1 00:00:06,230 --> 00:00:10,150 - (CRICKETS CHIRPING) - (GATE RATTLING) 2 00:00:10,150 --> 00:00:13,153 RAFAEL GALLARDO: That's enough. Hurry up. Let's go! 3 00:00:13,153 --> 00:00:14,446 MATEO GALLARDO: I got it. 4 00:00:16,115 --> 00:00:18,075 RAFAEL: Hurry up. Let's go, let's go. Vamos. 5 00:00:18,075 --> 00:00:20,411 (DOG BARKING IN DISTANCE) 6 00:00:20,411 --> 00:00:21,662 (MATEO SHUSHES) 7 00:00:26,125 --> 00:00:32,131 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 8 00:00:38,178 --> 00:00:39,930 (ALL PANTING) 9 00:00:48,856 --> 00:00:51,483 {\an8}SOFÍA: (IN SPANISH) 10 00:00:59,992 --> 00:01:01,327 (IN ENGLISH) I know. 11 00:01:03,495 --> 00:01:08,667 {\an8}(IN SPANISH) 12 00:01:12,671 --> 00:01:13,797 (IN ENGLISH) Come on, Rafa. 13 00:01:14,590 --> 00:01:17,134 (OWL HOOTING) 14 00:01:18,177 --> 00:01:19,595 (RADIO STATIC) 15 00:01:19,595 --> 00:01:22,598 ♪ (GENTLE JAZZ MUSIC PLAYING) ♪ 16 00:01:24,892 --> 00:01:29,355 {\an8}(IN SPANISH) 17 00:01:30,731 --> 00:01:32,024 - No. - No? 18 00:01:36,153 --> 00:01:37,154 Huh? 19 00:01:42,117 --> 00:01:43,118 Hey. 20 00:01:45,287 --> 00:01:47,414 (IN ENGLISH) We'll have good memories again. 21 00:01:49,291 --> 00:01:52,419 Get back everything we lost. Hmm? 22 00:01:53,420 --> 00:01:54,713 Have our own place. 23 00:01:56,215 --> 00:01:57,424 A family. 24 00:02:07,393 --> 00:02:08,936 Will you marry me, Sofía? 25 00:02:10,479 --> 00:02:11,480 Sí. 26 00:02:12,523 --> 00:02:13,816 - Sí. - (RAFAEL CHEERS) 27 00:02:13,816 --> 00:02:16,151 {\an8}(IN SPANISH) 28 00:02:16,151 --> 00:02:19,989 (BOTH LAUGH) 29 00:02:24,159 --> 00:02:26,954 - (MATEO LAUGHING) - (RAFAEL CHEERING) 30 00:02:36,964 --> 00:02:39,008 ♪ (MUSIC FADES) ♪ 31 00:02:40,509 --> 00:02:43,095 (BIRDS CHIRPING) 32 00:02:45,014 --> 00:02:46,557 (WHISPERS) I love you. 33 00:03:13,250 --> 00:03:17,087 (ROTARY PHONE DIALING) 34 00:03:20,883 --> 00:03:22,968 (PHONE RINGING) 35 00:03:27,723 --> 00:03:28,974 Pick up. (SIGHS) 36 00:03:29,600 --> 00:03:30,893 (TELEPHONE RINGING) 37 00:03:30,893 --> 00:03:32,478 ♪ ("CORRINE, CORRINA" BY RED NICHOLS PLAYING ON RADIO) ♪ 38 00:03:32,478 --> 00:03:34,396 - GINNY AIMES: Get that? - PERRY MASON: No. 39 00:03:35,481 --> 00:03:38,358 ♪ Ain't had no loving, baby ♪ 40 00:03:38,358 --> 00:03:40,402 ♪ Since you've been gone ♪ 41 00:03:40,402 --> 00:03:42,071 - Perry. - Mm-hmm. 42 00:03:43,238 --> 00:03:45,365 What time are you due in court today? 43 00:03:45,365 --> 00:03:49,453 - (TELEPHONE CONTINUES RINGING) - About an hour. 44 00:03:50,496 --> 00:03:51,914 - Perry. - Yeah? 45 00:03:55,167 --> 00:03:56,502 What are you doing? 46 00:03:58,003 --> 00:03:59,880 Have you ever been to Yosemite? 47 00:04:02,174 --> 00:04:03,884 I haven't. 48 00:04:03,884 --> 00:04:06,345 Your trousers are on your toy train. 49 00:04:07,971 --> 00:04:09,098 - Thank you. - Mm-hmm. 50 00:04:09,098 --> 00:04:11,517 It's an amazing place to ride horses. 51 00:04:11,517 --> 00:04:14,311 I'm sure it is, especially right into the sunset. 52 00:04:14,311 --> 00:04:15,562 Best time. 53 00:04:16,313 --> 00:04:18,023 - (SIGHS) - We should go. 54 00:04:19,733 --> 00:04:21,235 - Are you serious? - Yeah. 55 00:04:25,531 --> 00:04:26,532 Right now. 56 00:04:29,243 --> 00:04:31,120 I think others need us today. 57 00:04:33,705 --> 00:04:35,541 I don't know how to fight this case. 58 00:04:36,583 --> 00:04:37,584 I don't. 59 00:04:42,422 --> 00:04:43,465 Well... 60 00:04:44,383 --> 00:04:45,801 you have 58 minutes. 61 00:04:48,720 --> 00:04:49,763 Figure it out. 62 00:04:56,603 --> 00:04:58,438 Can't wait to hear all about it. 63 00:05:00,607 --> 00:05:02,776 (TELEPHONE RINGING) 64 00:05:04,987 --> 00:05:07,114 Oh, stop calling, Della. 65 00:05:08,448 --> 00:05:14,830 - ♪ (TENSE MUSIC PLAYING) ♪ - (CROWD CLAMORING) 66 00:05:24,214 --> 00:05:25,591 Ready? 67 00:05:25,591 --> 00:05:28,177 - Are you? - Do I have a choice? 68 00:05:29,595 --> 00:05:30,804 Good luck. 69 00:05:30,804 --> 00:05:32,389 - Thanks. - Thanks. 70 00:05:34,474 --> 00:05:36,643 FRANK FINNERTY: Join us now for another hour 71 00:05:36,643 --> 00:05:42,149 of truth and justice with Fighting Frank Finnerty. 72 00:05:43,984 --> 00:05:47,070 As the most important trial our city has seen 73 00:05:47,070 --> 00:05:52,034 in a great while commences, I ask you this. 74 00:05:52,034 --> 00:05:56,246 Why is it only the witnesses 75 00:05:56,246 --> 00:05:59,666 must swear to tell the whole truth? 76 00:06:01,084 --> 00:06:06,048 Why isn't the same oath administered to the attorneys? 77 00:06:06,048 --> 00:06:09,218 For what was exhibited in the opening statements 78 00:06:09,218 --> 00:06:12,304 of the McCutcheon murder trial was a display 79 00:06:12,304 --> 00:06:15,933 - of the highest integrity on one hand... - BAILIFF: All rise! 80 00:06:15,933 --> 00:06:19,603 FRANK: ...and utter deceit on the other. 81 00:06:20,520 --> 00:06:22,606 Please be seated. 82 00:06:22,606 --> 00:06:24,524 THOMAS MILLIGAN: Ladies and gentlemen of the jury, 83 00:06:24,524 --> 00:06:26,360 Rafael and Mateo Gallardo, 84 00:06:26,360 --> 00:06:27,903 the men you see before you today, 85 00:06:27,903 --> 00:06:30,155 are guilty of murder in the first degree. 86 00:06:30,155 --> 00:06:34,910 They killed Brooks McCutcheon, a beacon of hope for this city. 87 00:06:34,910 --> 00:06:38,580 And for what? Couple of bucks and a gold coin? 88 00:06:38,580 --> 00:06:42,417 And don't be fooled by their sob story of poverty 89 00:06:42,417 --> 00:06:44,586 and suffering because in these times, 90 00:06:44,586 --> 00:06:47,714 who here hasn't seen hardship of one sort or another? 91 00:06:47,714 --> 00:06:52,094 But who among you has resorted to murder as the remedy? 92 00:06:52,094 --> 00:06:53,845 None of you, of course. 93 00:06:53,845 --> 00:06:55,722 Except for these two men right here. 94 00:06:55,722 --> 00:06:58,392 Weak of character, devoid of humanity, 95 00:06:58,392 --> 00:07:00,644 of innate decency, cold-blooded, malicious... 96 00:07:00,644 --> 00:07:03,230 Ladies and gentlemen, this prosecution maintains 97 00:07:03,230 --> 00:07:05,065 that Brooks McCutcheon 98 00:07:05,065 --> 00:07:08,652 was our city's last great shining star. 99 00:07:08,652 --> 00:07:11,863 And therefore, you do wonder who would want to harm 100 00:07:11,863 --> 00:07:13,448 such a fine man. 101 00:07:13,448 --> 00:07:16,952 But when we introduce you to the real Brooks McCutcheon, 102 00:07:16,952 --> 00:07:19,663 you won't be asking who in this town wanted him killed, 103 00:07:19,663 --> 00:07:21,832 you'll be asking who in this town didn't? 104 00:07:21,832 --> 00:07:23,292 - (CROWD MURMURS) - (CAMERAS SHUTTER CLICK) 105 00:07:23,292 --> 00:07:25,502 THOMAS: And the punishment must serve as an example 106 00:07:25,502 --> 00:07:28,797 to the people of this city that barbaric behavior 107 00:07:28,797 --> 00:07:31,591 of this magnitude will not be tolerated. 108 00:07:31,591 --> 00:07:37,055 This prosecution is intent on manipulating, 109 00:07:37,055 --> 00:07:41,101 swaying, influencing opinion in the worst possible way. 110 00:07:42,352 --> 00:07:44,688 These proceedings have already become nothing less 111 00:07:44,688 --> 00:07:48,650 - than a racist witch hunt. - (CROWD MURMURING) 112 00:07:48,650 --> 00:07:52,362 FRANK: The jury in this case is not limited to 12. 113 00:07:52,362 --> 00:07:57,159 For you, fellow citizens, are also on the jury. 114 00:07:57,159 --> 00:08:01,663 And we must make sure that no one is allowed 115 00:08:01,663 --> 00:08:07,919 to destroy the integrity of our laws, our liberty, 116 00:08:07,919 --> 00:08:11,381 and our City of Angels! 117 00:08:11,381 --> 00:08:13,133 VINCENT TAYLOR: District seven is becoming 118 00:08:13,133 --> 00:08:15,802 one of the finest in all of Los Angeles. 119 00:08:15,802 --> 00:08:18,305 So it is my great pleasure to officially open 120 00:08:18,305 --> 00:08:20,182 the new Hope Street Park. 121 00:08:20,182 --> 00:08:22,809 It's a shining example of what can be achieved 122 00:08:22,809 --> 00:08:24,895 when we all work together. 123 00:08:24,895 --> 00:08:26,438 Smile for the cameras, ladies. 124 00:08:27,981 --> 00:08:30,525 - There we are. (LAUGHS) - (APPLAUSE) 125 00:08:30,525 --> 00:08:32,778 Great job. Wonderful. Pleasure. 126 00:08:34,571 --> 00:08:37,074 Now, where is this cake that I've heard so much about? 127 00:08:37,074 --> 00:08:38,533 SERVER: Right here, Councilman. 128 00:08:39,409 --> 00:08:41,119 Thank you very much. 129 00:08:41,119 --> 00:08:42,954 - Councilman Taylor. - VINCENT: Thank you. 130 00:08:42,954 --> 00:08:44,664 PAUL DRAKE: May I borrow a minute of your time? 131 00:08:44,664 --> 00:08:46,333 I got my hands full at the moment. 132 00:08:46,333 --> 00:08:49,294 - Perhaps you can try my office. - I tried, but they told me 133 00:08:49,294 --> 00:08:50,921 your hands were pretty full down there too. 134 00:08:50,921 --> 00:08:53,256 Well, my district has a lot of needs. 135 00:08:57,552 --> 00:08:59,888 This one's outside your district, Councilor. 136 00:09:06,311 --> 00:09:08,105 Get to your point. 137 00:09:08,105 --> 00:09:10,607 I'm just trying to find out how your sister Noreen 138 00:09:10,607 --> 00:09:12,150 ended up there. 139 00:09:12,150 --> 00:09:13,735 It was a car accident. 140 00:09:14,736 --> 00:09:17,239 And was Brooks McCutcheon driving? 141 00:09:17,239 --> 00:09:19,116 I work for the attorneys representing the boys 142 00:09:19,116 --> 00:09:20,742 arrested in the case. 143 00:09:20,742 --> 00:09:22,285 How does what happened to Noreen 144 00:09:22,285 --> 00:09:23,954 have anything to do with Brooks's death? 145 00:09:23,954 --> 00:09:26,665 No, no, I'm just trying to get a full picture of the man. 146 00:09:27,707 --> 00:09:30,585 Brooks knew Noreen in some capacity. 147 00:09:30,585 --> 00:09:32,587 She worked for his company. So what? 148 00:09:32,587 --> 00:09:33,922 PAUL: You know, I'm also wondering 149 00:09:33,922 --> 00:09:37,050 how that stadium project of his fits into all this 150 00:09:37,050 --> 00:09:40,011 since it's in your district. 151 00:09:40,011 --> 00:09:42,472 You know, I don't really like investigators. 152 00:09:43,890 --> 00:09:45,475 Especially shadowy ones 153 00:09:45,475 --> 00:09:48,311 who step in places they aren't welcome. 154 00:09:48,311 --> 00:09:51,189 ♪ (DRAMATIC MUSIC PLAYING) ♪ 155 00:09:52,065 --> 00:09:53,567 It was a car accident. 156 00:09:54,776 --> 00:09:56,528 And it's a private family matter. 157 00:09:57,571 --> 00:09:59,239 And it's gonna stay that way. 158 00:10:00,699 --> 00:10:02,451 So your investigation? 159 00:10:04,244 --> 00:10:05,245 It ends here. 160 00:10:07,831 --> 00:10:10,584 Ladies, this pound cake is something. 161 00:10:12,836 --> 00:10:15,630 The people call Mr. Brian Walsh to the stand. 162 00:10:26,308 --> 00:10:28,018 THOMAS: Mr. Walsh, what is your occupation? 163 00:10:28,018 --> 00:10:30,020 I'm a bus driver for the city. 164 00:10:30,020 --> 00:10:31,396 And what is the route that you drive? 165 00:10:31,396 --> 00:10:33,857 Across town along Santa Monica Boulevard 166 00:10:33,857 --> 00:10:36,318 from Vermont Avenue to Ocean Avenue. 167 00:10:36,318 --> 00:10:37,486 What time of day do you drive? 168 00:10:37,486 --> 00:10:39,863 BRIAN WALSH: Six p.m. to six a.m. 169 00:10:39,863 --> 00:10:41,865 And how long have you been driving this route? 170 00:10:41,865 --> 00:10:43,533 Five years. 171 00:10:43,533 --> 00:10:45,869 THOMAS: So, you must know the route and the stops very well then? 172 00:10:45,869 --> 00:10:47,913 BRIAN: Mm, backwards and forwards. 173 00:10:47,913 --> 00:10:49,623 THOMAS: Do you have a lot of regular passengers? 174 00:10:49,623 --> 00:10:50,916 BRIAN: I know a fair amount of 'em 175 00:10:50,916 --> 00:10:52,918 - by the way they look, sure. - Hey, Charlie. 176 00:10:52,918 --> 00:10:55,337 THOMAS: And would you say that if someone of another race 177 00:10:55,337 --> 00:10:57,380 were to get on your bus, you would notice them more? 178 00:10:57,380 --> 00:10:58,715 Objection, leading. 179 00:10:59,966 --> 00:11:01,885 - Sustained. - THOMAS: I'll be more direct. 180 00:11:01,885 --> 00:11:03,845 Do you remember seeing the defendants 181 00:11:03,845 --> 00:11:06,598 board your bus on the evening of March 18th? 182 00:11:06,598 --> 00:11:09,476 Yeah, at Santa Monica and Stanley. 183 00:11:09,476 --> 00:11:10,602 How can I miss them? 184 00:11:10,602 --> 00:11:13,146 Always watch those types careful. 185 00:11:13,146 --> 00:11:14,523 THOMAS: Had you seen them before? 186 00:11:14,523 --> 00:11:16,775 BRIAN: I have. Most Saturday nights. 187 00:11:16,775 --> 00:11:18,026 THOMAS: Where'd they get off? 188 00:11:18,026 --> 00:11:20,904 BRIAN: All the way to the end of the line. 189 00:11:20,904 --> 00:11:23,031 What time did you get to the end of your route? 190 00:11:23,031 --> 00:11:25,200 BRIAN: I make four round trips in a shift. 191 00:11:25,200 --> 00:11:26,493 This was the second one, 192 00:11:26,493 --> 00:11:29,746 and I got there, as always, at 12:05. 193 00:11:29,746 --> 00:11:33,083 12:05. Now according to the coroner's report, 194 00:11:33,083 --> 00:11:35,585 the time of death, which was a short walk 195 00:11:35,585 --> 00:11:39,548 from the last bus stop, I should add, was 1:30 a.m. 196 00:11:39,548 --> 00:11:42,425 Clearly enough time for Rafael and Mateo Gallardo 197 00:11:42,425 --> 00:11:45,053 to make their way down to the pier, find a hiding spot, 198 00:11:45,053 --> 00:11:48,265 and wait for an unsuspecting casino boat patron, 199 00:11:48,265 --> 00:11:49,641 like Brooks McCutcheon. 200 00:11:50,976 --> 00:11:53,520 - And seize upon him. - (CROWD MURMURING) 201 00:11:53,520 --> 00:11:54,938 THOMAS: I'd like to thank you, Mr. Walsh, 202 00:11:54,938 --> 00:11:56,189 for your appearance here today 203 00:11:56,189 --> 00:11:58,108 and for your work every day on behalf of this city. 204 00:11:58,108 --> 00:11:59,317 You're welcome. 205 00:12:01,695 --> 00:12:04,281 Jury bought what he said. Don't push too hard. 206 00:12:06,533 --> 00:12:09,911 Mr. Walsh, when the boys got off the bus, 207 00:12:09,911 --> 00:12:12,706 did you see which direction they walked? 208 00:12:13,665 --> 00:12:15,166 Towards the ocean, I guess. 209 00:12:18,587 --> 00:12:19,963 I'm sorry, you guess? 210 00:12:20,922 --> 00:12:22,757 You-- you-- you guess? 211 00:12:23,633 --> 00:12:24,843 But you don't know? 212 00:12:26,678 --> 00:12:28,888 Did you have any contact with 'em after they got off? 213 00:12:28,888 --> 00:12:29,806 No. 214 00:12:29,806 --> 00:12:31,224 Did you ask them where they were headed? 215 00:12:31,224 --> 00:12:32,267 Did they just say, 216 00:12:32,267 --> 00:12:33,560 "Oh, we're off to kill Brooks McCutcheon." 217 00:12:33,560 --> 00:12:35,312 Objection, compound argumentative. 218 00:12:35,312 --> 00:12:37,689 Sustained. Mr. Mason. 219 00:12:37,689 --> 00:12:40,734 Apologies, rephrase. Um, Mr. Walsh, outside of seeing 220 00:12:40,734 --> 00:12:42,694 the boys get off the bus at a specific time, 221 00:12:42,694 --> 00:12:43,820 what else can you tell us 222 00:12:43,820 --> 00:12:47,073 that you know they did or did not do that night? 223 00:12:48,116 --> 00:12:51,161 - W-- I-- I guess nothing. - PERRY: Right. 224 00:12:51,161 --> 00:12:53,038 They could've gone in a thousand different directions, 225 00:12:53,038 --> 00:12:54,205 done a thousand different things. 226 00:12:54,205 --> 00:12:55,957 You're currently in a very packed courtroom. 227 00:12:55,957 --> 00:12:57,959 If a crime is committed a mile away from here 228 00:12:57,959 --> 00:13:00,545 in a couple hours, you gonna testify one of us did it 229 00:13:00,545 --> 00:13:03,757 'cause you see us here now, or are you going to guess? 230 00:13:05,925 --> 00:13:09,763 Sure, if they look as shifty as you do, Mr. Maggot. 231 00:13:09,763 --> 00:13:12,891 - (CROWD LAUGHING) - (CAMERA SHUTTERS CLICK) 232 00:13:16,061 --> 00:13:18,355 - (GAVEL BANGING) - JUDGE DURKIN: Order. 233 00:13:18,355 --> 00:13:20,899 Look, don't start reading into anything. 234 00:13:20,899 --> 00:13:22,442 (INDISTINCT CHATTER) 235 00:13:22,442 --> 00:13:24,069 But-- but they laughed at you. 236 00:13:24,069 --> 00:13:25,528 No, they laughed at what he said, 237 00:13:25,528 --> 00:13:28,114 and that guy was a prick, pardon my language. 238 00:13:28,114 --> 00:13:30,992 I saw the way some of the jury was looking at the boys. 239 00:13:30,992 --> 00:13:32,369 Why didn't you object more? 240 00:13:32,369 --> 00:13:34,496 There was nothing to object to. 241 00:13:35,914 --> 00:13:37,666 My job now is to show the jury 242 00:13:37,666 --> 00:13:40,960 anyone else that might be responsible for killing Brooks. 243 00:13:42,170 --> 00:13:44,464 - Like who? - PERRY: I don't know. 244 00:13:44,464 --> 00:13:47,509 Just another suspect to focus on. 245 00:13:49,010 --> 00:13:50,345 Mr. Mason. 246 00:13:53,932 --> 00:13:56,101 What if there was someone else... 247 00:13:57,727 --> 00:13:59,562 who wanted him dead? 248 00:13:59,562 --> 00:14:04,067 ♪ (PENSIVE MUSIC PLAYING) ♪ 249 00:14:04,067 --> 00:14:06,027 LUISA GALLARDO: I didn't know where else to keep it. 250 00:14:09,656 --> 00:14:12,242 I thought if I kept it under here, maybe-- 251 00:14:12,242 --> 00:14:14,411 maybe God would protect it. 252 00:14:15,286 --> 00:14:20,041 (INDISTINCT CHATTER) 253 00:14:20,750 --> 00:14:21,960 (WHISPERS) How much? 254 00:14:22,794 --> 00:14:24,629 (WHISPERS) Two thousand dollars. 255 00:14:31,928 --> 00:14:34,055 I think I should hold onto this. 256 00:14:38,143 --> 00:14:41,354 - ♪ (PENSIVE MUSIC RESUMES) ♪ - (INDISTINCT CHATTER) 257 00:14:41,354 --> 00:14:43,481 (DOGS BARKING) 258 00:14:49,529 --> 00:14:50,947 PERRY: Sixth and Spring. 259 00:14:50,947 --> 00:14:52,449 TAXI DRIVER: You got it. 260 00:14:52,449 --> 00:14:54,784 (ENGINE REVVING) 261 00:14:58,913 --> 00:15:01,374 ♪ (MUSIC FADES) ♪ 262 00:15:01,374 --> 00:15:04,878 I couldn't tell when the women knew they were hired, 263 00:15:04,878 --> 00:15:06,546 either obviously before the murder, 264 00:15:06,546 --> 00:15:09,174 or whether the boys confessed because they got caught. 265 00:15:09,174 --> 00:15:11,050 Murder for hire? 266 00:15:11,050 --> 00:15:12,927 How are you not more upset about this? 267 00:15:12,927 --> 00:15:14,053 PERRY: Oh, believe me, I am, 268 00:15:14,053 --> 00:15:16,765 but that whole robbery-gone-wrong bullshit 269 00:15:16,765 --> 00:15:19,434 never sat right with me. This makes sense. 270 00:15:19,434 --> 00:15:20,894 Now all we have to do 271 00:15:20,894 --> 00:15:23,146 is find out who wanted Brooks dead. 272 00:15:23,146 --> 00:15:25,565 PAUL: Hmm, two Gs, that's not chicken feed. 273 00:15:25,565 --> 00:15:29,694 Holcomb maybe. He's never been shy about taking payoffs. 274 00:15:30,904 --> 00:15:32,822 What about Councilman Taylor? 275 00:15:32,822 --> 00:15:36,367 A civil servant salary covering that? I don't know. 276 00:15:36,367 --> 00:15:38,244 But with all the kickbacks those boys get? 277 00:15:39,496 --> 00:15:42,290 And he did turn six shades of red when I brought up Brooks. 278 00:15:42,290 --> 00:15:45,460 Right, so Brooks somehow wrongs Taylor's sister-- 279 00:15:45,460 --> 00:15:46,878 Hold on, speculative. 280 00:15:46,878 --> 00:15:48,046 PERRY: The councilman wants payback, 281 00:15:48,046 --> 00:15:49,672 has to make it look like anything but a hit 282 00:15:49,672 --> 00:15:51,424 so the McCutcheons don't suspect him. 283 00:15:51,424 --> 00:15:53,802 So, he hires two young guys, probably at arm's length, 284 00:15:53,802 --> 00:15:56,805 they knock off Brooks. No one's the wiser. 285 00:16:01,935 --> 00:16:02,936 Wh-- what? 286 00:16:02,936 --> 00:16:04,145 It's conjecture, all of it. 287 00:16:04,145 --> 00:16:06,940 I know-- Della, we need-- we need something, 288 00:16:06,940 --> 00:16:08,107 we need a roadmap. 289 00:16:08,107 --> 00:16:09,734 But first, we need to talk to our clients. 290 00:16:09,734 --> 00:16:11,945 - ♪ (TENSE MUSIC PLAYING) ♪ - Well, then we better start walking. 291 00:16:11,945 --> 00:16:14,113 We're due in court in 25 minutes. 292 00:16:15,114 --> 00:16:16,491 We'll have to ask for a recess. 293 00:16:16,491 --> 00:16:17,867 Then we'll need a damn good reason. 294 00:16:17,867 --> 00:16:19,494 The judge won't just grant us one. 295 00:16:19,494 --> 00:16:20,703 Make some shit up. 296 00:16:20,703 --> 00:16:22,330 Well, isn't that your department? 297 00:16:22,330 --> 00:16:23,998 - (ELEVATOR BELL DINGS) - Fair. 298 00:16:26,751 --> 00:16:29,963 (INDISTINCT CHATTER) 299 00:16:36,886 --> 00:16:38,179 BAILIFF: All rise. 300 00:16:46,354 --> 00:16:47,355 DURKIN: Be seated. 301 00:16:47,355 --> 00:16:48,773 - Your honor... - HAMILTON BURGER: Your honor, 302 00:16:48,773 --> 00:16:51,401 the people would like to request a recess 303 00:16:51,401 --> 00:16:54,529 so we may confer with defense counsel. 304 00:16:56,948 --> 00:17:00,201 Life in prison for both with no chance for parole 305 00:17:00,201 --> 00:17:03,788 regardless of which one admits to pulling the trigger. 306 00:17:03,788 --> 00:17:07,041 The Gallardos will be placed in San Quentin, 307 00:17:07,041 --> 00:17:10,962 no petitioning to be moved to a more lenient site 308 00:17:10,962 --> 00:17:14,382 at any point during the entire length of the incarceration. 309 00:17:14,382 --> 00:17:15,967 You mean their lifetimes? 310 00:17:15,967 --> 00:17:18,887 The brothers must confess in open court 311 00:17:18,887 --> 00:17:23,474 to the events of the evening, plead guilty to all charges, 312 00:17:23,474 --> 00:17:26,603 and allow their elocution to be... (CLEARS THROAT) 313 00:17:26,603 --> 00:17:28,771 ...broadcast on the radio. 314 00:17:32,650 --> 00:17:34,319 - It's a good offer. - HAMILTON: Mm. 315 00:17:34,319 --> 00:17:36,154 Ms. Street's right. 316 00:17:36,154 --> 00:17:37,780 I just want to know why you're making it. 317 00:17:37,780 --> 00:17:38,907 Yeah. 318 00:17:38,907 --> 00:17:40,909 'Cause you were right, Della, they're just kids. 319 00:17:42,201 --> 00:17:44,579 We've had enough suffering, the McCutcheon family, 320 00:17:44,579 --> 00:17:47,916 and yes, even the Gallardo family. (SIGHS) 321 00:17:47,916 --> 00:17:51,878 This trial is already putting the city on edge. 322 00:17:51,878 --> 00:17:53,546 And you were right too, Mason. 323 00:17:53,546 --> 00:17:55,340 I don't want things getting ugly. 324 00:17:55,340 --> 00:17:58,092 You know, compassion is also part of my job. 325 00:17:58,092 --> 00:18:00,094 Then let them suffer a little less. 326 00:18:00,094 --> 00:18:02,889 Twenty-five, and they come up for parole in 15. 327 00:18:02,889 --> 00:18:06,059 Not a chance. No, no, no. Anything less... (CHUCKLES) 328 00:18:06,059 --> 00:18:07,936 ...I would get strung up along with 'em. 329 00:18:07,936 --> 00:18:12,649 - Thirty, and they're eligible-- - Hamilton. What is all this? 330 00:18:12,649 --> 00:18:15,526 Because up until today, you were the hang-'em-high guy. 331 00:18:15,526 --> 00:18:17,779 Suddenly, you're the prince of mercy? 332 00:18:17,779 --> 00:18:19,155 THOMAS: You don't like the deal? 333 00:18:19,155 --> 00:18:21,324 You can let the train go by and take your chances on foot. 334 00:18:21,324 --> 00:18:24,744 Oh, I know you want me to. You gotta hate this deal. 335 00:18:24,744 --> 00:18:26,162 HAMILTON: Doesn't matter what he thinks. 336 00:18:26,162 --> 00:18:29,123 What I'm offering gets the death penalty off the table, 337 00:18:29,123 --> 00:18:32,627 saves your clients' lives. It's the best you're gonna do 338 00:18:32,627 --> 00:18:36,089 and as much as I am ever going to offer. 339 00:18:36,089 --> 00:18:37,382 Take it to your clients. 340 00:18:38,466 --> 00:18:40,551 Get back to me by the end of the day. 341 00:18:43,388 --> 00:18:45,556 (INDISTINCT CHATTER) 342 00:18:45,556 --> 00:18:48,017 Hamilton could barely look me in the eye. 343 00:18:48,643 --> 00:18:49,519 Who got to him? 344 00:18:49,519 --> 00:18:51,312 I don't know, Lydell, the councilman? 345 00:18:51,312 --> 00:18:52,689 Who else could it be? 346 00:18:54,107 --> 00:18:55,942 What do they know that we don't? 347 00:18:55,942 --> 00:18:58,152 And why would Ham give in to them? 348 00:19:05,868 --> 00:19:07,787 It wasn't just about getting some money. 349 00:19:09,080 --> 00:19:10,206 Then what was it? 350 00:19:11,416 --> 00:19:13,209 Truth this time. 351 00:19:13,209 --> 00:19:15,753 You know that big stadium they built a few years ago? 352 00:19:17,463 --> 00:19:20,091 McCutcheon Stadium? Sure. 353 00:19:20,091 --> 00:19:22,343 That used to be our neighborhood. 354 00:19:22,343 --> 00:19:25,179 - Our whole family lived there. - (BELL RINGING) 355 00:19:25,179 --> 00:19:26,472 The police... 356 00:19:27,765 --> 00:19:29,726 - they came in. - ♪ (PENSIVE MUSIC PLAYING) ♪ 357 00:19:29,726 --> 00:19:31,644 Like stampeding bulls, not giving a shit 358 00:19:31,644 --> 00:19:32,895 what they stomped on. 359 00:19:32,895 --> 00:19:34,897 - (KNOCKING ON DOOR) - POLICE OFFICER 1: LAPD, open up! 360 00:19:34,897 --> 00:19:37,608 POLICE OFFICER 2 OVER MEGAPHONE: You're all trespassing on McCutcheon property! 361 00:19:37,608 --> 00:19:39,610 - POLICE OFFICER 1: Police! - (ALL SCREAM) 362 00:19:39,610 --> 00:19:41,112 - (GROANS) - RAFAEL: Leave my brother alone! 363 00:19:41,112 --> 00:19:43,865 - (INDISTINCT CLAMORING) - LUISA: Mateo! 364 00:19:43,865 --> 00:19:47,035 - (CLAMORING CONTINUES) - (SOBBING) Mateo! 365 00:19:47,035 --> 00:19:49,704 (RAFAEL GROANS) Sofía! Let go of me! 366 00:19:49,704 --> 00:19:51,539 POLICE OFFICER 1: Burn it to the ground! 367 00:19:55,543 --> 00:19:58,337 (INDISTINCT CLAMOR) 368 00:19:58,337 --> 00:19:59,672 RAFAEL: And in all the confusion... 369 00:19:59,672 --> 00:20:01,382 - ROSANNA GALLARDO: Rafa! - POLICE OFFICER 3: Move, now! 370 00:20:01,382 --> 00:20:03,718 RAFAEL: ...we lost sight of our little sister. 371 00:20:03,718 --> 00:20:05,511 RAFAEL: Rossana! Rossana! 372 00:20:05,511 --> 00:20:08,222 - (ROSANNA SCREAMING) - RAFAEL: Rossana! 373 00:20:10,058 --> 00:20:11,559 Rosanna! 374 00:20:12,685 --> 00:20:15,813 - Rossana! - (ROSANNA SCREAMING) 375 00:20:17,523 --> 00:20:19,192 I could hear her screaming. 376 00:20:23,404 --> 00:20:24,614 Until I couldn't. 377 00:20:31,829 --> 00:20:34,957 I'm-- I'm sorry. I-- I can't even imagine. 378 00:20:40,797 --> 00:20:43,007 The DA has offered a deal. 379 00:20:47,470 --> 00:20:49,263 You both plead guilty. 380 00:20:50,848 --> 00:20:52,225 Life, no parole. 381 00:20:54,477 --> 00:20:56,604 - What if we don't take it? - Rafa. 382 00:20:56,604 --> 00:20:57,772 What would happen? 383 00:20:57,772 --> 00:20:59,816 You can't escape justice. You killed a man. 384 00:20:59,816 --> 00:21:02,652 Yes, but out of desperation. Out of hunger. 385 00:21:02,652 --> 00:21:05,029 - MATEO: I hated him. - We weren't the only ones. 386 00:21:09,575 --> 00:21:10,660 You took a life, 387 00:21:10,660 --> 00:21:13,246 for whatever reason. There's no taking that back. 388 00:21:14,622 --> 00:21:16,624 But like you just said, 389 00:21:16,624 --> 00:21:18,960 your finger wasn't the only one on that trigger. 390 00:21:18,960 --> 00:21:20,586 ♪ (TENSE MUSIC PLAYING) ♪ 391 00:21:20,586 --> 00:21:24,757 Now, whoever's pressuring the DA has got clout. 392 00:21:24,757 --> 00:21:28,344 And if they're pushing Burger with-- with just what we know, 393 00:21:28,344 --> 00:21:29,554 what happens when we dig in 394 00:21:29,554 --> 00:21:31,848 and get closer to who's really behind this? 395 00:21:31,848 --> 00:21:34,058 It'll make the DA offer something better. 396 00:21:34,934 --> 00:21:36,018 Wouldn't you? 397 00:21:36,769 --> 00:21:38,187 Yeah, I would. 398 00:21:38,187 --> 00:21:39,856 Well, we don't know anything more. 399 00:21:39,856 --> 00:21:41,899 You know who hired you. 400 00:21:41,899 --> 00:21:43,901 That's the first rung on the ladder. 401 00:21:46,362 --> 00:21:47,947 All I need is a name. 402 00:21:50,241 --> 00:21:52,535 - I'm in. - (SIGHS) 403 00:21:53,786 --> 00:21:56,414 - What about you, Mateo? - MATEO: I don't know. 404 00:21:58,082 --> 00:22:00,501 - It's risky. - So? 405 00:22:00,501 --> 00:22:01,919 What, you want to take the deal? 406 00:22:01,919 --> 00:22:03,963 At least Maria would still have a father she can come and see! 407 00:22:03,963 --> 00:22:05,339 I won't die in here! 408 00:22:06,424 --> 00:22:08,342 And it's like Mr. Mason said, 409 00:22:08,342 --> 00:22:10,261 we don't have to go down for this alone. 410 00:22:11,095 --> 00:22:13,055 But he can't guarantee anything. 411 00:22:14,348 --> 00:22:15,975 Can you? 412 00:22:15,975 --> 00:22:17,226 No. 413 00:22:23,733 --> 00:22:26,861 If we lose, you go to the gallows. I go home. 414 00:22:28,654 --> 00:22:30,239 So you decide if you trust me. 415 00:22:33,576 --> 00:22:35,870 ♪ (MUSIC FADES) ♪ 416 00:22:39,248 --> 00:22:41,375 (SIGHS) They're not taking it. 417 00:22:41,792 --> 00:22:42,793 No? 418 00:22:44,003 --> 00:22:46,881 This is good news. For both of us. 419 00:22:48,007 --> 00:22:49,717 HAMILTON: Tommy. 420 00:22:49,717 --> 00:22:54,222 You know, Mason passed the bar with only a few hours studying. 421 00:22:56,015 --> 00:22:58,100 He's a lot craftier than you think. 422 00:23:00,102 --> 00:23:01,395 (SCOFFS) 423 00:23:04,232 --> 00:23:05,399 (DOOR CLOSING) 424 00:23:07,276 --> 00:23:09,028 - (INDISTINCT CHATTER) - ♪ (GENTLE GUITAR PLAYING) ♪ 425 00:23:09,028 --> 00:23:11,739 - PAUL: Here he comes. - PERRY: I'm sorry. 426 00:23:11,739 --> 00:23:15,409 Took a couple hours for the boys to give up a name. (PANTS) 427 00:23:15,409 --> 00:23:19,413 - Ozzie Jackson. - He has rackets up on Central. 428 00:23:19,413 --> 00:23:21,958 Central? I don't think a guy like that's got beef 429 00:23:21,958 --> 00:23:24,335 with somebody like Brooks. We looking at a middleman. 430 00:23:24,335 --> 00:23:25,586 Right. 431 00:23:25,586 --> 00:23:28,339 Now we have a real chance to get 'em a better deal. 432 00:23:28,339 --> 00:23:30,841 Yesterday we would've killed for any deal. 433 00:23:30,841 --> 00:23:31,926 Della. 434 00:23:32,802 --> 00:23:35,388 I know how to fight this now. I do. 435 00:23:35,388 --> 00:23:38,224 Did you happen to get a description of this Ozzie Jackson fella? 436 00:23:38,224 --> 00:23:39,350 Yeah. 437 00:23:39,350 --> 00:23:41,769 Said you'll recognize him by his feet. 438 00:23:41,769 --> 00:23:43,646 He's always wearing Converse sneakers. 439 00:23:43,646 --> 00:23:49,026 ♪ (PENSIVE MUSIC PLAYING) ♪ 440 00:23:56,242 --> 00:23:57,827 Hey. 441 00:23:57,827 --> 00:24:00,913 You seen a grown man in sneakers working Central? 442 00:24:00,913 --> 00:24:03,124 You figured my outta-work-ass hanging on the corners 443 00:24:03,124 --> 00:24:06,794 with the hustlers and shit heels now, huh? (CHUCKLES) 444 00:24:06,794 --> 00:24:11,257 ♪ (JAZZ MUSIC PLAYING ON RADIO) ♪ 445 00:24:11,257 --> 00:24:12,758 Don't you worry, Mo. 446 00:24:12,758 --> 00:24:14,135 Clara's been looking at apartments, 447 00:24:14,135 --> 00:24:15,886 we'll be outta here real soon. 448 00:24:21,142 --> 00:24:22,393 Ain't no rush. 449 00:24:23,644 --> 00:24:24,687 Let me see. 450 00:24:32,570 --> 00:24:35,448 Yeah. Central and 43rd. 451 00:24:36,365 --> 00:24:38,451 He's part of Perkins' crew. 452 00:24:38,451 --> 00:24:40,828 You sure you want to be sticking your nose in all that? 453 00:24:42,163 --> 00:24:43,164 PAUL: Hmm. 454 00:24:44,582 --> 00:24:46,584 This case starting to feel... 455 00:24:47,835 --> 00:24:48,878 bigger than me. 456 00:24:51,756 --> 00:24:54,091 MORRIS: But that ain't sayin' much now, is it. 457 00:24:54,091 --> 00:24:56,135 Let me see that bicep again, Paul. 458 00:24:56,135 --> 00:24:57,470 (BOTH LAUGH) 459 00:24:57,470 --> 00:25:00,598 - Shut the fuck up. (LAUGHS) - (LAUGHS) 460 00:25:03,225 --> 00:25:04,268 Thank you, Mo. 461 00:25:05,895 --> 00:25:07,229 Anytime. 462 00:25:07,229 --> 00:25:11,692 ♪ (PENSIVE MUSIC PLAYING) ♪ 463 00:25:11,692 --> 00:25:15,071 (INDISTINCT CHATTER) 464 00:25:15,071 --> 00:25:16,447 A fella in Converse sneakers? 465 00:25:16,447 --> 00:25:17,656 - CITIZEN: No. - PAUL: No? 466 00:25:34,965 --> 00:25:37,218 ♪ (MUSIC TURNS DRAMATIC) ♪ 467 00:25:45,768 --> 00:25:48,938 ♪ (MUSIC CONCLUDES) ♪ 468 00:25:48,938 --> 00:25:51,565 ♪ (LIVE BAND PLAYING JAZZ MUSIC) ♪ 469 00:25:51,565 --> 00:25:55,903 (INDISTINCT CHATTER) 470 00:25:55,903 --> 00:25:57,446 For a Mr. Perkins. 471 00:26:20,803 --> 00:26:22,596 PERKINS: Where'd you get these? 472 00:26:22,596 --> 00:26:24,932 It was from the fella that took 'em. 473 00:26:24,932 --> 00:26:27,268 Those and all the other ones that's got you jammed up 474 00:26:27,268 --> 00:26:28,894 with them crackers downtown. 475 00:26:30,563 --> 00:26:33,774 Never had one damn problem down here. Ran clean. 476 00:26:33,774 --> 00:26:37,820 Now? I got eyes on me everywhere. 477 00:26:37,820 --> 00:26:40,197 Just waiting for old Perkins to act like the gangster nigger 478 00:26:40,197 --> 00:26:41,657 they want me to be. 479 00:26:44,368 --> 00:26:48,581 Well, Mr. Perkins, word is Ozzie Jackson 480 00:26:48,581 --> 00:26:50,624 the one paid them Mexican boys... 481 00:26:51,667 --> 00:26:54,086 to push the button on that McCutcheon kid. 482 00:26:55,129 --> 00:26:57,798 And, Mr. Perkins, somebody paid Ozzie. 483 00:26:57,798 --> 00:26:59,133 And I guess whatever he got, 484 00:26:59,133 --> 00:27:02,636 he must've forgot to-- to cut Mr. Perkins in. 485 00:27:04,221 --> 00:27:05,389 How much he get? 486 00:27:05,389 --> 00:27:07,850 PAUL: Well, I won't know that till you help me find him. 487 00:27:07,850 --> 00:27:11,687 However, if I know about Ozzie, 488 00:27:11,687 --> 00:27:14,273 then it's only a matter of time till the DA know, 489 00:27:14,273 --> 00:27:16,859 and if he connect that to you, then... 490 00:27:16,859 --> 00:27:18,903 Mr. Perkins, we ain't just talking about no 491 00:27:19,695 --> 00:27:22,156 years at San Quentin. 492 00:27:22,156 --> 00:27:24,492 We talking about a trip to the noose. 493 00:27:25,951 --> 00:27:28,496 Now, I know you out on bail until the trial 494 00:27:28,496 --> 00:27:31,040 for those racketeering charges. 495 00:27:31,040 --> 00:27:33,584 Only person that can testify to the authenticity 496 00:27:33,584 --> 00:27:35,753 of these photos is him what took 'em. 497 00:27:36,712 --> 00:27:38,881 And if he keep quiet, 498 00:27:38,881 --> 00:27:41,967 all the evidence they got against you get thrown out. 499 00:27:41,967 --> 00:27:43,844 So you help me get with Ozzie, 500 00:27:43,844 --> 00:27:47,389 and I'm gonna help you... get with Mr. Snaps. 501 00:27:49,558 --> 00:27:50,893 That's a fair trade. 502 00:27:53,812 --> 00:27:56,524 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 503 00:27:56,524 --> 00:28:00,361 (INDISTINCT CHATTER) 504 00:28:06,617 --> 00:28:07,701 (INHALES SHARPLY) 505 00:28:09,745 --> 00:28:11,038 (LIGHTER FLICKS) 506 00:28:13,749 --> 00:28:16,585 - ♪ (MUSIC CONCLUDES) ♪ - (SIRENS WAILING) 507 00:28:17,836 --> 00:28:19,338 (SIGHS) 508 00:28:26,971 --> 00:28:32,476 ♪ (PENSIVE MUSIC PLAYING) ♪ 509 00:28:55,666 --> 00:28:57,501 SEYMOUR BARSTON: The center ridges come from the right 510 00:28:57,501 --> 00:29:00,754 - and exit the same side here. - And this you would say 511 00:29:00,754 --> 00:29:02,840 is the distinguishing characteristic 512 00:29:02,840 --> 00:29:04,258 of Rafael Gallardo's fingerprint? 513 00:29:04,258 --> 00:29:07,261 - SEYMOUR: Yes. - Now, just so we're very clear 514 00:29:07,261 --> 00:29:08,512 for the jury. 515 00:29:08,512 --> 00:29:10,347 It's basically impossible 516 00:29:10,347 --> 00:29:11,432 for two people to have 517 00:29:11,432 --> 00:29:13,309 the exact same fingerprint pattern? 518 00:29:13,309 --> 00:29:15,477 - That is correct. - THOMAS: Now, Mr. Barston, 519 00:29:15,477 --> 00:29:18,731 there is a photograph just to the left of the jury 520 00:29:18,731 --> 00:29:20,774 of the steering wheel of Mr. McCutcheon's car 521 00:29:20,774 --> 00:29:22,276 where a fingerprint was found. 522 00:29:22,276 --> 00:29:24,987 Now, you've compared that with Mr. Gallardo's, correct? 523 00:29:24,987 --> 00:29:26,447 - Yes. - THOMAS: And what did you conclude? 524 00:29:26,447 --> 00:29:29,700 Uh, the loop pattern and individual characteristics, 525 00:29:29,700 --> 00:29:32,161 I've identified 12 of them, all match. 526 00:29:32,161 --> 00:29:33,829 - (JURY MEMBER CLEARS THROAT) - THOMAS: Meaning? 527 00:29:33,829 --> 00:29:35,998 Uh, the print on the steering wheel 528 00:29:35,998 --> 00:29:37,666 is Rafael Gallardo's. 529 00:29:38,542 --> 00:29:39,835 THOMAS: Thank you, Mr. Barston. 530 00:29:42,171 --> 00:29:43,213 PERRY: Mr. Barston. 531 00:29:43,213 --> 00:29:46,634 Would you mind if we did a little experiment? 532 00:29:46,634 --> 00:29:47,676 Experiment? 533 00:29:47,676 --> 00:29:49,428 Yes, uh, a fingerprint experiment. 534 00:29:49,428 --> 00:29:51,513 Your honor, this is a courtroom, 535 00:29:51,513 --> 00:29:53,098 not a grammar school science lesson. 536 00:29:53,098 --> 00:29:55,100 - What is the purpose of this, Mr. Mason? - (CROWD LAUGHING) 537 00:29:55,100 --> 00:29:56,560 PERRY: Oh, we-- I'm trying to establish 538 00:29:56,560 --> 00:29:58,020 not just what fingerprints look like, 539 00:29:58,020 --> 00:29:59,396 but how this whole process works, 540 00:29:59,396 --> 00:30:01,690 and I do think it's necessary for the jury 541 00:30:01,690 --> 00:30:03,567 to fully understand the evidence. 542 00:30:03,567 --> 00:30:04,818 Keep it brief. 543 00:30:04,818 --> 00:30:07,529 Thank you, your honor. M-- may I? Thank you. 544 00:30:07,529 --> 00:30:09,698 Now, Mr. Barston... 545 00:30:09,698 --> 00:30:12,034 would you please choose a thumb and place it firmly 546 00:30:12,034 --> 00:30:13,452 on this ink blotter? 547 00:30:14,119 --> 00:30:15,204 Thank you. Now, 548 00:30:15,204 --> 00:30:18,207 would you place that thumb down on this piece of paper? 549 00:30:19,208 --> 00:30:21,752 Perfect. Take that same thumb, 550 00:30:21,752 --> 00:30:23,212 press it on the ink blotter once again. 551 00:30:23,212 --> 00:30:26,465 Now, instead of placing it down on that piece of paper, 552 00:30:26,465 --> 00:30:30,177 this time, could you please place it on this 553 00:30:30,177 --> 00:30:32,930 piece of tape, sticky-side up? 554 00:30:35,099 --> 00:30:38,227 Thank you. Now, Mr. Barston, 555 00:30:38,227 --> 00:30:41,188 when you look at the two images of your own thumb, 556 00:30:41,188 --> 00:30:42,898 what do you notice? 557 00:30:42,898 --> 00:30:45,943 One is slightly more smudged than the other. 558 00:30:45,943 --> 00:30:47,194 Nothing else? 559 00:30:47,194 --> 00:30:49,697 Uh, well, because you used the tape, one is backwards. 560 00:30:49,697 --> 00:30:51,573 One is backwards. 561 00:30:51,573 --> 00:30:56,829 Precisely. One is backwards. Now, with that in mind... 562 00:30:56,829 --> 00:31:00,457 would you please take a closer look at this photograph 563 00:31:00,457 --> 00:31:02,751 of Rafael Gallardo's left forefinger 564 00:31:02,751 --> 00:31:06,213 and the other, same finger, same fingerprint but discovered 565 00:31:06,213 --> 00:31:08,298 on Brooks McCutcheon's steering wheel 566 00:31:08,298 --> 00:31:09,883 and tell me the difference? 567 00:31:10,634 --> 00:31:12,469 I-- I don't see any difference. 568 00:31:12,469 --> 00:31:14,680 PERRY: And you're right because they're a match, 569 00:31:14,680 --> 00:31:15,889 but there is one problem. 570 00:31:15,889 --> 00:31:19,935 This image was developed with a backward negative. 571 00:31:19,935 --> 00:31:22,688 Now, we know this because the numbers and letters 572 00:31:22,688 --> 00:31:25,190 on the side of the negative are reversed. 573 00:31:25,190 --> 00:31:26,859 Oh, pretty hard to see, 574 00:31:26,859 --> 00:31:30,112 so I took the liberty of blowing them up. 575 00:31:31,029 --> 00:31:33,949 This is the corrected image. 576 00:31:35,451 --> 00:31:39,371 Now, with that corrected image in mind, 577 00:31:39,371 --> 00:31:42,541 would you please, Mr. Barston... 578 00:31:42,541 --> 00:31:46,253 take another look at these two images... 579 00:31:48,964 --> 00:31:50,841 and tell me the difference? 580 00:31:51,800 --> 00:31:53,594 The fingerprint is backwards. 581 00:31:54,344 --> 00:31:56,430 The fingerprint is backwards. 582 00:31:56,430 --> 00:31:59,641 Mr. Barston, is it possible that the defendant 583 00:31:59,641 --> 00:32:04,146 could place his own fingerprint on the steering wheel backwards? 584 00:32:04,146 --> 00:32:05,314 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 585 00:32:05,314 --> 00:32:06,982 No, it's-- it's not possible naturally. 586 00:32:06,982 --> 00:32:08,984 PERRY: Only someone who had taken his fingerprint 587 00:32:08,984 --> 00:32:11,028 and tried to transfer it could, 588 00:32:11,028 --> 00:32:14,114 so that it would produce a mirror image, am I correct? 589 00:32:14,114 --> 00:32:15,282 Yes. 590 00:32:15,282 --> 00:32:16,992 Someone like the police or Mr. Milligan's investigators. 591 00:32:16,992 --> 00:32:18,911 - Objection, complete speculation! - (CROWD MURMURING) 592 00:32:18,911 --> 00:32:20,037 (CAMERA SHUTTERS CLICK) 593 00:32:20,037 --> 00:32:21,955 PERRY: No further questions, your honor, thank you! 594 00:32:21,955 --> 00:32:23,957 - (GAVEL BANGING) - DURKIN: Sustained. 595 00:32:23,957 --> 00:32:27,044 The jury will disregard Mr. Mason's latest comment. 596 00:32:27,044 --> 00:32:29,296 (GAVEL BANGING) 597 00:32:29,296 --> 00:32:31,131 - DURKIN: Order! - No, they won't. 598 00:32:41,141 --> 00:32:43,018 I'm not sure I should be doing this. 599 00:32:43,477 --> 00:32:44,603 Just trust me. 600 00:32:46,355 --> 00:32:50,275 ♪ (PIANO MUSIC PLAYING IN DISTANCE) ♪ 601 00:32:52,194 --> 00:32:54,112 - MYRTLE: Hi. - ANITA ST. PIERRE: Hey, there. 602 00:32:57,282 --> 00:33:00,202 (INDISTINCT CHATTER) 603 00:33:01,662 --> 00:33:02,746 DEE DEE'S SINGER: ♪ Green celebs ♪ 604 00:33:02,746 --> 00:33:05,123 ♪ And stage satellites Social deads ♪ 605 00:33:05,123 --> 00:33:06,834 ♪ And higher hat-a-lites ♪ 606 00:33:06,834 --> 00:33:11,213 ♪ Masses, classes Doing the uptown lowdown ♪ 607 00:33:11,213 --> 00:33:14,508 ♪ Where they spend Their simoleons just to watch ♪ 608 00:33:14,508 --> 00:33:18,053 ♪ Those Creoleans Skipping, hipping ♪ 609 00:33:18,053 --> 00:33:19,346 I'm gonna meet some of my friends. 610 00:33:19,346 --> 00:33:20,639 ♪ Doing the uptown lowdown ♪ 611 00:33:20,639 --> 00:33:23,267 ♪ You'll find laughter After midnight ♪ 612 00:33:23,267 --> 00:33:27,938 ♪ That's their playtime Their hidey-hey-time ♪ 613 00:33:27,938 --> 00:33:30,357 - ♪ What prices, amen ♪ - Yeah! 614 00:33:30,357 --> 00:33:32,442 ♪ Bankers With their Cinderella-tives ♪ 615 00:33:32,442 --> 00:33:37,239 ♪ I'm lonesome and blue But when I look at you ♪ 616 00:33:37,239 --> 00:33:41,577 ♪ There's one thing I know it's true... ♪ 617 00:33:41,577 --> 00:33:42,911 Are you enjoying it? 618 00:33:43,745 --> 00:33:44,913 Immensely. 619 00:33:45,747 --> 00:33:47,374 - Good. - (CHUCKLES) 620 00:33:47,374 --> 00:33:48,292 You deserve it. 621 00:33:48,292 --> 00:33:50,335 After your heroics in court today. 622 00:33:50,335 --> 00:33:51,962 Oh, that was mostly Perry. 623 00:33:51,962 --> 00:33:55,007 ♪ I've waited a lifetime, I've waited a nighttime... ♪ 624 00:33:55,007 --> 00:33:57,843 Was he in the courtroom? I didn't notice. 625 00:33:57,843 --> 00:33:59,553 ♪...Made me blue ♪ 626 00:33:59,553 --> 00:34:04,391 ♪ I wouldn't be waiting I wouldn't be hating ♪ 627 00:34:04,391 --> 00:34:08,228 ♪ If I had a girl like you ♪ 628 00:34:09,688 --> 00:34:12,399 - Oh, I almost forgot. - What? 629 00:34:13,108 --> 00:34:13,984 I love you too. 630 00:34:13,984 --> 00:34:18,447 ♪ ...I'm feeling the way I do ♪ 631 00:34:18,447 --> 00:34:23,619 ♪ I hope That I've found someone ♪ 632 00:34:23,619 --> 00:34:26,747 ♪ Who really can be true ♪ 633 00:34:26,747 --> 00:34:31,335 ♪ I wouldn't be dreaming I wouldn't be scheming ♪ 634 00:34:31,335 --> 00:34:34,421 ♪ If I had a girl like you ♪ 635 00:34:34,421 --> 00:34:37,758 - ♪ (SONG CONCLUDES) ♪ - (BRUSHING AGAINST WOOD) 636 00:34:48,060 --> 00:34:50,145 - Hello. (CHUCKLES) - PERRY: Hi. Now, I know that 637 00:34:50,145 --> 00:34:53,398 the dip you brought over didn't quite curl your toes, 638 00:34:53,398 --> 00:34:56,026 but these are pickles from Canter Brothers 639 00:34:56,026 --> 00:34:57,653 on Brooklyn Avenue. 640 00:34:59,154 --> 00:35:02,157 Much more romantic than flowers. Thank you. 641 00:35:02,157 --> 00:35:03,450 PERRY: You're welcome. 642 00:35:05,911 --> 00:35:07,329 You have a nice place. 643 00:35:08,205 --> 00:35:09,414 Thank you. 644 00:35:13,377 --> 00:35:15,170 Is there anything you don't do? 645 00:35:16,088 --> 00:35:17,214 Small talk. 646 00:35:20,133 --> 00:35:21,259 Noted. 647 00:35:22,552 --> 00:35:23,929 GINNY AMES: I heard on the radio 648 00:35:23,929 --> 00:35:26,181 things went well for you in court today. 649 00:35:26,181 --> 00:35:27,641 ♪ (SOFT MUSIC PLAYING) ♪ 650 00:35:27,641 --> 00:35:32,312 Yeah. Yeah, I guess we might've turned a corner. 651 00:35:32,312 --> 00:35:33,397 GINNY: Hmm. 652 00:35:35,148 --> 00:35:38,860 I guess you might have more of a case than you thought? 653 00:35:41,154 --> 00:35:42,280 I guess. 654 00:35:43,073 --> 00:35:46,243 - Hmm. - Do you want a hand? 655 00:35:47,494 --> 00:35:48,537 I do. 656 00:35:49,913 --> 00:35:50,914 Okay. 657 00:35:51,915 --> 00:35:53,208 Take off your shirt. 658 00:35:54,626 --> 00:35:55,919 Might get dirty. 659 00:36:05,429 --> 00:36:08,348 - (DOOR SLAMS) - ♪ (MUSIC CONCLUDES) ♪ 660 00:36:08,348 --> 00:36:09,808 Yeah, yeah, I can get there. 661 00:36:12,019 --> 00:36:13,353 How'd you find me? 662 00:36:14,479 --> 00:36:15,480 Okay. 663 00:36:17,649 --> 00:36:20,444 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 664 00:36:20,444 --> 00:36:21,737 I'll be back soon. 665 00:36:26,116 --> 00:36:27,117 Sorry. 666 00:36:28,201 --> 00:36:31,872 (DOOR OPENING, CLOSING) 667 00:36:56,104 --> 00:36:57,189 Right this way. 668 00:37:02,194 --> 00:37:04,946 - OZZIE JACKSON: They got some real nice clubs up there. - (PERKINS LAUGHING) 669 00:37:04,946 --> 00:37:07,365 OZZIE: We had us a good old time. Mm-hmm. 670 00:37:07,365 --> 00:37:09,201 Our inquiring man. 671 00:37:17,000 --> 00:37:18,085 I don't know you. 672 00:37:18,085 --> 00:37:21,046 You do now. So accommodate our guest. 673 00:37:21,671 --> 00:37:22,839 Go ahead. 674 00:37:26,927 --> 00:37:29,930 You paid the Gallardo brothers to shoot Brooks McCutcheon? 675 00:37:29,930 --> 00:37:33,141 What? Man, I'm not talking to this nigga. (GROANS) 676 00:37:33,141 --> 00:37:35,769 PERKINS: You gonna answer every question this man's got. 677 00:37:35,769 --> 00:37:37,270 One way or the other. 678 00:37:39,815 --> 00:37:41,399 Now, hold up, professor. 679 00:37:41,399 --> 00:37:44,069 Before we get to the other side of this conversation, 680 00:37:44,069 --> 00:37:46,321 I think you need to pay your admission. 681 00:37:47,072 --> 00:37:48,115 So now... 682 00:37:49,408 --> 00:37:50,700 who's my Judas? 683 00:37:53,078 --> 00:37:54,704 I'm afraid you lookin' at him. 684 00:37:56,414 --> 00:37:58,208 Now, it wasn't supposed to go the way that it did, 685 00:37:58,208 --> 00:38:01,503 but I ain't gonna testify against you, you got my word. 686 00:38:01,503 --> 00:38:04,131 Your word? That it? 687 00:38:04,131 --> 00:38:05,799 That's all I got. What else you need? 688 00:38:05,799 --> 00:38:07,968 I need you to understand whose kingdom you in. 689 00:38:07,968 --> 00:38:09,261 ♪ (TENSE MUSIC PLAYING) ♪ 690 00:38:09,261 --> 00:38:11,346 I ain't mean no disrespect, Mr. Perkins. 691 00:38:11,346 --> 00:38:14,182 And yet disrespect lingers in the air. 692 00:38:14,182 --> 00:38:16,643 - Come on, now. - N-- Whoa, whoa. 693 00:38:18,687 --> 00:38:21,231 Let's see what Mr. Word's really made of. 694 00:38:21,231 --> 00:38:22,566 You want answers? 695 00:38:22,566 --> 00:38:25,402 You gonna have to put a beat on the man till your fist ache. 696 00:38:25,402 --> 00:38:27,487 What-- Wait, what? 697 00:38:27,487 --> 00:38:30,866 - Hey! (GRUNTS) Hold on. Hold on. - What if I don't? 698 00:38:30,866 --> 00:38:34,494 Then I'mma cut your fist clean off to the fucking bone. 699 00:38:34,494 --> 00:38:36,413 OZZIE: What the fuck? Let me go. 700 00:38:42,544 --> 00:38:44,171 I ain't got nothing to do with this. 701 00:38:44,171 --> 00:38:46,173 I don't even know what you talking about. 702 00:38:46,173 --> 00:38:48,341 Mr. Perkins, please. I never disrespect you, man. 703 00:38:48,341 --> 00:38:51,595 You known me since a kid. Mr. Perkins, please. 704 00:38:56,850 --> 00:38:59,686 - Look at me. - (BREATHES HEAVILY) 705 00:38:59,686 --> 00:39:01,730 Did you pay the Gallardo brothers? 706 00:39:02,939 --> 00:39:05,859 - (SIGHS) - (GROANS) 707 00:39:06,985 --> 00:39:09,029 Who paid you to do a hit? 708 00:39:09,029 --> 00:39:11,323 I do-- I don't know his name. 709 00:39:11,323 --> 00:39:12,908 (INHALES SHARPLY) 710 00:39:13,825 --> 00:39:18,538 - (GROANS, COUGHS) - Who? Who? 711 00:39:18,538 --> 00:39:21,666 Some fancy cracker I had dealings with before. 712 00:39:21,666 --> 00:39:23,418 Wait, what you mean before? 713 00:39:23,418 --> 00:39:28,215 Got a hophead for a wife. Coming down for years to score. 714 00:39:28,215 --> 00:39:29,799 Two, three times a week. 715 00:39:29,799 --> 00:39:32,219 He found out and paid me to stop selling dope to her. 716 00:39:32,219 --> 00:39:36,139 I ain't seen him since he came for the snuff job. 717 00:39:36,139 --> 00:39:37,224 How much you get then? 718 00:39:37,224 --> 00:39:39,017 (OZZIE BREATHING HEAVILY) Aw, man. 719 00:39:40,685 --> 00:39:42,187 (SIGHS) 720 00:39:43,355 --> 00:39:44,689 (GROANS, COUGHS) 721 00:39:49,069 --> 00:39:51,279 - (GRUNTS) - Ten Gs! 722 00:39:51,279 --> 00:39:52,948 Okay, and then you-- and then you gave two grand 723 00:39:52,948 --> 00:39:54,950 to the Gallardos off the top? 724 00:39:54,950 --> 00:39:56,785 You brought all that heat down here and didn't kick 725 00:39:56,785 --> 00:39:58,787 - nothing back to me? Nigga-- - PAUL: Wait, wait. 726 00:39:58,787 --> 00:40:00,872 - Okay, what about the deal? - (OZZIE BREATHING HEAVILY) Fuck. 727 00:40:00,872 --> 00:40:03,291 The deal. You stopped selling H to his wife. 728 00:40:03,291 --> 00:40:04,751 OZZIE: She ain't been around in a while. 729 00:40:04,751 --> 00:40:08,213 But if she ain't dead, they always come back. 730 00:40:08,213 --> 00:40:11,549 Listen, look at me. What kinda car she drive? 731 00:40:11,549 --> 00:40:14,344 I don't know the make. Lincoln maybe. 732 00:40:14,344 --> 00:40:15,887 Blue thing, that's all I can tell you. 733 00:40:15,887 --> 00:40:17,555 Okay, okay, okay. 734 00:40:17,555 --> 00:40:18,807 - OZZIE: Fuck! - Okay. 735 00:40:19,975 --> 00:40:23,728 - I got everything I need now. - I don't think you did. 736 00:40:23,728 --> 00:40:26,523 Look like this boy still holding out on you. 737 00:40:26,523 --> 00:40:29,985 So we ain't leaving until you get a full confession. 738 00:40:29,985 --> 00:40:33,905 - OZZIE: Please, man. - And he atone for his sin. 739 00:40:33,905 --> 00:40:36,491 Come on, man. Motherfucker, I told you everything I know! 740 00:40:36,491 --> 00:40:40,412 Please! Perk, you ain't gotta do this! Please, man! 741 00:40:42,163 --> 00:40:43,373 No more. 742 00:40:44,874 --> 00:40:46,710 (GROANS) Please no! 743 00:40:48,211 --> 00:40:49,504 No! Please! 744 00:41:13,945 --> 00:41:15,655 (EXHALES DEEPLY) 745 00:41:36,760 --> 00:41:38,094 - CLARA DRAKE: You okay? - (SIGHS) 746 00:41:38,928 --> 00:41:41,181 - Yeah, yeah. - CLARA: Hmm. 747 00:41:44,976 --> 00:41:46,019 What's wrong? 748 00:41:49,064 --> 00:41:50,065 Hmm? 749 00:41:54,110 --> 00:41:55,111 Clara... 750 00:41:58,198 --> 00:41:59,240 CLARA: Hmm? 751 00:42:01,826 --> 00:42:02,994 Am I good? 752 00:42:07,374 --> 00:42:08,667 You're good, baby. 753 00:42:12,629 --> 00:42:13,797 You're good. 754 00:42:26,476 --> 00:42:27,477 Rest. 755 00:42:29,187 --> 00:42:30,438 Rest, baby. 756 00:42:30,438 --> 00:42:32,732 - Okay. - Hmm. (INHALES DEEPLY) 757 00:42:35,693 --> 00:42:39,989 ♪ (DRAMATIC MUSIC PLAYING) ♪ 758 00:42:48,248 --> 00:42:50,375 - You wanted to see me, boss? - THOMAS: Give me a moment. 759 00:42:51,751 --> 00:42:53,920 (PEN SCRIBBLING) 760 00:43:09,561 --> 00:43:12,355 - How well do you know Mason? - I know him. 761 00:43:13,064 --> 00:43:14,315 Do you two talk shop? 762 00:43:16,860 --> 00:43:17,986 We used to. 763 00:43:19,154 --> 00:43:20,405 When we had a few. 764 00:43:21,739 --> 00:43:24,325 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 765 00:43:24,325 --> 00:43:25,702 Shut the door. 766 00:43:42,635 --> 00:43:45,472 ♪ (MUSIC CONCLUDES) ♪ 767 00:43:45,930 --> 00:43:46,973 DELLA: Hey. 768 00:43:48,516 --> 00:43:49,893 HAZEL PRYSTOCK: Where were you last night? 769 00:43:49,893 --> 00:43:52,020 Perry and I were at the office all night 770 00:43:52,020 --> 00:43:55,857 preparing the files for today. And strategizing on how to cut 771 00:43:55,857 --> 00:43:58,985 through the jury's preconceived bias. 772 00:43:58,985 --> 00:44:00,153 I mean, 773 00:44:00,153 --> 00:44:02,697 I'm confident on who we settled on, but still. (SIGHS) 774 00:44:02,697 --> 00:44:04,741 You weren't at the office, Della. 775 00:44:05,950 --> 00:44:07,076 I called. 776 00:44:10,205 --> 00:44:12,165 We must not have heard the phone ringing. 777 00:44:12,165 --> 00:44:14,459 If something's going on, then just tell me. 778 00:44:17,212 --> 00:44:18,213 I... 779 00:44:21,591 --> 00:44:22,967 I was working. 780 00:44:26,054 --> 00:44:27,639 You fucking coward. 781 00:44:30,892 --> 00:44:32,101 (DOOR SLAMMING) 782 00:44:33,645 --> 00:44:34,646 Shit. 783 00:44:36,356 --> 00:44:37,565 (DOOR SLAMMING) 784 00:44:38,900 --> 00:44:41,402 (BREATHES HEAVILY) 785 00:44:42,487 --> 00:44:44,322 (ELEVATOR BELL DINGS) 786 00:44:52,997 --> 00:44:55,083 (KEYS RATTLING) 787 00:44:59,003 --> 00:45:02,841 (TOY TRAIN RUMBLING) 788 00:45:26,573 --> 00:45:32,245 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 789 00:45:53,391 --> 00:46:00,064 ♪ (THEME MUSIC PLAYING) ♪ 790 00:47:45,294 --> 00:47:47,171 ♪ (THEME MUSIC CONCLUDES) ♪