3 00:00:08,125 --> 00:00:11,666 My name is Malcon Pierce. I'm the director of Versa. 4 00:00:14,250 --> 00:00:16,083 I wanted to be an animator my whole life. 5 00:00:17,208 --> 00:00:20,250 I just wanted to work for Disney and make movies. 6 00:00:21,333 --> 00:00:23,999 I was an animation supervisor on Moana. 7 00:00:24,000 --> 00:00:26,374 Our first sequence into production was 8 00:00:26,375 --> 00:00:29,666 the sequence with toddler Moana going down to the ocean, 9 00:00:29,667 --> 00:00:36,542 and over the course of this period, my wife and I were expecting our son. 10 00:00:37,333 --> 00:00:41,499 And there was a unfortunate complication, and we ended up losing our son, 11 00:00:41,500 --> 00:00:42,957 his name was Cooper, 12 00:00:42,958 --> 00:00:44,416 on his birthday, on that day. 13 00:00:47,458 --> 00:00:49,541 I remember the first day coming back to work, 14 00:00:49,542 --> 00:00:52,457 and I decided that I'm gonna distract myself mentally, 15 00:00:52,458 --> 00:00:57,083 and just, you know, keep myself super occupied, like, everything's fine. 16 00:00:58,083 --> 00:01:01,667 And that was the thing that was like, "Man, I'm so not fine." 17 00:01:05,958 --> 00:01:08,417 I had never gone into the nursery. I'd never been able to. 18 00:01:08,917 --> 00:01:10,916 My wife, Keely, she was the opposite. 19 00:01:10,917 --> 00:01:13,916 She was spending time in there, she would read in there. 20 00:01:13,917 --> 00:01:17,832 She was just totally living in this moment, 21 00:01:17,833 --> 00:01:21,041 and really connecting in a really healthy way. 22 00:01:21,042 --> 00:01:22,624 She has a photography background, 23 00:01:22,625 --> 00:01:26,749 so, she says, "I think it's important that we capture, sort of, this moment 24 00:01:26,750 --> 00:01:28,500 with our grieving process." 25 00:01:29,375 --> 00:01:33,833 And she took a series of photos that became sort of the thematic of the short. 26 00:01:36,458 --> 00:01:39,666 It's a very personal story, and, you know, it's scary 27 00:01:39,667 --> 00:01:41,166 putting that out there, 28 00:01:41,167 --> 00:01:45,374 but I've found it more empowering 29 00:01:45,375 --> 00:01:49,124 to open up and share, than try to avoid it. 30 00:01:49,125 --> 00:01:54,332 And through this project, Keely and I were so humbled by the support 31 00:01:54,333 --> 00:01:58,416 from all of our friends and family and the studio, you know, it was amazing. 32 00:01:58,417 --> 00:02:01,791 She's really the strength behind a lot of it, 33 00:02:01,792 --> 00:02:04,375 and really helped me see, and still does. 34 00:02:05,875 --> 00:02:11,917 That really was the nucleus of the film that became Versa.