1
00:00:01,376 --> 00:00:04,087
[Theme music playing]

2
00:00:09,760 --> 00:00:12,846
(Narrator) You're tra vel/ng
through another dimension.

3
00:00:12,930 --> 00:00:16,350
A dimension not onl y of
sightand sound, but of mind.

4
00:00:16,391 --> 00:00:20,103
A journey into a wondrous land whose
boundaries are tha t of ima Gina t/on.

5
00:00:20,187 --> 00:00:22,356
Your next stop,
the twilight zone.

6
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[Metallic echoing]

7
00:01:30,799 --> 00:01:34,469
[Laughing]

8
00:01:34,553 --> 00:01:38,473
The fleet's in. No, no, it isn't
the fleet, is it? It's the army.

9
00:01:38,557 --> 00:01:41,268
The army's in.
Hooray for the army!

10
00:01:41,310 --> 00:01:45,188
Get the troops out of the
hot sun. Ta-ra-ra-boom-de-ay!

11
00:01:46,982 --> 00:01:50,152
Your orders, colonel,
general, whatever you are.

12
00:01:50,235 --> 00:01:52,362
I'm a major.

13
00:01:52,446 --> 00:01:55,824
Don't fret. Advancement comes
quickly, even in the peacetime army.

14
00:01:55,907 --> 00:01:59,202
Today, a major.
Tomorrow, a brigadier.

15
00:01:59,286 --> 00:02:02,164
Major to brigadier,
that's not bad.

16
00:02:02,247 --> 00:02:05,834
You're generous, old sport.
You-you're really very generous.

17
00:02:05,917 --> 00:02:07,961
Problem?

18
00:02:08,003 --> 00:02:10,464
Problem? No. No, no problem.

19
00:02:10,505 --> 00:02:11,673
It's just that...

20
00:02:11,757 --> 00:02:13,216
Just that what?

21
00:02:13,300 --> 00:02:15,385
A couple of very
unimportant items

22
00:02:15,469 --> 00:02:18,972
seem to have eluded
me like, who I am.

23
00:02:19,014 --> 00:02:20,807
You said you were a major.

24
00:02:20,849 --> 00:02:23,852
Hey, wa/ta minute. Wa/ta minute.

25
00:02:23,935 --> 00:02:26,563
Who are you? What
are you doing here?

26
00:02:26,647 --> 00:02:29,232
Is there a circus
around here somewhere?

27
00:02:29,316 --> 00:02:30,859
A circus?

28
00:02:33,945 --> 00:02:35,656
Yeah.

29
00:02:35,739 --> 00:02:37,824
Yeah, there must be a circus.

30
00:02:37,908 --> 00:02:41,036
A clown. A circus?

31
00:02:41,119 --> 00:02:43,705
An officer. A war!

32
00:02:46,166 --> 00:02:48,168
That's logic, isn't it?

33
00:02:50,504 --> 00:02:52,839
But it doesn't figure at all.

34
00:02:52,923 --> 00:02:56,343
Notatall.

35
00:02:56,426 --> 00:02:58,512
Why not?

36
00:02:58,595 --> 00:03:02,265
Because there is no
circus, and there is no war.

37
00:03:04,518 --> 00:03:06,353
You're just like the rest of us.

38
00:03:06,395 --> 00:03:08,271
The rest of us?

39
00:03:08,355 --> 00:03:11,775
[Bagpipe playing]

40
00:03:37,008 --> 00:03:38,719
What's going on here?

41
00:03:38,802 --> 00:03:42,639
Where are we? What are we?

42
00:03:42,723 --> 00:03:45,475
Who are we?

43
00:03:49,229 --> 00:03:51,148
Who are we?

44
00:03:51,231 --> 00:03:55,652
None of us knows, major.
We don't know who we are.

45
00:03:55,736 --> 00:03:58,447
We don't know where we are.

46
00:03:58,530 --> 00:04:01,450
Each of us woke up one moment.

47
00:04:01,533 --> 00:04:04,161
Here we were in the darkness.

48
00:04:04,244 --> 00:04:05,746
How could that happen?

49
00:04:05,829 --> 00:04:08,665
That's the question
we asked ourselves.

50
00:04:08,749 --> 00:04:12,294
A question with
no answer, major.

51
00:04:12,377 --> 00:04:15,756
Nameless things with no memory.

52
00:04:15,839 --> 00:04:19,176
No knowledge of
what? t went before.

53
00:04:19,259 --> 00:04:22,262
No understanding of what is now.

54
00:04:23,680 --> 00:04:26,266
No knowledge of what will be.

55
00:04:34,274 --> 00:04:36,693
How long will we be here?

56
00:04:36,777 --> 00:04:39,321
That's a very good question.

57
00:04:39,404 --> 00:04:42,449
That's the best question of all.

58
00:04:44,534 --> 00:04:48,038
But nobody knows the answer.

59
00:04:50,290 --> 00:04:53,335
(Narrator) Cl 0 wn, hobo,

60
00:04:53,418 --> 00:04:55,462
ballet dancer,

61
00:04:55,545 --> 00:04:57,214
ba gp/per,

62
00:04:57,297 --> 00:04:59,633
and an army major.

63
00:04:59,674 --> 00:05:02,302
A collection of quest/on marks.

64
00:05:02,344 --> 00:05:06,807
F/ve improbable ent/t/es stuck
together into a p/t of darkness.

65
00:05:06,848 --> 00:05:09,851
No log/c, no reason,
no explanation.

66
00:05:09,935 --> 00:05:12,479
Just a prolonged nightmare

67
00:05:12,562 --> 00:05:17,025
in which fear, loneliness and the unexplainable
walk hand in hand through the shadows.

68
00:05:17,108 --> 00:05:22,155
In a moment we'll start collecting clues
as to the whys, the what's and the wheres.

69
00:05:22,197 --> 00:05:25,408
We will not end the
nightmare. We'll only explain it.

70
00:05:25,492 --> 00:05:28,745
Because this is
the twilight zone.

71
00:05:37,838 --> 00:05:41,007
[Thumping]

72
00:06:05,615 --> 00:06:09,119
Very active chap. Got to
function. Compulsive worker.

73
00:06:09,202 --> 00:06:11,621
You're a big-time
psychologist, huh?

74
00:06:11,705 --> 00:06:15,792
/'ma clown, which is ne/ther
here, there or anypla ce.

75
00:06:15,876 --> 00:06:19,212
I could be a certified public
accountant, a financier,

76
00:06:19,296 --> 00:06:21,965
a left-handed p/tcher
who throws onl y curves.

77
00:06:22,048 --> 00:06:24,301
What difference does it make?

78
00:06:24,384 --> 00:06:27,888
Fl we're here
because we're here fl

79
00:06:27,929 --> 00:06:29,973
fl because we're here fl

80
00:06:30,056 --> 00:06:34,311
fl because we're here fl

81
00:06:34,394 --> 00:06:36,980
you're wasting your time.
You know that, don't you?

82
00:06:37,063 --> 00:06:38,648
You're an idiot.

83
00:06:38,732 --> 00:06:42,319
An energetic idiot,
but an idiot.

84
00:06:42,402 --> 00:06:44,321
I want out of here.

85
00:06:44,404 --> 00:06:47,324
I'm not satisfied to sit around
here heaving deep sighs.

86
00:06:47,407 --> 00:06:49,659
I want out of here!

87
00:06:49,743 --> 00:06:51,953
You've got no
monopoly on that, major.

88
00:06:52,037 --> 00:06:54,247
We all want out of here.

89
00:06:54,331 --> 00:06:57,751
Seconded. But you're
wastin' your time, major.

90
00:06:57,834 --> 00:07:01,254
Each of us has gone
around like a bloodhound.

91
00:07:01,338 --> 00:07:04,674
Nose to wall, nose to floor.

92
00:07:07,218 --> 00:07:09,179
What's up there?

93
00:07:09,262 --> 00:07:10,931
You name it.

94
00:07:10,972 --> 00:07:15,477
Sky, artificial light,
fluorescent lamp,

95
00:07:15,560 --> 00:07:18,855
an illuminated
microscope. You name it.

96
00:07:18,939 --> 00:07:22,609
One guess is as
good as the other.

97
00:07:22,651 --> 00:07:26,029
Maybe we're on another planet.

98
00:07:26,112 --> 00:07:28,531
Or maybe we're on a spaceship

99
00:07:28,615 --> 00:07:30,951
going to another planet.

100
00:07:32,953 --> 00:07:36,206
Maybe we're all insane.

101
00:07:36,289 --> 00:07:40,293
Or maybe this is a mirage,

102
00:07:40,377 --> 00:07:43,129
an illusion.

103
00:07:44,547 --> 00:07:47,717
We're dead, and this is limbo.

104
00:07:47,801 --> 00:07:52,555
We don't reall y ex/st. We're dream
f/gures from somebodyelse's ex/stence.

105
00:07:52,639 --> 00:07:55,016
Or we're each of
us having a dream,

106
00:07:55,100 --> 00:07:57,894
and everyone else is part
of the other person's dream.

107
00:07:57,978 --> 00:08:00,313
You call it. You can have it.

108
00:08:00,397 --> 00:08:03,984
That's the one thing we have
an abundance of: Possibilities.

109
00:08:04,025 --> 00:08:07,570
An infinite number
of possibilities.

110
00:08:07,654 --> 00:08:09,823
How about getting out of here?

111
00:08:09,864 --> 00:08:12,409
Anybody examined
that possibility?

112
00:08:12,492 --> 00:08:14,536
Have you, major?

113
00:08:14,619 --> 00:08:17,580
We're trapped down here.
There's no way out, man.

114
00:08:17,664 --> 00:08:20,834
This is a nightmare.

115
00:08:20,875 --> 00:08:23,003
It must be a n/ghtmare.

116
00:08:23,044 --> 00:08:27,507
Is indeed, but
whose? Yours? Mine?

117
00:08:27,590 --> 00:08:29,759
The scotsman, the ballet dancer?

118
00:08:29,843 --> 00:08:32,429
Just whose nightmare is it?

119
00:08:32,512 --> 00:08:34,764
Someone knows we're here.

120
00:08:34,848 --> 00:08:36,975
How so?

121
00:08:37,058 --> 00:08:40,687
They have to. You've all been
here awhile. Possibly a long while.

122
00:08:40,729 --> 00:08:44,607
Someone must feed you.
Someone must give you water.

123
00:08:44,691 --> 00:08:48,528
Well? Someone must
bring food down.

124
00:08:48,611 --> 00:08:51,031
There's been no food or water.

125
00:08:51,114 --> 00:08:54,367
But we'll starve to
death, or we'll die of thirst.

126
00:08:54,451 --> 00:08:58,288
Do you feel hungry,
major? Or thirsty?

127
00:08:58,371 --> 00:09:01,750
Or hea t or cold or
fatigue or discomfort?

128
00:09:01,833 --> 00:09:06,129
Or anything? Do you
feel anything, major?

129
00:09:06,212 --> 00:09:10,717
No, no, I Don... I don't feel
anything, but it is understandable

130
00:09:10,800 --> 00:09:13,136
that I don't feel hungry
or thirsty. This is...

131
00:09:13,219 --> 00:09:15,805
This is shock. Or
the aftermath of shock.

132
00:09:15,889 --> 00:09:18,266
None of us feel anything.

133
00:09:18,349 --> 00:09:20,977
None of us have felt
anything since we've been here.

134
00:09:21,061 --> 00:09:23,146
And we've been here
for an endless time.

135
00:09:23,229 --> 00:09:26,441
This is incredible!

136
00:09:26,524 --> 00:09:29,569
This is reall y incredible!

137
00:09:29,611 --> 00:09:31,154
Have you shouted?

138
00:09:31,237 --> 00:09:33,198
Endlessly.

139
00:09:33,281 --> 00:09:37,577
Well, have you-have you
pounded on the walls? I mean, loud?

140
00:09:37,660 --> 00:09:41,164
Have you taken off your
shoe and pounded on the walls?

141
00:09:43,917 --> 00:09:45,251
Ha ve you done tha t?

142
00:09:45,293 --> 00:09:47,128
Often.

143
00:09:47,212 --> 00:09:50,632
Have you looked all around?
Have you felt the walls?

144
00:09:50,715 --> 00:09:52,842
Maybe there's a
button or a lever,

145
00:09:52,926 --> 00:09:55,261
or maybe there's a
panel of some kind.

146
00:09:55,303 --> 00:09:57,430
Maybe there's a control button.

147
00:09:57,472 --> 00:10:01,768
Few? A [kw/le; Few? A I@m@
while}, tha 708 am we did,

148
00:10:01,851 --> 00:10:04,270
hunted and searched,

149
00:10:04,312 --> 00:10:07,107
peered and looked and felt.

150
00:10:07,190 --> 00:10:12,112
Then we discovered that this
was the universe right here.

151
00:10:12,195 --> 00:10:16,282
For our purposes, this is
the universe. This little room.

152
00:10:20,286 --> 00:10:23,206
[Church bell tolling]

153
00:10:25,583 --> 00:10:27,460
What was that?

154
00:10:27,502 --> 00:10:29,963
What was that noise?

155
00:10:30,004 --> 00:10:34,050
A giant bell or something.
That's what it sounds like.

156
00:10:34,134 --> 00:10:37,053
Hey!

157
00:10:37,137 --> 00:10:39,806
Hey, up there!

158
00:10:39,889 --> 00:10:42,517
Let us out!

159
00:10:42,600 --> 00:10:45,645
Let us out of here. Please!

160
00:10:45,728 --> 00:10:50,859
[Church bell tolling]

161
00:10:54,154 --> 00:10:57,323
Please, major, don't be afraid.

162
00:10:57,365 --> 00:10:59,534
It's hard in the beginning,

163
00:10:59,617 --> 00:11:01,536
but after a while...

164
00:11:01,619 --> 00:11:04,330
Girl, why don't
you dance for us?

165
00:11:04,372 --> 00:11:06,166
It makes the time pass.

166
00:11:06,249 --> 00:11:07,709
I'll play for you.

167
00:11:07,792 --> 00:11:10,837
The major's never
seen you dance.

168
00:11:10,920 --> 00:11:13,381
[Bagpipe playing]

169
00:11:21,681 --> 00:11:25,602
The major doesn't want to see her
dance. The major is not interested!

170
00:11:25,685 --> 00:11:28,688
All the major wants
to do is get out of here!

171
00:11:32,025 --> 00:11:34,194
(Hobo) Too high.

172
00:11:34,277 --> 00:11:36,196
Nothing!

173
00:11:39,490 --> 00:11:42,202
Through the wall! Did
you ever think of that?

174
00:11:42,285 --> 00:11:46,039
That's very bright!
Terribly ingenious!

175
00:11:46,080 --> 00:11:49,250
Highly imaginative!
Incredibly inventive!

176
00:11:49,334 --> 00:11:51,544
[Laughing]

177
00:11:51,628 --> 00:11:55,131
With what? With our hands?

178
00:11:55,215 --> 00:11:56,633
With our fingernails?

179
00:11:56,716 --> 00:11:58,343
With this!

180
00:12:01,221 --> 00:12:02,889
With this!

181
00:12:04,182 --> 00:12:06,059
[Clanks]

182
00:12:12,899 --> 00:12:14,609
[Sobbing]

183
00:12:19,447 --> 00:12:21,783
Please, major.

184
00:12:21,866 --> 00:12:24,619
After a while,
it'll be a lot easier.

185
00:12:26,663 --> 00:12:31,251
Perhaps there are a
lot of dungeons like this.

186
00:12:31,292 --> 00:12:35,213
Maybe we've just never
heard of them before.

187
00:12:38,508 --> 00:12:42,637
Perhaps they're for the unloved.

188
00:12:42,720 --> 00:12:45,515
Perhaps that's who we are.

189
00:12:45,598 --> 00:12:47,684
The unloved.

190
00:12:55,858 --> 00:13:00,488
We must have names.
We're people.

191
00:13:00,571 --> 00:13:04,367
And-and that means
we belong somewhere.

192
00:13:04,450 --> 00:13:08,538
There must be others
who care about us.

193
00:13:08,621 --> 00:13:12,292
Because somewhere, somehow,

194
00:13:12,333 --> 00:13:15,461
we have a life that has
been cut away from us.

195
00:13:15,545 --> 00:13:19,340
We've got to get it
back, each one of us.

196
00:13:19,424 --> 00:13:21,676
We'll dig a tunnel.

197
00:13:32,145 --> 00:13:35,648
I know where we are. It
suddenly occurs to me.

198
00:13:35,732 --> 00:13:37,400
(Ballerina) Where are we?

199
00:13:37,483 --> 00:13:42,530
Why, my dear young lady,
how-how unobservant

200
00:13:42,613 --> 00:13:46,993
when the whole thing
all fits together.

201
00:13:49,662 --> 00:13:52,498
Please, tell me where we are.

202
00:13:52,582 --> 00:13:57,086
Ladies and gentlemen,
it seems very apparent,

203
00:13:57,170 --> 00:14:00,256
it seems quite unequivocally,

204
00:14:01,924 --> 00:14:04,260
all of us,

205
00:14:04,344 --> 00:14:07,013
we are in hell.

206
00:14:07,055 --> 00:14:09,766
God help us.

207
00:14:09,849 --> 00:14:12,477
We are in hell.

208
00:14:25,406 --> 00:14:28,534
[Clown laughs]

209
00:14:28,576 --> 00:14:31,371
Never say die, that one.

210
00:14:31,412 --> 00:14:34,624
He'll come to it
eventually, just as we did.

211
00:14:34,707 --> 00:14:38,294
Let him be. Let
him have his fun.

212
00:14:38,378 --> 00:14:40,797
At least he's trying.

213
00:14:40,880 --> 00:14:44,467
He is, indeed! He's been
trying for several hours now.

214
00:14:44,550 --> 00:14:47,136
It's metal, I think.

215
00:14:47,220 --> 00:14:50,056
Circular, smoo th.

216
00:14:50,139 --> 00:14:51,808
No place to climb up.

217
00:14:51,891 --> 00:14:55,436
All of which we could
have told you hours ago.

218
00:14:55,520 --> 00:14:57,980
Well.

219
00:14:58,064 --> 00:15:00,274
We'll have to think
of something else.

220
00:15:00,358 --> 00:15:04,612
Do! Do! Perhaps we could
pretend that we're acrobats.

221
00:15:04,695 --> 00:15:06,739
Alley oop!

222
00:15:06,823 --> 00:15:08,908
And over the top!

223
00:15:08,991 --> 00:15:11,911
Wait a minute.

224
00:15:13,121 --> 00:15:15,998
Oh, come, now.

225
00:15:16,082 --> 00:15:18,167
This is becoming
a little ridiculous.

226
00:15:18,251 --> 00:15:19,502
Why not?

227
00:15:19,585 --> 00:15:20,837
Why not what?

228
00:15:20,920 --> 00:15:23,214
What you said. Acrobatics.

229
00:15:23,297 --> 00:15:26,175
A figure of speech, my dear.
Not meant to be taken seriousl y.

230
00:15:26,259 --> 00:15:30,179
I Grant you that we have somehow
forfeited some of our human dignity,

231
00:15:30,263 --> 00:15:33,349
but we are nonetheless
go verned byhuman frail Ty,

232
00:15:33,433 --> 00:15:36,477
not the least
of which is gravity.

233
00:15:36,561 --> 00:15:39,439
Perhaps you know some
acrobatics I'm quite unaware of.

234
00:15:39,522 --> 00:15:42,483
I see what she's getting at.

235
00:15:42,567 --> 00:15:44,944
Don't any of you see it?

236
00:15:44,986 --> 00:15:49,449
One on top of the other,
standing on each other's shoulders.

237
00:15:49,532 --> 00:15:52,785
How about that? Isn't that
the way they do it in circuses?

238
00:15:52,827 --> 00:15:56,164
I'll ask him when he comes in.

239
00:15:56,247 --> 00:15:59,542
I assure you that, though I may
wear the costume of a clown,

240
00:15:59,625 --> 00:16:02,545
I have no recollection
whatsoever of having been one.

241
00:16:02,628 --> 00:16:05,047
It is true we don't
feel hunger or thirst,

242
00:16:05,131 --> 00:16:07,633
but pain is quite another thing.

243
00:16:07,717 --> 00:16:10,386
And a drop from 20 feet
up down to this hard floor,

244
00:16:10,470 --> 00:16:14,098
that is a sensation I
would as leave do without.

245
00:16:15,141 --> 00:16:16,767
It's a chance.

246
00:16:16,851 --> 00:16:19,395
Begging your pardon,
ma'am, but no, thank you.

247
00:16:19,479 --> 00:16:22,315
But she's right. It is a chance.

248
00:16:22,398 --> 00:16:25,985
Now, come on! We'll
go on the first person,

249
00:16:26,068 --> 00:16:29,530
so i-I'll start. The
clown on my shoulders,

250
00:16:29,614 --> 00:16:32,658
and the tramp and the bagpiper,

251
00:16:32,742 --> 00:16:35,578
and then the girl.

252
00:16:35,661 --> 00:16:37,830
Now, how about it?

253
00:16:40,500 --> 00:16:42,418
We'd never reach it.

254
00:16:42,502 --> 00:16:44,587
(Hobo) We could try.

255
00:16:44,670 --> 00:16:47,256
Who-who's to say we
wouldn't reach it?

256
00:16:47,340 --> 00:16:49,759
We're not sure how high it is.

257
00:16:49,842 --> 00:16:53,554
That's the point. We would be
exerting ourselves for nothing.

258
00:16:53,638 --> 00:16:56,682
Now, all sit down and we'll
have a little entertainment.

259
00:16:56,766 --> 00:16:59,393
Come on. Let's try it.

260
00:16:59,477 --> 00:17:02,605
Come on, clown! On my shoulders!

261
00:17:02,688 --> 00:17:08,444
Observation: Things were far
more simple before you arrived.

262
00:17:11,030 --> 00:17:14,325
However, I go with the majority.

263
00:17:28,714 --> 00:17:31,592
(Bagpiper) All right,
miss. /r's up to you.

264
00:17:31,676 --> 00:17:35,388
Can you see the top? Is
there a ledge or anything?

265
00:17:35,471 --> 00:17:37,139
It's several more
feet to the top.

266
00:17:37,223 --> 00:17:40,142
Come on.

267
00:17:40,226 --> 00:17:42,353
Take your time. You can make it.

268
00:18:38,284 --> 00:18:40,328
I can't reach it.

269
00:18:40,411 --> 00:18:42,705
It's just a little above me.

270
00:18:42,788 --> 00:18:45,791
Try. Stretch.

271
00:18:45,875 --> 00:18:50,546
Stretch a little.
All of us stretch.

272
00:18:50,630 --> 00:18:53,007
Try. You've got to try.

273
00:18:53,090 --> 00:18:55,343
[Bell falling]

274
00:19:10,608 --> 00:19:12,735
How is your leg?

275
00:19:12,818 --> 00:19:18,324
I- ithink strained it,
but I I-I I I be all right.

276
00:19:18,407 --> 00:19:21,994
How much farther? Mow
much more would it have taken?

277
00:19:23,496 --> 00:19:26,082
I could almost feel it.

278
00:19:26,165 --> 00:19:27,583
You were almost there.

279
00:19:27,667 --> 00:19:29,335
A miss is as good as a mile.

280
00:19:29,377 --> 00:19:31,212
Not in this case.

281
00:19:31,295 --> 00:19:34,173
A miss by two or three
inches, that's hardly a mile.

282
00:19:35,591 --> 00:19:38,344
Oh. Here's what we'll do next.

283
00:19:38,427 --> 00:19:42,223
The-the same thing
without the girl.

284
00:19:42,306 --> 00:19:44,767
The clown on the bottom.

285
00:19:44,850 --> 00:19:47,395
Then the tramp.
Then the bagpiper.

286
00:19:47,478 --> 00:19:49,605
Then I climb up.

287
00:19:49,689 --> 00:19:51,857
A rope around the
haft of this sword.

288
00:19:51,899 --> 00:19:54,568
Fling it over the ledge
and let it hook on the edge.

289
00:19:54,652 --> 00:19:58,239
Very ingenious! But hadn't
one of us better run over

290
00:19:58,322 --> 00:20:00,616
to the hardware store
and pick up the rope?

291
00:20:00,700 --> 00:20:02,702
He's right. We have no rope.

292
00:20:02,785 --> 00:20:05,496
But strips of cloth. Part
of anything we're wearing.

293
00:20:05,579 --> 00:20:08,374
Now, come on! It's
a chance! Here!

294
00:20:09,333 --> 00:20:11,001
All right.

295
00:20:13,295 --> 00:20:16,882
Six yards of excellent material.

296
00:20:16,966 --> 00:20:20,511
Courtesy of
pagliacci, or whatever I am.

297
00:20:21,721 --> 00:20:24,390
This time we make it.

298
00:20:24,473 --> 00:20:27,727
A rope around the
haft of this sword.

299
00:20:27,768 --> 00:20:31,731
Fling it over the edge and
let it hook right on the ledge.

300
00:20:31,814 --> 00:20:33,733
I'm up and away.

301
00:20:33,774 --> 00:20:35,484
Then what?

302
00:20:35,568 --> 00:20:38,904
We'll worry about
that when it happens.

303
00:20:38,946 --> 00:20:41,157
Somehow I'll get
you out of here,

304
00:20:41,240 --> 00:20:44,577
but none of us gets out
until one of us gets out.

305
00:20:44,660 --> 00:20:49,749
Now, that is a logic
that you can live with.

306
00:22:07,743 --> 00:22:09,411
Well, what's there?

307
00:22:09,495 --> 00:22:12,248
What do you see?

308
00:22:12,331 --> 00:22:16,252
Major, where are we?

309
00:22:16,335 --> 00:22:18,170
[Screams]

310
00:22:28,013 --> 00:22:30,266
Brave man.

311
00:22:30,349 --> 00:22:33,018
Not a very bright one.

312
00:22:33,102 --> 00:22:35,271
He'll come back for us.

313
00:22:35,354 --> 00:22:37,356
I know he will.

314
00:22:37,398 --> 00:22:40,943
He may be back, but
it won't be to get us.

315
00:22:41,026 --> 00:22:43,737
He may have been right at that.

316
00:22:43,821 --> 00:22:46,407
He may have been very right.

317
00:22:46,490 --> 00:22:48,617
This may be hell.

318
00:22:55,791 --> 00:22:58,961
I found this in the snow.
Someone must have dropped it.

319
00:22:59,044 --> 00:23:01,297
Oh. Thank you, dear.

320
00:23:01,380 --> 00:23:05,134
Just drop that in the
barrel over there, will you?

321
00:23:05,217 --> 00:23:07,261
You don't have
very many, do you?

322
00:23:07,344 --> 00:23:09,930
Oh, dear, no,
not nearl y enough.

323
00:23:10,014 --> 00:23:14,310
It's for the orphans, you know. But
it's Earl y, and we've onl yjust started.

324
00:23:14,393 --> 00:23:16,395
[Be/I ringing]

325
00:23:16,478 --> 00:23:19,315
Dolls for Christmas!

326
00:23:19,398 --> 00:23:24,737
Dolls for Christmas!
Dolls for Christmas!

327
00:23:24,820 --> 00:23:27,072
Dolls for Christmas!

328
00:23:27,114 --> 00:23:29,617
Open your hearts, dear people!

329
00:23:41,295 --> 00:23:43,422
(Narraz'or) Jus t a barrel.

330
00:23:43,464 --> 00:23:46,175
A dark depository where
are kept the counterfeit

331
00:23:46,258 --> 00:23:48,469
make-believe pieces
of plaster and cloth

332
00:23:48,552 --> 00:23:51,430
wrought in the distorted
image of human life.

333
00:23:51,513 --> 00:23:54,099
But this added hopeful note.

334
00:23:54,141 --> 00:23:57,186
Perhaps theyare unloved
onl yfor the moment.

335
00:23:57,269 --> 00:24:00,356
In the arms of children
there can be nothing but love.

336
00:24:00,439 --> 00:24:03,108
A clown, a tramp,
a bagpipe pla yer,

337
00:24:03,192 --> 00:24:05,444
a ballet dancer and a major.

338
00:24:05,486 --> 00:24:08,447
Tonight's cast of pla
yers on the odd sta ge

339
00:24:08,489 --> 00:24:11,742
known as the twilight zone.

340
00:24:15,412 --> 00:24:18,958
(Male presenter) Rod serl/ng,
creator of the twilight zone,

341
00:24:19,041 --> 00:24:22,586
will tell youabout next
week's story after this message.

342
00:24:23,837 --> 00:24:26,048
And now, Mr. Serling.

343
00:24:26,131 --> 00:24:30,010
Next week, Mr. Dean stockwell
makes his journey into the twilight zone

344
00:24:30,094 --> 00:24:32,888
playing the role of a platoon
lieutenant on corregidor

345
00:24:32,972 --> 00:24:36,016
during the last few
hours of world war ii.

346
00:24:36,100 --> 00:24:40,813
What happens to him provides the basis of a
weird, and yet, we think, haunting excursion

347
00:24:40,896 --> 00:24:43,148
into the shadowland
of imagination.

348
00:24:43,232 --> 00:24:46,068
On the twilightzone next
week, Mr. Dean stockwell stars

349
00:24:46,151 --> 00:24:49,405
in the quality of mercy.

350
00:24:52,032 --> 00:24:55,494
[Eerie music]

351
00:25:18,767 --> 00:25:21,770
This is James arness.

352
00:25:21,854 --> 00:25:25,941
You know, it's onl ya short hop from the
twilight zone to dodge city and gunsmoke.

353
00:25:26,025 --> 00:25:28,360
Sa turda y nights over
most of these stations.