1 00:00:01,001 --> 00:00:06,256 [Eerie music] 2 00:00:06,340 --> 00:00:08,383 (Male narrator) There is a fifth dimension 3 00:00:08,467 --> 00:00:10,969 beyond tha t which is known to man. 4 00:00:11,053 --> 00:00:13,972 It is a dimension as vastas space 5 00:00:14,056 --> 00:00:16,892 and as timeless as infinity. 6 00:00:16,975 --> 00:00:20,562 It is the middle ground between lightand shadow 7 00:00:20,604 --> 00:00:22,898 between science and s upers ti tion 8 00:00:22,940 --> 00:00:26,068 and it lies between the pit of man's fears 9 00:00:26,109 --> 00:00:28,820 and the summit of his knowledge. 10 00:00:28,904 --> 00:00:31,615 This is the dimension of ima Gina tion. 11 00:00:31,698 --> 00:00:35,077 It is anarea which we call the twilight zone. 12 00:00:41,083 --> 00:00:43,710 [Trumpet playing] 13 00:00:59,434 --> 00:01:03,939 (Male narrator, off) Joey oro wn, music/an with an odd, in tense fa oe, 14 00:01:04,022 --> 00:01:08,026 whose life is a quest for impossible things. 15 00:01:08,110 --> 00:01:10,237 Like flowers in concrete, 16 00:01:10,320 --> 00:01:12,823 or like trying to pluck a note of music out of the air 17 00:01:12,906 --> 00:01:16,451 and put it under glass to treasure. 18 00:01:19,329 --> 00:01:21,456 [Music stops, applause] 19 00:01:52,112 --> 00:01:54,656 Hi, Joey! 20 00:01:54,698 --> 00:01:57,159 Hi, baron! 21 00:01:57,242 --> 00:01:58,744 Listen, I, uh... 22 00:01:58,827 --> 00:02:00,537 I brought along my baby, 23 00:02:00,621 --> 00:02:02,956 I thought you might need somebody with a horn. 24 00:02:03,040 --> 00:02:05,334 Uh, not tonight, Joey. 25 00:02:05,417 --> 00:02:07,502 The last time you played trumpet for me, 26 00:02:07,586 --> 00:02:08,586 you loused it up. 27 00:02:10,005 --> 00:02:11,506 I had to share you with a bottle. 28 00:02:11,590 --> 00:02:14,676 A bottle? Me? 29 00:02:14,718 --> 00:02:16,678 I forgot what the stuff tastes like. 30 00:02:16,762 --> 00:02:19,056 Six, seven months, I'm way up on the wagon. 31 00:02:19,139 --> 00:02:20,515 Sure, Joey, sure. 32 00:02:20,599 --> 00:02:25,354 What am I? Some kind of kook? 33 00:02:25,395 --> 00:02:29,232 Look, baron, I know what that stuff does to me, but... 34 00:02:29,316 --> 00:02:30,984 I ain't an old man. 35 00:02:31,068 --> 00:02:32,903 Me and the horn, we got a lot of years left. 36 00:02:32,986 --> 00:02:34,738 I could be a number one boy. 37 00:02:34,821 --> 00:02:39,201 What am I gonna do? Chuck it away on some bum habit? 38 00:02:39,242 --> 00:02:40,619 Listen, I... 39 00:02:40,702 --> 00:02:42,788 It's a pretty mellow horn. 40 00:02:42,871 --> 00:02:44,748 I got some nice music in here. 41 00:02:44,831 --> 00:02:47,250 You know yourself, when I pick it up and I blow it, 42 00:02:47,334 --> 00:02:48,710 I can make 'em cry! 43 00:02:52,756 --> 00:02:54,007 What do you say, baron? 44 00:03:08,105 --> 00:03:10,107 Don't do it. 45 00:03:10,190 --> 00:03:12,943 For old times, Joey, huh? 46 00:03:13,026 --> 00:03:15,278 For old times when you had it. 47 00:03:15,362 --> 00:03:16,822 A magic horn. 48 00:03:16,905 --> 00:03:19,408 Harry James and Max kaminsky, 49 00:03:19,449 --> 00:03:23,245 and butterfield, a little bit of all of 'em, baby! 50 00:03:23,286 --> 00:03:25,330 You traded it off for some bad hooch 51 00:03:25,414 --> 00:03:27,749 and you got took. 52 00:03:27,791 --> 00:03:30,877 You got the crummy end of the stick! Why, Joey, why? 53 00:03:34,589 --> 00:03:37,008 Because I'm sad, 54 00:03:37,092 --> 00:03:39,094 because I'm nothing, 55 00:03:39,177 --> 00:03:42,597 because I'll live and die in a crummy one-roomer 56 00:03:42,681 --> 00:03:45,934 with dirty walls and cracked pipes. 57 00:03:45,976 --> 00:03:48,937 I'll never even have a girl. 58 00:03:49,020 --> 00:03:50,439 I'll never be anybody. 59 00:03:50,522 --> 00:03:53,150 Half of me is this horn. 60 00:03:53,233 --> 00:03:56,319 I can't even talk to people, baron, 61 00:03:56,403 --> 00:03:59,781 'cause this horn, that's half my language. 62 00:04:03,285 --> 00:04:05,954 But when I'm drunk, baron, 63 00:04:06,037 --> 00:04:09,374 oh, when I'm drunk, boy, 64 00:04:09,458 --> 00:04:13,336 I don't see the dirty walls or the cracked pipes, 65 00:04:13,420 --> 00:04:15,046 I don't know the clock's going, 66 00:04:15,130 --> 00:04:17,966 that the hours are going by, 67 00:04:18,008 --> 00:04:19,801 'cause then I'm Gabriel. 68 00:04:22,304 --> 00:04:26,391 Oh, I'm... I'm Gabriel with a golden horn. 69 00:04:26,475 --> 00:04:30,312 And when I put it to my lips, it... 70 00:04:30,395 --> 00:04:32,981 Comes out jewels. 71 00:04:33,023 --> 00:04:36,735 It comes out a symphony... 72 00:04:36,818 --> 00:04:38,987 Comes out the smell of... 73 00:04:39,029 --> 00:04:43,366 Of fresh flowers in summer. 74 00:04:43,450 --> 00:04:46,578 Comes out beauty. 75 00:04:46,661 --> 00:04:48,121 Beauty. 76 00:04:58,882 --> 00:05:02,093 When I'm drunk, baron. 77 00:05:02,177 --> 00:05:04,179 Only when I'm drunk. 78 00:05:26,034 --> 00:05:29,871 Just plain ordinary nothing. 79 00:05:29,913 --> 00:05:31,540 Oh, man, I'm... 80 00:05:31,623 --> 00:05:33,542 I'm tired of hanging around. 81 00:05:48,056 --> 00:05:56,056 [Melancholy melody] 82 00:06:07,450 --> 00:06:08,827 [High squeaky note] 83 00:06:08,910 --> 00:06:13,039 [Repeats melody] 84 00:06:18,503 --> 00:06:20,505 [High squeaky note] 85 00:06:23,925 --> 00:06:28,597 (Male narrator) Joey oro wn, music/an with an odd, in tense fa oe, 86 00:06:28,638 --> 00:06:31,099 who ina moment will try to Lea ve the earth 87 00:06:31,141 --> 00:06:33,435 and discover the middle ground, 88 00:06:33,476 --> 00:06:37,814 the place we call the twil igh t zone. 89 00:06:54,623 --> 00:06:56,458 Back again, huh, Joey? 90 00:06:56,541 --> 00:06:58,335 Hi, Nate. 91 00:06:58,418 --> 00:07:03,298 This time I'm selling it. 92 00:07:03,381 --> 00:07:05,175 Eight and a half. 93 00:07:05,258 --> 00:07:09,554 Eight and a half...? Alright. 94 00:07:09,638 --> 00:07:11,389 Eight and a half. 95 00:07:11,473 --> 00:07:13,767 Sign it. 96 00:07:13,850 --> 00:07:17,062 I got enough instruments now to eouip s ousa's band. 97 00:07:17,145 --> 00:07:20,440 I need another bugle like I need my taxes raised. 98 00:07:33,536 --> 00:07:36,081 [Cash register rings] 99 00:08:09,739 --> 00:08:12,617 Don't worry, I ain't gettin' that price so fast. 100 00:08:14,327 --> 00:08:17,038 I gotan overhead too, you know' 101 00:08:17,122 --> 00:08:21,042 guys like you, you Don't understand tha t. 102 00:08:21,084 --> 00:08:24,379 What kind of responsibilities somebody like you got, hm? 103 00:08:24,462 --> 00:08:26,214 Nothin', nothin' at all. 104 00:08:30,135 --> 00:08:31,970 Yeah. 105 00:08:32,053 --> 00:08:33,888 Nothin'. 106 00:08:33,972 --> 00:08:35,223 Nothin' at all. 107 00:08:35,306 --> 00:08:38,601 No responsibilities. 108 00:08:38,685 --> 00:08:40,228 No nothing. 109 00:08:53,908 --> 00:08:57,162 [Truck horn blares] 110 00:09:29,194 --> 00:09:31,321 Look, officer, I assure you, 111 00:09:31,404 --> 00:09:33,490 I'm not what you would call drunk, you see. 112 00:09:33,573 --> 00:09:36,701 You can ask officer Flaherty who's usually on this beat. 113 00:09:36,785 --> 00:09:38,411 Why, he'll tell you 114 00:09:38,495 --> 00:09:40,175 I'm not the kind of guy that runs around... 115 00:10:00,225 --> 00:10:02,310 Excuse me, buddy, you happen to have a...? 116 00:10:09,776 --> 00:10:12,195 Excuse me, pal, you happen to have a match? 117 00:10:12,278 --> 00:10:14,322 I said you happen to have a match. 118 00:10:24,165 --> 00:10:25,667 Movies better than ever? 119 00:10:27,752 --> 00:10:29,796 Look, lady, [unintelligible], 120 00:10:29,879 --> 00:10:32,423 but, you see, I know the girl that usually works here, Gracie. 121 00:10:32,507 --> 00:10:34,425 I was gonna tell her what happened to me. 122 00:10:34,509 --> 00:10:36,052 This big truck and I, we tangled, 123 00:10:36,136 --> 00:10:39,013 and the first thing I knew I was... 124 00:10:39,097 --> 00:10:43,935 Look, at least you can be a little courteous, I mean... 125 00:10:44,018 --> 00:10:45,520 Look at me! 126 00:11:05,039 --> 00:11:06,583 Now, look. 127 00:11:06,666 --> 00:11:08,668 Now, listen. 128 00:11:10,545 --> 00:11:12,797 Somebody's trying to pull a gag. 129 00:11:15,717 --> 00:11:19,137 Somebody's trying to shake me up. 130 00:11:19,220 --> 00:11:21,139 Now, look, miss. 131 00:11:21,222 --> 00:11:24,767 Please, something's going on, somebody trying to pull... 132 00:11:28,980 --> 00:11:31,107 Look, fellow, you happen to have a light? 133 00:11:31,191 --> 00:11:32,525 [Relieved] Oh. 134 00:11:55,089 --> 00:11:58,509 I'm dead. 135 00:11:58,593 --> 00:12:01,679 That's it. 136 00:12:01,763 --> 00:12:03,765 I'm just plain old deceased. 137 00:12:09,646 --> 00:12:11,189 Hey, I'm a ghost. 138 00:12:11,272 --> 00:12:14,025 You know, that truck made it after all. 139 00:12:14,108 --> 00:12:15,652 I'm haunting you. 140 00:12:15,735 --> 00:12:17,654 I'm a gh... boojie, boojie! 141 00:12:24,285 --> 00:12:26,454 Well, at last. 142 00:12:26,537 --> 00:12:28,039 For the first time 143 00:12:28,122 --> 00:12:31,668 in the very short life of Joey crown... 144 00:12:31,751 --> 00:12:34,045 He was successful at something. 145 00:12:48,434 --> 00:12:53,231 Charlie's off, huh? 146 00:12:53,314 --> 00:12:58,027 You don't hear me either, do you? 147 00:12:58,111 --> 00:13:00,154 Nobody hear me? 148 00:13:00,196 --> 00:13:03,032 Anybody see me? 149 00:13:06,494 --> 00:13:08,579 I used to come in here a lot. 150 00:13:08,663 --> 00:13:11,916 Of course, I don't recognize any of you people. 151 00:13:12,000 --> 00:13:14,794 None of you of course woulda no ticed me. 152 00:13:18,923 --> 00:13:22,510 I mean, uh... you don't hear me either, do you? 153 00:13:22,552 --> 00:13:24,595 I'm not the kind of guy you would notice. 154 00:13:30,685 --> 00:13:32,353 Well, Charlie, every now and then 155 00:13:32,437 --> 00:13:34,355 he used to give me a drink on the house. 156 00:13:38,192 --> 00:13:43,281 He was a nice guy, Charlie. 157 00:13:43,364 --> 00:13:44,824 You know what he did one time? 158 00:13:48,369 --> 00:13:50,288 You know what he did? 159 00:13:54,125 --> 00:13:56,419 Charlie went out and... 160 00:13:56,502 --> 00:14:00,298 And bought an old Tommy dorsey record from way back... 161 00:14:00,381 --> 00:14:03,092 When I was playing with him... 162 00:14:03,176 --> 00:14:04,969 And on this record there was a... 163 00:14:05,053 --> 00:14:09,432 There was a long singer with me on the horn. 164 00:14:09,515 --> 00:14:12,935 Old Charlie goes and orders it. 165 00:14:13,019 --> 00:14:16,481 Like a big surprise for me. 166 00:14:16,564 --> 00:14:18,941 Puts it on the juke. 167 00:14:19,025 --> 00:14:22,445 [Tsk] Would you believe it? 168 00:14:24,447 --> 00:14:27,325 A nice thing like that from old Charlie. 169 00:14:31,579 --> 00:14:33,289 When I was alive. 170 00:14:38,252 --> 00:14:40,046 [Fast trumpet band music] 171 00:14:59,273 --> 00:15:00,400 [Thud] 172 00:15:00,483 --> 00:15:03,194 [Perfect trumpet music] 173 00:15:38,771 --> 00:15:42,483 Hey, don't stop, it's... it's coming out beautiful. 174 00:15:42,567 --> 00:15:43,609 Thanks. 175 00:15:43,693 --> 00:15:44,819 That's alright. 176 00:15:47,363 --> 00:15:49,323 You said thanks. 177 00:15:49,407 --> 00:15:51,242 Thanks. 178 00:15:51,325 --> 00:15:53,077 You hear me? 179 00:15:53,161 --> 00:15:54,829 I hear you. 180 00:15:54,871 --> 00:15:56,998 You see me? 181 00:15:57,081 --> 00:15:58,583 Very clearly. 182 00:15:58,666 --> 00:16:00,334 Oh, you'rea ghost too, huh? 183 00:16:00,376 --> 00:16:02,587 [Chuckles] Not really. 184 00:16:02,670 --> 00:16:04,380 I am. I stepped in front 185 00:16:04,464 --> 00:16:06,674 of a rather large vehicle this morning, 186 00:16:06,757 --> 00:16:10,094 I [unintelligible], believe me. 187 00:16:10,178 --> 00:16:13,431 You wanna blow this a while, Joey? 188 00:16:13,514 --> 00:16:16,184 Yeah. 189 00:16:16,267 --> 00:16:19,061 Yeah, I'd like to. 190 00:16:19,145 --> 00:16:20,605 You mind? 191 00:16:20,688 --> 00:16:23,107 Whatever you like. 192 00:16:25,401 --> 00:16:28,196 Joey? You called me Joey. 193 00:16:28,279 --> 00:16:30,239 Joey crown, that's the name, isn't it? 194 00:16:30,323 --> 00:16:32,408 Yeah, that's my name but... 195 00:16:32,492 --> 00:16:34,368 We ain't never been introduced. 196 00:16:34,410 --> 00:16:36,287 Not formall y buti know who you are. 197 00:16:36,370 --> 00:16:39,457 You play a nice trumpet. 198 00:16:39,540 --> 00:16:41,626 I know, I'm an expert on trumpets. 199 00:16:41,709 --> 00:16:44,879 You ain't no slouch on it, that's for sure. 200 00:16:44,962 --> 00:16:48,007 Well, go ahead. 201 00:16:49,383 --> 00:16:50,593 Okay. 202 00:16:52,929 --> 00:16:56,641 [Previous melancholy tune] 203 00:17:12,156 --> 00:17:14,784 [Previously squeaky high note, perfect] 204 00:17:22,875 --> 00:17:24,669 How come you know who I am? 205 00:17:24,752 --> 00:17:27,463 You say you're not a ghost, you're not dead. 206 00:17:27,547 --> 00:17:30,466 No, I'm not dead. 207 00:17:30,550 --> 00:17:32,093 Neither are you, Joey. 208 00:17:37,473 --> 00:17:40,101 I'm not? 209 00:17:40,142 --> 00:17:41,394 By no means. 210 00:17:44,522 --> 00:17:47,483 But... what about the people in the bar? 211 00:17:47,567 --> 00:17:48,943 The girl in the ticket booth 212 00:17:49,026 --> 00:17:50,570 and the people in the streets? 213 00:17:50,653 --> 00:17:52,572 The y a re DEA d. 214 00:17:52,655 --> 00:17:55,866 They're the ghosts, they just don't know it, that's all. 215 00:17:55,950 --> 00:17:59,787 Sometimes to make it easier, we have to work it that way. 216 00:17:59,870 --> 00:18:02,957 We let them go on in a life that they're familiar with. 217 00:18:03,040 --> 00:18:05,626 They never know for a long while. 218 00:18:05,668 --> 00:18:08,337 But that's why they couldn't hear you. 219 00:18:08,421 --> 00:18:11,716 You're the one that's alive. 220 00:18:11,799 --> 00:18:14,302 But like I said, I stepped off a curb... 221 00:18:14,343 --> 00:18:16,470 That you did. 222 00:18:16,554 --> 00:18:19,056 Right now you're in a kind of a limbo, Joey. 223 00:18:19,140 --> 00:18:21,017 You're neither here nor there. 224 00:18:21,100 --> 00:18:22,810 You're in the middle. 225 00:18:22,852 --> 00:18:24,895 Between the two. 226 00:18:24,979 --> 00:18:29,191 The real and the shadow 227 00:18:29,275 --> 00:18:31,110 which do you prefer, Joey? 228 00:18:34,196 --> 00:18:36,907 Which do I prefer? 229 00:18:36,991 --> 00:18:38,784 You know something? 230 00:18:38,868 --> 00:18:41,370 I always felt I was getting dealt from the bottom. 231 00:18:41,454 --> 00:18:46,834 Or maybe, maybe I just forgot how much there was for me. 232 00:18:46,876 --> 00:18:48,878 And maybe I forgot about... 233 00:18:48,961 --> 00:18:51,422 About the music that I could make on this horn. 234 00:18:51,505 --> 00:18:53,758 And how nice it sounded. 235 00:18:53,841 --> 00:18:55,676 And going into Charlie's... 236 00:18:55,760 --> 00:18:57,470 And talking to people... 237 00:18:57,553 --> 00:19:00,514 And maybe going to a movie now and then, huh? 238 00:19:00,556 --> 00:19:03,184 You know, I never won a beauty contest but... 239 00:19:03,267 --> 00:19:07,772 You know, I had friends, I mean, I had good ones. Good ones. 240 00:19:07,855 --> 00:19:12,568 Yeah, somewhere along the line I just forgot all the good things. 241 00:19:12,652 --> 00:19:16,030 That's what happened. I just forgot. 242 00:19:16,072 --> 00:19:18,699 You've got a choice, you know. 243 00:19:18,741 --> 00:19:20,743 A choice? 244 00:19:20,826 --> 00:19:24,205 There's still time. 245 00:19:24,246 --> 00:19:26,457 Well, if I've got a choice, 246 00:19:26,540 --> 00:19:29,377 I mean, if I've got a choice... 247 00:19:29,418 --> 00:19:31,087 Then I wanna go back. 248 00:19:31,170 --> 00:19:35,549 Understand? I wanna go back! 249 00:19:35,591 --> 00:19:37,218 All right. 250 00:19:37,301 --> 00:19:38,928 You go back. 251 00:19:41,889 --> 00:19:43,391 But Joey, 252 00:19:43,474 --> 00:19:46,310 no more stepping off curbs. 253 00:19:46,394 --> 00:19:49,146 Take what you get and you live with it. 254 00:19:49,230 --> 00:19:52,566 Sometimes it's sweet frosting, nice gravy. 255 00:19:52,608 --> 00:19:56,987 Sometimes it's sour, it goes down hard, but you live with it. 256 00:19:57,071 --> 00:20:00,991 Yeah, it's a nice talent you got. 257 00:20:01,075 --> 00:20:04,745 To make music, to move people. 258 00:20:04,829 --> 00:20:08,916 Make 'em wanna laugh, make 'em wanna cry. 259 00:20:08,999 --> 00:20:11,502 They can tap their feet. 260 00:20:11,585 --> 00:20:14,463 Make 'em wanna dance. 261 00:20:14,547 --> 00:20:18,843 That's an exceptional talent, Joey. 262 00:20:18,926 --> 00:20:20,136 Don't waste it. 263 00:20:24,849 --> 00:20:27,601 See you around, Joey. 264 00:20:27,643 --> 00:20:29,770 Hey! 265 00:20:29,812 --> 00:20:30,938 Hey, mister! 266 00:20:31,021 --> 00:20:32,398 What is it, Joey? 267 00:20:32,481 --> 00:20:33,482 I didn't get your name! 268 00:20:33,566 --> 00:20:35,067 How's that? 269 00:20:35,151 --> 00:20:36,861 Your name! I didn't get your name! 270 00:20:38,946 --> 00:20:40,531 My name? 271 00:20:40,614 --> 00:20:41,824 Call me Gabe. 272 00:20:43,451 --> 00:20:44,535 Gabe? 273 00:20:44,618 --> 00:20:46,787 Gabe! 274 00:20:46,829 --> 00:20:48,330 Short for Gabriel. 275 00:20:51,709 --> 00:20:53,085 Goodbye, Joey. 276 00:21:05,347 --> 00:21:07,808 [Distant trumpet playing] 277 00:21:22,406 --> 00:21:23,491 [Truck horn blares] 278 00:21:23,532 --> 00:21:24,909 [Tires screech] 279 00:21:24,992 --> 00:21:27,995 [Thud] [Woman screams] 280 00:21:28,037 --> 00:21:29,371 [Murmurs] 281 00:21:33,375 --> 00:21:35,002 (Driver) I didn't see you, pal. 282 00:21:35,044 --> 00:21:36,879 You stepped right out in front of me. 283 00:21:36,962 --> 00:21:38,339 Lucky I only grazed you. 284 00:21:38,422 --> 00:21:39,757 Oh, that's okay, no harm done. 285 00:21:39,840 --> 00:21:42,384 Yeah, now look. 286 00:21:42,468 --> 00:21:45,095 I ain't had an accident for 14 years, 287 00:21:45,179 --> 00:21:47,848 and I'd be obliged to you if you, uh... 288 00:21:47,890 --> 00:21:51,101 Well, you know, no doctors, no insurance companies, 289 00:21:51,185 --> 00:21:54,230 nothing like that, huh? 290 00:21:54,313 --> 00:21:56,482 Be a nice guy, huh, pal? 291 00:21:59,693 --> 00:22:03,364 [Thud and engine rews, becomes distant] 292 00:22:09,787 --> 00:22:14,124 [Trumpet playing pleasantly] 293 00:22:39,942 --> 00:22:43,988 You play it beautifully. 294 00:22:44,071 --> 00:22:46,282 Thanks. 295 00:22:46,365 --> 00:22:48,284 I gave it up this morning but... 296 00:22:48,367 --> 00:22:50,160 I'm taking her back. 297 00:22:50,244 --> 00:22:55,249 The bugle and me, till death do us part. 298 00:22:55,332 --> 00:22:57,501 I'm new here. 299 00:22:57,585 --> 00:23:01,672 I've... I've never even been in New York before. 300 00:23:01,755 --> 00:23:04,758 I just moved in. 301 00:23:04,800 --> 00:23:06,010 My name is nan. 302 00:23:06,093 --> 00:23:08,846 Hi. I'm Joey. 303 00:23:08,929 --> 00:23:10,222 Joey crown. 304 00:23:13,267 --> 00:23:15,477 Will you... play some more? 305 00:23:17,938 --> 00:23:19,356 Sure. 306 00:23:19,440 --> 00:23:21,108 I'll play whatever you like 307 00:23:21,191 --> 00:23:24,111 for as long as you like. 308 00:23:24,194 --> 00:23:26,488 You know, you may like it here. 309 00:23:26,572 --> 00:23:27,740 It's not a bad town. 310 00:23:27,823 --> 00:23:33,370 Oh, I'm sure it isn't. 311 00:23:33,454 --> 00:23:36,040 Maybe... 312 00:23:36,123 --> 00:23:38,083 Maybe you could show me some of it. 313 00:23:42,421 --> 00:23:43,589 Me? 314 00:23:47,134 --> 00:23:49,470 Sure. I'd love to. I... 315 00:23:49,553 --> 00:23:51,972 Well, I could show you the battery and... 316 00:23:52,014 --> 00:23:54,308 I could show you central park, 317 00:23:54,391 --> 00:23:56,685 I could show you 52nd. Street! 318 00:23:56,769 --> 00:24:00,147 We could go in and listen to some good jazz! And, uh... 319 00:24:00,230 --> 00:24:03,400 (Male narrator) Joe y oro wn, who makes mus/o. 320 00:24:03,484 --> 00:24:06,487 And who discovered something about life 321 00:24:06,570 --> 00:24:10,074 tha t it can be rich and re warding and full of beauty. 322 00:24:10,157 --> 00:24:12,868 Just like the music he pla yed. 323 00:24:12,952 --> 00:24:17,247 Ifa person would onl y pa use to look and to listen. 324 00:24:17,331 --> 00:24:23,212 Joey crown, who got his clue in the twilight zone. 325 00:24:28,634 --> 00:24:31,345 (Male announcer) Rod serl ing, the orea Tor oftwilight zone, 326 00:24:31,428 --> 00:24:33,389 will tell you about next week's story 327 00:24:33,472 --> 00:24:37,101 after this word from our al terna te sponsor. 328 00:24:37,184 --> 00:24:39,353 And noi/I/, Mr. Serl ing. 329 00:24:39,436 --> 00:24:40,688 Next week, you'll meet 330 00:24:40,771 --> 00:24:42,147 the occupant of this desk 331 00:24:42,231 --> 00:24:44,566 whose name is James b.W. Bevis, 332 00:24:44,650 --> 00:24:47,027 a warm and winning twentieth century oddball 333 00:24:47,069 --> 00:24:49,113 about a mile and a half from the norm. 334 00:24:49,196 --> 00:24:51,407 He likes things like zither music, little kids, 335 00:24:51,490 --> 00:24:53,534 and stuff like this. 336 00:24:53,575 --> 00:24:56,120 Orson bean stars next week on the twilight z one 337 00:24:56,203 --> 00:24:58,372 as Mr. Bevis. And Henry Jones 338 00:24:58,455 --> 00:25:00,207 plays his guardian angel. 339 00:25:00,290 --> 00:25:01,750 He's this kind of oddball. 340 00:25:04,211 --> 00:25:05,879 [Curtain music] 341 00:25:44,168 --> 00:25:46,795 (Male presenter, off) Kimberl y Clark invites you 342 00:25:46,879 --> 00:25:48,297 to wa tch Steve McQueen 343 00:25:48,380 --> 00:25:50,674 in wanted dead or alive. 344 00:25:50,758 --> 00:25:53,886 Sa turda y nights o ver most of these same s ta tions.