00:16:58,935
in the bedroom, and
if she's still asleep,

208
00:16:59,018 --> 00:17:00,478
then what is she doing here?

209
00:17:00,561 --> 00:17:02,021
Chris...

210
00:17:04,607 --> 00:17:07,318
If she's beyond our world,

211
00:17:07,401 --> 00:17:09,445
her movements might seem to us

212
00:17:09,529 --> 00:17:14,367
to be coming
from all over the place.

213
00:17:14,450 --> 00:17:18,037
Aotuall y, she might be
just turning in her sleep.

214
00:17:24,377 --> 00:17:25,628
Call the dog.

215
00:17:25,711 --> 00:17:26,879
Huh?

216
00:17:26,963 --> 00:17:28,422
Call the dog, hurry.

217
00:17:28,506 --> 00:17:31,676
Mac. Here, Mac.

218
00:17:31,759 --> 00:17:33,427
Com e on, boy.

219
00:17:34,845 --> 00:17:37,390
That's it, that's a boy.

220
00:17:37,473 --> 00:17:39,934
Ma c?

221
00:17:40,017 --> 00:17:42,603
Where are you taking me, mao?

222
00:17:42,687 --> 00:17:44,272
Ma c, Don 't.

223
00:17:44,355 --> 00:17:46,899
Tell her to go with the dog.

224
00:17:46,941 --> 00:17:50,027
G o o n.

225
00:17:50,111 --> 00:17:51,821
Tina!

226
00:17:51,904 --> 00:17:53,656
M omm y!

227
00:17:53,739 --> 00:17:55,449
Go with Mac, baby.

228
00:17:55,533 --> 00:17:57,326
Go with him.

229
00:17:57,410 --> 00:17:59,120
Where are you?

230
00:17:59,203 --> 00:18:01,789
I'm here, baby.

231
00:18:01,872 --> 00:18:03,416
Never mind.

232
00:18:03,499 --> 00:18:06,294
Just tell her to go
with the dog... hurry!

233
00:18:06,377 --> 00:18:10,423
Sweetie, go
with Mac, right away.

234
00:18:10,506 --> 00:18:13,259
Will he take me where you are?

235
00:18:13,342 --> 00:18:17,430
Yes, baby, he will.

236
00:18:17,513 --> 00:18:19,724
All right, mommy.

237
00:18:19,807 --> 00:18:21,434
Let's go!

238
00:18:28,024 --> 00:18:29,191
Call the dog again.

239
00:18:29,275 --> 00:18:33,154
Mac, here, boy, here.

240
00:18:33,237 --> 00:18:34,488
Oh, bill, can't we try...

241
00:18:34,572 --> 00:18:36,240
It'll have to be the dog.

242
00:18:36,324 --> 00:18:38,451
We can't take the
chance of going in there.

243
00:18:38,534 --> 00:18:40,244
Mac, here, boy!

244
00:18:40,328 --> 00:18:42,580
Here, Mac!

245
00:18:42,663 --> 00:18:44,415
Hold it.

246
00:18:46,542 --> 00:18:47,627
He's doing it.

247
00:18:47,710 --> 00:18:49,128
Man, what a mutt.

248
00:18:49,211 --> 00:18:50,838
Come on, boy.

249
00:18:50,921 --> 00:18:53,007
Come on, Mac, here, boy.

250
00:18:53,090 --> 00:18:54,884
Tina!

251
00:18:54,967 --> 00:18:57,011
M omm y!

252
00:18:57,094 --> 00:18:58,721
Come on, Mac.

253
00:18:58,804 --> 00:19:01,182
Come on out, boy.

254
00:19:04,352 --> 00:19:06,604
Tina!

255
00:19:08,230 --> 00:19:09,940
Mac, bring her out!

256
00:19:10,024 --> 00:19:12,360
Dadd y, where are you?

257
00:19:12,443 --> 00:19:13,736
We're here, baby!

258
00:19:13,819 --> 00:19:15,988
We're here. We're right here!

259
00:19:16,072 --> 00:19:19,659
I can't see you.

260
00:19:19,700 --> 00:19:21,243
Mac, bring her out.

261
00:19:21,327 --> 00:19:24,163
Why doesn't he do it?

262
00:19:24,246 --> 00:19:25,581
Maybe he can't.

263
00:19:25,665 --> 00:19:26,916
No!

264
00:19:26,999 --> 00:19:28,542
Tina.

265
00:19:28,626 --> 00:19:29,752
Tina, take my hand.

266
00:19:29,835 --> 00:19:31,587
Chris, don't do it.

267
00:19:31,671 --> 00:19:34,340
My hand, honey.

268
00:19:34,423 --> 00:19:35,675
Takea hold of it.

269
00:19:35,758 --> 00:19:37,593
Here.

270
00:19:37,677 --> 00:19:39,011
Here.

271
00:19:39,095 --> 00:19:41,555
I can't see it, daddy.

272
00:19:41,639 --> 00:19:43,683
Here, honey.

273
00:19:43,766 --> 00:19:45,017
Chris!

274
00:19:47,853 --> 00:19:49,772
Can you hear me?

275
00:19:49,855 --> 00:19:52,108
We're right
here, pal. Don't mo ve.

276
00:19:52,191 --> 00:19:53,609
I've got to.

277
00:19:53,693 --> 00:19:55,069
Don't mo ve an inch.

278
00:19:55,152 --> 00:19:56,904
I've got to find her.

279
00:19:56,987 --> 00:19:58,906
Let her come to you, Chris.

280
00:19:58,989 --> 00:20:00,449
Call her.

281
00:20:00,533 --> 00:20:03,369
Tina.

282
00:20:06,122 --> 00:20:08,040
Daddy, where are you?

283
00:20:08,124 --> 00:20:10,668
I'm right here.

284
00:20:10,751 --> 00:20:12,878
Come to the sound of my voice.

285
00:20:12,962 --> 00:20:14,880
Tha t might not work, Chris,

286
00:20:14,964 --> 00:20:18,175
get Mac to bring her
to you and hurry.

287
00:20:18,259 --> 00:20:19,885
Tina?

288
00:20:19,969 --> 00:20:22,471
Where are you, daddy?

289
00:20:22,555 --> 00:20:24,765
I'm right here, baby.

290
00:20:24,849 --> 00:20:27,810
Is, is, is Mac with you?

291
00:20:27,893 --> 00:20:30,730
Yes, but where are you?

292
00:20:30,813 --> 00:20:32,606
I'm here, baby!

293
00:20:32,690 --> 00:20:37,027
Grab onto Mac's collar.

294
00:20:37,111 --> 00:20:38,320
You hear me?

295
00:20:39,864 --> 00:20:42,074
Hurry up, Chris.

296
00:20:42,158 --> 00:20:44,493
Grab onto his collar.

297
00:20:44,577 --> 00:20:46,328
You got it?

298
00:20:46,412 --> 00:20:47,955
Yes.

299
00:20:48,038 --> 00:20:50,499
Get a good grip.

300
00:20:50,583 --> 00:20:52,585
Yes, dadd y, but...

301
00:20:52,668 --> 00:20:54,503
Don't let go.

302
00:20:54,587 --> 00:20:56,338
M ac.

303
00:20:58,340 --> 00:20:59,675
Here, boy!

304
00:21:01,677 --> 00:21:03,095
Bring her here.

305
00:21:03,179 --> 00:21:04,638
Daddy.

306
00:21:04,722 --> 00:21:06,265
Hold on to him tight.

307
00:21:06,348 --> 00:21:08,267
Don't let go.

308
00:21:08,309 --> 00:21:11,771
I won't, but
where are you, daddy?

309
00:21:11,854 --> 00:21:14,190
You'll be with
me in a minute, honey.

310
00:21:14,273 --> 00:21:15,608
Now just hang on.

311
00:21:15,691 --> 00:21:17,443
Come on, ma c.

312
00:21:17,526 --> 00:21:19,653
Come on, bring her here.

313
00:21:19,737 --> 00:21:21,697
Is he bringing you, Tina?

314
00:21:21,781 --> 00:21:23,282
Yes.

315
00:21:23,365 --> 00:21:25,409
All right, hang on
tight, sweetheart.

316
00:21:25,493 --> 00:21:27,369
Don't let go.

317
00:21:27,453 --> 00:21:31,165
I won't, but
where are you, daddy?

318
00:21:31,248 --> 00:21:33,292
You'll be with me
in a minute, honey.

319
00:21:33,375 --> 00:21:35,211
Now just hang on tight.

320
00:21:35,294 --> 00:21:38,047
Come on, boy.

321
00:21:38,130 --> 00:21:40,424
Mac, bring her to me.

322
00:21:40,508 --> 00:21:42,343
Come on, ma c.

323
00:21:42,426 --> 00:21:44,303
Hurry, Chris!

324
00:21:44,386 --> 00:21:47,515
That's a boy. Attaboy.

325
00:21:47,598 --> 00:21:49,683
Come on.

326
00:21:49,767 --> 00:21:52,144
Can you see her?

327
00:21:52,228 --> 00:21:56,690
I don't know.

328
00:21:56,774 --> 00:21:58,484
Wait a minute.

329
00:22:00,277 --> 00:22:01,904
Yes.

330
00:22:01,987 --> 00:22:03,322
Here, boy.

331
00:22:03,405 --> 00:22:05,032
Come on, boy.

332
00:22:05,115 --> 00:22:07,576
That's right.

333
00:22:07,660 --> 00:22:09,495
Bring her to me.

334
00:22:09,537 --> 00:22:11,539
That's right.

335
00:22:11,622 --> 00:22:13,541
Come closer now.

336
00:22:13,624 --> 00:22:16,836
Okay, I got him!

337
00:22:16,919 --> 00:22:19,713
I got Tina!

338
00:22:19,797 --> 00:22:22,091
All right, now
hold on. Hold on tight.

339
00:22:22,174 --> 00:22:24,051
You gota good grip?
I meana good one.

340
00:22:24,134 --> 00:22:27,096
Yeah, but what are you...

341
00:22:27,179 --> 00:22:28,180
Tina!

342
00:22:28,264 --> 00:22:29,306
Mommy. Mommy.

343
00:22:29,390 --> 00:22:30,724
Oh, darling.

344
00:22:30,808 --> 00:22:32,351
S h e's f I n e.

345
00:22:32,434 --> 00:22:34,520
Oh, I got to get her
out of this room.

346
00:22:34,603 --> 00:22:36,689
Mommy! Mommy!

347
00:22:36,772 --> 00:22:39,191
Oh, man.

348
00:22:39,275 --> 00:22:41,110
What happened?

349
00:22:41,193 --> 00:22:43,362
I pulled you out.

350
00:22:43,445 --> 00:22:45,698
How could you see me?

351
00:22:45,781 --> 00:22:47,825
Half of you was still here.

352
00:22:47,908 --> 00:22:49,326
You mean to say

353
00:22:49,410 --> 00:22:51,203
you had hold of me
all this time?

354
00:22:51,287 --> 00:22:52,788
That's right.

355
00:22:52,872 --> 00:22:54,874
Oh, bill.

356
00:22:54,957 --> 00:22:58,294
You know, I didn't
even feel you.

357
00:22:58,377 --> 00:23:01,338
Say, listen, why didn't you
want me to reach in there?

358
00:23:01,422 --> 00:23:03,424
And how come I kept
telling you to hurry?

359
00:23:03,507 --> 00:23:06,385
Yeah.

360
00:23:10,639 --> 00:23:12,641
That's why.

361
00:23:12,725 --> 00:23:15,603
It was closing up all
the time you were in there.

362
00:23:15,686 --> 00:23:17,605
Another few seconds
and half of you

363
00:23:17,688 --> 00:23:20,357
would have been here
and the other half...

364
00:23:33,495 --> 00:23:35,623
The other half, where?

365
00:23:35,706 --> 00:23:37,541
The fourth dimension, the fifth?

366
00:23:37,625 --> 00:23:38,959
Perha ps.

367
00:23:39,043 --> 00:23:40,753
They never found the answer.

368
00:23:40,836 --> 00:23:43,255
Despite a ba ttery
of research phys/c/s ts

369
00:23:43,339 --> 00:23:47,718
eou/pped with every dev/ce known
to man, electron/c and otherwise,

370
00:23:47,801 --> 00:23:50,095
no resul t was ever achieved.

371
00:23:50,179 --> 00:23:52,932
Except perhaps
a little more respect for,

372
00:23:53,015 --> 00:23:55,225
and uncerta/ntyabout,

373
00:23:55,309 --> 00:23:59,605
the mechanisms
of the twilight zone.

374
00:24:02,358 --> 00:24:05,235
Rod serl/ng,
crea Tor of the twilight zone,

375
00:24:05,319 --> 00:24:10,282
will tell youabout next
week's story after this message.

376
00:24:10,366 --> 00:24:12,326
And now Mr. Serl/ng.

377
00:24:12,409 --> 00:24:14,161
Next week we again borrow

378
00:24:14,244 --> 00:24:16,956
from the considerable talents
of Charles beaumont,

379
00:24:17,039 --> 00:24:19,583
and we take a fast trot
on the wild side.

380
00:24:19,667 --> 00:24:22,461
Picture if you will a man who
wakes up in a strange world,

381
00:24:22,544 --> 00:24:24,338
knows everyone,
knows every place,

382
00:24:24,421 --> 00:24:25,839
feels every much at home.

383
00:24:25,923 --> 00:24:27,716
The strangeness comes
from the fact

384
00:24:27,800 --> 00:24:29,635
that no one knows him.

385
00:24:29,677 --> 00:24:32,096
Try this on for size
on the next twilightzone.

386
00:24:32,179 --> 00:24:35,349
It's called
"person or persons unknown."

387
00:24:35,432 --> 00:24:38,227
Habit is something you do
when pleasure is gone,

388
00:24:38,310 --> 00:24:40,437
and certainly this is not
the way to smoke.

389
00:24:40,521 --> 00:24:42,314
I prefer to smoke chesterfields

390
00:24:42,398 --> 00:24:44,566
and get the rich taste
of 21 great tobaccos.

391
00:24:44,650 --> 00:24:46,819
Blended mild, not filtered mild.

392
00:24:46,902 --> 00:24:49,905
Smoke for pleasure,
smoke chesterfields.

393
00:25:22,646 --> 00:25:24,815
This is James arness.

394
00:25:24,898 --> 00:25:27,526
You know it's onl ya short hop
from the twilight zone

395
00:25:27,568 --> 00:25:29,361
to dodge cityand gunsmoke,

396
00:25:29,445 --> 00:25:31,864
sa turda y nights
over most of these sta t/ons.

397
00:25:48,835 --> 00:25:50,755
The twilight
zone, brought to you by,