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The following programme contains
strong language and violent scenes.

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NEWSREADER: 'The populist politician
Manfred Fest

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was struck by a sniper in Munich.

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Fest was visiting his son,
Elias Fest

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at the Saint Elizabeth hospital.'

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(CRIES OUT)

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'This has sparked speculation

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concerning a connection
between these incidents.'

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When a sniper finds a rifle

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that allows him to make
a shot at that distance,

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that rifle is a keeper.

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There's a gun maker
who's been trying to do this.

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His name is Norman Stoke.

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'I have an asset in Belfast.
Codename Sparrow.'

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If Larry knew who I was talking to,
he'd kill me.

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She has a daughter, Emma.
EMMA: Whose streets?

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'I know I can find him.'
Don't let me down.

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Who's the target?
Ulle Dag Charles.

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River is a revolutionary technology.

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Can you get to him?
It'll cost.

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(SCOFFS)

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We've got a serious problem
with your student.

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She's arrested.

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CELESTE: # Some flowers

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♪ Never get to bloom and see the day

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♪ Some flowers

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♪ Are content to wish
Their lives away

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♪ Some may rise

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♪ And some may fall

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♪ But only

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♪ You may

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♪ Ever

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♪ See me true

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♪ So, only

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♪ You can

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♪ Tell that

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♪ This is who I am

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♪ This is who I am!

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♪ No lie

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♪ Know that

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♪ This is who I am ♪

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♪ SAM BROOKES: Black Feathers ♪

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♪ Not always lookin' to be found

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♪ Not always here

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♪ When you come around

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♪ Black feathers lay at my window

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♪ Bright morning

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♪ Come around

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♪ Black feathers
Smoke across the room

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♪ Bright morning

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♪ Come around ♪

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(MUSIC ENDS)

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NEWSREADER: 'In Germany,
supporters of Manfred Fest

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continue to call for the upcoming
federal elections to be postponed.

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His political opponents deny
that their resistance to this

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(PHONE BUZZES)'...is a mark of
disrespect to Fest and his family.

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Manfred Fest's son Elias
was also...'

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Who's Sparrow?
(PHONE CONTINUES BUZZING)

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(COFFEE POT CLATTERS)
Here, gimme.

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Gimme, gimme.
Gimme, gimme, gimme, gimme.

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Uhf...

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Alison, just give me a moment.
Morning.

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ALISON: 'You're a fucking bitch,
you know that?'

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Alison, what's going on?

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'Don't tell me
this is a coincidence.'

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You suddenly turning up out the blue
and next thing Emma's arrested.

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(TAP RUNNING)'They're not
letting me speak to her.

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And I know you're doing this
to get at me.'

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I've got nothing to do with it.

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'You're a liar.'

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Why are you calling me, Alison?

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'You know fucking fine rightly
why I'm calling.'

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I know you can get her out.

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You got me out.

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Yeah, you had something
to offer back then.

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Just get me Norman's phone number,
and I'll do the rest.

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'And I want it today.'
(PHONE CLICKS)

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(PENSIVE MUSIC)

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(SHE SIGHS)

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(SHE EXHALES)

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(TAP STOPS RUNNING)

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(SHE SIGHS)

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(INSECTS CHIRPING)

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(WATER BUBBLING GENTLY,
BIRDS CALLING)

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(INHALES, EXHALES)

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(OMINOUS MUSIC)

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(DISTANT WOMAN AND CHILD CHATTERING)

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The preliminary report says Emma had
a preexisting heart condition.

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She could've died anywhere.

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But she died in a police cell
and you put her there.

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The man who killed Manfred Fest
will kill again, unless we stop him.

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So, collateral damage?

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I wouldn't put it that way.

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What way would you put it?

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A girl died who shouldn't have died.

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This is Mr Carver.
He cleans up messes for us.

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And you're very lucky
he's here to clean up yours.

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The girl was in police custody.

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That makes the police
legally responsible,

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but it is my job to make certain,

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one hundred percent,

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that MI6 can't be connected
in any way.

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So...
(SHE SIGHS)

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...who knows you were
at the police station?

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Everything went through Gillespie.

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The copper?
Yeah.

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He's the only one
who even knows my name.

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I'll have a word with Gillespie,

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make sure no-one else
can identify her.

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Anyone else?
No.

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You're sure?
Yes.

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Let's hope Gillespie can be trusted.

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We need to close
this operation down, now.

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I spoke to Sparrow this morning.
She's on the hook.

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Did you tell her
that her daughter's dead?!

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I did not.

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You're in a hole
and you want to keep digging?

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A major political figure
has been assassinated,

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and there's a strong probability
that the gun was made

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by a British gunmaker,
and I have a lead on him.

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(SHE SCOFFS) Are you saying
we should just walk away?

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This is a wild goose chase and isn't
helping our department's reputation.

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We should offload this
to the Central Europe desk.

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I promised the Germans we'd help.

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(SHE SIGHS)
Emma's...

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...is unfortunate,
but it's ends and means.

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And in this instance, ends trump.

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Alison cannot find out about Emma.

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Once that news breaks,
I've lost her.

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I can buy you some time.

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How long?
Twenty-four hours maybe.

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You'd better get to work.

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(PHONE RINGS OUT)

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(SOFTLY) Come on.

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ALISON: 'Yes?'

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I've got some good news.

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'I've talked to my bosses
and I can get Emma out.

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Great, right?'
Yes.

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'But I need you to get me Norman's
phone number, and I need it today.'

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Don't worry, Emma'll be home soon.

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(INTRIGUING MUSIC)

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(FAN WHIRRS)

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(MUSIC INTENSIFIES)

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(DOOR OPENS)

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(SHE SPEAKS SPANISH)

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Morning.

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Hmm. I can see when you are...

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(IN SPANISH)

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When you go to that place you go
when you are thinking about work.

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(SOFTLY) I'm here.
Hm...

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Only half.
(CHUCKLES SOFTLY)

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Tell the other half to come.

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I miss him.
(HE CHUCKLES)

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There's someone
I've been working with, has, um...

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Well, they've misunderstood
their obligations to me.

156
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Is it money?
Yeah.

157
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A lot?
Yeah.

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(IN SPANISH)

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What are you gonna do?

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It's not just the money.

161
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It's that if it were to get out
that someone had...

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got away without paying me,
it, it hurts the brand.

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Which is a problem.

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I know.

165
00:12:14,477 --> 00:12:17,276
And if he steals from you...

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...he steals from your family,

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which is me and Carlitos.

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00:12:22,037 --> 00:12:24,876
So you tell me where he lives,
and I get the money he owes.

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(HE LAUGHS)
What?

170
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I will do it, trust me.
Yeah, I don't fucking doubt it.

171
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I do not doubt that.

172
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But don't worry, I'll sort it.

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There's another deal brewing.

174
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Is it big?

175
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Well, it would mean that I could
spend a lot more time with you two.

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The people you work for think that

177
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because they pay you
a lot of money, they...

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...own your soul.

179
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What is that look?

180
00:13:07,677 --> 00:13:09,077
What?

181
00:13:10,757 --> 00:13:14,796
Sometimes you look at me and...
What?

182
00:13:14,797 --> 00:13:17,116
I don't know.

183
00:13:17,117 --> 00:13:19,556
No, what do you mean?
Sometimes you look at me?

184
00:13:19,557 --> 00:13:21,396
And... what do you mean?
I don't know.

185
00:13:21,397 --> 00:13:23,437
Sometimes you look at me and what?

186
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(HUSHED) What do you see?

187
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I see a motherfucker.
Fuck you.

188
00:13:32,637 --> 00:13:34,677
(MUFFLED LAUGHTER)

189
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(BOTH BREATHE HEAVILY)

190
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MAN: I was shaving this morning,

191
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and it hit me.

192
00:14:30,157 --> 00:14:32,876
The economists are wrong.

193
00:14:32,877 --> 00:14:36,116
We could easily lose
half the world's population

194
00:14:36,117 --> 00:14:38,436
and there'd be no downside.

195
00:14:38,437 --> 00:14:40,797
Would have to be the right half,
of course.

196
00:14:42,037 --> 00:14:43,956
Now, the question is,

197
00:14:43,957 --> 00:14:47,756
can we trust the man
who killed Manfred Fest?

198
00:14:47,757 --> 00:14:51,396
Leonora asked me to find you
the best. That's what I've done.

199
00:14:51,397 --> 00:14:53,076
He's clearly capable,

200
00:14:53,077 --> 00:14:55,556
but a hundred mil is
a hell of a lot of money to spend.

201
00:14:55,557 --> 00:14:57,316
Well, we only pay if he delivers.

202
00:14:57,317 --> 00:15:00,316
And if he delivers,
it'll be worth it.(TV CLICKS ON)

203
00:15:00,317 --> 00:15:02,116
(AUDIENCE CHEERS AND APPLAUDS)
Thank you.

204
00:15:02,117 --> 00:15:04,197
Good to see you.
Thanks for coming in.

205
00:15:05,437 --> 00:15:09,156
Ulle Dag Charles, you're about
to launch a product, River,

206
00:15:09,157 --> 00:15:13,476
which you're promising will deliver
global economic justice.

207
00:15:13,477 --> 00:15:17,396
Why is the richest man on the planet
so interested in economic justice?

208
00:15:17,397 --> 00:15:20,156
Well, we should all be interested
in economic justice.

209
00:15:20,157 --> 00:15:23,157
It's a simple as that. Right?
(APPLAUSE)

210
00:15:25,157 --> 00:15:28,436
Your parents were leftist radicals.
(HE CHUCKLES)

211
00:15:28,437 --> 00:15:30,596
Some would say you're trying
to please Mom and Dad.

212
00:15:30,597 --> 00:15:32,796
Oh, come on.
(LAUGHTER)

213
00:15:32,797 --> 00:15:35,556
Look, money runs like water

214
00:15:35,557 --> 00:15:37,596
into the pockets of the superrich

215
00:15:37,597 --> 00:15:39,596
and stays there.

216
00:15:39,597 --> 00:15:43,396
Instead it should run into
reservoirs for future generations.

217
00:15:43,397 --> 00:15:45,956
(AUDIENCE WHOOPS AND APPLAUDS)

218
00:15:45,957 --> 00:15:48,276
And the only way to do that

219
00:15:48,277 --> 00:15:50,837
is total financial transparency.

220
00:15:52,157 --> 00:15:54,956
Right?
(CHEERING AND APPLAUSE)

221
00:15:54,957 --> 00:15:56,917
Super-rich like you?

222
00:15:59,277 --> 00:16:01,876
Yeah.
(LAUGHTER)

223
00:16:01,877 --> 00:16:05,837
Do you want everyone
to see into your bank accounts?

224
00:16:07,517 --> 00:16:10,316
Well, I've got nothing to hide.

225
00:16:10,317 --> 00:16:12,676
But there are people out there

226
00:16:12,677 --> 00:16:14,956
with a lot to hide,

227
00:16:14,957 --> 00:16:17,196
and River...

228
00:16:17,197 --> 00:16:19,237
is gonna...
(CUTS OFF ABRUPTLY)

229
00:16:21,237 --> 00:16:23,436
We have very little time.
This has got to be done

230
00:16:23,437 --> 00:16:26,076
before he releases this River thing.

231
00:16:26,077 --> 00:16:28,517
Do I make myself clear?

232
00:16:32,961 --> 00:16:36,160
(ALL SINGING 'HAPPY BIRTHDAY'
IN SPANISH)

233
00:16:36,161 --> 00:16:38,201
(CLAPPING IN TIME WITH SONG)

234
00:16:45,561 --> 00:16:48,400
(CHEERING AND APPLAUSE)

235
00:16:48,401 --> 00:16:49,960
(WHISTLES)

236
00:16:49,961 --> 00:16:51,880
Shall we do this? Let's have a go.
'Sopla!'

237
00:16:51,881 --> 00:16:54,120
'Upa, Carlitos.'

238
00:16:54,121 --> 00:16:56,040
'Dale, Carlitos!'

239
00:16:56,041 --> 00:16:58,520
(CHEERING)

240
00:16:58,521 --> 00:17:00,080
'Regalos!'

241
00:17:00,081 --> 00:17:02,200
(CHANTING) 'Regalos! Regalos!'

242
00:17:02,201 --> 00:17:04,000
'Mira, Carlitos,
los regalos que tienes.'

243
00:17:04,001 --> 00:17:07,600
Do you want to give him this one?
You know, I actually
made you something, little one.

244
00:17:07,601 --> 00:17:09,840
You did?
Yeah, in New York.

245
00:17:09,841 --> 00:17:11,881
Did you have time for this?
Yeah.

246
00:17:12,961 --> 00:17:15,760
'Mira, mira, mira, mira.'
(WHISPERS) Shall we have a look?

247
00:17:15,761 --> 00:17:17,400
'Esto, que es lo que es?'

248
00:17:17,401 --> 00:17:19,000
'Uy, Carlitos!'

249
00:17:19,001 --> 00:17:20,680
(GASPS) 'Hala!'

250
00:17:20,681 --> 00:17:22,361
'Hala!'

251
00:17:23,361 --> 00:17:25,360
This...
(ALL EXCLAIMING)

252
00:17:25,361 --> 00:17:27,161
'Hala!'

253
00:17:29,041 --> 00:17:33,040
Little one,
this is an American plane.

254
00:17:33,041 --> 00:17:35,560
(GASPS)
(SOFTLY) Ah! Ah!

255
00:17:35,561 --> 00:17:39,280
'Mi papa, no, no lo tenia de... Uy!'
(CARLITOS COOS)

256
00:17:39,281 --> 00:17:42,160
(CAMERA CLICKING)
Guys, nothing... no posting, yeah?

257
00:17:42,161 --> 00:17:44,000
Mama?

258
00:17:44,001 --> 00:17:45,760
OK, OK.

259
00:17:45,761 --> 00:17:48,120
They know.

260
00:17:48,121 --> 00:17:50,601
I promise, they know.
Sorry, I know you know.

261
00:17:51,561 --> 00:17:54,200
You know.
I know.

262
00:17:54,201 --> 00:17:56,640
(ALL LAUGH LIGHTLY)

263
00:17:56,641 --> 00:17:58,960
What?
Happy birthday.

264
00:17:58,961 --> 00:18:01,161
(DOGS BARKING)

265
00:18:23,001 --> 00:18:25,001
You alright, love?

266
00:18:28,361 --> 00:18:31,041
I can't bear to think of Em
all alone in a cell.

267
00:18:35,761 --> 00:18:37,761
Aye...

268
00:18:38,681 --> 00:18:41,200
...and over there in London.

269
00:18:41,201 --> 00:18:44,481
At least if they were holding her
here, she'd be with her own people.

270
00:18:49,121 --> 00:18:50,720
Love...

271
00:18:50,721 --> 00:18:53,201
we've both been through this.

272
00:18:54,721 --> 00:18:58,120
The first time they arrested me,
they had me petrified.

273
00:18:58,121 --> 00:19:00,200
But you survived.

274
00:19:00,201 --> 00:19:02,921
She's not like us, Larry.
She needs us there.

275
00:19:04,961 --> 00:19:06,920
I wanna go over.

276
00:19:06,921 --> 00:19:09,001
Where we gonna get
the money for that?

277
00:19:11,281 --> 00:19:13,400
You could ask Norman?
Norman?

278
00:19:13,401 --> 00:19:15,441
Well, Norman has loads of money.

279
00:19:17,561 --> 00:19:20,040
You're in touch with him, aren't ya?

280
00:19:20,041 --> 00:19:22,120
Do you know where he is?
I can't run to my wee brother

281
00:19:22,121 --> 00:19:25,440
every time we get in trouble.
This is serious.

282
00:19:25,441 --> 00:19:28,160
They're saying
she bottled a policewoman.

283
00:19:28,161 --> 00:19:30,480
She needs us over there!

284
00:19:30,481 --> 00:19:32,521
(SOBS SOFTLY)

285
00:19:37,121 --> 00:19:39,441
(INDISTINCT CHEERFUL CHATTER
AND MUSIC)

286
00:19:45,681 --> 00:19:48,080
Charles.

287
00:19:48,081 --> 00:19:51,361
Hi.
(HE SPEAKS IN SPANISH)

288
00:19:52,681 --> 00:19:55,241
No pain. (HE CHUCKLES)

289
00:19:57,121 --> 00:20:01,840
A lot of children, eh?
Always. Always children.

290
00:20:01,841 --> 00:20:04,960
Different for you, no? You...

291
00:20:04,961 --> 00:20:07,681
...You only child?
Yeah.

292
00:20:09,681 --> 00:20:12,080
Sorry. Sorry, um...
No.

293
00:20:12,081 --> 00:20:15,800
You know, Charlie, my...
my English is very difficult.

294
00:20:15,801 --> 00:20:19,520
You always say that, Alvaro,
but you speak very good English.

295
00:20:19,521 --> 00:20:20,880
Nah.
No, it's...

296
00:20:20,881 --> 00:20:22,840
Spanish is impossible for me,
so it's all good.

297
00:20:22,841 --> 00:20:24,761
No! Your Spanish is better.
- Really?
- Mm.

298
00:20:27,041 --> 00:20:29,680
You know, I never tell you.

299
00:20:29,681 --> 00:20:32,800
Always, when you go away,

300
00:20:32,801 --> 00:20:35,320
I tell everybody, "Don't worry.

301
00:20:35,321 --> 00:20:37,360
"I here."
(BOTH CHUCKLE)

302
00:20:37,361 --> 00:20:40,800
I look, everything is perfect,
everything is OK.

303
00:20:40,801 --> 00:20:43,880
So... you need anything...
Yeah.

304
00:20:43,881 --> 00:20:46,000
...I can do.
That's very kind, Alvero,

305
00:20:46,001 --> 00:20:48,800
and I appreciate it. Honestly.

306
00:20:48,801 --> 00:20:50,961
'Mira', Charles. One thing.

307
00:20:52,921 --> 00:20:55,280
I have a friend, OK?
OK.

308
00:20:55,281 --> 00:20:59,080
And my friend has a... has a bar.

309
00:20:59,081 --> 00:21:02,200
And he offered to...

310
00:21:02,201 --> 00:21:05,800
'Como se dice'...
To-To sell... To sell... Yeah.

311
00:21:05,801 --> 00:21:07,560
A part, half of the bar.

312
00:21:07,561 --> 00:21:10,000
OK.
So...

313
00:21:10,001 --> 00:21:13,720
if you're interested,
I can take you to my friend,

314
00:21:13,721 --> 00:21:17,040
and the three can speak,
see if it's good.

315
00:21:17,041 --> 00:21:19,000
I think that would be...
I think we should do that.

316
00:21:19,001 --> 00:21:21,160
But I think maybe when I...

317
00:21:21,161 --> 00:21:23,720
perhaps when I come back.

318
00:21:23,721 --> 00:21:26,161
- Here?
- Yeah. Wait a minute.
(PHONE BUZZING)

319
00:21:29,001 --> 00:21:31,200
Do you know what?
Give me one, one second.

320
00:21:31,201 --> 00:21:33,521
NURIA: (IN SPANISH)

321
00:21:38,201 --> 00:21:40,040
(OMINOUS MUSIC)

322
00:21:40,041 --> 00:21:42,240
I've just gotta make a quick call.

323
00:21:42,241 --> 00:21:44,681
Yeah, I gotta...
Uh... It'll be quick.

324
00:21:45,921 --> 00:21:47,601
I'll be one minute.

325
00:21:48,401 --> 00:21:50,401
Yeah.

326
00:21:59,721 --> 00:22:01,041
Nuri...

327
00:22:36,481 --> 00:22:39,801
No. Not again, please.
I'm so sorry.

328
00:22:41,561 --> 00:22:43,160
Oh, come on.
I know.

329
00:22:43,161 --> 00:22:46,520
They know it's his birthday.
They just have no empathy,

330
00:22:46,521 --> 00:22:48,400
these people. I'm so sorry.

331
00:22:48,401 --> 00:22:51,360
You arrived only yesterday.
I know, I know I did.

332
00:22:51,361 --> 00:22:54,600
Guys, I'm so sorry,
I'm gonna have to head off.

333
00:22:54,601 --> 00:22:56,600
(DISAPPOINTED MURMURS)

334
00:22:56,601 --> 00:22:59,000
Bye-bye, little one. Bye-bye.

335
00:22:59,001 --> 00:23:00,760
Happy birthday.
(CARLITOS CRIES)

336
00:23:00,761 --> 00:23:02,801
I love you. I'll see you soon.
I'll see you soon.

337
00:23:04,241 --> 00:23:06,400
Ciao.
OK, I'm driving you.

338
00:23:06,401 --> 00:23:09,120
No, I booked a cab.

339
00:23:09,121 --> 00:23:12,001
You can't leave this.
- No, I'm driving you.
- Charles...

340
00:23:13,721 --> 00:23:16,401
Hey, I here, OK?
Yeah.

341
00:23:17,361 --> 00:23:19,441
Thanks, Alvaro.

342
00:23:21,481 --> 00:23:24,481
Bye, guys. See you.
ALL: Adios! Ciao!

343
00:23:27,401 --> 00:23:29,921
(MELANCHOLY MUSIC)
(ENGINE REVS DISTANTLY)

344
00:23:53,761 --> 00:23:56,920
The BND said the guard was convinced
he was talking to the real Ralf.

345
00:23:56,921 --> 00:24:00,240
The voice, the intonation,
the sarcasm.

346
00:24:00,241 --> 00:24:02,640
Apparently, everything was perfect.

347
00:24:02,641 --> 00:24:04,960
So our man is a mimic.

348
00:24:04,961 --> 00:24:08,000
And if he's a mimic,
he's good with languages,

349
00:24:08,001 --> 00:24:10,600
so he's not necessarily German.

350
00:24:10,601 --> 00:24:12,560
Uh... Enlarge the backpack for me?

351
00:24:12,561 --> 00:24:14,601
(KEYBOARD CLACKING)

352
00:24:17,841 --> 00:24:19,560
Waxed canvas.

353
00:24:19,561 --> 00:24:21,560
Of course
he's taken the maker's tab off.

354
00:24:21,561 --> 00:24:23,641
Enhance that
so I can see where it was.

355
00:24:25,921 --> 00:24:28,241
Yeah. Grab some screenshots of that.

356
00:24:30,041 --> 00:24:31,360
Done. Shall I move on?

357
00:24:31,361 --> 00:24:33,401
Yeah.

358
00:24:35,321 --> 00:24:37,280
So he's righthanded...

359
00:24:37,281 --> 00:24:39,321
Oh, whoa, stop it there.

360
00:24:40,401 --> 00:24:42,401
Enlarge.

361
00:24:44,361 --> 00:24:47,080
Keep going.

362
00:24:47,081 --> 00:24:49,080
Whoa, stop, stop, stop.

363
00:24:49,081 --> 00:24:51,601
Browning Hi-Power. Mark III.

364
00:24:52,801 --> 00:24:55,320
Why would you go for a 9mm

365
00:24:55,321 --> 00:24:58,080
when you could have something
with a lot more stopping power?

366
00:24:58,081 --> 00:25:00,401
Why would you do that?

367
00:25:01,561 --> 00:25:03,561
(PLANE ENGINES WHOOSHING)

368
00:25:18,481 --> 00:25:20,041
That's it?

369
00:25:21,601 --> 00:25:24,200
You've gone to that place again.
(CHUCKLES)

370
00:25:24,201 --> 00:25:25,920
Oh, my God.
I'm here.

371
00:25:25,921 --> 00:25:27,961
I'm here.

372
00:25:33,201 --> 00:25:34,841
Yeah.

373
00:25:37,881 --> 00:25:40,321
Don't humiliate me.

374
00:25:46,161 --> 00:25:47,561
I love you.

375
00:25:55,161 --> 00:25:57,081
I love you, too.

376
00:26:06,321 --> 00:26:08,161
(ENGINE REVS)

377
00:26:16,441 --> 00:26:18,601
♪ THE SMILE: The Smoke ♪

378
00:26:31,601 --> 00:26:33,721
Hola.
(TAXI DRIVER GREETS IN SPANISH)

379
00:26:35,961 --> 00:26:39,720
(IN FLUENT SPANISH)

380
00:26:39,721 --> 00:26:42,400
OK.
♪ Easy

381
00:26:42,401 --> 00:26:44,161
♪ Easy

382
00:26:45,121 --> 00:26:47,240
♪ It begs me

383
00:26:47,241 --> 00:26:49,521
♪ While I'm sleeping

384
00:26:51,721 --> 00:26:54,080
♪ I desire

385
00:26:54,081 --> 00:26:56,200
♪ A second chance

386
00:26:56,201 --> 00:27:00,601
♪ I have set myself on fire

387
00:27:08,161 --> 00:27:09,521
♪ It's easy

388
00:27:10,921 --> 00:27:13,321
♪ Don't mess with me

389
00:27:13,561 --> 00:27:15,681
♪ Don't mess with me

390
00:27:17,681 --> 00:27:20,000
♪ As I die

391
00:27:20,001 --> 00:27:21,880
♪ In the flames...

392
00:27:21,881 --> 00:27:23,881
(TAXI DRIVER RESPONDS IN SPANISH)

393
00:27:34,281 --> 00:27:37,880
♪ Uh... Wakes me from my sleep

394
00:27:37,881 --> 00:27:40,360
♪ Smoke wakes me from

395
00:27:40,361 --> 00:27:43,760
♪ Wakes me from my sleep

396
00:27:43,761 --> 00:27:46,041
♪ Yeah, yeah, yeah, yeah ♪

397
00:27:47,481 --> 00:27:49,481
(MUSIC ENDS)

398
00:27:54,081 --> 00:27:56,081
(OMINOUS MUSIC)

399
00:28:05,481 --> 00:28:07,360
(PHONE RINGS OUT)
'Hi, this is Charles.

400
00:28:07,361 --> 00:28:09,721
Please leave a message and
I'll get back to you.'

401
00:28:11,201 --> 00:28:13,641
(PHONE BEEPS)

402
00:28:23,681 --> 00:28:25,681
(INDISTINCT CHATTER)

403
00:28:55,281 --> 00:28:57,281
(BOTH SPEAKING IN SPANISH)

404
00:30:30,641 --> 00:30:32,641
There you go, love.

405
00:30:41,561 --> 00:30:44,281
Larry, please. Call Norman.

406
00:30:45,161 --> 00:30:46,561
I've called him already.

407
00:30:47,361 --> 00:30:48,641
Twice.

408
00:30:52,921 --> 00:30:55,481
If he doesn't call back soon,
I'll try him again, OK?

409
00:30:57,641 --> 00:31:01,520
The maker's tab was
a sort of mountain range shape.

410
00:31:01,521 --> 00:31:03,961
(MAN ON OTHER END OF PHONE
SPEAKS INDISTINCTLY)

411
00:31:10,161 --> 00:31:12,161
She...

412
00:31:17,161 --> 00:31:20,880
Hello, yes. I'm looking
for a very specific backpack.

413
00:31:20,881 --> 00:31:23,600
Charcoal grey, wax canvas.

414
00:31:23,601 --> 00:31:26,121
Mountain range maker's tab.

415
00:31:28,601 --> 00:31:30,241
Isabel's expecting you.

416
00:31:38,161 --> 00:31:39,920
The sniper's British.

417
00:31:39,921 --> 00:31:41,360
Don't even joke about that.

418
00:31:41,361 --> 00:31:44,920
And he's probably ex-British Army.
You know that how?

419
00:31:44,921 --> 00:31:48,400
You need military training to make
a shot at even half that distance.

420
00:31:48,401 --> 00:31:50,720
Doesn't necessarily mean
he's one of ours.

421
00:31:50,721 --> 00:31:54,760
He used a Browning Hi-Power
Mark III to kill Elias's bodyguard

422
00:31:54,761 --> 00:31:57,120
and to wound Elias.

423
00:31:57,121 --> 00:32:02,160
The Hi-Power was standard
British Army issue until 2013.

424
00:32:02,161 --> 00:32:05,040
A lot of armed forces
used the Hi-Power.

425
00:32:05,041 --> 00:32:08,920
He had a backpack made by
a small UK-based startup

426
00:32:08,921 --> 00:32:10,680
called The Perfect Pack.

427
00:32:10,681 --> 00:32:13,320
The backpack went on sale
eight months ago.

428
00:32:13,321 --> 00:32:16,200
There are only two retailers,
both in Leeds,

429
00:32:16,201 --> 00:32:18,280
and neither ships internationally.

430
00:32:18,281 --> 00:32:21,081
That means he was here, in the UK.

431
00:32:22,321 --> 00:32:23,920
Or an accomplice
picked it up for him.

432
00:32:23,921 --> 00:32:25,840
No. Our man works alone.

433
00:32:25,841 --> 00:32:27,800
Snipers work with a spotter.

434
00:32:27,801 --> 00:32:30,360
Not this one.
He was alone when he shot Elias

435
00:32:30,361 --> 00:32:33,720
and he was alone
when he left the apartment building.

436
00:32:33,721 --> 00:32:38,520
So we think the sniper is British,
and the gun maker is British.

437
00:32:38,521 --> 00:32:41,840
Have you heard from Sparrow?
She knows what she has to do.

438
00:32:41,841 --> 00:32:44,560
By tomorrow morning,
she'll know her daughter's dead,

439
00:32:44,561 --> 00:32:46,041
and bang goes your leverage.

440
00:32:47,281 --> 00:32:49,961
I need more time.
No.

441
00:32:51,601 --> 00:32:54,200
I'm this close.
Bianca...

442
00:32:54,201 --> 00:32:56,561
we're already on very thin ice.

443
00:32:58,001 --> 00:33:00,521
I suggest you encourage Sparrow
to give you what you want.

444
00:33:02,321 --> 00:33:04,321
By tomorrow.

445
00:33:12,481 --> 00:33:14,800
(PHONE BUZZES)

446
00:33:14,801 --> 00:33:16,040
Hello, my love.

447
00:33:16,041 --> 00:33:17,880
JASMINE:
'What time are you gonna be home?'

448
00:33:17,881 --> 00:33:20,720
Uh... Not sure.
Not too late, I hope.

449
00:33:20,721 --> 00:33:24,280
'OK, OK.
My brothers are coming at 8:00pm.'

450
00:33:24,281 --> 00:33:26,881
(OIL SIZZLING)
I'm cooking moussaka.

451
00:33:27,841 --> 00:33:31,080
It's so complicated, though.
They'd better love it.

452
00:33:31,081 --> 00:33:34,360
They will.
Um... OK. I'll see you then.

453
00:33:34,361 --> 00:33:36,760
OK, don't be late.
Yep. Alright.

454
00:33:36,761 --> 00:33:38,560
Love you.
Bye, bye, bye, bye, bye.

455
00:33:38,561 --> 00:33:40,240
(PHONE BEEPS)

456
00:33:40,241 --> 00:33:41,720
(EXHALES HEAVILY)

457
00:33:41,721 --> 00:33:44,920
OK. If our sniper was ex-Army,

458
00:33:44,921 --> 00:33:46,880
he would've done his sniper training

459
00:33:46,881 --> 00:33:49,760
at Pirbright if he was a Para
or Household Division.

460
00:33:49,761 --> 00:33:51,720
If he had another cap badge
he would've gone to

461
00:33:51,721 --> 00:33:54,400
the Infantry Battle School
at Brecon.

462
00:33:54,401 --> 00:33:56,320
We need them to go
through their records.

463
00:33:56,321 --> 00:33:58,160
And what are we looking for?

464
00:33:58,161 --> 00:34:00,080
An exceptional candidate.

465
00:34:00,081 --> 00:34:03,760
Right-handed. Tall. White.

466
00:34:03,761 --> 00:34:07,360
And how far back
do we want them to go?

467
00:34:07,361 --> 00:34:09,280
Assuming our man is under 50...

468
00:34:09,281 --> 00:34:11,960
I'd say about 30 years.

469
00:34:11,961 --> 00:34:14,001
(WILY MUSIC)

470
00:34:17,081 --> 00:34:19,281
(PHONE BUZZING)

471
00:34:20,681 --> 00:34:22,681
(BUTTON CLICKS, DEVICE BEEPS)

472
00:34:26,681 --> 00:34:28,440
Who is this?

473
00:34:28,441 --> 00:34:30,081
ZINA: 'We met in Sweden.'

474
00:34:31,161 --> 00:34:33,120
(DISTORTED VOICE)
'How can I help you?'

475
00:34:33,121 --> 00:34:36,960
I have spoken to my colleagues and
we feel there's a deal to be done.

476
00:34:36,961 --> 00:34:40,121
But we need to meet in person
to work out the details.

477
00:34:41,041 --> 00:34:43,040
'We're not meeting again.'

478
00:34:43,041 --> 00:34:46,200
For a deal of this size,
we believe a meeting is essential.

479
00:34:46,201 --> 00:34:49,400
It has to be in person and it has
to be in the next 48 hours.

480
00:34:49,401 --> 00:34:52,161
OWN VOICE: Yeah, well,
I'm afraid that's not happening.

481
00:34:53,201 --> 00:34:56,641
(SIGHS) We've already shown you
a million dollars of good faith.

482
00:34:58,601 --> 00:35:01,681
If we can't meet in the next
48 hours, we'll have to move on.

483
00:35:05,241 --> 00:35:07,241
'Hello?'

484
00:35:10,241 --> 00:35:12,360
'Hello?'

485
00:35:12,361 --> 00:35:15,280
You'll have to come to me.
'I'll send instructions.'

486
00:35:15,281 --> 00:35:16,721
I look forward to it.

487
00:35:27,518 --> 00:35:29,157
Hi!

488
00:35:29,158 --> 00:35:32,277
Oh, hey.
Hi. Oh, just about on time.

489
00:35:32,278 --> 00:35:34,117
This looks great!

490
00:35:34,118 --> 00:35:35,877
Oh, wow! OK, OK. OK, OK.

491
00:35:35,878 --> 00:35:38,917
Uh... Tempranillo,
perfect for moussaka.

492
00:35:38,918 --> 00:35:41,557
Grenache blanc. This is perfect.
Yeah, see, I do listen to you.

493
00:35:41,558 --> 00:35:43,717
- Yeah.
- Or they told her at
the wine shop.

494
00:35:43,718 --> 00:35:45,517
(CHUCKLES)
(DOORBELL RINGS)

495
00:35:45,518 --> 00:35:47,958
Oh, wow.
She's never that excited to see me.

496
00:35:49,398 --> 00:35:50,437
Hey.
Hello.

497
00:35:50,438 --> 00:35:52,677
You good? Dad.

498
00:35:52,678 --> 00:35:55,117
...it's absolutely fine.
Come on, bring it in. There he is.

499
00:35:55,118 --> 00:35:57,677
You alright? Mum sends love.
Good to see you, man.

500
00:35:57,678 --> 00:35:59,397
I'm good, man. You alright?
Hi.

501
00:35:59,398 --> 00:36:02,877
Good to see you.
Looking good, looking good.

502
00:36:02,878 --> 00:36:04,917
Here you go.
Hi!

503
00:36:04,918 --> 00:36:06,957
How are you?
- I'm good, you?
- Yeah.

504
00:36:06,958 --> 00:36:09,358
(INDISTINCT CHATTER)
(CHATTER ON TV)

505
00:36:27,878 --> 00:36:29,757
I wanted a Bacardi and coke.

506
00:36:29,758 --> 00:36:32,118
You asked for a gin.
I asked for a Bacardi.

507
00:36:36,398 --> 00:36:38,197
And get a pack of crisps
while you're at it.

508
00:36:38,198 --> 00:36:40,397
Aye.

509
00:36:40,398 --> 00:36:42,438
(TENSE MUSIC)

510
00:37:10,638 --> 00:37:13,358
(MUSIC INTENSIFIES)

511
00:37:17,278 --> 00:37:19,198
(CAMERA CLICKING)

512
00:37:23,918 --> 00:37:26,198
Second time lucky.

513
00:37:33,878 --> 00:37:36,397
Vodka and coke.
(CHUCKLES SOFTLY)

514
00:37:36,398 --> 00:37:38,317
Gin and coke?

515
00:37:38,318 --> 00:37:40,278
You're not funny, Larry.
(CHUCKLES SOFTLY)

516
00:37:46,918 --> 00:37:50,237
Do you like it?
(APPRECIATIVE MMS)

517
00:37:50,238 --> 00:37:52,117
You see the gods
on Mount Olympus, yeah,

518
00:37:52,118 --> 00:37:54,077
they used to eat this thing
called ambrosia.

519
00:37:54,078 --> 00:37:57,557
But then Jasmine goes and sends them
up some of her famous moussaka.

520
00:37:57,558 --> 00:37:59,077
You know what they said?
No.

521
00:37:59,078 --> 00:38:00,997
You don't know what they said?

522
00:38:00,998 --> 00:38:03,437
They said, "Fuck ambrosia."
(THEY LAUGH)

523
00:38:03,438 --> 00:38:05,837
Because from now on
- its Jasmine's moussaka.
- Oh, God.

524
00:38:05,838 --> 00:38:07,957
What is he talking about?
It's a brainy compliment.

525
00:38:07,958 --> 00:38:10,437
I can see that the classics
aren't wasted on you, Adam.

526
00:38:10,438 --> 00:38:11,917
Come on.
Mm-hmm.

527
00:38:11,918 --> 00:38:14,038
(PHONE VIBRATES)

528
00:38:15,038 --> 00:38:17,038
One second.

529
00:38:18,358 --> 00:38:20,358
(SOFT MUSIC PLAYS ON STEREO)

530
00:38:23,398 --> 00:38:25,678
Uh... Top up?
(DOOR CLOSES)

531
00:38:28,158 --> 00:38:29,478
(SIGHS)

532
00:38:38,718 --> 00:38:42,077
WOMAN: 'Please give characters two,
three and six of your telephone ID.'

533
00:38:42,078 --> 00:38:44,158
Zero, one, nine.

534
00:38:45,198 --> 00:38:46,677
'How I can help?'

535
00:38:46,678 --> 00:38:48,918
I need a priority location
on a phone.

536
00:38:49,998 --> 00:38:52,997
Speaking as a former teenage boy...
A very long time ago.

537
00:38:52,998 --> 00:38:55,917
Mm-hmm, that's what we do.
We fuck it up. That is true.

538
00:38:55,918 --> 00:38:57,998
(LAUGHTER) It's facts. It's facts.

539
00:39:04,438 --> 00:39:05,797
(BAG THUDS)

540
00:39:05,798 --> 00:39:07,838
Seriously?
I'm sorry.

541
00:39:09,398 --> 00:39:11,398
I'm sorry.

542
00:39:14,118 --> 00:39:15,917
I'm sorry, Jas.

543
00:39:15,918 --> 00:39:17,958
Um... I'll see you soon, boys.

544
00:39:19,238 --> 00:39:21,117
Uh... Call us when you get there, yeah?

545
00:39:21,118 --> 00:39:22,678
I'll try.

546
00:39:25,198 --> 00:39:28,717
(DOOR OPENS, CLOSES)

547
00:39:28,718 --> 00:39:30,758
(MYSTERIOUS MUSIC)

548
00:39:33,118 --> 00:39:35,118
(INDISTINCT CHATTER)

549
00:39:40,878 --> 00:39:44,597
Ms Jansone?
This has been left for you.

550
00:39:44,598 --> 00:39:46,438
Thank you.

551
00:39:57,758 --> 00:39:59,917
ISABEL: Norman's still at
the location in Belarus.

552
00:39:59,918 --> 00:40:02,157
I have nine missed calls
from Sparrow.

553
00:40:02,158 --> 00:40:03,957
Does she know about Emma?

554
00:40:03,958 --> 00:40:05,677
'Not yet.

555
00:40:05,678 --> 00:40:07,997
But at some point soon
she's going to have to be told.'

556
00:40:07,998 --> 00:40:11,317
If Sparrow finds out, she'll tell
Larry, who will tell his brother.

557
00:40:11,318 --> 00:40:12,798
'I'll see what I can do.'

558
00:40:13,798 --> 00:40:17,398
Spencer's waiting in arrivals.
He'll get you across the border.

559
00:40:18,638 --> 00:40:20,797
Just make sure you get Norman.

560
00:40:20,798 --> 00:40:23,198
'We're counting on you.'
Yep.

561
00:40:25,278 --> 00:40:27,678
Spencer?
Yeah.

562
00:40:28,558 --> 00:40:30,637
This way.

563
00:40:30,638 --> 00:40:33,117
The Latvians know
we're operating on their turf.

564
00:40:33,118 --> 00:40:36,238
They're friendly,
but Belarus is very hostile.

565
00:40:37,358 --> 00:40:39,757
We need to get to the target
as soon as possible.

566
00:40:39,758 --> 00:40:43,397
The journey to Smarhon's six hours.
Toby's our wheels.

567
00:40:43,398 --> 00:40:46,678
Colin'll be with us for the grab.
Let's go.

568
00:41:07,318 --> 00:41:09,318
(INTENSE VIOLIN MUSIC PLAYS)

569
00:42:06,438 --> 00:42:08,918
You can keep looking straight ahead.

570
00:42:11,558 --> 00:42:13,757
Have you left your phone
at the hotel?

571
00:42:13,758 --> 00:42:15,197
Of course.

572
00:42:15,198 --> 00:42:17,077
Good.

573
00:42:17,078 --> 00:42:19,637
My clients need to know
if you think it's possible,

574
00:42:19,638 --> 00:42:21,757
speaking as a professional?

575
00:42:21,758 --> 00:42:26,718
Well, uh... UDC may think he's God,
but that doesn't mean he's immortal.

576
00:42:27,758 --> 00:42:29,798
We're still some way apart
on the fee.

577
00:42:30,958 --> 00:42:33,198
Perhaps we can meet in the middle?

578
00:42:34,358 --> 00:42:37,517
We're not terrorists, you know.
We're patriots.

579
00:42:37,518 --> 00:42:39,837
We're defending our way of life.

580
00:42:39,838 --> 00:42:43,357
I have fuck all interest
in why you want him dead.

581
00:42:43,358 --> 00:42:45,517
A hundred million is a big ask.

582
00:42:45,518 --> 00:42:47,357
You're paying me to kill him.

583
00:42:47,358 --> 00:42:49,557
I am charging you for getting away.

584
00:42:49,558 --> 00:42:52,117
And, speaking as a professional,

585
00:42:52,118 --> 00:42:54,797
getting away
is an important consideration.

586
00:42:54,798 --> 00:42:57,437
It's half in advance,
half on delivery.

587
00:42:57,438 --> 00:43:01,277
No. Half up front won't fly, but...

588
00:43:01,278 --> 00:43:04,037
I am authorised to pay you
a commencement fee

589
00:43:04,038 --> 00:43:06,078
of $20 million.

590
00:43:06,958 --> 00:43:08,837
I could do that today.

591
00:43:08,838 --> 00:43:11,118
Would that be acceptable?

592
00:43:18,798 --> 00:43:20,078
Yeah.

593
00:43:21,118 --> 00:43:23,157
The job has to be completed
by the 28th.

594
00:43:23,158 --> 00:43:26,397
(HE LAUGHS)

595
00:43:26,398 --> 00:43:28,317
I'm not in the habit
of being hurried.

596
00:43:28,318 --> 00:43:30,877
UDC releases River on the 28th.

597
00:43:30,878 --> 00:43:33,318
It's non-negotiable. Can you do it?

598
00:43:37,958 --> 00:43:42,158
Well, once the payment is in
my bank account, I will get to work.

599
00:43:43,838 --> 00:43:45,518
Why are you still in Munich?

600
00:43:46,878 --> 00:43:49,998
It's been nearly a week
since you killed Manfred Fest.

601
00:43:51,398 --> 00:43:53,557
Have you loose ends to tie up?

602
00:43:53,558 --> 00:43:57,917
We don't want you doing anything
that attracts attention or...

603
00:43:57,918 --> 00:44:00,717
that puts you in jeopardy
that's not in service of the job.

604
00:44:00,718 --> 00:44:03,117
There are no loose ends.

605
00:44:03,118 --> 00:44:05,157
Good.

606
00:44:05,158 --> 00:44:06,998
Then we have a deal.

607
00:44:07,998 --> 00:44:10,277
We have a deal.

608
00:44:10,278 --> 00:44:11,638
Keep looking straight ahead.

609
00:44:12,558 --> 00:44:15,477
In future communications...

610
00:44:15,478 --> 00:44:18,917
we'll use the codename Rodin
for the target.

611
00:44:18,918 --> 00:44:21,437
(WITH FRENCH ACCENT) Rodin.
(CHUCKLES SOFTLY)

612
00:44:21,438 --> 00:44:24,838
- Very good.
- And we'll need
a codename for you, too.

613
00:44:27,398 --> 00:44:29,838
Why not the Jackal?
(SOFT, DRAMATIC MUSIC)

614
00:44:35,398 --> 00:44:36,797
Why not?

615
00:44:36,798 --> 00:44:38,838
(LIGHT BUZZES SOFTLY)

616
00:44:40,398 --> 00:44:42,398
(MAN SPEAKING GERMAN)

617
00:45:22,678 --> 00:45:25,597
(IN ENGLISH) Sir, thank you so much
for your patience.

618
00:45:25,598 --> 00:45:27,517
(HE CHUCKLES)

619
00:45:27,518 --> 00:45:30,117
Mr Thirsk, so that payment was made

620
00:45:30,118 --> 00:45:33,157
from a company account HelleLinie.

621
00:45:33,158 --> 00:45:37,358
HelleLinie. Well, what can
you tell me about HelleLinie?

622
00:45:38,518 --> 00:45:41,837
I'm afraid we're not authorised
to give out that information,

623
00:45:41,838 --> 00:45:45,437
but the national company register
is available online.

624
00:45:45,438 --> 00:45:48,237
Is there anything else
I can help you with?

625
00:45:48,238 --> 00:45:49,998
Uh... No, thank you.

626
00:46:37,398 --> 00:46:39,398
(TYRES SCREECH)

627
00:46:41,358 --> 00:46:43,358
Twenty minutes to the border.

628
00:46:47,318 --> 00:46:49,318
Norman hasn't moved.

629
00:47:35,158 --> 00:47:37,918
MAN: (OVER RADIO)
'40m out at the rear. Moving.'

630
00:47:38,798 --> 00:47:40,678
Moving.

631
00:47:47,758 --> 00:47:50,198
Twenty-five metres out at the rear.
Moving.

632
00:47:52,198 --> 00:47:54,598
Moving.

633
00:47:57,198 --> 00:47:59,198
'Approaching front door. Moving.'

634
00:48:03,838 --> 00:48:05,918
Moving.

635
00:48:08,238 --> 00:48:10,238
Ten metres out at the rear. Moving.

636
00:48:12,558 --> 00:48:14,398
Everyone in position?

637
00:48:17,158 --> 00:48:18,758
(SOFTLY) Two in position.

638
00:48:24,158 --> 00:48:25,877
(PHONE RINGING OUT)

639
00:48:25,878 --> 00:48:27,358
(PHONE RINGS INSIDE)

640
00:48:31,238 --> 00:48:34,277
Norman! The house is surrounded!

641
00:48:34,278 --> 00:48:36,878
Throw your weapons down
and come outside!

642
00:48:38,038 --> 00:48:40,237
(TENSE MUSIC BUILDING UP)

643
00:48:40,238 --> 00:48:41,677
On my count.

644
00:48:41,678 --> 00:48:45,557
Three, two, one... breech!
(GUN COCKS)

645
00:48:45,558 --> 00:48:48,358
(GUNSHOTS)

646
00:48:54,838 --> 00:48:56,917
(BOOMING)

647
00:48:56,918 --> 00:48:59,198
Man down!

648
00:49:03,478 --> 00:49:06,158
(MACHINE GUN FIRE)

649
00:49:11,158 --> 00:49:13,158
Fuck.

650
00:49:17,518 --> 00:49:19,677
(GUNSHOTS, GLASS SHATTERING)

651
00:49:19,678 --> 00:49:22,437
We're two down.
Target escaping on foot. In pursuit.

652
00:49:22,438 --> 00:49:24,558
(GUNSHOTS CONTINUE)

653
00:49:29,438 --> 00:49:32,598
(GLASS SHATTERING, BULLETS
RICOCHETING)

654
00:49:35,158 --> 00:49:37,278
(ENGINE STARTS)

655
00:49:44,078 --> 00:49:45,397
Fuck!

656
00:49:45,398 --> 00:49:48,077
(PANTING) Bravo to Tango.
We were set up.

657
00:49:48,078 --> 00:49:50,277
He knew we were coming.

658
00:49:50,278 --> 00:49:54,237
Two pax down.
Immediate extraction from X-Ray now.

659
00:49:54,238 --> 00:49:58,518
MAN: (OVER RADIO) '30 seconds out.'
(FRUSTRATED SIGHS)

660
00:50:05,438 --> 00:50:07,438
♪ NILUFER YANYA: Rid Of Me ♪

661
00:50:25,518 --> 00:50:28,158
♪ Night and day

662
00:50:29,158 --> 00:50:31,117
♪ I breathe

663
00:50:31,118 --> 00:50:32,877
(ECHOING PANTS)

664
00:50:32,878 --> 00:50:35,358
♪ Yeah, you're not rid of me

665
00:50:36,638 --> 00:50:39,438
♪ Yeah, you're not rid of me

666
00:50:40,718 --> 00:50:47,598
♪ And I beg you, my darling

667
00:50:48,478 --> 00:50:51,837
♪ Don't leave me

668
00:50:51,838 --> 00:50:54,957
♪ And I'm hurting...

669
00:50:54,958 --> 00:50:56,517
Fuck. You.

670
00:50:56,518 --> 00:51:00,637
♪ Lick my legs, I'm on fire

671
00:51:00,638 --> 00:51:03,837
♪ Lick my legs of desire

672
00:51:03,838 --> 00:51:07,637
♪ I'll tie your legs

673
00:51:07,638 --> 00:51:09,637
♪ Keep you

674
00:51:09,638 --> 00:51:11,557
♪ Against my chest

675
00:51:11,558 --> 00:51:14,038
♪ Yeah, you're not rid of me

676
00:51:15,438 --> 00:51:19,077
♪ Yeah, you're not rid of me

677
00:51:19,078 --> 00:51:22,517
♪ I'll make you lick my injuries

678
00:51:22,518 --> 00:51:25,918
♪ I'm gonna twist your head off, see

679
00:51:31,878 --> 00:51:35,877
♪ Lick my legs, I'm on fire

680
00:51:35,878 --> 00:51:39,037
♪ Lick my legs of desire

681
00:51:39,038 --> 00:51:41,838
♪ Yeah, you're not rid of me

682
00:51:42,878 --> 00:51:45,878
♪ Yeah, you're not rid of me

683
00:51:46,798 --> 00:51:49,398
♪ I'll make you lick my injuries

684
00:51:50,558 --> 00:51:53,278
♪ I'm gonna twist your head off, see

685
00:51:54,318 --> 00:51:58,317
♪ 'Til you say don't you wish you
Never, never met her?

686
00:51:58,318 --> 00:52:01,838
♪ Don't you, don't you wish you
Never, never met her?

687
00:52:02,078 --> 00:52:05,398
♪ Don't you, don't you wish you
Never, never met her?

688
00:52:05,638 --> 00:52:08,998
♪ Don't you, don't you wish you
Never, never met her?

689
00:52:09,238 --> 00:52:12,758
♪ Don't you, don't you wish you
Never, never met her?

690
00:52:12,998 --> 00:52:16,238
♪ Don't you, don't you wish you
Never, never met her?

691
00:52:16,478 --> 00:52:19,918
♪ Don't you, don't you wish you
Never, never met her?

692
00:52:20,158 --> 00:52:23,558
♪ Don't you, don't you wish you
Never, never met her?

693
00:52:31,278 --> 00:52:35,997
♪ Lick my legs, I'm on fire

694
00:52:35,998 --> 00:52:40,117
♪ Lick my legs of desire

695
00:52:40,118 --> 00:52:44,037
♪ Lick my legs, I'm on fire

696
00:52:44,038 --> 00:52:47,517
♪ Lick my legs of desire ♪

697
00:52:47,518 --> 00:52:50,678
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