1
00:00:02,000 --> 00:00:07,000
2
00:00:08,000 --> 00:00:13,000
3
00:00:34,193 --> 00:00:36,197
(SOFT PIANO MUSIC PLAYING)
4
00:00:46,217 --> 00:00:47,637
JOAN: There's nothing
like seeing
5
00:00:47,637 --> 00:00:49,432
a child on stage
for the first time.
6
00:00:49,600 --> 00:00:54,066
They get up there, the lights hit,
and suddenly, the whole world opens up.
7
00:00:54,317 --> 00:00:55,528
Theater for children,
8
00:00:55,528 --> 00:00:57,615
it's unbelievable
what they learn.
9
00:00:57,615 --> 00:01:02,124
They learn to improvise,
dance, sing, work with each other,
10
00:01:02,542 --> 00:01:05,339
and some of them really
need it, they really do.
11
00:01:05,673 --> 00:01:07,301
That's why I built this camp.
12
00:01:07,301 --> 00:01:08,888
I wanted to make a place
13
00:01:08,888 --> 00:01:11,017
where anyone is free
to be themselves.
14
00:01:11,769 --> 00:01:13,939
But keeping the camp open
is a year-round job.
15
00:01:14,231 --> 00:01:17,363
That's why we spend
the whole spring on the road,
16
00:01:17,530 --> 00:01:20,160
raising money,
recruiting young talent.
17
00:01:20,745 --> 00:01:23,166
And, you know, we're
theater people, so. (CHUCKLES)
18
00:01:23,333 --> 00:01:24,878
We know how to work a crowd.
19
00:01:30,180 --> 00:01:31,850
Being at camp
for a whole summer,
20
00:01:31,850 --> 00:01:32,936
- what it can do for a child.
- (UPBEAT MUSIC PLAYING)
21
00:01:32,936 --> 00:01:34,021
We don't have
that much room left.
22
00:01:34,021 --> 00:01:35,190
We have not much room.
23
00:01:35,190 --> 00:01:36,777
No, we have a little bit of
wiggle room at the camp.
24
00:01:36,944 --> 00:01:38,697
Maybe four more kids?
25
00:01:38,864 --> 00:01:40,827
- We're almost full...
- JOAN: We are.
26
00:01:40,993 --> 00:01:43,039
...so I think you should
register early for your girl.
27
00:01:43,039 --> 00:01:44,125
JOAN: For sure.
28
00:01:44,291 --> 00:01:46,254
And Ronald, I'm so sorry
to hear about your divorce.
29
00:01:46,254 --> 00:01:47,339
RITA: I know.
30
00:01:47,339 --> 00:01:48,466
I mean,
she was just too young.
31
00:01:48,634 --> 00:01:50,429
But if your son
needs a place to go,
32
00:01:50,638 --> 00:01:53,393
AdirondACTS is the perfect
place for him to come.
33
00:01:53,561 --> 00:01:57,276
We found a lot of star campers
at this school.
34
00:01:59,865 --> 00:02:01,409
I know Willow was freaked out
by the bedbugs,
35
00:02:01,409 --> 00:02:02,494
tell her they're gone.
36
00:02:06,002 --> 00:02:07,505
Why are you smiling?
37
00:02:07,672 --> 00:02:09,759
(GROANS) He drives me crazy.
He's practically drunk.
38
00:02:09,926 --> 00:02:10,928
RITA: I know.
39
00:02:10,928 --> 00:02:12,849
JOAN: But I think we got him
to sign up his kid.
40
00:02:14,393 --> 00:02:16,481
(SIGHS) We're so behind
this year.
41
00:02:16,648 --> 00:02:18,193
We need to raise more money.
42
00:02:18,401 --> 00:02:21,282
I know. I was thinking
we could give Leo a lead.
43
00:02:21,491 --> 00:02:22,493
Leo? No.
44
00:02:22,660 --> 00:02:23,662
He's awful.
45
00:02:23,871 --> 00:02:25,332
I know he's awful
and he's tone-deaf,
46
00:02:25,332 --> 00:02:27,169
but his parents
are really rich.
47
00:02:27,336 --> 00:02:30,050
Oh, come on. You know
we don't do things that way.
48
00:02:30,217 --> 00:02:31,637
It's always gotta be
about the talent.
49
00:02:31,804 --> 00:02:33,473
- How rich?
- So rich.
50
00:02:33,473 --> 00:02:34,643
(UPBEAT MUSIC PLAYING)
51
00:02:34,643 --> 00:02:36,437
(SINGING)
If you're really sincere
52
00:02:36,437 --> 00:02:38,149
If you're really sincere
53
00:02:38,609 --> 00:02:40,445
If you feel it in here
54
00:02:40,613 --> 00:02:42,825
Then it's gotta be right
Oh, baby
55
00:02:42,825 --> 00:02:44,161
- Oh!
- Look at him.
56
00:02:44,328 --> 00:02:45,497
- Sebastian?
- I know.
57
00:02:45,665 --> 00:02:47,877
JOAN: He is giving 110%.
58
00:02:48,044 --> 00:02:49,798
- Suffer
- (JOAN CHEERING)
59
00:02:50,550 --> 00:02:52,386
(AUDIENCE CHEERING)
60
00:02:53,096 --> 00:02:56,853
(SINGING)
Oh, oh, oh, you gotta be sincere
61
00:02:57,020 --> 00:03:00,820
Oh, oh, oh, you gotta feel it in here
62
00:03:00,987 --> 00:03:03,116
- RITA: Oh, my God! Joan!
- (SINGING) Oh, my baby
63
00:03:03,283 --> 00:03:04,285
RITA: Joan!
64
00:03:04,285 --> 00:03:06,497
This is... Somebody help me!
Somebody help me.
65
00:03:06,665 --> 00:03:08,001
She's not breathing.
66
00:03:08,167 --> 00:03:10,130
This is not part of the show.
67
00:03:10,297 --> 00:03:11,842
I need help! (ECHOING)
68
00:03:21,737 --> 00:03:24,868
(GASPS) It's beautiful.
69
00:03:29,919 --> 00:03:31,297
(MELLOW MUSIC PLAYING)
70
00:03:46,662 --> 00:03:49,668
What's up, Troy-jans?
It's your boy, Troy.
71
00:03:49,834 --> 00:03:51,922
Just right off the bat, wanna
keep it real with you guys,
72
00:03:52,089 --> 00:03:53,759
feeling a little naked
without my ring light.
73
00:03:53,759 --> 00:03:54,928
But you know what?
74
00:03:55,345 --> 00:03:56,389
We still out here.
75
00:03:56,556 --> 00:03:57,558
As you guys know,
76
00:03:57,558 --> 00:04:00,397
I don't usually like to talk
about my... (CLEARS THROAT)
77
00:04:03,946 --> 00:04:05,073
To be honest,
I've been going through
78
00:04:05,073 --> 00:04:06,409
some low-key
personal stuff lately
79
00:04:06,576 --> 00:04:08,914
and I just feel obligated
to let you guys know that.
80
00:04:09,081 --> 00:04:10,250
Long story short,
81
00:04:11,001 --> 00:04:12,421
theater gave my mom a coma.
82
00:04:13,339 --> 00:04:14,551
She's down for the count
83
00:04:15,051 --> 00:04:18,349
for... (INHALES DEEPLY) we
really don't know how long.
84
00:04:18,976 --> 00:04:22,107
Unfortunately, that's just
kinda how comas go.
85
00:04:22,274 --> 00:04:23,694
But fear not, fam.
86
00:04:23,861 --> 00:04:26,449
Even though I never really
vibed with my mom's camp
87
00:04:26,616 --> 00:04:29,371
and spent my summers doing
dope shit with my friends,
88
00:04:29,539 --> 00:04:31,417
I happen to be
a financial guru
89
00:04:31,585 --> 00:04:34,883
and world-renowned
business mentor.
90
00:04:35,049 --> 00:04:36,803
Yeah, I do that kind of stuff.
91
00:04:36,970 --> 00:04:38,849
Your boy has the BDE.
92
00:04:39,016 --> 00:04:42,815
That's right. The business
development expertise
93
00:04:42,982 --> 00:04:44,401
- to hold down the fort.
- (GASPS)
94
00:04:45,195 --> 00:04:46,823
Oh, my God, there's a person.
95
00:04:46,990 --> 00:04:48,535
I'm sorry. I'm so sorry.
96
00:04:48,702 --> 00:04:50,205
I was in here
fixing the blinds,
97
00:04:50,205 --> 00:04:51,290
and then you came in
98
00:04:51,457 --> 00:04:52,877
and I panicked and stayed.
99
00:04:52,877 --> 00:04:54,004
(TROY EXHALES DEEPLY)
100
00:04:54,004 --> 00:04:56,258
I'm Glenn.
I'm the technical director.
101
00:04:58,514 --> 00:04:59,516
TROY: How you doing, man?
102
00:04:59,724 --> 00:05:01,101
Over the next three weeks,
103
00:05:01,101 --> 00:05:03,064
I'm gonna give you
an inside look
104
00:05:03,231 --> 00:05:06,738
at how I can take a business
from lame... to lit.
105
00:05:06,905 --> 00:05:08,241
Let's build.
(MAKES WHOOSHING SOUND)
106
00:05:08,407 --> 00:05:10,161
The most pressing matters
are in the main stage.
107
00:05:10,161 --> 00:05:11,748
Right now,
the cyclorama is buckling.
108
00:05:11,748 --> 00:05:12,917
It needs to be re-anchored.
109
00:05:13,042 --> 00:05:14,504
Uh, we're gonna
need to prioritize
110
00:05:14,504 --> 00:05:16,508
the remaining equipment
for the musicals,
111
00:05:16,675 --> 00:05:20,516
which means the straight plays
are gonna have to be acoustic.
112
00:05:20,850 --> 00:05:22,603
Uh, which is actually
how they do it on Broadway.
113
00:05:22,603 --> 00:05:25,609
Can I just (CLICKS TONGUE)
cut you off? Real quick.
114
00:05:25,609 --> 00:05:26,778
- Um...
- It seems like you've got
115
00:05:26,778 --> 00:05:28,030
a pretty good handle
on this...
116
00:05:28,030 --> 00:05:29,408
- Yeah.
- ...so I'm just gonna take
117
00:05:29,408 --> 00:05:31,580
"understanding a word
you're saying"
118
00:05:32,497 --> 00:05:33,499
off my list
119
00:05:33,667 --> 00:05:34,836
and let you take it
from here, brother.
120
00:05:34,836 --> 00:05:35,921
Okay.
121
00:05:35,921 --> 00:05:38,092
Quick question, though,
what's a straight play?
122
00:05:38,259 --> 00:05:39,804
Well, there are musicals,
123
00:05:39,804 --> 00:05:41,307
and then
there are straight plays.
124
00:05:42,392 --> 00:05:44,021
So then what would be
a gay play?
125
00:05:46,985 --> 00:05:48,947
I guess (STUTTERS) a musical.
126
00:05:50,158 --> 00:05:51,536
- Oh, cool.
- (DRUMS BEATING)
127
00:05:52,162 --> 00:05:54,751
RITA: This one.
Okay. Thanks. Okay.
128
00:05:56,170 --> 00:05:57,464
BOY: Yes. Yes!
RITA: Oh, yes!
129
00:06:00,804 --> 00:06:02,474
GIRL 1: Wait,
we have to bunk together.
130
00:06:02,642 --> 00:06:03,644
We have to.
131
00:06:03,769 --> 00:06:06,065
So, you're in bunk five, Ellen.
132
00:06:06,232 --> 00:06:07,985
Okay, 'kay, 'kay.
That's good. That's good.
133
00:06:08,152 --> 00:06:10,950
Great, great. Great.
What's he doing? Perfect.
134
00:06:11,408 --> 00:06:14,414
Okay. Hi, everybody.
Welcome back.
135
00:06:14,582 --> 00:06:18,047
Mickey, Nicky. Nicky, Mickey,
Mickey, Nicky. Who knows?
136
00:06:18,214 --> 00:06:20,928
Don't switch shirts.
I'll get too confused.
137
00:06:21,095 --> 00:06:22,430
(UPBEAT MUSIC PLAYING)
138
00:06:22,430 --> 00:06:23,600
(GIGGLING)
139
00:06:27,608 --> 00:06:28,860
(BOTH LAUGHING EXCITEDLY)
140
00:06:29,737 --> 00:06:31,073
(HUMMING)
141
00:06:45,853 --> 00:06:46,855
- AMOS: Beck, stop.
- (REBECCA-DIANE SCREAMS)
142
00:06:46,855 --> 00:06:47,940
Beck, stop the car.
143
00:06:48,775 --> 00:06:50,320
- Let me in.
- I am letting you in.
144
00:06:50,486 --> 00:06:51,823
- It's not opening.
- I'm letting you in.
145
00:06:52,407 --> 00:06:54,662
AMOS: Oh, God. (GROANS)
146
00:06:54,662 --> 00:06:56,081
I've been here 10 minutes
and it's unbearable.
147
00:06:56,081 --> 00:06:57,208
REBECCA-DIANE: Oh, my God!
148
00:07:00,799 --> 00:07:02,135
(PERCUSSION MUSIC PLAYING)
149
00:07:13,950 --> 00:07:15,788
He's, like, wandering about.
150
00:07:15,788 --> 00:07:17,123
He has no idea where he is,
what he's doing.
151
00:07:17,123 --> 00:07:18,209
He can't see?
152
00:07:18,209 --> 00:07:20,213
No, he only talks
to his camera.
153
00:07:20,213 --> 00:07:21,298
Oh, my God.
154
00:07:21,465 --> 00:07:22,551
The least creative person
I've ever met,
155
00:07:22,551 --> 00:07:23,678
and I've yet
to speak to the man.
156
00:07:24,471 --> 00:07:25,849
TROY: Play ball.
157
00:07:26,684 --> 00:07:27,728
She's hot.
158
00:07:27,895 --> 00:07:28,980
And half the staff
has been cut.
159
00:07:28,980 --> 00:07:30,066
They're not even coming back.
160
00:07:30,191 --> 00:07:31,235
We need a coup.
161
00:07:31,861 --> 00:07:33,405
Well, there's not even enough
of us to have a coup now.
162
00:07:33,573 --> 00:07:35,118
- Oh, my God.
- AMOS: Jesus.
163
00:07:35,118 --> 00:07:36,955
- She wouldn't even want it.
- No.
164
00:07:37,122 --> 00:07:39,794
AMOS: We really have to hold
this place down artistically.
165
00:07:39,961 --> 00:07:41,589
I can't believe
that Joan's not here.
166
00:07:41,589 --> 00:07:42,758
I can't believe it.
167
00:07:43,134 --> 00:07:44,344
(INDISTINCT CHATTER)
168
00:07:49,271 --> 00:07:51,024
All I was doing
was blowing the roof off
169
00:07:51,024 --> 00:07:52,611
of Honestly, Sincere
in Bye Bye Birdie.
170
00:07:52,778 --> 00:07:54,030
Then I look over
to my house seats
171
00:07:54,156 --> 00:07:56,118
and there's Joan, convulsing.
172
00:07:56,578 --> 00:07:57,872
CHRISTOPHER L: What?
SEBASTIAN: It was frightening.
173
00:07:58,038 --> 00:08:00,001
I obviously
stayed in character.
174
00:08:00,001 --> 00:08:01,796
CHRISTOPHER L:
That's not real.
175
00:08:06,263 --> 00:08:07,473
(OVER MIC) All right.
Let's take a knee
176
00:08:07,473 --> 00:08:08,602
with the talking, fam.
177
00:08:09,687 --> 00:08:10,772
Listen up!
178
00:08:12,568 --> 00:08:13,653
Keep it down.
179
00:08:13,820 --> 00:08:14,822
Fam?
180
00:08:15,699 --> 00:08:16,868
Squad? Gang?
181
00:08:18,538 --> 00:08:20,458
Maybe, uh, zip it?
182
00:08:21,043 --> 00:08:22,295
Everybody.
183
00:08:23,005 --> 00:08:24,299
Can we just get you guys to...
184
00:08:24,466 --> 00:08:27,180
(SINGING) Oh, what a beautiful
185
00:08:27,347 --> 00:08:29,894
CHILDREN: (SINGING) Morning
186
00:08:31,396 --> 00:08:32,398
TROY: Dope.
187
00:08:35,071 --> 00:08:36,073
That was dope.
188
00:08:37,325 --> 00:08:40,874
Whaddup, AdirondACTS?
189
00:08:40,874 --> 00:08:43,630
(IMITATES FANFARE)
190
00:08:44,297 --> 00:08:45,550
Um...
191
00:08:45,759 --> 00:08:46,970
You guys know Joan, right?
192
00:08:47,095 --> 00:08:48,472
(CHILDREN CHEERING)
193
00:08:49,642 --> 00:08:51,103
(CHANTING) Joan, Joan, Joan!
194
00:08:51,270 --> 00:08:53,525
Joan, Joan, Joan!
195
00:08:53,692 --> 00:08:55,278
Joan, Joan, Joan!
196
00:08:55,444 --> 00:08:58,033
Yeah, um, so she's not here.
197
00:08:59,244 --> 00:09:02,375
Um, you know, which
we're all very sad about.
198
00:09:02,543 --> 00:09:03,753
But don't worry.
199
00:09:04,087 --> 00:09:05,632
I'm her son.
200
00:09:05,799 --> 00:09:08,053
Troy!
201
00:09:13,147 --> 00:09:14,232
Um...
202
00:09:14,232 --> 00:09:15,318
Don't worry, guys.
203
00:09:15,484 --> 00:09:18,783
I just wanna reassure you
this will be a normal summer.
204
00:09:18,950 --> 00:09:20,286
You can check out my website.
205
00:09:20,453 --> 00:09:21,956
- Oh, yeah, go ahead. Yeah.
- We're good. Thanks so much.
206
00:09:22,081 --> 00:09:23,083
Hi, guys.
207
00:09:23,083 --> 00:09:24,920
(ALL CHEERING)
208
00:09:25,463 --> 00:09:27,216
We love you, Gigi!
209
00:09:29,764 --> 00:09:30,932
So a few reminders.
210
00:09:30,932 --> 00:09:32,936
I just need to know
all of your updated sizes.
211
00:09:32,936 --> 00:09:34,607
Also, sad news,
212
00:09:34,607 --> 00:09:36,778
I will not be doing
piercings any more in the hut.
213
00:09:37,529 --> 00:09:40,535
Yeah. Because there's
a narc amongst us.
214
00:09:40,535 --> 00:09:42,038
Um, Cassie has narced.
215
00:09:42,205 --> 00:09:44,125
It's totally fine. Uh, yeah.
216
00:09:44,292 --> 00:09:45,419
Okay, I love you guys.
217
00:09:45,419 --> 00:09:47,465
- Love you.
- (CHILDREN CHEERING)
218
00:09:49,094 --> 00:09:50,639
(CHEERING INTENSIFIES)
219
00:09:54,814 --> 00:09:55,816
As you all know,
220
00:09:55,816 --> 00:09:57,235
I'm Amos Klobuchar,
head of drama.
221
00:09:57,235 --> 00:09:59,239
Rebecca-Diane,
head of music theory.
222
00:09:59,406 --> 00:10:02,245
We are now going to announce,
as we do every summer,
223
00:10:03,038 --> 00:10:04,332
this session's productions.
224
00:10:05,000 --> 00:10:06,796
Five, six, seven, eight.
225
00:10:06,796 --> 00:10:08,215
(BOTH STOMPING RHYTHMICALLY)
226
00:10:09,552 --> 00:10:10,804
(SINGING)
There once was a story
227
00:10:10,804 --> 00:10:12,348
'Bout a girl named Lisa
228
00:10:12,516 --> 00:10:15,354
She wanted to perform
But she didn't have her visa
229
00:10:15,522 --> 00:10:16,941
BOTH: Sorry about your visa, Lisa
230
00:10:16,941 --> 00:10:18,193
Five, six, seven, eight
231
00:10:18,193 --> 00:10:19,320
Playing baseball
with the devil
232
00:10:19,320 --> 00:10:20,615
in a baseball diamond.
233
00:10:20,782 --> 00:10:22,786
BOTH: Damn Yankees
in the outdoor stage.
234
00:10:22,953 --> 00:10:23,955
(WHINING
IN HIGH-PITCHED TONE)
235
00:10:23,955 --> 00:10:25,584
- AMOS: Who goes there?
- (CONTINUES WHINING)
236
00:10:25,584 --> 00:10:26,794
Is it a ghost?
237
00:10:26,961 --> 00:10:28,005
Is it a witch?
238
00:10:28,172 --> 00:10:30,468
BOTH: The Crucible junior
in the lobby.
239
00:10:30,635 --> 00:10:32,598
(SINGING)
In the land of Andrew Lloyd
240
00:10:32,598 --> 00:10:35,186
Where the felines sing and dance
241
00:10:35,352 --> 00:10:37,774
Whisker faced in unitards
242
00:10:37,774 --> 00:10:39,737
You can join their feral prance
243
00:10:40,112 --> 00:10:41,741
Cats immersive.
244
00:10:41,908 --> 00:10:42,951
Well, I guess
that's all, folks.
245
00:10:42,951 --> 00:10:44,037
I gotta start walking home.
246
00:10:44,204 --> 00:10:45,247
I'm taking a cab.
247
00:10:45,247 --> 00:10:46,918
BOTH: Whoa!
248
00:10:47,043 --> 00:10:48,128
(SINGING)
An original piece
249
00:10:48,128 --> 00:10:49,214
And it's fully brand new
250
00:10:49,380 --> 00:10:51,594
And it's fresh from our hearts
Written just for you
251
00:10:51,761 --> 00:10:53,765
But you've gotta be good, yeah
You've gotta be great
252
00:10:53,765 --> 00:10:54,892
You've gotta be the crème de la crème
253
00:10:54,892 --> 00:10:55,977
Of the place
254
00:11:08,837 --> 00:11:10,422
This summer it's a story...
255
00:11:10,590 --> 00:11:12,594
About a woman in her glory.
256
00:11:12,761 --> 00:11:14,264
The founding of a space...
257
00:11:14,430 --> 00:11:16,853
That has become
our favorite place.
258
00:11:17,019 --> 00:11:19,399
A woman who all in this room
deeply love.
259
00:11:19,567 --> 00:11:22,698
And she's looking down,
not quite from above.
260
00:11:22,865 --> 00:11:24,158
Joan can...
261
00:11:24,325 --> 00:11:26,288
- Joan will...
- Joan here?
262
00:11:26,288 --> 00:11:27,541
(SNAPPING FINGERS)
263
00:11:29,168 --> 00:11:30,922
BOTH: Joan, Still!
264
00:11:33,636 --> 00:11:35,264
(ALL CHEERING)
265
00:11:44,700 --> 00:11:46,453
(FUNKY MUSIC PLAYING)
266
00:11:59,605 --> 00:12:01,441
TROY: Your resume
is absolutely stacked.
267
00:12:01,776 --> 00:12:03,111
- Thank you.
- Yeah.
268
00:12:03,946 --> 00:12:05,784
How did you learn
stage combat?
269
00:12:06,034 --> 00:12:07,370
Oh! Oh, man.
270
00:12:08,163 --> 00:12:09,667
It's hard to even say
271
00:12:09,667 --> 00:12:10,794
'cause I've been doing it
for so long.
272
00:12:11,002 --> 00:12:12,004
- Totally.
- Yeah.
273
00:12:12,171 --> 00:12:13,465
How about accent work?
274
00:12:13,465 --> 00:12:15,219
(IN AN ACCENT) Oh.
You no worry.
275
00:12:15,219 --> 00:12:16,555
I can do it, don't worry.
276
00:12:17,808 --> 00:12:18,851
That's really neat.
277
00:12:19,018 --> 00:12:20,270
How about horseback riding?
278
00:12:20,270 --> 00:12:22,526
- Jousting? Is that like with the...?
- (IN NORMAL VOICE) Yeah.
279
00:12:22,526 --> 00:12:24,947
That is with those. Yeah.
280
00:12:25,114 --> 00:12:26,784
And then when did you learn
how to juggle?
281
00:12:26,784 --> 00:12:30,750
Well, um... Oh, there was
a fire at my house.
282
00:12:31,376 --> 00:12:33,338
And that's sort of how I dealt
with the trauma.
283
00:12:37,514 --> 00:12:39,475
Wow!
284
00:12:39,643 --> 00:12:40,895
BOBBY: Wow!
285
00:12:41,062 --> 00:12:42,691
Yes. Progressions
across the floor.
286
00:12:42,691 --> 00:12:44,444
Very nice, both of you, yes.
287
00:12:44,570 --> 00:12:45,697
Front.
288
00:12:45,864 --> 00:12:47,408
Higher. Higher.
289
00:12:47,408 --> 00:12:49,037
Ah! Ah!
290
00:12:49,037 --> 00:12:52,084
Listen, these are some
Cassie battements.
291
00:12:52,209 --> 00:12:53,880
You're doing
a little cheater flick.
292
00:12:57,929 --> 00:12:59,182
(FAST TEMPO MUSIC PLAYING)
293
00:12:59,432 --> 00:13:01,729
I am running late
for my niece's christening.
294
00:13:04,358 --> 00:13:06,864
I don't want to find another
therapist, David.
295
00:13:07,239 --> 00:13:09,202
AMOS: Welcome,
group two of auditioners.
296
00:13:09,368 --> 00:13:10,370
REBECCA-DIANE:
I know it's been a long day
297
00:13:10,370 --> 00:13:11,498
for you guys, but...
298
00:13:11,498 --> 00:13:12,584
AMOS: If you drop a line,
299
00:13:12,584 --> 00:13:14,045
or a note
is a little off-key,
300
00:13:14,170 --> 00:13:15,380
you crack or something,
301
00:13:15,380 --> 00:13:16,466
just, what does that
302
00:13:16,466 --> 00:13:17,719
- say about you?
- Mmm-hmm.
303
00:13:22,269 --> 00:13:23,271
Yo.
304
00:13:24,190 --> 00:13:25,359
Sorry I'm late.
305
00:13:25,484 --> 00:13:27,614
- I don't think you were... Oh.
- (TROY GRUNTS)
306
00:13:28,741 --> 00:13:32,541
Emma, 10,
has a goldfish named Johnny.
307
00:13:32,958 --> 00:13:34,085
And she's gonna kick us off
308
00:13:34,085 --> 00:13:36,464
with I Dreamed a Dream
from Les Mis.
309
00:13:36,966 --> 00:13:38,009
Oh, you know what?
310
00:13:38,009 --> 00:13:39,095
That's a good song choice
for her.
311
00:13:39,262 --> 00:13:41,224
I do believe her
as a French prostitute.
312
00:13:41,391 --> 00:13:42,393
REBECCA-DIANE: Amos.
313
00:13:42,561 --> 00:13:44,648
Oh, I'm sorry, I'm sorry.
Sex worker.
314
00:13:44,815 --> 00:13:46,025
REBECCA-DIANE: Thank you.
315
00:13:46,401 --> 00:13:48,154
(FRANTIC PIANO MUSIC PLAYING)
316
00:13:52,496 --> 00:13:53,498
(SINGING)
There's a hole in the world
317
00:13:53,498 --> 00:13:54,585
Like a great black pit
318
00:13:54,585 --> 00:13:56,212
And it's filled with people
Who are filled with shit
319
00:13:56,379 --> 00:13:58,174
And the vermin in the world inhabit it
320
00:13:59,887 --> 00:14:03,143
But not for long
321
00:14:03,561 --> 00:14:09,280
Darla, 15, is 2,073
on the IMDb Star Meter.
322
00:14:09,447 --> 00:14:11,785
(SINGING)
What if when he sees me
323
00:14:11,785 --> 00:14:13,664
I like him and he knows it
324
00:14:14,290 --> 00:14:15,417
(WHISPERS)
This is an example of a kid
325
00:14:15,417 --> 00:14:16,879
who started working
way too young.
326
00:14:17,046 --> 00:14:19,718
(SINGING)
And I can't close it?
327
00:14:19,885 --> 00:14:22,515
- You got snacks?
- No, I don't have anything.
328
00:14:22,682 --> 00:14:24,686
(SINGING)
And even if Karen were hotter than Sharon
329
00:14:24,686 --> 00:14:26,607
I still would've filed for divorce
330
00:14:26,941 --> 00:14:28,861
Um, that rhythm was wrong.
Can we do that again?
331
00:14:29,028 --> 00:14:30,072
(SINGING)
That was the last time
332
00:14:30,072 --> 00:14:31,575
I laid eyes on
333
00:14:31,575 --> 00:14:33,328
(VOCALIZING)
334
00:14:49,110 --> 00:14:50,404
Margaret Thatcher
335
00:14:50,571 --> 00:14:53,118
(SINGING)
Though we all deserve to die
336
00:14:53,953 --> 00:14:59,005
Even you, Mrs. Lovett
Even I
337
00:14:59,422 --> 00:15:02,721
It says you're allergic
to polyester. Why?
338
00:15:03,304 --> 00:15:07,564
Devon, 13. He has
a green belt in taekwondo.
339
00:15:12,156 --> 00:15:14,076
(SINGING)
You know, I think that I'm better now
340
00:15:14,076 --> 00:15:15,454
Better now
341
00:15:15,621 --> 00:15:17,834
You only say that 'cause I'm not around
342
00:15:17,834 --> 00:15:18,878
Not around
343
00:15:19,045 --> 00:15:21,215
You know I never meant to let you down
344
00:15:21,215 --> 00:15:22,301
Let you down
345
00:15:22,468 --> 00:15:25,933
Would've gave you anything
Would've gave you everything
346
00:15:26,100 --> 00:15:28,354
You know, I think that I am better now
347
00:15:28,354 --> 00:15:29,482
Better now
348
00:15:29,649 --> 00:15:31,779
You only say that 'cause I'm not around
349
00:15:31,779 --> 00:15:32,989
Not around
350
00:15:33,156 --> 00:15:35,368
You know I never meant to let you down
351
00:15:35,368 --> 00:15:36,496
Let you down
352
00:15:36,663 --> 00:15:38,374
BOTH: (SINGING)
Would've gave you anything
353
00:15:38,374 --> 00:15:40,045
Would've gave you everything
354
00:15:40,212 --> 00:15:42,049
Whoa
355
00:15:43,093 --> 00:15:45,681
That's what's up, dawg. Finally.
356
00:15:45,848 --> 00:15:46,892
Can you clear now, please?
Thank you.
357
00:15:46,892 --> 00:15:48,061
TROY: That was bussin'.
358
00:15:48,228 --> 00:15:49,271
AMOS: Inappropriate to give
feedback during the audition.
359
00:15:49,271 --> 00:15:50,357
REBECCA-DIANE: Yeah.
360
00:15:50,357 --> 00:15:51,527
AMOS: Please don't
internalize that.
361
00:15:51,693 --> 00:15:52,695
It's Devon?
362
00:15:53,279 --> 00:15:55,117
- Yeah.
- Your first summer?
363
00:15:55,283 --> 00:15:56,410
- Here?
- REBECCA-DIANE: Yeah.
364
00:15:56,410 --> 00:15:57,664
- AMOS: Yes.
- Yeah.
365
00:15:57,831 --> 00:15:59,125
Do you know
any other Post songs
366
00:15:59,125 --> 00:16:00,962
that you could like,
rattle off the dome,
367
00:16:01,129 --> 00:16:03,258
like maybe
Wow or Congratulations...
368
00:16:03,424 --> 00:16:05,721
or the one from
the Spider-Verse soundtrack?
369
00:16:05,888 --> 00:16:08,519
Abby, 11, chose this session
370
00:16:08,519 --> 00:16:10,982
over sitting shiva
for her cousin.
371
00:16:11,149 --> 00:16:12,986
CLIVE: Putting the work first.
372
00:16:14,280 --> 00:16:15,365
WOMAN: Oh, uh, excuse me,
I just need a second.
373
00:16:15,365 --> 00:16:16,450
RITA: Ma'am,
you can't be back here.
374
00:16:16,618 --> 00:16:17,787
WOMAN: I'm sorry. Um...
375
00:16:19,373 --> 00:16:20,793
Hi.
376
00:16:23,674 --> 00:16:26,680
My name's Caroline Krauss.
I'm a rep from Camp Lakeside.
377
00:16:33,944 --> 00:16:35,990
- (BUS HONKING)
- RITA: Shut up!
378
00:16:36,157 --> 00:16:37,827
- (MUSIC PLAYING ON SPEAKERS)
- Turn down your music!
379
00:16:37,994 --> 00:16:40,081
This is a bucolic setting!
380
00:16:40,248 --> 00:16:42,211
Okay, well,
whatever it is you're selling,
381
00:16:42,211 --> 00:16:43,254
we don't want any.
382
00:16:43,379 --> 00:16:45,342
Oh, I was actually here
to introduce myself
383
00:16:45,342 --> 00:16:47,304
to the, uh, new boss.
384
00:16:47,471 --> 00:16:49,643
Is there... Is Troy here?
385
00:16:49,809 --> 00:16:53,358
I am so sorry
to hear about your mom.
386
00:16:54,861 --> 00:16:56,865
My entire team
at Barnswell Capital
387
00:16:56,865 --> 00:16:58,284
is sending healing thoughts.
388
00:16:58,451 --> 00:17:01,625
Wait, Barnswell Capital?
Like the Barnswell Capital?
389
00:17:02,000 --> 00:17:03,629
- Yeah.
- Whoa.
390
00:17:04,714 --> 00:17:06,510
Your work is so inspiring.
391
00:17:06,677 --> 00:17:08,847
I mean,
the Gentri-vacation Project.
392
00:17:09,014 --> 00:17:10,016
I have to say
393
00:17:10,016 --> 00:17:11,853
Gentri-vacation
was my brainchild.
394
00:17:12,437 --> 00:17:14,108
- Wow, you know, um...
- You know...
395
00:17:14,275 --> 00:17:15,736
- I'm sorry.
- You go.
396
00:17:15,903 --> 00:17:16,905
I was just gonna say that
397
00:17:16,905 --> 00:17:18,408
you seem to know
a lot about business.
398
00:17:18,575 --> 00:17:19,744
I'm a bit
of a money man myself.
399
00:17:20,705 --> 00:17:21,957
You know, I've been trying
to bring some of my
400
00:17:23,167 --> 00:17:26,007
en-Troy-preneurship
to the AdirondACTS.
401
00:17:26,173 --> 00:17:28,804
That's funny.
That's catchy, en-Troy.
402
00:17:28,971 --> 00:17:30,307
- My name's Troy.
- I know.
403
00:17:30,473 --> 00:17:32,269
I understood it completely
the first time I heard it.
404
00:17:32,436 --> 00:17:33,438
Yeah.
405
00:17:33,438 --> 00:17:35,066
That's kind of what we're
doing with Lakeside.
406
00:17:35,233 --> 00:17:37,029
- Yeah?
- Yeah, we recently acquired it
407
00:17:37,195 --> 00:17:39,116
so I'm doing
kind of a complete overhaul
408
00:17:39,283 --> 00:17:40,995
- of the management structure.
- Wow!
409
00:17:41,162 --> 00:17:42,164
CAROLINE:
I think it's commendable
410
00:17:42,164 --> 00:17:43,374
what you're doing here.
411
00:17:43,584 --> 00:17:45,253
Taking on the burden
of your mother's condition.
412
00:17:45,420 --> 00:17:48,092
- Yeah.
- And her struggling business.
413
00:17:48,594 --> 00:17:50,430
That's gotta be so much weight
on your shoulders.
414
00:17:50,598 --> 00:17:52,017
Yeah. It is.
415
00:17:52,894 --> 00:17:54,689
Excuse me.
So sorry.
416
00:17:54,856 --> 00:17:57,444
This is an active work zone.
417
00:17:57,612 --> 00:17:59,073
I'm gonna need you
to vacate the area.
418
00:17:59,239 --> 00:18:00,910
CAROLINE: Uh, just one moment.
419
00:18:01,077 --> 00:18:02,287
Troy, I think this could be
420
00:18:02,287 --> 00:18:03,957
an exciting opportunity
for the both of us.
421
00:18:04,124 --> 00:18:06,212
- Wow. Yeah.
- GLENN: You know what?
422
00:18:06,379 --> 00:18:08,049
I'm gonna need
this exact space
423
00:18:08,049 --> 00:18:10,220
to get up
really high for some work.
424
00:18:10,596 --> 00:18:12,892
Look, Troy,
I don't need to tell you
425
00:18:12,892 --> 00:18:15,146
that the bank
has filed a notice of default.
426
00:18:15,523 --> 00:18:16,608
What?
427
00:18:16,608 --> 00:18:18,737
And it's not news to you,
of course,
428
00:18:18,737 --> 00:18:22,285
that they're weeks away from
foreclosing on this place.
429
00:18:24,749 --> 00:18:27,672
No, that's definitely
not news to me.
430
00:18:31,680 --> 00:18:35,395
Listen, I think I can help you
get out of this jam.
431
00:18:35,563 --> 00:18:36,898
I know I speak on behalf
432
00:18:36,898 --> 00:18:38,694
of my entire
board of directors
433
00:18:38,861 --> 00:18:41,240
when I say
that Barnswell Capital
434
00:18:41,407 --> 00:18:44,204
would love to get into bed
with AdirondACTS.
435
00:18:44,371 --> 00:18:50,551
(SINGING)
Tell them how I am defying gravity
436
00:18:50,718 --> 00:18:55,936
I'm flying high defying gravity
437
00:18:56,312 --> 00:18:57,314
I'm so sorry.
I didn't mean
438
00:18:57,314 --> 00:18:58,859
to interrupt
that conversation.
439
00:18:58,859 --> 00:18:59,944
That was very
out of character for me.
440
00:19:00,069 --> 00:19:01,447
- A little brazen...
- Hey, you can't tell anyone
441
00:19:01,615 --> 00:19:04,203
about this
foreclosure thing, okay?
442
00:19:04,203 --> 00:19:05,455
It's between me and you.
443
00:19:05,790 --> 00:19:09,087
Uh, yeah.
Uh, our little secret.
444
00:19:09,087 --> 00:19:10,966
But I do think
you should know,
445
00:19:11,425 --> 00:19:13,054
Barnswell Capital,
they're not people
446
00:19:13,054 --> 00:19:15,099
that we should be
getting into bed with.
447
00:19:15,266 --> 00:19:17,814
Lakeside is the enemy.
448
00:19:18,314 --> 00:19:19,692
They've been trying
to get this land
449
00:19:19,692 --> 00:19:21,320
for a very long time,
450
00:19:21,487 --> 00:19:23,700
and I think Joan's success is,
in large part,
451
00:19:23,700 --> 00:19:25,788
due to the fact
that she has leaned on us,
452
00:19:25,955 --> 00:19:27,249
AdirondACTS family,
453
00:19:27,792 --> 00:19:29,796
and your mother used to say,
454
00:19:29,963 --> 00:19:31,173
"We're theater people.
455
00:19:31,173 --> 00:19:33,971
"We know how to turn
cardboard into gold."
456
00:19:34,137 --> 00:19:37,687
(SINGING) Bring me down
457
00:19:37,895 --> 00:19:39,231
(PIANO PLAYING)
458
00:19:41,068 --> 00:19:42,655
- (POWER SHUTS DOWN)
- (PIANO STOPS)
459
00:19:42,655 --> 00:19:43,991
CHRISTOPHER L: What?
REBECCA-DIANE: Oh, my God.
460
00:19:43,991 --> 00:19:45,076
Troy.
461
00:19:45,243 --> 00:19:47,414
Okay, you're not ruining
my final note. (CHUCKLES)
462
00:19:47,748 --> 00:19:49,627
(VOCALIZING)
463
00:19:51,631 --> 00:19:52,842
TROY: Yeah.
464
00:19:53,677 --> 00:19:55,764
I really need to start
reading the mail.
465
00:20:05,826 --> 00:20:08,164
(SINGING SOFTLY)
Peters, Foster, Streisand, LuPone
466
00:20:08,164 --> 00:20:10,502
Give us a role we can make our own
467
00:20:10,669 --> 00:20:13,174
Audra McDonald, Idina Menzel
468
00:20:13,341 --> 00:20:15,679
We are gay witches, and this is our spell
469
00:20:15,846 --> 00:20:16,890
- RITA: Move on. We're gonna move on.
- AMOS: Okay.
470
00:20:17,057 --> 00:20:18,644
RITA: Okay. What about this?
The Crucible or Cats?
471
00:20:18,810 --> 00:20:20,188
I think that she's
in the running for Tituba.
472
00:20:20,355 --> 00:20:21,691
- No.
- In the running.
473
00:20:21,858 --> 00:20:22,943
How are we gonna
talk about Tituba
474
00:20:22,943 --> 00:20:24,321
when we haven't
picked a Proctor?
475
00:20:24,321 --> 00:20:26,033
AMOS: Do you think
you could channel her for us?
476
00:20:26,660 --> 00:20:28,412
Just try. I know you don't
like to do it on command,
477
00:20:28,580 --> 00:20:31,043
but maybe Joan has some wisdom
to offer in this moment.
478
00:20:31,043 --> 00:20:32,170
CLIVE: Here
in this situation room.
479
00:20:32,170 --> 00:20:33,255
RITA: Oh, I would love to...
480
00:20:33,422 --> 00:20:34,717
Oh, I wanna talk to her.
481
00:20:34,884 --> 00:20:36,178
Please do it.
482
00:20:37,598 --> 00:20:39,434
I have so many things
to tell her.
483
00:20:39,434 --> 00:20:40,562
CLIVE: Joan!
RITA: Joan.
484
00:20:40,562 --> 00:20:41,648
Joan, are you there?
485
00:20:41,815 --> 00:20:42,983
- RITA: Are you here, Joan?
- Guys, real quick.
486
00:20:43,150 --> 00:20:44,236
CLIVE: Joan, speak to us.
TROY: I'm gonna head out
487
00:20:44,236 --> 00:20:46,115
just 'cause the candles
and kids thing
488
00:20:46,115 --> 00:20:47,283
is making me
feel a little bit weird.
489
00:20:47,283 --> 00:20:48,620
We don't have
that much time to begin with.
490
00:20:48,787 --> 00:20:49,831
- Thank you.
- That's fine. Please.
491
00:20:49,956 --> 00:20:50,958
AMOS: Oh, my God!
492
00:20:50,958 --> 00:20:52,168
CLIVE: Can we get back
to the business at hand?
493
00:20:52,168 --> 00:20:53,922
AMOS: Can we open up the
discussion in terms of Lolas?
494
00:20:54,089 --> 00:20:55,551
I'm just gonna
throw a name out. Chantal.
495
00:20:55,718 --> 00:20:56,761
CLIVE: Chantal. Yes, Chantal.
496
00:20:56,761 --> 00:20:58,139
It's exactly what
I was thinking. Chantal.
497
00:20:58,305 --> 00:21:00,936
- Chantal. Chantal.
- Chantal.
498
00:21:01,103 --> 00:21:02,480
Which one... Okay. Chantal.
499
00:21:02,480 --> 00:21:03,608
CLIVE: Yes, yes.
500
00:21:03,608 --> 00:21:04,694
Okay, Chantal.
She's going where?
501
00:21:04,694 --> 00:21:05,946
Damn Yankees.
502
00:21:05,946 --> 00:21:07,115
REBECCA-DIANE: I'm just
worried she doesn't have...
503
00:21:07,115 --> 00:21:08,492
No, don't place her there!
504
00:21:08,660 --> 00:21:10,539
I'm worried she doesn't have
the sexuality to play it.
505
00:21:10,706 --> 00:21:12,793
Obviously, everyone
on this board is a virgin,
506
00:21:12,960 --> 00:21:14,046
but Chantal
seems like a virgin...
507
00:21:14,046 --> 00:21:15,131
AMOS: I agree.
508
00:21:15,298 --> 00:21:16,676
...the minute that she
steps into a room.
509
00:21:16,843 --> 00:21:18,345
Her name. I don't wanna see
Chantal in a feather.
510
00:21:18,513 --> 00:21:19,682
AMOS: I hate to admit
that it's a great point.
511
00:21:19,682 --> 00:21:20,809
Okay, let's just
table the virgins.
512
00:21:20,809 --> 00:21:21,895
CLIVE: Well,
can't we get her there?
513
00:21:22,020 --> 00:21:23,105
GIGI: Get her there?
How do we get her there?
514
00:21:23,105 --> 00:21:24,274
Get her there?
What do you want us to do?
515
00:21:24,942 --> 00:21:26,028
I don't know
how you get a virgin there.
516
00:21:26,028 --> 00:21:27,238
You get them there.
517
00:21:28,115 --> 00:21:30,746
Okay. Where do you
think this one goes?
518
00:21:32,373 --> 00:21:34,921
Well, it looks like it was
some kind of short.
519
00:21:35,087 --> 00:21:37,175
- Did you check the...
- Breakers?
520
00:21:37,342 --> 00:21:38,427
Yeah, I killed them already.
521
00:21:39,806 --> 00:21:41,266
(ELECTRIC BEEPING)
522
00:21:42,645 --> 00:21:44,649
(GLENN VOCALIZING)
523
00:21:52,706 --> 00:21:54,669
Wow,
that's really pretty, Glenn.
524
00:21:57,675 --> 00:21:59,469
Okay. Uh...
525
00:21:59,469 --> 00:22:00,931
You want him
and Sebastian in Joan?
526
00:22:00,931 --> 00:22:02,016
AMOS: Listen.
Hey, how about...
527
00:22:02,016 --> 00:22:03,227
I have no one.
528
00:22:03,227 --> 00:22:04,312
You take Sean,
we'll take Sebastian.
529
00:22:04,312 --> 00:22:05,398
- Hmm?
- RITA: All right.
530
00:22:05,398 --> 00:22:06,483
- GIGI: Now we have a deal.
- All right. All right.
531
00:22:06,651 --> 00:22:08,112
- He can be Mr. Mistoffelees.
- Okay. Okay.
532
00:22:08,279 --> 00:22:10,199
- CLIVE: Put him in there.
- Okay. Sean is Mistoffelees.
533
00:22:10,366 --> 00:22:13,289
If we can have Darla
for Joan, Still.
534
00:22:13,999 --> 00:22:15,001
CLIVE: You can have Darla.
535
00:22:15,209 --> 00:22:17,590
I'm sorry.
For what in Joan, Still?
536
00:22:17,756 --> 00:22:19,050
To play Joan. Old Joan.
537
00:22:19,217 --> 00:22:20,386
AMOS: She's not
even on my list.
538
00:22:20,554 --> 00:22:22,600
- She's obviously the best one.
- Joan is the most organic
539
00:22:22,600 --> 00:22:23,685
and warm person that I know.
540
00:22:23,852 --> 00:22:24,854
It emanates from her
541
00:22:25,062 --> 00:22:26,524
and Darla, it's sort of like,
put on and then another layer,
542
00:22:26,524 --> 00:22:27,943
put on and then another layer,
put on...
543
00:22:28,110 --> 00:22:29,112
Like all of the work
she's done...
544
00:22:29,112 --> 00:22:30,616
- I find her so free.
- All the sets
545
00:22:30,616 --> 00:22:32,202
she's been on
just reek on her.
546
00:22:32,368 --> 00:22:33,622
Just sit with it for a second.
547
00:22:33,872 --> 00:22:35,124
(POWER SWITCHES ON)
548
00:22:35,291 --> 00:22:37,337
(CHILDREN CHEERING)
549
00:22:39,759 --> 00:22:41,638
(INTRIGUING MUSIC PLAYING)
550
00:22:51,658 --> 00:22:54,329
AMOS: Please
don't disappoint Joan.
551
00:22:54,538 --> 00:22:56,333
(MICROPHONE FEEDBACK)
552
00:22:58,462 --> 00:22:59,464
(SIGHS)
553
00:23:01,134 --> 00:23:02,136
Campers,
554
00:23:02,846 --> 00:23:04,391
the cast lists are up.
555
00:23:04,850 --> 00:23:07,230
(ALL CLAMORING EXCITEDLY)
556
00:23:17,960 --> 00:23:19,337
Oh, my God!
Oh, my God! Oh, my God!
557
00:23:19,337 --> 00:23:20,757
SEBASTIAN: Out of the way!
558
00:23:23,847 --> 00:23:25,349
(CHILDREN SQUEALING)
559
00:23:27,145 --> 00:23:28,439
GIRL: Am I going to be a cat?
560
00:23:30,026 --> 00:23:32,071
ALICE:
Little person coming through.
561
00:23:32,740 --> 00:23:34,785
(CHILDREN CHATTERING)
562
00:23:42,467 --> 00:23:44,054
(ALL CHEERING)
563
00:23:45,222 --> 00:23:46,517
ALICE: I'm so proud of you.
564
00:23:53,948 --> 00:23:55,117
(LAUGHS)
565
00:23:55,117 --> 00:23:56,829
ALAN: You've got to hear
her sing, Marty.
566
00:23:56,996 --> 00:23:59,710
She just booked the title role
in Joan, Still...
567
00:24:00,336 --> 00:24:01,631
...and I'm this close
to signing her.
568
00:24:01,798 --> 00:24:03,133
She's the whole package.
569
00:24:03,300 --> 00:24:04,302
WOMAN: (ON PHONE)
My daughter is a genius.
570
00:24:04,469 --> 00:24:05,639
I hear you loud and clear.
Believe me, you're not the
571
00:24:05,639 --> 00:24:07,726
only one who's upset.
I've been getting a lot of calls.
572
00:24:07,893 --> 00:24:09,062
How dare you do this
to my daughter?
573
00:24:09,229 --> 00:24:10,649
I'm seriously
going to do something
574
00:24:10,649 --> 00:24:12,151
if my daughter
is not the lead by tomorrow.
575
00:24:12,318 --> 00:24:13,487
Ma'am, again,
I was not involved
576
00:24:13,487 --> 00:24:14,740
in the casting decision.
577
00:24:14,740 --> 00:24:16,284
I will be sure
to pass that on.
578
00:24:16,284 --> 00:24:17,913
But in the meantime,
if you wanna bribe me,
579
00:24:18,080 --> 00:24:19,583
- I am very open to...
- DARLA: Troy, right?
580
00:24:19,750 --> 00:24:20,794
- Are you listening to me?
- Hold on one second.
581
00:24:20,794 --> 00:24:21,838
Hi, yes.
582
00:24:21,838 --> 00:24:23,173
- Hi. I'm Darla.
- Hi, Darla.
583
00:24:23,298 --> 00:24:24,635
I just wanna thank you
for entrusting me
584
00:24:24,635 --> 00:24:26,388
to inhabit your mother
in Joan, Still.
585
00:24:27,181 --> 00:24:29,687
Wasn't me who made
the decision, but of course.
586
00:24:29,854 --> 00:24:31,189
I'd love to have a sit-down.
587
00:24:31,189 --> 00:24:33,026
Go over her mannerisms, tics,
588
00:24:33,193 --> 00:24:34,320
favorite foods and traumas.
589
00:24:34,487 --> 00:24:35,489
Right on. Um...
590
00:24:35,657 --> 00:24:37,285
Do you happen
to have her dream journal?
591
00:24:37,451 --> 00:24:39,455
Dream journal. Um,
you might have to come back.
592
00:24:39,455 --> 00:24:40,792
Troy, all the freezers
were out last night,
593
00:24:40,792 --> 00:24:42,629
so the meat turned.
So what do we serve for lunch?
594
00:24:43,046 --> 00:24:45,217
- DARLA: I'll come back later.
- (FLAPPING LIPS)
595
00:24:45,886 --> 00:24:46,971
Have a big breakfast.
596
00:24:47,973 --> 00:24:49,392
(SIGHS) Rita.
597
00:24:50,478 --> 00:24:51,479
CLIVE: Class,
598
00:24:52,733 --> 00:24:55,739
to dance
is the highest expression
599
00:24:55,906 --> 00:24:57,534
of human existence.
600
00:24:57,701 --> 00:25:01,082
Acting is remembering
and then choosing to forget.
601
00:25:01,249 --> 00:25:05,132
Music is the closest thing
we have to the other side.
602
00:25:05,132 --> 00:25:07,386
(SYNTH MUSIC
PLAYING ON SPEAKER)
603
00:25:10,560 --> 00:25:12,313
(MAKING SQUEAKING SOUND)
604
00:25:13,983 --> 00:25:15,946
(FEET STOMPING)
605
00:25:17,198 --> 00:25:18,242
Mask work.
606
00:25:18,450 --> 00:25:19,620
Who's next?
607
00:25:19,787 --> 00:25:20,789
So, I'm gonna be
teaching you guys
608
00:25:20,789 --> 00:25:22,041
a little fashion history
609
00:25:22,208 --> 00:25:23,418
and we're gonna
really look closely
610
00:25:23,418 --> 00:25:25,256
at the period costuming.
611
00:25:25,422 --> 00:25:26,424
I see...
612
00:25:26,592 --> 00:25:27,594
clavicle realness.
613
00:25:27,594 --> 00:25:28,846
Showing off the clav.
614
00:25:29,807 --> 00:25:31,852
You need to know
when to use a clavicle.
615
00:25:32,019 --> 00:25:34,190
- Right.
- It's once a week.
616
00:25:34,399 --> 00:25:36,361
This is me at Coachella.
617
00:25:36,529 --> 00:25:38,533
Kind of cross-faded. I'm
looking for my friend, Chad.
618
00:25:38,700 --> 00:25:40,286
I was running.
"Chad!"
619
00:25:40,452 --> 00:25:42,541
I'm hating everything
about this except for the
620
00:25:43,292 --> 00:25:44,460
peekaboo vaginal sleeve.
621
00:25:46,131 --> 00:25:47,300
Characterization.
622
00:25:47,466 --> 00:25:48,511
Let's say it.
623
00:25:48,678 --> 00:25:50,724
- Characterization.
- ALL: Characterization.
624
00:25:50,890 --> 00:25:52,769
It's time to dive in
to our first exercise.
625
00:25:52,936 --> 00:25:55,316
Somebody wants to maybe
give it a shot?
626
00:25:55,482 --> 00:25:56,694
Anybody.
627
00:25:57,278 --> 00:25:58,280
Nobody?
628
00:25:59,867 --> 00:26:01,620
Darla, why don't you come up
here and demonstrate with me?
629
00:26:02,623 --> 00:26:05,920
So Darla is going to say
just a basic fact about me,
630
00:26:06,087 --> 00:26:07,924
anything that she observes.
631
00:26:08,091 --> 00:26:09,595
Just anything that comes to
mind when you look at me.
632
00:26:09,762 --> 00:26:11,181
No wrong answers.
Just throw something out.
633
00:26:11,682 --> 00:26:12,934
You're an acting teacher.
634
00:26:13,101 --> 00:26:14,103
Okay. I'm gonna stop you
right there.
635
00:26:14,312 --> 00:26:17,109
So that's actually
wildly opinionated.
636
00:26:17,276 --> 00:26:19,364
That was a really simplistic
way of looking at it.
637
00:26:19,531 --> 00:26:22,579
I am a performer
who works full time
638
00:26:22,579 --> 00:26:23,790
as an acting teacher, right?
639
00:26:25,125 --> 00:26:27,046
(PLAYING PEACEFUL TUNE
ON FLUTE)
640
00:26:34,853 --> 00:26:36,147
Sing that back to me.
641
00:26:37,441 --> 00:26:39,195
(CHILDREN VOCALIZING TUNE)
642
00:26:39,530 --> 00:26:41,408
Now we're gonna do
a little bit of an exercise
643
00:26:41,408 --> 00:26:42,953
to just strengthen our mouths.
644
00:26:42,953 --> 00:26:44,455
ALL: (SINGING)
I was with Al Gore
645
00:26:44,455 --> 00:26:45,917
By the old cheese store
646
00:26:46,084 --> 00:26:48,673
And he brought his own bag
From the ocean floor
647
00:26:48,840 --> 00:26:52,304
ALL: Wolf Blitzer has
a blister on his upper lip.
648
00:26:52,471 --> 00:26:54,016
You are a family...
649
00:26:55,310 --> 00:26:56,479
of influencers.
650
00:26:56,689 --> 00:26:58,358
The mom is the manager.
651
00:26:58,526 --> 00:27:00,989
You're dating
a basketball player,
652
00:27:01,156 --> 00:27:03,160
but he's constantly
cheating on you.
653
00:27:03,326 --> 00:27:04,663
And if that isn't enough,
654
00:27:04,788 --> 00:27:06,792
all your names
start with the same letter.
655
00:27:09,046 --> 00:27:10,048
Oh, nice.
656
00:27:11,259 --> 00:27:13,388
Your show's canceled!
Your show's canceled!
657
00:27:14,265 --> 00:27:15,518
It's back.
658
00:27:16,520 --> 00:27:17,522
Whoa.
659
00:27:17,522 --> 00:27:20,027
Wanting to learn
about stagecraft
660
00:27:20,194 --> 00:27:22,364
is an act of nobility.
661
00:27:22,532 --> 00:27:25,663
You know, even if it's just
because dance was full.
662
00:27:26,331 --> 00:27:29,295
Something that we like
to dig into here
663
00:27:29,462 --> 00:27:32,301
is the art of the spotlight.
664
00:27:39,148 --> 00:27:42,656
No offense,
but this is really easy.
665
00:27:42,822 --> 00:27:44,743
Can you make it harder?
666
00:27:46,412 --> 00:27:47,414
Okay.
667
00:27:52,216 --> 00:27:54,805
(UPBEAT PIANO MUSIC PLAYING)
668
00:28:14,803 --> 00:28:16,724
(UPBEAT INSTRUMENTAL
MUSIC PLAYING)
669
00:28:32,672 --> 00:28:34,133
(PANTING)
670
00:28:37,599 --> 00:28:39,770
You know, if there was
a real dancer on stage,
671
00:28:39,770 --> 00:28:40,855
that would be...
672
00:28:42,024 --> 00:28:43,318
that would be different.
673
00:28:43,485 --> 00:28:44,655
Better, probably.
674
00:28:44,821 --> 00:28:46,157
Whoa, that was amazing.
675
00:28:46,324 --> 00:28:47,952
GLENN: (STAMMERS)
Let's take a break.
676
00:28:49,372 --> 00:28:50,457
- AMOS: So we have like...
- (PLAYING PIANO)
677
00:28:50,625 --> 00:28:52,671
(SINGING) You never
678
00:28:52,671 --> 00:28:54,883
- (SINGING) Listen to me
- Yeah.
679
00:28:55,050 --> 00:28:56,052
And then...
680
00:28:56,052 --> 00:28:57,429
- (SINGING) Daddy
- Yeah.
681
00:28:57,597 --> 00:28:59,601
I want her to say that loudly.
682
00:28:59,768 --> 00:29:01,396
- Write that down.
- Mmm-hmm. Like guttural.
683
00:29:01,563 --> 00:29:03,066
- That's very Joan.
- A guttural "Daddy."
684
00:29:03,233 --> 00:29:05,278
It would be great to go
into the first rehearsal
685
00:29:05,445 --> 00:29:07,366
with like,
three or four songs.
686
00:29:07,534 --> 00:29:10,038
For Joan's song at Studio 54,
I've been thinking...
687
00:29:10,038 --> 00:29:11,542
(SCATTING)
688
00:29:13,128 --> 00:29:14,088
AMOS: (SINGING) Lower now
689
00:29:14,296 --> 00:29:15,758
(BOTH SCATTING)
690
00:29:16,927 --> 00:29:18,096
AMOS: Okay. That's good.
691
00:29:18,096 --> 00:29:21,060
What are we doing for,
in the Wall Street piece?
692
00:29:21,227 --> 00:29:23,314
(SINGING) Selling the stock
Buying the stock
693
00:29:24,316 --> 00:29:25,318
It's tap.
694
00:29:25,485 --> 00:29:26,947
- It's tap.
- It's tap.
695
00:29:27,824 --> 00:29:29,870
- Like, stocks and bonds.
- (SINGING) Stocks things
696
00:29:30,036 --> 00:29:31,540
- Bonds and selling
- Stocks.
697
00:29:31,707 --> 00:29:33,126
- I work on Wall Street
- Stocks.
698
00:29:33,293 --> 00:29:34,588
I don't know
when I'm gonna be able
699
00:29:34,588 --> 00:29:37,342
- to really get to the finale.
- Yeah, yeah, I got it.
700
00:29:37,552 --> 00:29:38,637
- You can take that?
- Yeah, I got it.
701
00:29:38,804 --> 00:29:40,767
So, I'm writing,
Rebecca-Diane...
702
00:29:41,225 --> 00:29:42,227
finale.
703
00:29:43,313 --> 00:29:44,691
It's for her.
It's all for her.
704
00:29:44,858 --> 00:29:46,235
- It's for her.
- (TURNS PAGE)
705
00:29:47,739 --> 00:29:49,951
DARLA: Well, it makes sense.
I've been taking tap
706
00:29:49,951 --> 00:29:51,037
- since I was two.
- CHRISTOPHER L: Oh, my gosh.
707
00:29:51,037 --> 00:29:52,122
DARLA: So, I'm like...
That's why I, like, have it.
708
00:29:52,122 --> 00:29:53,542
Performers, attention.
709
00:29:55,045 --> 00:29:56,590
Welcome to the first rehearsal
of Joan, Still.
710
00:29:57,424 --> 00:29:58,928
I'm not gonna sugarcoat it.
711
00:29:59,094 --> 00:30:00,640
Emotionally,
physically and spiritually,
712
00:30:00,807 --> 00:30:02,727
this is our most complicated
piece we've ever tried to do.
713
00:30:02,727 --> 00:30:03,813
Most ambitious.
714
00:30:03,979 --> 00:30:07,654
Now, we only have three weeks
to create a masterpiece.
715
00:30:07,987 --> 00:30:09,448
It's on you now.
It's up to you.
716
00:30:09,616 --> 00:30:10,618
So that's on your shoulders
717
00:30:10,618 --> 00:30:12,956
as well as Joan's well-being
and her legacy. All on you.
718
00:30:13,874 --> 00:30:15,711
But you so deserve it
on every level.
719
00:30:15,878 --> 00:30:18,049
You guys are so talented,
so unbelievable.
720
00:30:18,216 --> 00:30:19,218
This will break you.
721
00:30:20,178 --> 00:30:21,849
This will fully destroy you.
722
00:30:22,015 --> 00:30:23,936
Congratulations on being the
most talented kids at camp.
723
00:30:24,228 --> 00:30:26,148
(JAUNTY MUSIC PLAYING)
724
00:30:26,482 --> 00:30:28,069
(INAUDIBLE CONVERSATIONS)
725
00:30:31,827 --> 00:30:33,706
On a "mi," go.
726
00:30:33,873 --> 00:30:35,041
ALL: (SINGING) Mi, mi, mi
727
00:30:38,256 --> 00:30:39,676
Um, I'm just gonna go
and see if there's
728
00:30:39,676 --> 00:30:40,845
any alcohol
that's been confiscated.
729
00:30:41,012 --> 00:30:42,515
I'll just grab it
and I'll meet you at the fire pit?
730
00:30:42,682 --> 00:30:44,351
You know what? I just can't.
I can't come tonight.
731
00:30:44,351 --> 00:30:46,272
I'm having insane
creative inspiration.
732
00:30:46,272 --> 00:30:47,609
It's just coming out of me
at all ends.
733
00:30:47,775 --> 00:30:48,777
No. Rebecca, Rebecca.
734
00:30:48,777 --> 00:30:50,196
I'm not going
to the staff hang without you.
735
00:30:50,363 --> 00:30:51,867
I'm gonna get stuck
listening to a story
736
00:30:51,867 --> 00:30:54,706
about how Clive was nude
for the entire '80s.
737
00:30:54,873 --> 00:30:56,752
And the dancers
start applauding for me.
738
00:30:56,919 --> 00:30:58,672
And I had no idea why.
739
00:30:58,839 --> 00:31:01,218
But, of course, I obliged
them with a deep curtsy.
740
00:31:01,637 --> 00:31:05,686
And as I'm bowing,
I realize I'm still nude.
741
00:31:06,772 --> 00:31:08,024
(BOTH LAUGHING)
742
00:31:08,734 --> 00:31:11,615
CLIVE: Oh, still nude.
743
00:31:13,535 --> 00:31:14,537
Um, let's do a toast.
744
00:31:15,330 --> 00:31:17,417
- Shall we, a toast to Joan?
- CLIVE: Praise be.
745
00:31:17,627 --> 00:31:19,714
Right? A little toast.
Let me top everyone off.
746
00:31:19,881 --> 00:31:22,302
I can feel that her spirit
is with us right now.
747
00:31:22,302 --> 00:31:23,388
GIGI: Yes.
748
00:31:23,555 --> 00:31:24,599
- She's here.
- She's here. She's here.
749
00:31:24,766 --> 00:31:25,977
I have a little story for us.
750
00:31:26,477 --> 00:31:29,985
So I was a camper here
and Joan said to me,
751
00:31:30,151 --> 00:31:31,738
she looked me in the eyes,
she said,
752
00:31:32,907 --> 00:31:33,993
"You're untalented.
753
00:31:35,495 --> 00:31:37,040
"You can't dance.
You can't sing.
754
00:31:38,042 --> 00:31:39,044
"You can't act.
755
00:31:39,963 --> 00:31:41,508
"You're very bad at this.
756
00:31:41,675 --> 00:31:43,261
"But you look amazing.
757
00:31:43,428 --> 00:31:46,434
"Your skin is glowing and
your outfit is unbelievable."
758
00:31:48,605 --> 00:31:49,941
And she was right.
759
00:31:50,358 --> 00:31:51,820
RITA: At camp,
we have a tradition.
760
00:31:51,987 --> 00:31:54,116
Every night,
a staff member or counselor
761
00:31:54,116 --> 00:31:55,953
is gonna come in here
and do a show for you.
762
00:31:56,370 --> 00:31:59,001
Tonight was supposed to be
Joan's night,
763
00:31:59,168 --> 00:32:00,253
but Joan isn't here.
764
00:32:00,420 --> 00:32:03,301
So tonight, I am going
to take her place
765
00:32:03,468 --> 00:32:06,725
and read you
a special bedtime story.
766
00:32:06,892 --> 00:32:10,356
(SINGING)
My friends, by the fire with my friends
767
00:32:10,524 --> 00:32:14,490
Having fun with my friends
768
00:32:14,490 --> 00:32:16,202
(VOCALIZING)
769
00:32:18,372 --> 00:32:20,043
Gorgeous. Thank you, Rebecca.
770
00:32:20,210 --> 00:32:21,963
Sorry. Sorry.
771
00:32:22,130 --> 00:32:25,386
I just feel like this mood
is getting kind of like, sad.
772
00:32:25,888 --> 00:32:27,349
You know what I mean?
Let's get crunk a little.
773
00:32:27,517 --> 00:32:28,519
Janet.
774
00:32:30,230 --> 00:32:32,025
What are you doing here
at the camp?
775
00:32:32,192 --> 00:32:34,196
Oh, I mean, like,
what are any of us doing here
776
00:32:34,196 --> 00:32:35,490
- at the camp?
- No, no, no.
777
00:32:35,658 --> 00:32:36,868
What are you doing?
778
00:32:37,035 --> 00:32:40,250
I just wanna say your energy
is so chaotic.
779
00:32:40,416 --> 00:32:41,460
I don't think so.
780
00:32:41,460 --> 00:32:42,839
And I actually do
some energy healing
781
00:32:42,964 --> 00:32:44,717
and any time
you wanna talk outside class,
782
00:32:44,717 --> 00:32:46,596
I'm really happy
to sit down with you.
783
00:32:46,596 --> 00:32:47,682
I'm chilling.
784
00:32:47,682 --> 00:32:48,809
- You know what I mean?
- REBECCA-DIANE: Mmm-hmm.
785
00:32:48,809 --> 00:32:50,353
I don't like this type of, um,
786
00:32:50,353 --> 00:32:51,815
voice.
787
00:32:51,982 --> 00:32:52,984
This is my voice.
788
00:32:53,151 --> 00:32:55,739
No, I think it sounded
different three seconds ago.
789
00:32:55,906 --> 00:32:57,242
No, that's how I talk.
790
00:32:57,409 --> 00:33:00,833
"She was so excited to be
at this Equity open call.
791
00:33:01,000 --> 00:33:03,547
"But she'd been waiting
for hours and hours.
792
00:33:03,714 --> 00:33:07,012
"She could hear people singing
on the other side of the door.
793
00:33:07,513 --> 00:33:10,561
"And then finally,
it was her turn.
794
00:33:10,728 --> 00:33:12,940
"But when she walked
in the room,
795
00:33:12,940 --> 00:33:14,986
"the men turned her away
796
00:33:15,153 --> 00:33:18,869
"because she was non-union."
797
00:33:19,036 --> 00:33:20,038
The end.
798
00:33:21,415 --> 00:33:22,793
AMOS: We at one time
were going to pursue
799
00:33:22,793 --> 00:33:24,881
an education in the theater
800
00:33:25,006 --> 00:33:26,635
and we both actually
auditioned together
801
00:33:26,635 --> 00:33:29,557
for a little-known institution
called Juilliard.
802
00:33:29,724 --> 00:33:30,851
We were in
the waiting room, you know.
803
00:33:30,851 --> 00:33:32,229
I had my monologue
all prepared.
804
00:33:32,395 --> 00:33:34,651
I was doing
"Gallop Apace," Juliet.
805
00:33:34,817 --> 00:33:36,529
She had Romeo in the tomb.
806
00:33:36,696 --> 00:33:37,782
And then...
807
00:33:37,949 --> 00:33:40,078
Gerald walked into
the waiting room. Gerald '08.
808
00:33:40,245 --> 00:33:41,247
REBECCA-DIANE:
Gerald '08 walked in.
809
00:33:41,247 --> 00:33:42,499
AMOS:
Just to catch you up, Janet,
810
00:33:42,499 --> 00:33:43,794
we had a torrid affair.
811
00:33:43,961 --> 00:33:45,213
Lot of, like,
will they, won't they.
812
00:33:45,380 --> 00:33:46,382
The camp
was all abuzz about it.
813
00:33:46,549 --> 00:33:49,304
We never really spoke or
touched or kissed, but it...
814
00:33:49,471 --> 00:33:51,225
You know,
it was on everybody's lips.
815
00:33:51,685 --> 00:33:54,524
And so he really threw
my pH balance, like, way off.
816
00:33:54,691 --> 00:33:56,528
And Rebecca
could feel it, too,
817
00:33:56,528 --> 00:33:58,532
because we kind
of share a soul.
818
00:33:58,699 --> 00:34:01,036
And we are linked
artistically, emotionally...
819
00:34:01,203 --> 00:34:03,457
- Completely. We are one.
- You're codependent?
820
00:34:03,667 --> 00:34:05,587
Well, no, I would say that
we're dependent on each other.
821
00:34:05,754 --> 00:34:06,715
So, anyways,
822
00:34:06,840 --> 00:34:07,842
we were inches
from a callback,
823
00:34:07,842 --> 00:34:09,094
slipped from our hands.
824
00:34:09,094 --> 00:34:10,597
- It didn't happen.
- It didn't go our way.
825
00:34:10,597 --> 00:34:11,766
- We both bombed.
- No.
826
00:34:11,891 --> 00:34:12,893
Bombed.
827
00:34:12,893 --> 00:34:14,187
REBECCA-DIANE: Yeah,
we've always wanted to do
828
00:34:14,187 --> 00:34:15,356
a gender-reversed production
829
00:34:15,524 --> 00:34:16,860
- of Romeo and Juliet.
- Mmm-hmm.
830
00:34:18,739 --> 00:34:19,741
Why don't you do it?
831
00:34:21,076 --> 00:34:22,830
Well, I would love to do it
with you.
832
00:34:22,997 --> 00:34:24,709
And I've been working
really hard and taking...
833
00:34:24,876 --> 00:34:28,174
I mean, you know, the absolute
goal at the end of the day
834
00:34:28,341 --> 00:34:29,594
is, of course, to perform,
835
00:34:29,594 --> 00:34:32,015
but I don't think
we're quite at that place.
836
00:34:34,812 --> 00:34:36,398
(HIP-HOP MUSIC PLAYING)
837
00:34:48,130 --> 00:34:49,759
- (CELL PHONE BUZZING)
- TROY: Ay, yikes.
838
00:34:49,759 --> 00:34:50,928
MAN: (ON PHONE)
Hi, Mr. Rubinsky,
839
00:34:50,928 --> 00:34:53,057
this is Carl
from Warwick Bank.
840
00:34:53,224 --> 00:34:55,103
If you do not make a payment
on your mortgage this week,
841
00:34:55,269 --> 00:34:57,273
we will initiate
foreclosure proceedings.
842
00:34:57,273 --> 00:35:00,531
Please take action to avoid
repossession of your camp.
843
00:35:01,156 --> 00:35:02,200
(CELL PHONE BEEPS)
844
00:35:02,200 --> 00:35:03,452
AUTOMATED VOICE:
"Repossession" means
845
00:35:03,452 --> 00:35:05,206
the action of retaking
possession of something.
846
00:35:05,373 --> 00:35:07,670
In particular, when a buyer
defaults on payments.
847
00:35:07,670 --> 00:35:09,005
Whoa.
848
00:35:09,214 --> 00:35:10,509
(HIP-HOP MUSIC CONTINUES)
849
00:35:13,849 --> 00:35:17,439
(CLEARS THROAT)
Oh, what a beautiful...
850
00:35:17,815 --> 00:35:19,192
ALL: Morning!
851
00:35:19,359 --> 00:35:22,616
(ON MIC) All right. First up,
minor housekeeping issue.
852
00:35:22,783 --> 00:35:25,664
Whoever stole my CBD gummies,
please return them.
853
00:35:25,831 --> 00:35:27,459
No questions asked.
854
00:35:27,626 --> 00:35:29,756
I'm pretty sure
I know who it was,
855
00:35:29,756 --> 00:35:31,509
so just go ahead
and cough that up.
856
00:35:31,634 --> 00:35:32,928
I can't sleep without them.
857
00:35:32,928 --> 00:35:34,431
GIRL: CisHet bitch.
858
00:35:34,431 --> 00:35:35,851
(CHILDREN LAUGHING)
859
00:35:35,976 --> 00:35:37,312
Okay. Thank you for that.
860
00:35:40,485 --> 00:35:41,487
Thank you.
861
00:35:41,487 --> 00:35:43,157
Food has been so good.
Keep it up.
862
00:35:46,413 --> 00:35:47,415
(CHAIR SLIDES)
863
00:35:47,415 --> 00:35:49,085
GLENN: Ow!
TROY: Oh.
864
00:35:49,085 --> 00:35:50,881
- Hey, sorry. Are you...
- Sorry.
865
00:35:50,881 --> 00:35:53,052
No, it was completely
my fault. You're fine.
866
00:35:56,391 --> 00:35:58,980
Hey, uh, do you wanna
have lunch with me?
867
00:36:02,403 --> 00:36:04,951
By the way,
thanks for not telling anyone
868
00:36:04,951 --> 00:36:06,119
about the foreclosure.
869
00:36:06,579 --> 00:36:07,915
I really appreciate that.
870
00:36:09,417 --> 00:36:11,463
I don't know
if I can do this, man.
871
00:36:11,631 --> 00:36:13,927
I have no idea how my mom
kept this place afloat.
872
00:36:14,512 --> 00:36:16,724
I mean,
the bank's way up my ass.
873
00:36:16,933 --> 00:36:18,477
Plus, Tim keeps complaining
874
00:36:18,477 --> 00:36:20,106
about being woken up
by the kids' singing.
875
00:36:20,439 --> 00:36:22,110
Who's Tim?
876
00:36:23,028 --> 00:36:24,489
My Airbnb bunkie.
877
00:36:24,489 --> 00:36:25,993
This guy named Tim. That guy.
878
00:36:27,955 --> 00:36:29,249
- Hey!
- I really can't afford
879
00:36:29,249 --> 00:36:30,459
a bad review right now.
880
00:36:31,295 --> 00:36:33,299
I swear, dude, I can usually
get down with any vibe.
881
00:36:33,717 --> 00:36:34,969
But these kids, man.
882
00:36:35,136 --> 00:36:36,471
They just don't wanna
meet me halfway.
883
00:36:36,471 --> 00:36:37,600
Every time I come up
with a plan,
884
00:36:37,600 --> 00:36:38,768
they call me the Music Man .
885
00:36:38,768 --> 00:36:39,896
I don't even know
what that is.
886
00:36:41,064 --> 00:36:42,191
Well, it's a musical.
887
00:36:42,358 --> 00:36:43,862
Everything's a goddamn
musical here, man.
888
00:36:44,029 --> 00:36:45,364
GLENN: Well, yeah, it is.
889
00:36:45,489 --> 00:36:47,327
'Cause it's sort
of their entire lives.
890
00:36:47,786 --> 00:36:48,788
Like those kids.
891
00:36:49,289 --> 00:36:51,544
That's actually
last year's cast of Rent.
892
00:36:51,711 --> 00:36:53,380
It was a very
formative production.
893
00:36:53,506 --> 00:36:55,761
It's all about family.
It's all about community.
894
00:36:55,928 --> 00:36:57,723
Okay, see, that's...
895
00:36:57,890 --> 00:36:59,267
- that's helpful.
- Good.
896
00:36:59,434 --> 00:37:00,436
What about them?
897
00:37:00,604 --> 00:37:02,566
GLENN: Those are Fosse kids.
898
00:37:02,566 --> 00:37:03,693
If they snap at you,
899
00:37:03,693 --> 00:37:05,530
just know that they're not
trying to be demanding.
900
00:37:05,697 --> 00:37:07,325
It's just part
of the vocabulary.
901
00:37:07,492 --> 00:37:08,536
These kids are smart.
902
00:37:08,703 --> 00:37:09,956
If you need their help,
you just have to
903
00:37:09,956 --> 00:37:11,208
sort of meet them
on their level.
904
00:37:11,960 --> 00:37:14,005
CLIVE: And starfish, starfish,
905
00:37:14,172 --> 00:37:15,968
starfish, and starfish.
906
00:37:16,176 --> 00:37:17,428
Jiggle like a jackal.
907
00:37:17,596 --> 00:37:18,765
Jiggle like a jackal.
908
00:37:18,932 --> 00:37:21,478
You need to know that only
3% of people make it.
909
00:37:21,646 --> 00:37:24,568
The rest of them
end up in a mental facility
910
00:37:24,568 --> 00:37:26,698
or on a go-go box
in Hell's Kitchen.
911
00:37:27,073 --> 00:37:28,868
AMOS: Let's just get a few
more selections today
912
00:37:28,868 --> 00:37:31,039
from my collected
original works,
913
00:37:31,206 --> 00:37:32,291
as we do every year.
914
00:37:32,291 --> 00:37:33,628
That's a low blow, Eileen.
915
00:37:33,628 --> 00:37:34,880
And don't pretend my IBS
916
00:37:34,880 --> 00:37:35,966
isn't part of
why you haven't wanted
917
00:37:35,966 --> 00:37:37,427
to touch me
in almost a decade.
918
00:37:37,594 --> 00:37:40,016
It's got nothing to do
with your IBS, Roger.
919
00:37:40,182 --> 00:37:41,393
I want you
to live a little bit more
920
00:37:41,393 --> 00:37:42,771
with the reality
of having IBS
921
00:37:42,771 --> 00:37:43,940
and what that might do
to your character.
922
00:37:44,315 --> 00:37:46,821
Because I'm not really feeling
the detail of the IBS.
923
00:37:46,988 --> 00:37:48,616
I wanna live, Mother.
924
00:37:48,616 --> 00:37:50,996
Let's just try to throw some
different spices in there.
925
00:37:51,163 --> 00:37:53,585
A little bit of pain,
a little bit of stepfather.
926
00:37:53,877 --> 00:37:57,008
Got it. So hand me
my goddamn lipstick.
927
00:37:57,968 --> 00:37:59,847
- And let me live.
- Good.
928
00:38:00,222 --> 00:38:01,475
Mostly a lot better.
929
00:38:01,601 --> 00:38:02,603
Thank you, Darla. Take a seat.
930
00:38:02,603 --> 00:38:03,855
JANET: Okay.
Today's a new thing.
931
00:38:03,855 --> 00:38:06,234
I'm teaching, um,
932
00:38:06,527 --> 00:38:07,821
stage combat.
933
00:38:09,032 --> 00:38:10,117
What is it?
934
00:38:11,495 --> 00:38:12,497
What is it?
935
00:38:12,664 --> 00:38:13,875
It's the art of surprise.
936
00:38:13,875 --> 00:38:16,129
It pushes the envelope
of what theater can be.
937
00:38:16,254 --> 00:38:17,508
Absolutely.
938
00:38:19,093 --> 00:38:21,348
But also
what do we think it is?
939
00:38:21,557 --> 00:38:24,772
It causes our heart to skip
a beat, but safely.
940
00:38:24,897 --> 00:38:27,360
Does anybody have an answer
that's like, not poetry?
941
00:38:27,861 --> 00:38:28,905
Maybe? You know what I mean?
942
00:38:28,905 --> 00:38:31,159
Like a legal definition
of what it is.
943
00:38:31,159 --> 00:38:33,665
It's basically like
teaching us how to fight.
944
00:38:34,124 --> 00:38:35,125
Oh.
945
00:38:35,334 --> 00:38:37,421
We are starting
our past lives seminar.
946
00:38:37,421 --> 00:38:39,802
(ALL HUMMING)
947
00:38:41,346 --> 00:38:43,518
You were a nurse
in World War II.
948
00:38:43,518 --> 00:38:45,814
You fell in love with
one of your fellow nurses
949
00:38:45,814 --> 00:38:47,776
and you were
the first lesbian nurse couple
950
00:38:47,776 --> 00:38:49,028
that had ever lived.
951
00:38:49,320 --> 00:38:50,740
Let that inform your singing.
952
00:38:50,740 --> 00:38:53,830
You were President William
Howard Taft.
953
00:38:55,165 --> 00:38:56,459
(CHILDREN CHEERING)
954
00:38:56,459 --> 00:38:59,173
You are the oldest soul
in this room.
955
00:38:59,340 --> 00:39:00,635
This is your last life.
956
00:39:01,721 --> 00:39:02,723
(CHIME DINGS)
957
00:39:05,269 --> 00:39:06,606
Wow, thank you all.
958
00:39:06,606 --> 00:39:07,816
Thank you all for that.
959
00:39:08,192 --> 00:39:09,695
All right, artists.
960
00:39:09,695 --> 00:39:11,031
Next, we're going
to be doing some...
961
00:39:11,031 --> 00:39:12,116
(CELL PHONE BUZZING)
962
00:39:13,786 --> 00:39:16,249
Um... Uh...
(CHUCKLES AWKWARDLY)
963
00:39:16,249 --> 00:39:18,755
I'm so sorry. (STUTTERS)
964
00:39:18,755 --> 00:39:20,007
I'll be back.
I just have to take this.
965
00:39:21,343 --> 00:39:22,345
It's all good.
966
00:39:24,140 --> 00:39:25,184
Hello?
967
00:39:25,351 --> 00:39:28,232
Hi. Yes, I can be
available tonight.
968
00:39:36,081 --> 00:39:37,249
(MOUTHING)
969
00:39:37,416 --> 00:39:38,460
(MOUTHING)
970
00:39:38,878 --> 00:39:40,089
(WHIMSICAL MUSIC PLAYING)
971
00:39:48,438 --> 00:39:50,317
(INAUDIBLE)
972
00:39:53,908 --> 00:39:56,162
All right, all-stars.
973
00:39:56,288 --> 00:39:57,666
Whoa!
974
00:39:58,375 --> 00:40:00,045
Look at this turnout.
975
00:40:00,379 --> 00:40:01,674
Um, yes?
976
00:40:02,216 --> 00:40:03,343
Are we doing a cabaret?
977
00:40:03,343 --> 00:40:04,513
A what?
978
00:40:04,513 --> 00:40:06,141
I think
it's a night of scene work.
979
00:40:06,141 --> 00:40:08,855
That's totally what this is.
It's a night of scene work.
980
00:40:09,523 --> 00:40:11,109
And here's the scene.
981
00:40:12,111 --> 00:40:13,781
You guys are the staff
982
00:40:14,783 --> 00:40:16,829
of a fine
dining establishment.
983
00:40:16,996 --> 00:40:19,333
So anything those guys
in there order,
984
00:40:19,960 --> 00:40:22,632
you say, "Yes,"
and then you bring it to them.
985
00:40:22,799 --> 00:40:24,595
Like an improv exercise.
986
00:40:24,762 --> 00:40:26,389
Can we make up
our own characters?
987
00:40:26,557 --> 00:40:28,477
- MACKENZIE: And do accents?
- Okay.
988
00:40:28,644 --> 00:40:30,815
Let's just get together here, Rotarians...
989
00:40:30,982 --> 00:40:33,905
...and kick Oklahoma City's
fundraising ass.
990
00:40:33,905 --> 00:40:35,658
Should we do that?
Huh? Cheers!
991
00:40:35,658 --> 00:40:36,744
ROTARIANS: Cheers!
MAN: Cheers, cheers!
992
00:40:36,744 --> 00:40:38,246
We're here thanks
to Troy Rubinsky.
993
00:40:38,246 --> 00:40:39,457
- We're happy to have you guys.
- BILL: Thanks so much.
994
00:40:39,457 --> 00:40:40,710
Thank you. Good. And I guess
995
00:40:40,710 --> 00:40:43,381
we're gonna get served
by the campers here,
996
00:40:43,549 --> 00:40:45,052
which I was not aware of.
997
00:40:45,052 --> 00:40:46,262
(BILL CHUCKLES AWKWARDLY)
998
00:40:47,098 --> 00:40:48,559
BILL: Dressing?
No. Is there...
999
00:40:48,559 --> 00:40:49,686
All right. Well...
1000
00:40:49,686 --> 00:40:50,855
(LAUGHTER)
1001
00:40:51,064 --> 00:40:53,193
Hey, just eat it dry,
I guess, huh.
1002
00:40:54,278 --> 00:40:55,698
It's crazy that this is their
1003
00:40:55,698 --> 00:40:57,536
first immersive
theater experience.
1004
00:40:57,702 --> 00:40:59,706
I know.
We have a big responsibility.
1005
00:41:01,000 --> 00:41:02,420
Can I offer you a roll?
1006
00:41:02,838 --> 00:41:05,175
Or the chilling tale
about how I lost my daughter?
1007
00:41:05,175 --> 00:41:07,597
- (COUGHS)
- (MUSIC STOPS)
1008
00:41:10,102 --> 00:41:11,229
(HUMMING)
1009
00:41:15,445 --> 00:41:16,574
(CLICKS TONGUE) Ooh.
1010
00:41:16,574 --> 00:41:18,410
Reminder. Pay rent to mom.
1011
00:41:18,578 --> 00:41:21,249
Remember to check in
with RD about the finale.
1012
00:41:21,917 --> 00:41:23,420
Papier-mâché nose.
1013
00:41:24,548 --> 00:41:25,550
LAINY: Amos!
1014
00:41:26,342 --> 00:41:27,344
Amos!
1015
00:41:27,846 --> 00:41:31,186
Rebecca missed her
nighttime performance.
1016
00:41:31,896 --> 00:41:33,941
That doesn't
sound like Rebecca.
1017
00:41:34,108 --> 00:41:37,364
Okay, but I'm craving
a performance.
1018
00:41:37,364 --> 00:41:39,953
- (UPBEAT PIANO MUSIC PLAYING)
- (ROTARIANS MURMURING)
1019
00:41:41,832 --> 00:41:43,293
I think it's going
pretty good.
1020
00:41:43,794 --> 00:41:45,464
The kids are getting
real into it.
1021
00:41:46,299 --> 00:41:47,594
GLENN: Your mom knows
what she's talking about.
1022
00:41:47,761 --> 00:41:48,971
We help our own.
1023
00:41:49,138 --> 00:41:51,560
Men!
There's been an attack.
1024
00:41:51,727 --> 00:41:52,979
BOY: This is how we go.
1025
00:41:53,313 --> 00:41:54,608
It's been a pleasure
serving with you.
1026
00:41:54,608 --> 00:41:55,818
My son! My son!
1027
00:41:55,818 --> 00:41:58,783
All of my children
are dying in this war.
1028
00:41:58,950 --> 00:42:00,369
Are they getting too into it?
1029
00:42:00,369 --> 00:42:02,289
- ALICE: Save yourselves!
- I just, um...
1030
00:42:02,958 --> 00:42:04,418
I just really wanna go home.
1031
00:42:05,128 --> 00:42:06,799
AMOS: Well,
as we all know by now,
1032
00:42:06,799 --> 00:42:09,387
our bedtime performer
is missing in action.
1033
00:42:09,972 --> 00:42:11,474
Uh, I really apologize.
1034
00:42:11,642 --> 00:42:13,395
Waiting for entertainment
that's expected
1035
00:42:13,395 --> 00:42:14,648
is a painful experience.
1036
00:42:14,648 --> 00:42:16,025
This is very impromptu,
1037
00:42:16,025 --> 00:42:17,612
so I didn't really
have anything prepared, but...
1038
00:42:17,779 --> 00:42:20,618
Peter Piper picked a peck
of pickled peppers. Wait.
1039
00:42:21,870 --> 00:42:24,000
The peppers were pickled
when he picked them?
1040
00:42:24,292 --> 00:42:26,045
Peter Piper picked a priority.
1041
00:42:26,212 --> 00:42:27,214
And what was that priority
1042
00:42:27,214 --> 00:42:28,843
that Peter Piper picked?
Family.
1043
00:42:30,095 --> 00:42:32,182
Friends. Connection.
1044
00:42:33,435 --> 00:42:34,437
He picked a life.
1045
00:42:34,730 --> 00:42:35,773
These were triggers.
1046
00:42:35,773 --> 00:42:37,694
This has lasting effects, okay?
1047
00:42:37,694 --> 00:42:39,990
One guy had sort of
a Vietnam flashback
1048
00:42:40,157 --> 00:42:42,286
and you had kids
serving liquor.
1049
00:42:42,453 --> 00:42:43,706
That's gotta be illegal.
1050
00:42:43,873 --> 00:42:45,208
It was interesting, but no.
1051
00:42:45,375 --> 00:42:46,377
It was a bit.
She was doing...
1052
00:42:46,377 --> 00:42:47,589
No. But let's settle
on 40 bucks.
1053
00:42:47,589 --> 00:42:49,008
- TROY: Mmm-hmm.
- Troy, please.
1054
00:42:49,008 --> 00:42:50,385
You let me down.
1055
00:42:50,553 --> 00:42:51,805
This did not work out.
1056
00:42:52,014 --> 00:42:53,475
Yeah. Okay. Um...
1057
00:42:53,475 --> 00:42:56,356
- (TENSE MUSIC PLAYING)
- (SIGHS HEAVILY)
1058
00:43:03,453 --> 00:43:04,665
(UPBEAT MUSIC PLAYING)
1059
00:43:04,665 --> 00:43:07,044
(INDISTINCT CONVERSATION)
1060
00:43:15,227 --> 00:43:16,814
(CHILDREN TALKING
INDISTINCTLY)
1061
00:43:17,356 --> 00:43:20,362
Mikey. I'm still this close
to signing Darla.
1062
00:43:21,322 --> 00:43:22,324
Alan?
1063
00:43:22,324 --> 00:43:24,245
I'm in a middle
of a conversation.
1064
00:43:24,245 --> 00:43:25,455
You're supposed to be at dance
class. Come on. Let's go.
1065
00:43:25,455 --> 00:43:26,792
Ugh, jeez. Fine.
1066
00:43:27,459 --> 00:43:29,255
(BUSY SIGNAL)
1067
00:43:29,714 --> 00:43:31,384
- ALAN: I even told her...
- Alan!
1068
00:43:31,384 --> 00:43:32,637
...that she would
get top billing.
1069
00:43:32,637 --> 00:43:33,806
RITA: Off the phone!
1070
00:43:33,931 --> 00:43:35,475
(SIGHS) Just one second.
1071
00:43:35,475 --> 00:43:37,020
RITA: No seconds. Let's go.
1072
00:43:37,312 --> 00:43:39,150
(UPBEAT MUSIC CONTINUES)
1073
00:43:40,778 --> 00:43:42,156
Um...
1074
00:43:42,741 --> 00:43:44,452
How much for three bags?
1075
00:43:44,619 --> 00:43:46,247
That was never the rate.
1076
00:43:46,247 --> 00:43:47,917
It has always been
five dollars.
1077
00:43:48,126 --> 00:43:49,838
These better be
genuine Throat Coat.
1078
00:43:50,590 --> 00:43:52,301
(INHALES DEEPLY)
1079
00:43:52,301 --> 00:43:54,388
That's genuine Throat Coat.
That's genuine.
1080
00:43:55,348 --> 00:43:56,852
I don't even recognize you.
1081
00:43:57,227 --> 00:43:58,814
Where is my little Joan gone?
1082
00:43:58,814 --> 00:44:00,568
I'm still me, Tata.
1083
00:44:00,568 --> 00:44:02,906
No, your face is a new face.
1084
00:44:03,072 --> 00:44:04,701
MACKENZIE:
It's called rouge, Tata.
1085
00:44:04,701 --> 00:44:05,786
DEVON: The cheeks of a hussy.
1086
00:44:05,786 --> 00:44:07,874
- Yeah, yeah.
- Let's hold. Let's hold.
1087
00:44:08,041 --> 00:44:09,210
Devon, you are on the stage,
1088
00:44:09,210 --> 00:44:11,047
but your partner
is fully alone.
1089
00:44:11,255 --> 00:44:12,675
And I think
you really need to...
1090
00:44:12,842 --> 00:44:14,554
I think that ultimately,
Devon, you need to just
1091
00:44:14,721 --> 00:44:15,973
kind of let in the pain
of being a father.
1092
00:44:15,973 --> 00:44:17,351
Like we need
to feel that pain.
1093
00:44:17,727 --> 00:44:18,854
(CHUCKLES NERVOUSLY, STUTTERS)
1094
00:44:18,854 --> 00:44:20,315
But I'm not a father.
1095
00:44:20,315 --> 00:44:21,735
I don't know how to do that.
1096
00:44:21,902 --> 00:44:23,781
Did Julianne Moore
really have dementia? (SCOFFS)
1097
00:44:24,240 --> 00:44:25,535
(WHISPERS) No. No. No.
1098
00:44:25,785 --> 00:44:26,829
AMOS: Do the
connection exercise.
1099
00:44:27,830 --> 00:44:29,543
And then we'll try it again.
1100
00:44:29,709 --> 00:44:30,837
REBECCA-DIANE: Deliver.
1101
00:44:30,837 --> 00:44:31,922
Thank you
for all you're doing.
1102
00:44:31,922 --> 00:44:32,966
Thank you.
1103
00:44:34,260 --> 00:44:35,345
Aren't you gonna
say something?
1104
00:44:35,345 --> 00:44:36,430
REBECCA-DIANE: Oh!
1105
00:44:36,430 --> 00:44:37,559
You missed
your bedtime performance.
1106
00:44:37,559 --> 00:44:39,061
That's so unlike you.
What happened?
1107
00:44:39,186 --> 00:44:40,272
I'm so sorry.
I was just finishing
1108
00:44:40,272 --> 00:44:41,440
the finale
and I got distracted...
1109
00:44:41,440 --> 00:44:44,865
Yeah, I'm sure... This finale,
it's like this is repeated.
1110
00:44:44,865 --> 00:44:46,075
It's like, I love you,
1111
00:44:46,075 --> 00:44:47,369
but, we're getting
towards crunch time, okay?
1112
00:44:47,369 --> 00:44:48,581
And you have
other responsibilities
1113
00:44:48,581 --> 00:44:50,458
- which I know you know.
- I'm just playing catch up.
1114
00:44:51,168 --> 00:44:52,881
Okay, but just I need
my gal with me, so...
1115
00:44:53,047 --> 00:44:54,718
- I got you.
- Okay.
1116
00:44:54,885 --> 00:44:56,597
I'm still me, Tata.
1117
00:44:56,597 --> 00:44:59,728
No. Using your little hands
to write letters to the devil
1118
00:44:59,728 --> 00:45:01,355
and never once
to shape pierogi.
1119
00:45:01,982 --> 00:45:04,613
Just because dumplings
aren't my priority
1120
00:45:04,613 --> 00:45:05,823
anymore doesn't mean any...
1121
00:45:05,823 --> 00:45:08,202
You never once sent a suitor
home to your dying Tata.
1122
00:45:09,413 --> 00:45:11,083
This is not the Joan
that I know.
1123
00:45:13,379 --> 00:45:14,507
You know what, Tata?
1124
00:45:15,216 --> 00:45:16,218
You're right.
1125
00:45:16,803 --> 00:45:20,645
I decide who Joan is,
and I may not be who Joan was,
1126
00:45:21,354 --> 00:45:24,485
but, Tata, I am Joan, still.
1127
00:45:28,493 --> 00:45:31,415
- That got better.
- Better.
1128
00:45:31,583 --> 00:45:34,004
BOTH: (CHANTING)
That got better.
1129
00:45:34,171 --> 00:45:35,423
Very good.
Devon, the accent's
1130
00:45:35,423 --> 00:45:36,510
all over the place,
but it's much better.
1131
00:45:36,510 --> 00:45:37,762
REBECCA-DIANE: Yeah.
Mackenzie, extraordinary.
1132
00:45:37,762 --> 00:45:38,931
Mac. That was so good.
1133
00:45:38,931 --> 00:45:40,433
- Thank you.
- SEBASTIAN: Amazing.
1134
00:45:40,433 --> 00:45:41,853
- CHRISTOPHER L: She killed it.
- Stop!
1135
00:45:42,730 --> 00:45:44,149
(WHISPERS) She's using.
1136
00:45:54,587 --> 00:45:56,090
(SIGHS) Lift up your hands.
1137
00:45:59,723 --> 00:46:01,518
(BOTH SNIFFING)
1138
00:46:02,269 --> 00:46:03,438
(WHISPERS) She wouldn't.
1139
00:46:03,438 --> 00:46:05,233
Tear stick.
1140
00:46:05,358 --> 00:46:06,945
It's just Chapstick, I swear.
1141
00:46:06,945 --> 00:46:08,114
Give it to me.
1142
00:46:08,406 --> 00:46:09,659
REBECCA-DIANE: Oh, my God.
1143
00:46:10,076 --> 00:46:12,080
Mackenzie, I'm not mad.
I'm just furious.
1144
00:46:12,247 --> 00:46:14,544
Your tears should come
from within, from the story,
1145
00:46:14,544 --> 00:46:15,921
from the words on the page,
1146
00:46:16,130 --> 00:46:18,761
not from some emotional
grenade that you smuggled in.
1147
00:46:18,761 --> 00:46:19,971
What's a tear stick?
1148
00:46:19,971 --> 00:46:21,683
AMOS: Insult to the material.
Okay?
1149
00:46:21,683 --> 00:46:23,854
It's a mentholated eyeliner
that helps you cry.
1150
00:46:24,021 --> 00:46:27,862
Joan is screaming
and furious at you.
1151
00:46:28,196 --> 00:46:32,162
Because tear sticks
are doping for actors.
1152
00:46:32,789 --> 00:46:35,502
Do you wanna be the
Lance Armstrong of theater?
1153
00:46:35,502 --> 00:46:38,132
- No.
- Get off the stick.
1154
00:46:39,761 --> 00:46:41,848
(SNIFFLES) Get off the stick.
1155
00:46:43,059 --> 00:46:44,269
- (SNIFFLES)
- (TEAR STICK CLATTERS)
1156
00:46:44,269 --> 00:46:45,523
One day it's tear stick.
1157
00:46:45,648 --> 00:46:47,819
The next
you're calling for line
1158
00:46:47,985 --> 00:46:49,238
and pretty soon
your understudy's
1159
00:46:49,238 --> 00:46:50,365
on eight times a week
1160
00:46:50,533 --> 00:46:52,954
in Weehawken
or God knows where. Okay?
1161
00:46:52,954 --> 00:46:55,375
It's a slip-ry, slip-ry slope.
1162
00:46:56,293 --> 00:46:57,462
Devon, I'm so sorry.
1163
00:46:58,590 --> 00:46:59,843
(DEVON CHUCKLES AWKWARDLY)
1164
00:47:00,511 --> 00:47:01,763
Really, it's fine.
1165
00:47:01,763 --> 00:47:02,932
Tell him you're sorry.
1166
00:47:03,851 --> 00:47:05,061
I'm sorry, Devon.
1167
00:47:05,228 --> 00:47:06,606
It's really fine.
1168
00:47:07,608 --> 00:47:08,819
I choose to forgive.
1169
00:47:08,986 --> 00:47:10,029
But we don't forget.
1170
00:47:10,446 --> 00:47:12,952
But until the end,
the law can forgive.
1171
00:47:13,119 --> 00:47:14,789
(WHISPERS)
But without ever forgetting.
1172
00:47:16,250 --> 00:47:17,795
(CALL ME BY YOUR NAME
BY LIL NAS X PLAYING)
1173
00:47:56,998 --> 00:48:00,589
Hi! Welcome to AdirondACTS.
You guys having fun?
1174
00:48:00,589 --> 00:48:01,841
Enjoying the party? Yeah.
1175
00:48:03,094 --> 00:48:04,096
- (FRANNY GRUNTS)
- (ALL GASP)
1176
00:48:04,221 --> 00:48:06,851
FRANNY: Oh, my God, Lainy,
why would you do that?
1177
00:48:07,018 --> 00:48:09,649
You piss me off, like, a lot.
1178
00:48:12,989 --> 00:48:14,491
JANET: (CLAPPING) Whoo!
1179
00:48:14,491 --> 00:48:15,661
Let's go.
1180
00:48:15,661 --> 00:48:17,414
Stage combat.
1181
00:48:17,707 --> 00:48:19,919
You think this is fun
and games? Hitting?
1182
00:48:19,919 --> 00:48:21,422
It's not funny.
You're right. It's art.
1183
00:48:21,422 --> 00:48:23,175
- WENDY: No. It's not.
- Grow up.
1184
00:48:24,721 --> 00:48:26,223
Excuse me.
Have you seen Rebecca-Diane?
1185
00:48:26,850 --> 00:48:28,185
Is she out there? No?
1186
00:48:29,605 --> 00:48:30,607
Enjoy.
1187
00:48:31,860 --> 00:48:33,154
Where is she?
1188
00:48:43,800 --> 00:48:45,679
TROY: (ON MIC)
Yo, what up, AdirondACTS?
1189
00:48:45,846 --> 00:48:46,931
Welcome, Lakeside.
1190
00:48:47,098 --> 00:48:50,522
Just want you to know this
is not a free event for you.
1191
00:48:50,689 --> 00:48:52,192
Okay? Unless you're verified.
1192
00:48:52,902 --> 00:48:54,029
Thanks for coming out.
1193
00:48:54,154 --> 00:48:56,158
Man, this is a dream show
for me.
1194
00:48:56,450 --> 00:48:58,872
I know this one's
a theater camp classic, so
1195
00:48:59,373 --> 00:49:02,253
thought I'd put
a little twist on it.
1196
00:49:03,089 --> 00:49:05,886
MALE SINGER: (ON SPEAKERS)
Give my regards to Broadway
1197
00:49:06,053 --> 00:49:08,224
Remember me to Herald Square
1198
00:49:08,390 --> 00:49:11,021
Send my regards
to Broadway, bitch!
1199
00:49:12,440 --> 00:49:15,614
MALE SINGER:
Whisper of how I'm yearning
1200
00:49:15,781 --> 00:49:16,825
To mingle
with the old-time throng
1201
00:49:16,825 --> 00:49:18,327
TROY: Put 'em up!
Put 'em up! Put 'em up!
1202
00:49:18,327 --> 00:49:19,747
(ALL CHEERING)
1203
00:49:19,956 --> 00:49:22,878
MALE SINGER:
Give my regards to Old Broadway
1204
00:49:23,045 --> 00:49:25,466
And say
I'll be there 'ere long
1205
00:49:25,466 --> 00:49:26,553
TROY: That's what's up!
1206
00:49:27,053 --> 00:49:28,557
TROY: I know you're busy,
so I don't wanna
1207
00:49:28,557 --> 00:49:29,642
take too much of your time,
1208
00:49:29,809 --> 00:49:31,813
but the vibes are pretty good
in there, huh?
1209
00:49:31,980 --> 00:49:33,733
- Uh, sure.
- That was me DJing.
1210
00:49:33,900 --> 00:49:34,902
But look.
1211
00:49:35,111 --> 00:49:37,198
So I know, you know,
the Rotary Club thing
1212
00:49:37,198 --> 00:49:38,535
didn't really go to plan.
1213
00:49:38,702 --> 00:49:40,163
You took a lot of my kids
out of rehearsal for that.
1214
00:49:40,329 --> 00:49:41,624
I get that and I'm sorry,
1215
00:49:41,624 --> 00:49:43,545
and I'm still perfecting
the formula here,
1216
00:49:43,545 --> 00:49:46,551
but I've recently had,
like, a surge of ideas,
1217
00:49:47,051 --> 00:49:48,805
you know, that would bring
some additional revenue.
1218
00:49:48,972 --> 00:49:51,519
You know, one of 'em is, like,
maybe we send the kids
1219
00:49:51,686 --> 00:49:55,067
into the city to do,
like, singing telegrams.
1220
00:49:55,234 --> 00:49:56,654
Okay. Incredibly dangerous.
1221
00:49:56,821 --> 00:49:58,240
Maybe we do
like remote students.
1222
00:49:58,240 --> 00:49:59,409
But, okay. I'm sorry.
I'm sorry. I'm sorry.
1223
00:49:59,409 --> 00:50:00,494
TROY: Maybe, maybe...
1224
00:50:00,494 --> 00:50:02,373
We don't need any
of these ideas, okay, Troy?
1225
00:50:02,373 --> 00:50:03,627
We don't need
any of these ideas.
1226
00:50:03,627 --> 00:50:04,712
Yeah.
1227
00:50:04,712 --> 00:50:05,923
Your mother managed
to keep this place running
1228
00:50:06,089 --> 00:50:07,968
in the face
of a lot of financial trouble
1229
00:50:07,968 --> 00:50:09,221
and never once
did she compromise
1230
00:50:09,221 --> 00:50:11,684
the artistic vision
to save money. Okay?
1231
00:50:11,851 --> 00:50:13,522
Right. (STUTTERS) You know,
that's kind of what
1232
00:50:13,522 --> 00:50:15,483
I'm trying to get after.
1233
00:50:15,483 --> 00:50:17,028
Yes. No, no, no. I understand.
1234
00:50:17,028 --> 00:50:18,823
I understand that.
But what you don't understand
1235
00:50:18,823 --> 00:50:20,493
is the importance
of what we do here, okay?
1236
00:50:20,493 --> 00:50:22,831
This place is for people
who need it, okay?
1237
00:50:22,831 --> 00:50:24,417
People who aren't accepted
anywhere else.
1238
00:50:24,417 --> 00:50:26,255
You are not
one of those people, Troy.
1239
00:50:26,255 --> 00:50:27,967
You are not one of us.
1240
00:50:35,899 --> 00:50:37,695
- (SIGHS)
- (SOFT MUSIC PLAYING)
1241
00:50:40,074 --> 00:50:41,201
Becks-Di?
1242
00:50:42,161 --> 00:50:44,082
Rebecca...
Oh. Not her.
1243
00:50:48,173 --> 00:50:49,969
Be sure to cherish
these relationships, okay?
1244
00:50:49,969 --> 00:50:51,346
'Cause they're gone
in a flash.
1245
00:50:52,850 --> 00:50:54,060
Just wanted you to know that.
1246
00:50:54,060 --> 00:50:55,229
CAROLINE: Of course,
she's gonna cry.
1247
00:50:55,229 --> 00:50:56,858
I'm laying her off
'cause she cries too much.
1248
00:50:56,858 --> 00:50:58,987
- TROY: Mrs. Krauss.
- Oh. Hi.
1249
00:50:58,987 --> 00:51:00,197
Dope that you made it.
1250
00:51:00,949 --> 00:51:04,205
(CHUCKLES, STAMMERS)
I'm happy to be here.
1251
00:51:04,372 --> 00:51:05,542
- Yeah.
- Yeah.
1252
00:51:05,709 --> 00:51:08,882
So, um, things have taken
a bit of a turn here
1253
00:51:08,882 --> 00:51:12,013
and I've been thinking
about the offer.
1254
00:51:12,388 --> 00:51:13,390
Me too.
1255
00:51:13,933 --> 00:51:14,935
A lot.
1256
00:51:15,102 --> 00:51:16,689
Yeah. Um...
1257
00:51:17,775 --> 00:51:19,528
I just feel like
it would be a,
1258
00:51:20,321 --> 00:51:21,406
you know, lucrative
1259
00:51:21,406 --> 00:51:23,285
and mutually beneficial partnership.
1260
00:51:24,162 --> 00:51:25,414
Like for the both of us though.
1261
00:51:27,043 --> 00:51:29,924
Wow. Well, that's great.
(CHUCKLES)
1262
00:51:30,049 --> 00:51:32,638
So, like,
does the offer still stand?
1263
00:51:32,805 --> 00:51:33,807
Yes, Troy.
1264
00:51:34,474 --> 00:51:35,977
Barnswell would love
to work with you.
1265
00:51:35,977 --> 00:51:37,105
Wow!
1266
00:51:37,230 --> 00:51:38,315
- Yeah.
- Nice.
1267
00:51:38,315 --> 00:51:40,612
I have to say I'm super
excited to work with someone
1268
00:51:40,612 --> 00:51:43,158
who knows the TUVs
of deal making.
1269
00:51:43,325 --> 00:51:44,703
Did you just say the TUVs?
1270
00:51:45,664 --> 00:51:47,500
Trust. You won't regret it.
And vibes.
1271
00:51:47,500 --> 00:51:48,795
Trust. Won't regret it. Vibes.
1272
00:51:48,795 --> 00:51:50,464
You've been watching my vlogs?
1273
00:51:50,674 --> 00:51:52,301
(CHUCKLES) Religiously.
1274
00:51:52,468 --> 00:51:53,513
Stop.
1275
00:51:54,723 --> 00:51:55,892
The GoPro loves you.
1276
00:51:57,228 --> 00:51:58,480
- Don't understand.
- SEBASTIAN: I'm here
1277
00:51:58,480 --> 00:52:00,234
- having a wonderful time.
- CHRISTOPHER L: Devon!
1278
00:52:01,111 --> 00:52:02,113
SEBASTIAN: Where?
1279
00:52:02,113 --> 00:52:03,825
(CHRISTOPHER L
AND SEBASTIAN GASP)
1280
00:52:04,785 --> 00:52:05,912
(STUTTERS) It's not
what it looks like.
1281
00:52:05,912 --> 00:52:07,248
SEBASTIAN:
What the hell is this?
1282
00:52:07,248 --> 00:52:10,129
We were supposed to be
manifesting. It's a full moon.
1283
00:52:10,296 --> 00:52:11,298
They were saying no one
at theater camp
1284
00:52:11,298 --> 00:52:12,341
could play football.
1285
00:52:12,341 --> 00:52:14,262
I'm just proving to them
that I could.
1286
00:52:14,597 --> 00:52:16,141
(UPBEAT DANCE MUSIC PLAYING)
1287
00:52:16,141 --> 00:52:17,936
(ALL CHEERING)
1288
00:52:29,125 --> 00:52:30,127
(CAR HORN HONKS)
1289
00:52:30,127 --> 00:52:31,296
(REBECCA-DIANE GROANS)
1290
00:52:34,177 --> 00:52:35,221
Oh, my God.
1291
00:52:41,567 --> 00:52:43,571
Good morning, girlboss.
1292
00:52:43,571 --> 00:52:46,368
Coffee. You've gone crazy.
1293
00:52:46,368 --> 00:52:47,453
TROY: I'm wild.
1294
00:52:48,497 --> 00:52:50,000
- Oh, man.
- CAROLINE: Mmm.
1295
00:52:50,710 --> 00:52:51,712
Wow.
1296
00:52:52,213 --> 00:52:53,173
Thank you.
1297
00:52:53,716 --> 00:52:56,847
So, last night
was pretty hot, huh?
1298
00:52:57,014 --> 00:52:58,433
(CHUCKLES) It was really hot.
1299
00:52:58,433 --> 00:53:00,145
You were so bussin'.
1300
00:53:00,312 --> 00:53:02,609
I came here just to do work
1301
00:53:02,776 --> 00:53:04,738
and I ended up
meeting someone
1302
00:53:05,657 --> 00:53:07,326
- who took my breath away.
- Same.
1303
00:53:07,326 --> 00:53:08,621
Then, like,
shoved it back in my mouth.
1304
00:53:09,038 --> 00:53:10,750
God, I just feel like
I can really, like,
1305
00:53:11,711 --> 00:53:13,840
reach my full potential here.
You know.
1306
00:53:14,007 --> 00:53:15,552
Yeah. Me too.
1307
00:53:15,719 --> 00:53:19,475
With Barnswell's backing,
like, I can finally,
1308
00:53:20,144 --> 00:53:21,522
you know, start to implement
1309
00:53:21,522 --> 00:53:23,066
some real change
around this place.
1310
00:53:25,029 --> 00:53:26,866
Troy, don't you remember
the agreement
1311
00:53:26,866 --> 00:53:28,327
that you signed last night?
1312
00:53:28,995 --> 00:53:31,458
Yeah, it was to get us out
of the foreclosure.
1313
00:53:31,458 --> 00:53:33,922
(FRANTIC MUSIC PLAYING)
1314
00:53:36,886 --> 00:53:38,430
Welcome to Tech Week, campers.
1315
00:53:38,430 --> 00:53:40,518
(ON SPEAKERS) Performances
are just a few days away,
1316
00:53:40,518 --> 00:53:43,190
so let's stay focused on
bringing those shows to life.
1317
00:53:43,190 --> 00:53:45,528
And if you have any issues,
you look for Glenn.
1318
00:53:45,528 --> 00:53:46,614
I'm sure he'll have time
to help you.
1319
00:53:46,614 --> 00:53:48,325
- MAN 1: (ON RADIO) Glenn.
- Go for Glenn.
1320
00:53:48,325 --> 00:53:49,995
LAINY: Glenn,
we need you in props.
1321
00:53:49,995 --> 00:53:51,081
MAN 1: Glenn,
where's our bush?
1322
00:53:51,081 --> 00:53:53,168
MAN 2: Glenn, where's my damn
wagon wheel?
1323
00:53:53,502 --> 00:53:54,505
MAN 1: Glenn?
1324
00:53:54,505 --> 00:53:55,590
WOMAN: Glenn,
what's your 20?
1325
00:53:55,590 --> 00:53:56,759
There's a leak in the lobby.
1326
00:53:56,759 --> 00:53:59,055
MAN 1: Glenn, we're missing
the king's cane.
1327
00:53:59,180 --> 00:54:00,224
(MUSIC STOPS)
1328
00:54:11,121 --> 00:54:12,289
(MUSIC RESUMES)
1329
00:54:12,289 --> 00:54:13,835
Oh, my God, Gigi,
move it along.
1330
00:54:13,835 --> 00:54:15,129
- I'm trying.
- This is not giving.
1331
00:54:15,129 --> 00:54:17,551
I'm trying, okay?
My nails are gonna break.
1332
00:54:17,551 --> 00:54:19,680
RITA: (ON RADIO) Glenn, Glenn,
1333
00:54:19,680 --> 00:54:22,018
the smoke machine
is out of control.
1334
00:54:23,563 --> 00:54:25,023
GLENN: Zeroing in
on the source.
1335
00:54:25,149 --> 00:54:26,192
(CHILDREN COUGHING)
1336
00:54:26,192 --> 00:54:28,865
Oh, God, I'm dodging pilgrims
left and right.
1337
00:54:34,250 --> 00:54:35,252
Nice.
1338
00:54:35,461 --> 00:54:37,131
- Thank you.
- MAN 1: Glenn?
1339
00:54:37,465 --> 00:54:38,467
Go for Glenn.
1340
00:54:38,467 --> 00:54:39,595
AMOS: (ON MIC)
Darla, can you just move
1341
00:54:39,595 --> 00:54:40,722
a little bit to your right?
1342
00:54:40,889 --> 00:54:42,976
Just scooch the... Yes, bring
the bassinet. That's right.
1343
00:54:43,435 --> 00:54:44,813
REBECCA-DIANE: See?
And I think it should just
1344
00:54:44,813 --> 00:54:46,441
be a little bit to the left.
1345
00:54:46,901 --> 00:54:48,487
I think it just
doesn't make sense.
1346
00:54:49,280 --> 00:54:50,282
Darla, step to the right.
1347
00:54:50,491 --> 00:54:51,869
REBECCA-DIANE: No,
I think we had discussed
1348
00:54:51,869 --> 00:54:52,954
that everything
would be on the left
1349
00:54:52,954 --> 00:54:54,040
for this number,
so let's just...
1350
00:54:54,040 --> 00:54:55,125
We're gonna go ahead
and put it where we...
1351
00:54:55,125 --> 00:54:56,211
Darla, this is your
director speaking.
1352
00:54:56,211 --> 00:54:57,296
You're gonna go ahead
and move to the right
1353
00:54:57,296 --> 00:54:58,381
- with the bassinet.
- Co-director here as well.
1354
00:54:58,549 --> 00:55:00,637
And just move on
over to the left
1355
00:55:00,637 --> 00:55:02,516
and get too far on that side
1356
00:55:02,516 --> 00:55:03,935
so we can't quite
bring you back.
1357
00:55:03,935 --> 00:55:06,064
Joan's whole world has been
established stage right.
1358
00:55:06,064 --> 00:55:07,901
So you're gonna take
two steps to the right.
1359
00:55:07,901 --> 00:55:09,738
That's where we always
play her hero moments.
1360
00:55:09,738 --> 00:55:11,449
Now cheat out. Cheat out.
1361
00:55:11,617 --> 00:55:12,953
REBECCA-DIANE: (WHISPERING)
Why are you acting like this?
1362
00:55:13,704 --> 00:55:15,959
I'm just a little bit tired
of co-directing with a ghost.
1363
00:55:16,585 --> 00:55:17,587
Well, I'm not a ghost.
1364
00:55:17,587 --> 00:55:19,800
I am a human person
that is alive. I am here.
1365
00:55:19,800 --> 00:55:21,010
I care about this show.
1366
00:55:21,261 --> 00:55:23,933
Do you?
I wouldn't have any idea.
1367
00:55:23,933 --> 00:55:25,854
You've been completely absent
1368
00:55:25,854 --> 00:55:27,147
since the beginning
of the session, okay?
1369
00:55:27,147 --> 00:55:28,526
And I need to run
my rehearsal now.
1370
00:55:28,985 --> 00:55:29,987
So, thank you.
1371
00:55:30,112 --> 00:55:31,155
Darla, let's just
run the song, okay?
1372
00:55:31,155 --> 00:55:32,283
You're fine right there.
1373
00:55:32,701 --> 00:55:33,744
Music, please.
1374
00:55:34,580 --> 00:55:36,291
(GENTLE PIANO MUSIC PLAYING)
1375
00:55:36,291 --> 00:55:37,669
(SIGHS DEEPLY)
1376
00:55:46,477 --> 00:55:49,025
(SINGING)
Thought my dreaming was done
1377
00:55:49,526 --> 00:55:52,156
All I needed was one
1378
00:55:52,323 --> 00:55:56,164
Revelation to show me my boy
1379
00:55:56,790 --> 00:56:00,924
That my life had truly begun
1380
00:56:01,090 --> 00:56:03,554
So I offer the sun
1381
00:56:04,055 --> 00:56:08,104
Salutation Hello to my Troy
1382
00:56:08,522 --> 00:56:12,446
I will build this theatrical place
1383
00:56:14,158 --> 00:56:18,960
Giving children a safe, loving space
1384
00:56:20,003 --> 00:56:23,970
It will grow from the magic and grace
1385
00:56:24,387 --> 00:56:27,894
That I see in your face
1386
00:56:28,061 --> 00:56:29,063
Rebecca-Diane.
1387
00:56:29,313 --> 00:56:30,817
Rebecca-Diane,
can I talk to you?
1388
00:56:30,817 --> 00:56:31,944
No, I'm in the middle of tech.
1389
00:56:31,944 --> 00:56:33,029
Just...
1390
00:56:33,029 --> 00:56:34,156
- Troy.
- Real quick. Real quick.
1391
00:56:34,156 --> 00:56:35,952
DARLA: (SINGING)
Know your dream's never done
1392
00:56:36,119 --> 00:56:38,331
You're my moon and my sun
1393
00:56:38,833 --> 00:56:42,549
My foundation, my beautiful Troy
1394
00:56:42,716 --> 00:56:45,680
TROY: Hey. Look.
I'm sorry for even asking.
1395
00:56:45,847 --> 00:56:49,563
I feel really weird
even bringing this up.
1396
00:56:50,355 --> 00:56:52,151
I don't have time. We're
in the middle of tech week.
1397
00:56:52,317 --> 00:56:53,821
- TROY: No, I get that.
- So just tell me what's up.
1398
00:56:53,988 --> 00:56:54,990
I get that. I just...
1399
00:56:56,660 --> 00:56:58,496
Do you think you could give my
mom a message for me?
1400
00:56:58,664 --> 00:56:59,750
Yeah, for sure.
I'll give your mom a message.
1401
00:56:59,875 --> 00:57:01,085
TROY: No, no, no.
Please. It's really important.
1402
00:57:01,085 --> 00:57:02,171
Troy.
1403
00:57:02,171 --> 00:57:03,423
- I hear that.
- TROY: It's really important.
1404
00:57:03,423 --> 00:57:04,467
REBECCA-DIANE:
I just don't have time.
1405
00:57:04,467 --> 00:57:05,595
Just tell her I need her help.
1406
00:57:05,595 --> 00:57:07,181
Say, "Troy needs your help."
1407
00:57:07,347 --> 00:57:09,185
Five, six, seven, eight.
1408
00:57:09,185 --> 00:57:10,646
We're going towards the nose.
1409
00:57:11,439 --> 00:57:13,193
Live it up and step.
1410
00:57:13,359 --> 00:57:15,948
Step towards the nose.
Head to the nose.
1411
00:57:16,115 --> 00:57:18,913
I don't choose
when she comes inside of me.
1412
00:57:19,080 --> 00:57:20,415
Okay, but can you just try?
1413
00:57:20,583 --> 00:57:21,960
Mom, please!
1414
00:57:23,171 --> 00:57:25,008
- What are you doing?
- You said she was in you.
1415
00:57:25,008 --> 00:57:26,553
She's not in my breasts.
1416
00:57:26,720 --> 00:57:28,849
I'm not that...
I'm not... That's not...
1417
00:57:29,058 --> 00:57:30,268
Tell her it's important.
Just tell her...
1418
00:57:30,268 --> 00:57:31,437
Please tell her
it's important.
1419
00:57:31,437 --> 00:57:32,524
Tell her
it's really important.
1420
00:57:32,524 --> 00:57:33,609
Okay. Okay, I'm gonna...
All right.
1421
00:57:33,776 --> 00:57:34,820
I just need to talk to her.
1422
00:57:34,986 --> 00:57:36,072
- Okay.
- Okay.
1423
00:57:40,288 --> 00:57:41,290
(IMITATES JOAN) Troy.
1424
00:57:42,084 --> 00:57:43,169
Mom?
1425
00:57:43,378 --> 00:57:44,506
It's your mom.
1426
00:57:44,840 --> 00:57:45,800
Mom.
1427
00:57:46,510 --> 00:57:48,429
Thank God. It's so good
to hear your voice.
1428
00:57:48,973 --> 00:57:52,229
I know it's been a minute
since we've chatted.
1429
00:57:53,189 --> 00:57:54,191
Um...
1430
00:57:57,072 --> 00:57:58,158
I miss you.
1431
00:57:59,160 --> 00:58:00,370
Kind of a lot.
1432
00:58:01,080 --> 00:58:03,794
You know, I'm sorry
for not trying harder
1433
00:58:03,794 --> 00:58:06,550
to understand
what you were doing here
1434
00:58:06,550 --> 00:58:08,428
with this place and this camp.
1435
00:58:08,428 --> 00:58:10,432
I was a kid, you know.
I just wanted to
1436
00:58:10,975 --> 00:58:12,477
go to sleepovers
at Dakota's house
1437
00:58:12,477 --> 00:58:14,190
and set cool away messages
1438
00:58:14,190 --> 00:58:15,526
and make my Sims
have sex and...
1439
00:58:15,651 --> 00:58:16,695
(IN NORMAL VOICE) Troy,
you said there was something
1440
00:58:16,695 --> 00:58:17,780
that you actually needed.
1441
00:58:17,780 --> 00:58:19,116
- You're right. I always do this.
- And it was urgent.
1442
00:58:20,703 --> 00:58:21,955
Look,
I should have tried harder
1443
00:58:21,955 --> 00:58:23,918
to understand
what you were doing here.
1444
00:58:24,084 --> 00:58:26,798
Because, you know, I get it.
1445
00:58:26,965 --> 00:58:28,426
These people are really weird.
1446
00:58:29,053 --> 00:58:30,096
Especially Rebecca-Diane.
1447
00:58:30,640 --> 00:58:31,975
But they're wonderful.
1448
00:58:33,562 --> 00:58:35,691
Look, I messed up, Mom. Okay?
1449
00:58:36,902 --> 00:58:39,658
And I'm really sorry,
and I hope you forgive me.
1450
00:58:40,200 --> 00:58:41,662
And I really need
your advice right now,
1451
00:58:41,662 --> 00:58:43,039
but I'm sorry I sold the camp.
1452
00:58:45,711 --> 00:58:46,713
Hey.
1453
00:58:46,880 --> 00:58:48,174
AMOS: (ON MIC) Rebecca-Diane?
1454
00:58:48,341 --> 00:58:49,468
What'd my mom say?
1455
00:58:51,097 --> 00:58:52,099
What the...
1456
00:58:53,184 --> 00:58:54,186
(TROY SIGHS)
1457
00:58:56,525 --> 00:58:57,735
(EXHALES DEEPLY)
1458
00:58:58,236 --> 00:59:00,616
Rebecca-Diane,
we are at a standstill.
1459
00:59:00,866 --> 00:59:01,868
Good work, you guys.
1460
00:59:01,868 --> 00:59:02,954
REBECCA-DIANE: Yes?
1461
00:59:03,706 --> 00:59:04,833
Welcome back.
1462
00:59:05,668 --> 00:59:06,920
Uh, we need to see
the finale now.
1463
00:59:07,296 --> 00:59:08,381
- Yeah.
- We are out of time.
1464
00:59:08,549 --> 00:59:10,135
- So we need to hear it.
- Let's do the finale tomorrow.
1465
00:59:10,302 --> 00:59:11,387
REBECCA-DIANE: Sounds good?
1466
00:59:11,387 --> 00:59:12,515
Okay, well,
tomorrow's our only chance
1467
00:59:12,515 --> 00:59:13,600
to run the entire show.
1468
00:59:13,600 --> 00:59:15,228
So I at least
need to hear it musically,
1469
00:59:15,228 --> 00:59:16,439
so I can block something,
1470
00:59:16,439 --> 00:59:17,608
and these kids
can start to learn it.
1471
00:59:17,608 --> 00:59:18,861
- (GROANS)
- Because tomorrow they have
1472
00:59:18,861 --> 00:59:20,322
to run it top to bottom
and then perform it.
1473
00:59:20,322 --> 00:59:22,660
So let's hear
the finale song, please.
1474
00:59:22,952 --> 00:59:23,954
It's just so unfortunate,
1475
00:59:23,954 --> 00:59:25,165
because we do not
have the track,
1476
00:59:25,165 --> 00:59:26,417
so that we don't have any way
to play the song.
1477
00:59:26,417 --> 00:59:28,046
So you can just
sing it for us.
1478
00:59:28,296 --> 00:59:29,381
I've lost my voice.
1479
00:59:29,381 --> 00:59:31,595
Okay, well... You're gonna
have to find it again.
1480
00:59:31,595 --> 00:59:33,891
And we have this.
So you can just
1481
00:59:34,851 --> 00:59:36,521
play it yourself for us. Okay?
1482
00:59:37,439 --> 00:59:39,694
You love this.
1483
00:59:40,905 --> 00:59:41,907
There you go.
1484
00:59:42,867 --> 00:59:44,579
Who's excited
to hear the finale?
1485
00:59:44,579 --> 00:59:45,998
(ALL CHEERING)
1486
00:59:49,463 --> 00:59:50,591
(AMOS CLEARS THROAT)
1487
00:59:50,591 --> 00:59:51,802
And what is it called?
1488
00:59:54,516 --> 00:59:55,893
It's called...
1489
00:59:57,730 --> 00:59:58,732
"Camp."
1490
01:00:00,360 --> 01:00:01,362
That's original.
1491
01:00:05,996 --> 01:00:07,708
(PLAYING ZITHER)
1492
01:00:08,292 --> 01:00:11,758
(SINGING)
Girl with an open Snapple
1493
01:00:14,179 --> 01:00:17,937
A boy who's looking down
1494
01:00:18,814 --> 01:00:22,989
We all come here for
1495
01:00:23,156 --> 01:00:25,452
Summertime
1496
01:00:28,040 --> 01:00:29,042
Camp
1497
01:00:30,588 --> 01:00:32,299
Isn't home
1498
01:00:35,764 --> 01:00:36,892
But isn't it?
1499
01:00:37,977 --> 01:00:39,313
In a way
1500
01:00:40,608 --> 01:00:42,820
It kind of is
1501
01:00:43,154 --> 01:00:44,574
Oh, it
1502
01:00:46,035 --> 01:00:50,544
Kind of is
1503
01:00:51,505 --> 01:00:53,424
Let's raise a toast
1504
01:00:53,592 --> 01:00:55,846
But in the glass isn't alcohol
1505
01:00:55,846 --> 01:00:59,019
It's something more profound than alcohol
It's truth
1506
01:00:59,186 --> 01:01:01,023
Drums, boom, boom, boom.
1507
01:01:01,023 --> 01:01:02,944
(IMITATES DRUMS PLAYING)
1508
01:01:03,444 --> 01:01:04,446
Flute.
1509
01:01:04,446 --> 01:01:05,783
(IMITATES FLUTE PLAYING)
1510
01:01:06,325 --> 01:01:07,327
Sustained.
1511
01:01:07,537 --> 01:01:09,624
(RESUMES FLUTE PLAYING)
1512
01:01:09,624 --> 01:01:12,254
(SINGING)
All coming together for
1513
01:01:13,840 --> 01:01:14,801
Boom.
1514
01:01:26,282 --> 01:01:27,535
What the fuck was that?
1515
01:01:28,829 --> 01:01:30,081
It was the finale.
1516
01:01:30,916 --> 01:01:31,918
You're telling me
that's something
1517
01:01:31,918 --> 01:01:33,170
that you wrote
before just now?
1518
01:01:34,716 --> 01:01:36,761
That's the song
that you needed time away
1519
01:01:36,761 --> 01:01:38,139
from meaningful traditions,
1520
01:01:38,264 --> 01:01:39,851
missing time with the kids,
1521
01:01:40,561 --> 01:01:42,982
ruining the process of
creating this piece together
1522
01:01:43,316 --> 01:01:45,361
because you've been running
off working on the finale.
1523
01:01:45,529 --> 01:01:46,531
It was that?
1524
01:01:47,533 --> 01:01:48,660
Rebecca,
I'm not an idiot, okay?
1525
01:01:48,660 --> 01:01:49,746
You made that up.
1526
01:01:50,413 --> 01:01:51,625
So I'm just
trying to understand
1527
01:01:51,625 --> 01:01:53,336
what you thought
we were gonna do today.
1528
01:01:53,336 --> 01:01:54,547
You were just gonna
have these kids
1529
01:01:54,547 --> 01:01:56,050
have no ending to the show?
1530
01:01:56,050 --> 01:01:58,054
You said, "I got the finale.
I can do it."
1531
01:01:58,346 --> 01:02:00,016
So I trusted you
like I always do.
1532
01:02:00,475 --> 01:02:01,519
What have you been doing
all this time?
1533
01:02:01,519 --> 01:02:03,439
I got a job, okay?
1534
01:02:05,193 --> 01:02:07,698
What, like you're tutoring
kids in singing?
1535
01:02:07,698 --> 01:02:08,867
What are you talking about?
1536
01:02:08,867 --> 01:02:11,831
I just signed a two-year
contract with Duchess Cruises.
1537
01:02:12,374 --> 01:02:15,129
I'm a featured soloist in
Cole Porter on the Waves.
1538
01:02:15,129 --> 01:02:16,883
So yeah,
I've been a little distracted.
1539
01:02:17,510 --> 01:02:19,639
AMOS: Sorry, you're taking
a performance job?
1540
01:02:19,639 --> 01:02:21,016
Since when are you
taking performance jobs?
1541
01:02:21,016 --> 01:02:22,561
Because I wanna be
a performer!
1542
01:02:22,561 --> 01:02:23,647
Okay, I thought we were both
1543
01:02:23,647 --> 01:02:25,149
full-time teachers
aspiring to be performers.
1544
01:02:25,149 --> 01:02:26,653
When is that gonna happen?
1545
01:02:26,653 --> 01:02:28,030
I wanna perform.
1546
01:02:28,030 --> 01:02:29,701
Well, that's great. I just
wish maybe you'd told me.
1547
01:02:29,701 --> 01:02:31,621
I always thought maybe we'd
make that decision together
1548
01:02:31,621 --> 01:02:32,707
- like we do most things.
- It's impossible
1549
01:02:32,707 --> 01:02:33,834
to tell you anything
because you interrupt
1550
01:02:33,834 --> 01:02:35,002
- everything that I say.
- That's not true.
1551
01:02:35,002 --> 01:02:36,171
I do not interrupt everything
that you say, Rebecca.
1552
01:02:36,171 --> 01:02:37,340
I'm just trying to share
my feelings with you...
1553
01:02:37,340 --> 01:02:38,384
Every single thing that I...
1554
01:02:38,384 --> 01:02:39,721
...the way
that I have for 15 years.
1555
01:02:39,721 --> 01:02:41,891
- Every single thing that I...
- That's not true, Rebecca.
1556
01:02:48,070 --> 01:02:49,197
Everything that I say.
I am unable to...
1557
01:02:49,197 --> 01:02:50,366
That's not true, Rebecca.
That is not true.
1558
01:02:50,366 --> 01:02:52,203
How could you do this to me?
1559
01:02:53,330 --> 01:02:54,332
You?
1560
01:02:55,084 --> 01:02:56,503
This has nothing
to do with you.
1561
01:02:57,172 --> 01:02:58,424
Exactly.
Why would you do something
1562
01:02:58,424 --> 01:02:59,719
that has nothing
to do with me?
1563
01:03:00,971 --> 01:03:03,100
Let that statement
just sit in the space.
1564
01:03:04,186 --> 01:03:05,689
It looks great. I stand by it.
1565
01:03:05,689 --> 01:03:07,233
I mean... (STUTTERS) What?
1566
01:03:07,358 --> 01:03:08,612
I don't understand
what you're getting at.
1567
01:03:08,612 --> 01:03:10,031
I just want something else.
That should be okay.
1568
01:03:10,031 --> 01:03:11,659
That's really nice for you,
Rebecca, but you shouldn't
1569
01:03:11,659 --> 01:03:13,037
leave the best kids
in the camp in the lurch
1570
01:03:13,037 --> 01:03:14,247
with no show to perform.
1571
01:03:14,247 --> 01:03:15,626
- Okay, I've...
- That was selfish.
1572
01:03:15,626 --> 01:03:17,045
I make sacrifices for them.
1573
01:03:17,045 --> 01:03:19,466
Because they're talented
and they deserve it.
1574
01:03:19,466 --> 01:03:21,345
I sacrifice
everything else in my life
1575
01:03:21,345 --> 01:03:23,182
for this job and for them.
What do you sacrifice?
1576
01:03:23,182 --> 01:03:25,311
I got a callback
for Juilliard.
1577
01:03:29,862 --> 01:03:33,452
And I didn't go because
I wanted to be here with you.
1578
01:03:33,954 --> 01:03:36,083
You've just kinda been lying
to me for like, 10 years.
1579
01:03:41,301 --> 01:03:42,387
I'm happy for you, Rebecca.
1580
01:03:42,387 --> 01:03:43,472
I'm thrilled for you.
1581
01:03:44,307 --> 01:03:46,478
I think it's great that
you've left these kids
1582
01:03:46,771 --> 01:03:47,773
with no show
1583
01:03:48,315 --> 01:03:49,735
and all for a cruise.
1584
01:03:50,863 --> 01:03:52,700
A non-narrative piece
on a cruise.
1585
01:03:57,041 --> 01:03:58,335
(DOOR OPENS)
1586
01:03:59,964 --> 01:04:01,341
(FOOTSTEPS APPROACHING)
1587
01:04:02,803 --> 01:04:03,805
- Excuse me.
- Hi.
1588
01:04:04,515 --> 01:04:07,020
Um... Guys,
this is a teardown.
1589
01:04:07,521 --> 01:04:09,567
Um, can we get this up?
Can we see what's under here?
1590
01:04:09,567 --> 01:04:11,194
Yeah, we're gonna tear the...
1591
01:04:11,194 --> 01:04:12,531
- TROY: Maybe don't. Maybe...
- ...the place down.
1592
01:04:12,531 --> 01:04:14,744
- Let's see what's under here.
- TROY: Do we need to do this?
1593
01:04:14,744 --> 01:04:16,246
Let's talk this out first.
1594
01:04:16,246 --> 01:04:17,498
I don't think
we need to do that.
1595
01:04:17,498 --> 01:04:18,835
Sorry, we're in the middle
of rehearsal.
1596
01:04:18,835 --> 01:04:21,048
Hi. We're in the middle
of something too. Hi.
1597
01:04:21,048 --> 01:04:22,551
Troy, what's going on?
1598
01:04:22,885 --> 01:04:24,095
No, it...
Everything's fine, guys.
1599
01:04:24,095 --> 01:04:25,891
Everything is gonna be okay.
1600
01:04:25,891 --> 01:04:28,062
- It doesn't look okay.
- ALICE: No, it's not.
1601
01:04:28,062 --> 01:04:29,397
No, it's not.
What are they doing?
1602
01:04:29,397 --> 01:04:31,903
Listen, I know this place
meant a lot to you.
1603
01:04:31,903 --> 01:04:33,489
But I do hope you'll consider
1604
01:04:33,489 --> 01:04:35,953
joining the Lakeside family
next summer.
1605
01:04:35,953 --> 01:04:37,246
ALICE: No.
1606
01:04:37,246 --> 01:04:38,959
- What does that mean?
- Not happening, lady.
1607
01:04:38,959 --> 01:04:41,046
Troy, you sold the camp
to Lakeside?
1608
01:04:41,046 --> 01:04:42,883
It's more of a partnership.
1609
01:04:42,883 --> 01:04:45,388
- Demolition is next week.
- Just stop. Please, stop.
1610
01:04:45,388 --> 01:04:46,473
Next week? Tell them...
1611
01:04:46,473 --> 01:04:47,768
CHRISTOPHER L:
Can she be gone now?
1612
01:04:47,768 --> 01:04:50,816
Please.
Nobody wants you here.
1613
01:04:50,816 --> 01:04:52,026
CHRISTOPHER S: Get her and her
1614
01:04:52,026 --> 01:04:53,863
knockoff Chanel bag
out of here.
1615
01:04:53,863 --> 01:04:55,701
TROY: It will be okay.
1616
01:04:58,163 --> 01:05:00,501
(JAZZ MUSIC PLAYING)
1617
01:05:40,624 --> 01:05:42,043
CLIVE: Cheer up, kids.
1618
01:05:43,045 --> 01:05:44,757
(JAZZ MUSIC
PLAYING OVER SPEAKERS)
1619
01:05:51,604 --> 01:05:52,773
MACKENZIE: This is like,
my first time sneaking out.
1620
01:05:52,773 --> 01:05:54,025
SEBASTIAN: Shh! Guys.
1621
01:05:54,025 --> 01:05:55,194
ALICE: Shush!
1622
01:05:55,486 --> 01:05:56,948
DARLA: I know
we're all scared right now
1623
01:05:56,948 --> 01:05:58,367
and we don't know
if the show's happening.
1624
01:05:58,367 --> 01:05:59,912
I heard that the Lakeside kids
1625
01:05:59,912 --> 01:06:01,373
get to be
in all the shows now, too.
1626
01:06:01,373 --> 01:06:04,212
Lainy told me
that Troy smokes drugs.
1627
01:06:04,212 --> 01:06:05,715
I heard, that they're cutting
all of the tone-deaf kids.
1628
01:06:05,715 --> 01:06:06,884
SEBASTIAN: Hey, guys.
1629
01:06:06,884 --> 01:06:08,262
Rumors are rumors.
1630
01:06:09,055 --> 01:06:11,393
This could be our
last week here. Maybe ever.
1631
01:06:11,686 --> 01:06:13,857
So let's make our mark
while we can.
1632
01:06:13,857 --> 01:06:15,359
We don't know
what's gonna happen.
1633
01:06:15,527 --> 01:06:17,280
But as Joan always says,
1634
01:06:17,446 --> 01:06:18,867
summers come and go.
1635
01:06:19,033 --> 01:06:21,329
But what happens
on this stage,
1636
01:06:22,373 --> 01:06:23,626
that's eternal.
1637
01:06:36,109 --> 01:06:37,236
AMOS: Jesus.
1638
01:06:37,236 --> 01:06:39,324
Hey, sorry to bother you,
1639
01:06:39,324 --> 01:06:40,911
but are we planning
on rehearsing later?
1640
01:06:41,453 --> 01:06:43,290
Let's see. Our composer
has deserted us
1641
01:06:43,290 --> 01:06:46,004
and I refuse to tell
a slapdash,
1642
01:06:46,004 --> 01:06:47,716
trainwreck version
of Joan's story,
1643
01:06:47,716 --> 01:06:49,219
so, no.
1644
01:06:49,385 --> 01:06:50,597
The show is dead in the water.
1645
01:06:50,847 --> 01:06:53,937
Okay, well, I have this
Zoom director's session
1646
01:06:53,937 --> 01:06:55,690
for a movie
about a pregnant gymnast.
1647
01:06:55,690 --> 01:06:58,195
They're already filming,
and someone dropped out.
1648
01:06:58,195 --> 01:06:59,907
And I was wondering
if you could help me?
1649
01:07:00,951 --> 01:07:02,161
I...
1650
01:07:02,913 --> 01:07:05,209
I can't stomach industry sides
right now.
1651
01:07:05,209 --> 01:07:07,589
So just let me
hang my shirts in peace.
1652
01:07:12,431 --> 01:07:15,814
I could really use your help
with the characterization.
1653
01:07:19,070 --> 01:07:20,489
What are the character's
allergies?
1654
01:07:21,032 --> 01:07:22,034
What?
1655
01:07:22,034 --> 01:07:23,412
Oh, God,
we have a lot of work to do.
1656
01:07:23,412 --> 01:07:25,374
Let's get a notebook,
and let's start taking some notes.
1657
01:07:26,585 --> 01:07:27,671
Wow, "one of,"
I'd love to know
1658
01:07:27,671 --> 01:07:28,923
who these other teachers are.
1659
01:07:33,390 --> 01:07:35,227
(LIVELY MUSIC PLAYING)
1660
01:07:35,227 --> 01:07:36,731
(INDISTINCT CONVERSATION)
1661
01:07:37,481 --> 01:07:38,483
DEVON'S DAD: Here he comes.
1662
01:07:38,985 --> 01:07:40,655
Hi, baby!
1663
01:07:40,655 --> 01:07:42,241
(DEVON'S DAD CHUCKLES)
1664
01:07:42,241 --> 01:07:43,368
DEVON: Hey, Dads.
1665
01:07:43,368 --> 01:07:44,913
DEVON'S DAD:
Oh, God, I missed you.
1666
01:07:44,913 --> 01:07:46,751
(INDISTINCT CONVERSATION)
1667
01:07:49,631 --> 01:07:52,637
- (KNOCK AT DOOR)
- TROY: My guy, massive news.
1668
01:07:53,347 --> 01:07:54,808
I think I figured out
how to save the camp.
1669
01:07:54,808 --> 01:07:55,977
How?
1670
01:07:55,977 --> 01:07:57,731
So I was going over the
Barnswell deal that I signed,
1671
01:07:57,731 --> 01:07:59,610
like all last night
and this morning
1672
01:07:59,610 --> 01:08:02,699
and I noticed they only take
possession of the camp
1673
01:08:02,699 --> 01:08:05,079
if the bank forecloses.
1674
01:08:05,079 --> 01:08:07,959
Caroline just assumed that we
would fail. But the truth is
1675
01:08:07,959 --> 01:08:10,255
we still can come up with the
money to hold off the bank.
1676
01:08:10,924 --> 01:08:13,053
And how do you expect us
to find this money, Troy?
1677
01:08:13,053 --> 01:08:15,975
That is where the
en-Troy-preneurship comes in.
1678
01:08:16,142 --> 01:08:17,687
- Right.
- I sent out an email blast
1679
01:08:17,687 --> 01:08:18,981
to my ride or dies,
1680
01:08:18,981 --> 01:08:20,275
the Founding Ballers,
1681
01:08:20,275 --> 01:08:21,987
and I invited them
to the show.
1682
01:08:21,987 --> 01:08:23,574
Right? These guys are like
1683
01:08:23,574 --> 01:08:25,995
primo business influencers, Glenn.
1684
01:08:25,995 --> 01:08:27,248
So if they come here,
1685
01:08:27,248 --> 01:08:29,377
and they see
our little freaky-deakies
1686
01:08:29,377 --> 01:08:31,632
in action,
crushing Joan, Still,
1687
01:08:32,091 --> 01:08:33,301
they'll have to invest.
1688
01:08:33,301 --> 01:08:34,596
They'll be
emptying their pockets.
1689
01:08:34,596 --> 01:08:37,519
Yeah, no, they sound,
uh, extremely legit.
1690
01:08:37,519 --> 01:08:38,604
Yeah.
1691
01:08:38,729 --> 01:08:40,567
Um, and I think it's nice that
you wanna do this for the camp
1692
01:08:40,567 --> 01:08:42,403
and for your mom,
1693
01:08:42,403 --> 01:08:45,325
but we don't have any creative
visionaries left. Okay?
1694
01:08:45,325 --> 01:08:46,996
What are you talking about?
Yes, we do.
1695
01:08:48,331 --> 01:08:49,417
We have you, Glenn.
1696
01:08:50,795 --> 01:08:51,881
Show everyone how much
1697
01:08:51,881 --> 01:08:53,258
they've been
underestimating you.
1698
01:08:53,843 --> 01:08:54,887
Finish the job.
1699
01:08:54,887 --> 01:08:57,391
CHILDREN: Yes!
SEBASTIAN: Totally, Glenn. Come on, Glenn.
1700
01:08:57,391 --> 01:08:58,561
Glenn, you got this.
1701
01:08:58,561 --> 01:08:59,771
Come on, Glenn.
1702
01:09:00,230 --> 01:09:01,525
TROY: What do you say, man?
1703
01:09:09,875 --> 01:09:11,252
(LIVELY MUSIC CONTINUES)
1704
01:09:18,726 --> 01:09:20,479
What's up,
my little dollar ballers?
1705
01:09:20,647 --> 01:09:21,649
It's your boy Salem here
1706
01:09:21,649 --> 01:09:23,945
with my other
Founding Ballers out here.
1707
01:09:23,945 --> 01:09:25,197
And we're out here checking
1708
01:09:25,197 --> 01:09:27,076
on a potential
investment opportunity.
1709
01:09:27,076 --> 01:09:29,665
Things are a little crazy,
and your boy, Salem...
1710
01:09:29,665 --> 01:09:31,209
I'm feeling a little volatile.
1711
01:09:31,209 --> 01:09:32,629
So I'm gonna take a chance,
1712
01:09:32,629 --> 01:09:34,340
- and we're gonna see some little kids...
- Ballers. Wow.
1713
01:09:34,340 --> 01:09:35,467
Given the current ecosystem
of the crypto...
1714
01:09:35,467 --> 01:09:36,720
The whole squad. What's up, Salem?
1715
01:09:36,720 --> 01:09:38,181
Yeah, give me a second here. Yeah,
I'm just gonna finish this one quick.
1716
01:09:38,181 --> 01:09:39,267
Yeah, yeah, totally.
1717
01:09:39,267 --> 01:09:40,770
What's bussin'?
What's bussin'?
1718
01:09:40,770 --> 01:09:42,106
Hey. What's bussin', guys?
1719
01:09:42,106 --> 01:09:43,191
I can't believe you guys came.
1720
01:09:43,316 --> 01:09:44,318
Yeah, man.
Thanks for having us.
1721
01:09:44,318 --> 01:09:46,030
- I've seen like every vlog.
- Oh, yeah? Yeah. Yeah.
1722
01:09:46,030 --> 01:09:47,241
I got your merch.
I have that shirt.
1723
01:09:48,326 --> 01:09:49,705
Heard she's the lead in this one.
1724
01:09:49,913 --> 01:09:52,334
TROY: I just wanna say thank
you all for all your hard work
1725
01:09:52,334 --> 01:09:53,588
in the last 24 hours.
1726
01:09:53,588 --> 01:09:55,842
I look around and I see
a lot of prepared faces.
1727
01:09:55,842 --> 01:09:57,469
I'd say no pressure, but...
1728
01:09:58,221 --> 01:09:59,473
it's a little bit of pressure.
1729
01:10:00,100 --> 01:10:01,937
You know?
Gigi, you got anything?
1730
01:10:02,606 --> 01:10:04,693
Um, I would like to say
that I was very angry
1731
01:10:04,693 --> 01:10:06,321
with you guys
a couple hours ago.
1732
01:10:06,697 --> 01:10:08,366
Uh, but I'm over it.
1733
01:10:08,618 --> 01:10:09,953
All right, guys.
Put your hands in. Come on.
1734
01:10:10,120 --> 01:10:12,667
- One, two, three!
- ALL: Joan, Still!
1735
01:10:12,792 --> 01:10:14,796
(ALL CHEERING)
1736
01:10:15,840 --> 01:10:16,842
BOY: Let's do this!
1737
01:10:20,015 --> 01:10:22,269
Sorry. Uh, can someone
just tell me
1738
01:10:22,269 --> 01:10:24,524
like, the status
on this woman?
1739
01:10:24,733 --> 01:10:27,029
Is she alive or dead?
1740
01:10:30,703 --> 01:10:31,705
You're a liar.
1741
01:10:35,295 --> 01:10:36,297
Excuse me?
1742
01:10:37,132 --> 01:10:38,134
A very good one.
1743
01:10:39,805 --> 01:10:41,934
I think you'd make
a fantastic agent.
1744
01:10:42,351 --> 01:10:44,188
I'm trying to get my company
off the ground.
1745
01:10:44,731 --> 01:10:45,942
Think about it.
1746
01:10:47,111 --> 01:10:48,113
I'm always here.
1747
01:10:51,244 --> 01:10:52,246
Excuse me.
1748
01:10:59,553 --> 01:11:01,682
(INTRIGUING MUSIC PLAYING)
1749
01:11:06,274 --> 01:11:07,986
(FRANTIC MUSIC PLAYING)
1750
01:11:09,823 --> 01:11:12,369
AMOS: Kids. Kids, have you
seen Darla? Darla anywhere?
1751
01:11:15,167 --> 01:11:16,210
Darla!
1752
01:11:16,795 --> 01:11:17,797
Darla!
1753
01:11:20,762 --> 01:11:21,972
Darla, you have to go on.
1754
01:11:22,139 --> 01:11:23,559
(PANTING) You see
what they're doing?
1755
01:11:23,726 --> 01:11:24,728
They're ruining our show.
1756
01:11:24,936 --> 01:11:26,272
Why are you leaving?
1757
01:11:26,272 --> 01:11:28,109
I'm sorry.
I'm sorry, Amos, okay?
1758
01:11:28,819 --> 01:11:30,447
You must be Amos.
1759
01:11:30,990 --> 01:11:33,704
Oh, my granddaughter has had
1760
01:11:33,704 --> 01:11:35,373
the best time with you
this summer.
1761
01:11:36,084 --> 01:11:38,506
We have got
the most gushing letters.
1762
01:11:38,506 --> 01:11:40,551
Well, she said you were
a little tough on her, but...
1763
01:11:41,093 --> 01:11:42,722
her craft
has never been better.
1764
01:11:43,389 --> 01:11:44,391
Oh, um...
1765
01:11:44,391 --> 01:11:45,603
Hurry up and say
your goodbyes, honey.
1766
01:11:45,603 --> 01:11:47,857
Quickly, because we don't
wanna catch traffic. (KISSES)
1767
01:11:53,577 --> 01:11:55,372
You always told me
that I needed
1768
01:11:55,372 --> 01:11:57,251
to open myself up
to character roles,
1769
01:11:57,417 --> 01:12:00,090
that ingénue isn't everything.
1770
01:12:01,050 --> 01:12:04,140
I listened,
and I booked the job.
1771
01:12:17,667 --> 01:12:19,128
Maybe I'll see you
next summer.
1772
01:12:30,735 --> 01:12:31,820
(ENGINE STARTS)
1773
01:12:36,914 --> 01:12:38,918
Good evening, AdirondACTS.
1774
01:12:39,501 --> 01:12:41,213
(AUDIENCE CHEERING)
1775
01:12:43,636 --> 01:12:46,140
Special shout-out to my crew,
Founding Ballers.
1776
01:12:46,140 --> 01:12:47,476
Thanks for coming out.
1777
01:12:47,476 --> 01:12:49,606
As most of you know,
1778
01:12:49,814 --> 01:12:51,275
my name is Troy,
1779
01:12:51,442 --> 01:12:54,991
and I've been blessed
with having an amazing mother.
1780
01:12:55,158 --> 01:12:56,703
- A woman...
- Oh, my God.
1781
01:12:56,870 --> 01:12:58,582
...all of you know and love.
1782
01:12:58,582 --> 01:13:02,172
Unfortunately, she is unable
to be with us tonight.
1783
01:13:02,966 --> 01:13:04,301
So we've decided
1784
01:13:04,719 --> 01:13:07,809
to bring the show
to her via a live feed.
1785
01:13:07,976 --> 01:13:09,813
Give it up for Joan!
1786
01:13:17,704 --> 01:13:19,331
She really looks good.
1787
01:13:19,791 --> 01:13:21,127
I think she's lost weight.
1788
01:13:21,670 --> 01:13:22,964
I think so, too.
1789
01:13:23,131 --> 01:13:25,594
Our kids have worked their
little butts off all summer
1790
01:13:25,594 --> 01:13:28,976
to do my mom's story justice
and to hopefully bring you
1791
01:13:29,143 --> 01:13:31,397
the best night of your lives.
Are you ready?
1792
01:13:31,815 --> 01:13:33,777
(ALL CHEERING)
1793
01:13:33,777 --> 01:13:35,280
This one's for you, Mom.
1794
01:13:35,447 --> 01:13:38,746
Let's blow the roof off
that ICU!
1795
01:13:42,920 --> 01:13:45,968
CHORUS: (SINGING) Joan then
1796
01:13:46,385 --> 01:13:49,433
Joan now
1797
01:13:49,809 --> 01:13:52,982
Joan does
1798
01:13:53,191 --> 01:13:55,988
Somehow
1799
01:13:56,573 --> 01:13:58,744
Troy, it's me. Troy, it's me.
1800
01:13:59,411 --> 01:14:00,956
You know, I don't think
this show is gonna work out.
1801
01:14:00,956 --> 01:14:02,585
- Shh.
- Joan will
1802
01:14:02,752 --> 01:14:03,754
Shh. Are you playing a game?
1803
01:14:03,921 --> 01:14:06,760
Joan can
1804
01:14:07,094 --> 01:14:11,895
Joan still
1805
01:14:12,814 --> 01:14:14,316
Tonight we take you
to the start
1806
01:14:14,316 --> 01:14:16,278
of our great founder's
beating heart.
1807
01:14:16,571 --> 01:14:18,491
Our tale begins in '63.
1808
01:14:18,491 --> 01:14:20,538
A young girl
and her father flee.
1809
01:14:20,913 --> 01:14:23,084
Though planes could fly
and girls could vote,
1810
01:14:23,501 --> 01:14:25,673
for some reason,
they took a boat.
1811
01:14:29,973 --> 01:14:32,352
CHORUS: (SINGING) America
1812
01:14:32,520 --> 01:14:35,024
America
1813
01:14:35,191 --> 01:14:37,613
We're sailing to America
1814
01:14:37,822 --> 01:14:41,872
In 1963
1815
01:14:43,416 --> 01:14:45,461
Oh, my little Joan, come.
1816
01:14:45,629 --> 01:14:47,382
Look at the horizon.
1817
01:14:47,550 --> 01:14:50,430
Think of all the possibilities
that await you.
1818
01:14:50,598 --> 01:14:52,852
(SINGING) In America
1819
01:14:53,436 --> 01:14:55,231
Enlightened nation
1820
01:14:55,398 --> 01:14:59,072
Where even women get education
1821
01:14:59,072 --> 01:15:02,037
From clean to cook, every skill you need
1822
01:15:02,037 --> 01:15:04,416
Don't fret, I'll tell the recipes
1823
01:15:04,416 --> 01:15:06,086
'Cause women cannot read
1824
01:15:06,086 --> 01:15:08,382
Hey! Women cannot read
1825
01:15:08,382 --> 01:15:10,386
Women cannot read
1826
01:15:10,386 --> 01:15:13,392
A, B, C, D, she don't know
'Cause women cannot read
1827
01:15:13,560 --> 01:15:14,646
MACKENZIE: Okay, I know
there's something better
1828
01:15:14,771 --> 01:15:15,773
DEVON: America
1829
01:15:15,898 --> 01:15:17,067
MACKENZIE:
Than to cook and do the cleaning
1830
01:15:17,067 --> 01:15:18,152
DEVON: Enlightened nation
1831
01:15:18,152 --> 01:15:19,781
- But I look at every letter
- Where even women
1832
01:15:19,781 --> 01:15:21,576
- And I wanna know its meaning
- Get education
1833
01:15:21,576 --> 01:15:22,745
I'm wrestling with these words
1834
01:15:22,745 --> 01:15:23,830
DEVON: From clean to cook
1835
01:15:23,956 --> 01:15:25,041
That I'm an inch away
from knowing
1836
01:15:25,041 --> 01:15:26,126
DEVON: Every skill you need
1837
01:15:26,126 --> 01:15:27,504
My eyes are moving
back and forth
1838
01:15:27,504 --> 01:15:30,636
The sense of it is growing
1839
01:15:31,638 --> 01:15:33,432
(STUTTERS)
1840
01:15:34,101 --> 01:15:37,440
- Jifka was shot!
- (CHORUS GASP)
1841
01:15:37,900 --> 01:15:38,986
CHORUS: (SINGING)
Maybe she can read
1842
01:15:38,986 --> 01:15:40,823
- No way!
- Maybe she can read
1843
01:15:41,031 --> 01:15:43,411
DEVON: That's luck
A, B, C, D, she can't know!
1844
01:15:43,578 --> 01:15:44,956
CHORUS: Or maybe she can read!
1845
01:15:45,541 --> 01:15:47,168
(AUDIENCE CLAPPING
IN DISTANCE)
1846
01:15:47,712 --> 01:15:49,214
So Joan ended the affair
1847
01:15:49,214 --> 01:15:50,843
with her
astrology professor
1848
01:15:50,843 --> 01:15:51,886
and she used her diploma
1849
01:15:51,886 --> 01:15:53,139
to get a job
as a mailroom clerk
1850
01:15:53,139 --> 01:15:55,143
at the New York
Stock Exchange.
1851
01:15:55,894 --> 01:15:57,940
(INDISTINCT,
OVERLAPPING CHATTER)
1852
01:15:58,692 --> 01:15:59,736
SEBASTIAN: If I'm not making money,
1853
01:15:59,736 --> 01:16:00,904
then I'm losing money.
1854
01:16:00,904 --> 01:16:03,159
If I'm losing money,
you're losing your job
1855
01:16:03,159 --> 01:16:04,494
and you're all fired!
1856
01:16:07,042 --> 01:16:08,754
(SINGING)
From my corner in the mailroom
1857
01:16:08,754 --> 01:16:10,048
Under the ground I hear
1858
01:16:10,048 --> 01:16:11,300
CHORUS: The Wall Street noise!
1859
01:16:11,300 --> 01:16:13,722
It's a beautiful sound
Sorting letters, getting older
1860
01:16:13,722 --> 01:16:16,561
Makin' minimum pay
While the brokers get richer
1861
01:16:16,561 --> 01:16:17,938
I could listen all day
1862
01:16:17,938 --> 01:16:20,819
When you buy, it's the feeling
Of a-jumpin' to the ceiling
1863
01:16:21,153 --> 01:16:23,742
CHORUS: Buy the stock
Buy the stock
1864
01:16:23,867 --> 01:16:24,869
Buy the stock
1865
01:16:24,994 --> 01:16:26,205
Then martini time, boys.
1866
01:16:26,205 --> 01:16:29,545
(SINGING) Will I ever be part
of the Wall Street noise?
1867
01:16:29,545 --> 01:16:31,549
(BROADWAY MUSIC PLAYING)
1868
01:16:31,549 --> 01:16:33,052
It's a shimmy in the shoulders
1869
01:16:33,052 --> 01:16:34,639
When you talk to the shareholders
1870
01:16:34,639 --> 01:16:37,018
Guiltless greed
is one of life's great joys
1871
01:16:37,018 --> 01:16:40,108
Maybe someday I'll stomp
In the Wall Street
1872
01:16:40,108 --> 01:16:42,947
Noise
1873
01:16:44,491 --> 01:16:47,205
They messed up one
little turn, but it's okay.
1874
01:16:47,205 --> 01:16:48,290
I didn't see it.
1875
01:16:48,290 --> 01:16:49,459
I think we should
just move forward.
1876
01:16:49,459 --> 01:16:50,838
(SINGING)
Sell the stocks shareholders buy
1877
01:16:50,838 --> 01:16:51,965
Sell the stocks shareholders buy
1878
01:16:51,965 --> 01:16:53,552
Sell the stocks, shareholders!
1879
01:16:53,552 --> 01:16:55,764
And as Joan rose through
the ranks of the company
1880
01:16:55,764 --> 01:16:58,352
and her profits
grew and grew,
1881
01:16:58,352 --> 01:17:00,691
so did she!
1882
01:17:02,402 --> 01:17:03,905
(SCATTERED CLAPPING)
1883
01:17:10,501 --> 01:17:11,880
Is that the tech guy?
1884
01:17:13,800 --> 01:17:16,305
Somebody get me portfolios
on line four.
1885
01:17:17,808 --> 01:17:19,979
I'll be in my corner office.
1886
01:17:20,146 --> 01:17:22,400
- Sure thing, boss.
- Let's do this.
1887
01:17:22,400 --> 01:17:23,945
(SINGING) You do this
You do that
1888
01:17:23,945 --> 01:17:26,033
Fix that graph and get me stats
1889
01:17:26,033 --> 01:17:28,789
CHORUS: She's a stock broker
Deep down and dirty dealing
1890
01:17:28,789 --> 01:17:30,458
Got the checks
Got the cash
1891
01:17:30,458 --> 01:17:32,170
And I'm smashing that glass ceiling
1892
01:17:32,170 --> 01:17:33,924
CHORUS:
Now she's part of this sound
1893
01:17:33,924 --> 01:17:35,594
And I found my voice
1894
01:17:35,761 --> 01:17:39,017
CHORUS: As she's making people millions
Screwing innocent civilians
1895
01:17:39,017 --> 01:17:41,856
With her fab flap and brilliance
In the Wall Street
1896
01:17:43,234 --> 01:17:44,236
Noise!
1897
01:17:44,904 --> 01:17:46,323
(AUDIENCE CHEERING)
1898
01:17:55,091 --> 01:17:57,011
(DISCO MUSIC PLAYING)
1899
01:17:59,015 --> 01:18:00,644
CHORUS: Studio 54!
1900
01:18:01,019 --> 01:18:02,773
Dark room
Bright lights
1901
01:18:02,982 --> 01:18:04,819
Debbie Harry wearing tights
1902
01:18:04,819 --> 01:18:06,865
CHORUS: Stiff drink
High heels
1903
01:18:06,865 --> 01:18:08,743
David Geffen doing deals
1904
01:18:08,743 --> 01:18:12,458
CHORUS:
Lovers and strangers and big chandeliers
1905
01:18:12,458 --> 01:18:14,504
Got no home to go to
1906
01:18:14,504 --> 01:18:16,593
So I'm staying here
1907
01:18:16,593 --> 01:18:18,805
- CHORUS: Live it up
- Like there's no tomorrow
1908
01:18:18,805 --> 01:18:21,268
CHORUS: Tomorrow, give it up
1909
01:18:21,268 --> 01:18:22,813
GLENN: To the groovy
1910
01:18:22,813 --> 01:18:24,525
- CHORUS: Disco glittery light
- Disco glittery light
1911
01:18:24,525 --> 01:18:25,694
CHORUS: Live it up
1912
01:18:25,694 --> 01:18:28,742
'Cause if there's no tomorrow
1913
01:18:28,742 --> 01:18:30,202
Nothing matters to me
1914
01:18:30,202 --> 01:18:33,000
So get lost inside the boogie tonight
1915
01:18:35,379 --> 01:18:36,591
And cue cocaine.
1916
01:18:36,758 --> 01:18:37,801
CHORUS: (SINGING)
Live it up
1917
01:18:37,801 --> 01:18:39,889
Don't you have school tomorrow?
1918
01:18:39,889 --> 01:18:41,141
CHORUS: Give it up
1919
01:18:41,141 --> 01:18:43,479
Suddenly, the disco doesn't feel right
1920
01:18:43,479 --> 01:18:46,903
CHORUS: Give away
The troubles and the sorrow
1921
01:18:46,903 --> 01:18:48,113
Someone's gotta save ya
1922
01:18:48,113 --> 01:18:50,493
From degenerate behavior tonight
1923
01:18:50,493 --> 01:18:52,455
Quick. Give me
your hand, little girl.
1924
01:18:52,455 --> 01:18:53,708
I'll save you.
1925
01:18:53,708 --> 01:18:55,002
I'm an artiste,
1926
01:18:55,002 --> 01:18:57,090
and artistes
don't need saving.
1927
01:18:57,090 --> 01:19:00,681
Sometimes they do!
1928
01:19:04,730 --> 01:19:06,567
Wow, Joan. You were right.
1929
01:19:06,567 --> 01:19:08,697
I guess I did need your help.
1930
01:19:09,114 --> 01:19:10,742
Have you ever
considered becoming...
1931
01:19:11,744 --> 01:19:13,122
a teacher?
1932
01:19:15,001 --> 01:19:18,800
GLENN: (SINGING)
I'll make it through tomorrow
1933
01:19:19,719 --> 01:19:22,766
Only gonna have three cocktails a week
1934
01:19:24,185 --> 01:19:27,568
I'll quit my job tomorrow
1935
01:19:28,485 --> 01:19:31,826
These children matter to me
1936
01:19:31,993 --> 01:19:35,458
So I'll apply to SUNY
1937
01:19:35,959 --> 01:19:40,342
Tonight
1938
01:19:41,053 --> 01:19:42,138
Jesus, he's good.
1939
01:19:43,223 --> 01:19:46,229
(SINGING)
Thought my dreaming was done
1940
01:19:46,396 --> 01:19:49,069
All I needed was one
1941
01:19:49,235 --> 01:19:53,160
Revelation to show me my boy
1942
01:19:53,661 --> 01:19:54,830
(WHISPERING) That kid's good.
1943
01:19:54,997 --> 01:19:56,124
I'm gonna make him a star.
1944
01:19:56,291 --> 01:19:57,878
I was actually
just thinking the same thing.
1945
01:19:58,045 --> 01:20:02,428
GLENN: Now I offer this sun Salutation
1946
01:20:02,846 --> 01:20:05,267
Hello to my Troy
1947
01:20:05,434 --> 01:20:07,689
I will build this theatrical place
1948
01:20:07,856 --> 01:20:08,858
Hey.
1949
01:20:09,693 --> 01:20:11,279
Hey, do you like this?
1950
01:20:12,156 --> 01:20:14,077
I'm over here, I'm like...
(SNORES, CHUCKLES)
1951
01:20:15,622 --> 01:20:16,999
CHRISTOPHER S: And finally,
1952
01:20:16,999 --> 01:20:19,630
after selling her father's
beloved pierogi recipe
1953
01:20:19,630 --> 01:20:21,007
for a small fortune,
1954
01:20:21,174 --> 01:20:23,428
Joan purchased
a beautiful plot of land
1955
01:20:23,596 --> 01:20:26,142
located right in the middle
of the Adirondack Mountains.
1956
01:20:29,817 --> 01:20:32,823
This land is beautiful.
1957
01:20:33,157 --> 01:20:35,327
And the stage could go here.
1958
01:20:36,664 --> 01:20:39,753
And all the children looking
for somewhere to belong.
1959
01:20:40,504 --> 01:20:42,676
I can almost see them.
1960
01:20:44,513 --> 01:20:47,561
(SINGING)
A girl with an open Snapple
1961
01:20:48,020 --> 01:20:51,026
A boy who's looking down
1962
01:20:51,443 --> 01:20:54,700
The faces and the memories
1963
01:20:54,867 --> 01:20:58,875
That we have from right now
1964
01:20:59,334 --> 01:21:02,549
Raise a glass for everyone
1965
01:21:02,716 --> 01:21:05,597
That will come through these halls
1966
01:21:06,431 --> 01:21:08,770
But in the glass isn't alcohol
1967
01:21:08,937 --> 01:21:11,358
It's something more profound
1968
01:21:11,525 --> 01:21:13,028
And the halls aren't halls at all
1969
01:21:13,195 --> 01:21:14,865
Of course, they're trees
1970
01:21:15,032 --> 01:21:16,117
And lakes
1971
01:21:16,619 --> 01:21:20,334
And birds
1972
01:21:21,086 --> 01:21:22,881
CHORUS: We all fly
1973
01:21:23,048 --> 01:21:27,348
To find a place we can belong
1974
01:21:27,516 --> 01:21:29,143
We all fly
1975
01:21:29,143 --> 01:21:34,028
To find a place we can call home
1976
01:21:35,489 --> 01:21:38,286
Camp isn't home
1977
01:21:39,790 --> 01:21:42,921
But is it kind of?
1978
01:21:43,088 --> 01:21:45,134
Kind of it is
1979
01:21:45,301 --> 01:21:48,056
I think it kind of is
1980
01:21:48,516 --> 01:21:50,979
BOTH: Camp isn't home
1981
01:21:52,607 --> 01:21:55,697
But is it kind of?
1982
01:21:55,697 --> 01:22:00,289
I think it kind of is
1983
01:22:01,834 --> 01:22:05,090
Where every kid picked last in gym
1984
01:22:05,257 --> 01:22:07,596
Finally makes the team
1985
01:22:07,846 --> 01:22:10,643
BOTH:
Where square pegs find their holes
1986
01:22:10,810 --> 01:22:13,649
And outcasts find their dreams
1987
01:22:13,816 --> 01:22:16,655
BOTH:
It's a melting pot where belting girls
1988
01:22:16,822 --> 01:22:19,369
And boys in tiny shorts
1989
01:22:19,703 --> 01:22:22,083
CHORUS:
Come to find forever friendships
1990
01:22:22,249 --> 01:22:25,214
Just four hours from New York
1991
01:22:25,214 --> 01:22:26,634
We all fly
1992
01:22:26,634 --> 01:22:30,934
To find a place we can belong
1993
01:22:30,934 --> 01:22:32,478
We all fly
1994
01:22:32,478 --> 01:22:37,614
To find a place we can call home
1995
01:22:37,614 --> 01:22:39,660
A place we can call Joan
1996
01:22:39,660 --> 01:22:42,039
Camp isn't home
1997
01:22:43,417 --> 01:22:46,549
But is it kind of?
1998
01:22:46,549 --> 01:22:48,468
Kind of it is
1999
01:22:48,636 --> 01:22:51,474
I think it kind of is
It kind of is
2000
01:22:51,474 --> 01:22:55,399
Camp isn't home
2001
01:22:55,399 --> 01:22:58,196
But is it kind of?
2002
01:22:58,196 --> 01:23:02,496
I think it kind of is
2003
01:23:03,833 --> 01:23:06,797
We all fly
2004
01:23:07,339 --> 01:23:09,302
Camp taught me
that my words are powerful.
2005
01:23:09,469 --> 01:23:11,640
Without camp,
I would've never known
2006
01:23:11,640 --> 01:23:13,519
I could sing a high F
above middle C.
2007
01:23:14,353 --> 01:23:15,648
At camp, I learned that
2008
01:23:15,648 --> 01:23:17,067
you don't have to be pretty
to be talented.
2009
01:23:17,067 --> 01:23:18,195
It's just a bonus.
2010
01:23:20,490 --> 01:23:21,493
(WHISPERING) I'm sorry.
2011
01:23:21,619 --> 01:23:23,581
- I'm sorry.
- You finished the song.
2012
01:23:24,332 --> 01:23:25,585
It's so beautiful.
2013
01:23:25,752 --> 01:23:26,962
I did it for you.
2014
01:23:27,714 --> 01:23:30,344
You should do whatever
you wanna do
2015
01:23:30,344 --> 01:23:31,805
and pursue your dreams, okay?
2016
01:23:32,515 --> 01:23:33,809
I'm going to stay here.
2017
01:23:33,809 --> 01:23:35,855
If there is a here,
I belong here.
2018
01:23:36,690 --> 01:23:38,276
Well, I'll come back
all the time.
2019
01:23:38,401 --> 01:23:39,487
- Promise?
- I promise.
2020
01:23:39,655 --> 01:23:40,740
You're not getting rid of me.
2021
01:23:41,449 --> 01:23:43,078
At camp,
I learned to live in my truth
2022
01:23:43,078 --> 01:23:44,539
as a heterosexual man.
2023
01:23:46,042 --> 01:23:47,253
We knew. (SOBBING)
2024
01:23:47,419 --> 01:23:49,340
We always knew, buddy.
Good job.
2025
01:23:50,384 --> 01:23:51,512
Glenn is amazing.
2026
01:23:51,679 --> 01:23:52,931
Glenn is so good,
it makes me upset.
2027
01:23:53,098 --> 01:23:55,102
- It's insane.
- It makes me upset.
2028
01:23:55,102 --> 01:23:56,647
(VOCALIZING)
2029
01:23:57,314 --> 01:23:59,443
CHORUS: (SINGING) We all fly
2030
01:24:02,659 --> 01:24:04,453
Camp isn't home
2031
01:24:06,792 --> 01:24:11,510
But is it kind of?
Kind of it is
2032
01:24:11,677 --> 01:24:14,223
I think it kind of is
2033
01:24:14,390 --> 01:24:17,021
Camp isn't home
2034
01:24:18,273 --> 01:24:24,410
But is it kind of?
I think it kind of is
2035
01:24:26,372 --> 01:24:29,546
Camp isn't home
But is it kind of?
2036
01:24:30,464 --> 01:24:35,098
Kind of it is
I think it kind of is
2037
01:24:35,265 --> 01:24:36,977
Camp isn't home
2038
01:24:39,231 --> 01:24:41,904
But is it kind of?
2039
01:24:41,904 --> 01:24:46,287
I think it kind of is
2040
01:24:47,498 --> 01:24:49,001
I hope I see you next summer.
2041
01:24:50,045 --> 01:24:51,507
Thanks for being
so hard on me.
2042
01:24:51,632 --> 01:24:53,134
I know it was
for a good reason.
2043
01:24:53,134 --> 01:24:55,222
Harness this pain and use it
in the future, okay?
2044
01:24:57,936 --> 01:24:59,773
CHORUS: (SINGING)
Camp isn't home
2045
01:24:59,773 --> 01:25:02,654
But is it kind of?
2046
01:25:02,654 --> 01:25:07,246
I think it kind of is
2047
01:25:09,208 --> 01:25:12,297
Joan, Still
2048
01:25:17,809 --> 01:25:19,521
- (MUSIC ENDS)
- (ALL CHEERING)
2049
01:25:24,656 --> 01:25:25,658
TROY: Yeah.
2050
01:25:26,994 --> 01:25:28,246
AMOS: That's lit!
2051
01:25:43,903 --> 01:25:45,363
(AUDIENCE CHEERING)
2052
01:25:49,873 --> 01:25:51,919
- WOMAN: Bravo! Bravo!
- She's awake!
2053
01:25:53,213 --> 01:25:55,342
I have no idea what this was,
2054
01:25:55,510 --> 01:25:58,056
who set this up,
why I'm watching this,
2055
01:25:58,264 --> 01:25:59,391
but what a pleasure!
2056
01:25:59,391 --> 01:26:01,688
What a thrill! What talent!
2057
01:26:01,688 --> 01:26:02,941
Uh, must have set it up
in the wrong room.
2058
01:26:02,941 --> 01:26:04,109
You lifted my spirits, kids.
2059
01:26:04,276 --> 01:26:05,320
Yeah, that was my bad.
2060
01:26:05,530 --> 01:26:07,951
And Joan, what a woman she is.
2061
01:26:08,117 --> 01:26:09,913
But Joan, Still, right?
2062
01:26:10,038 --> 01:26:11,499
That is something
to celebrate.
2063
01:26:11,499 --> 01:26:14,088
I can't wait to see you
on Broadway.
2064
01:26:14,088 --> 01:26:16,008
You kids are wonderful.
2065
01:26:16,008 --> 01:26:18,221
You're all going to be big,
big stars!
2066
01:26:19,599 --> 01:26:21,269
(BETTER NOW
BY POST MALONE PLAYING)
2067
01:26:29,368 --> 01:26:30,495
(GASPS)
2068
01:26:30,913 --> 01:26:32,584
Don't let Troy run the camp!
2069
01:26:33,209 --> 01:26:34,838
Oh, you're up, huh?
2070
01:26:35,506 --> 01:26:37,301
I just saw a whole show
about your life.
2071
01:26:37,301 --> 01:26:38,887
The kids did an amazing job.
2072
01:26:39,054 --> 01:26:40,975
(SINGING) Camp isn't home
2073
01:26:40,975 --> 01:26:42,562
Oh, what a song.
2074
01:26:42,562 --> 01:26:44,649
You slept through it.
I watched it.
2075
01:26:44,649 --> 01:26:46,570
Well, um, do you know
why I'm here?
2076
01:26:47,780 --> 01:26:48,782
No.
2077
01:26:48,782 --> 01:26:50,578
( BETTER NOW CONTINUES)
2078
01:28:23,095 --> 01:28:25,350
(FRANTIC JAZZ MUSIC PLAYING)
2079
01:31:46,836 --> 01:31:48,464
REBECCA-DIANE:
(SINGING) Bye class
2080
01:31:48,924 --> 01:31:50,677
We're done
2081
01:31:52,556 --> 01:31:56,940
The ghosts of our past selves are done
2082
01:31:57,190 --> 01:32:00,781
We are gone, we are gone
2083
01:32:00,781 --> 01:32:03,410
We are now new people
2084
01:32:03,578 --> 01:32:06,124
We are now new people
2085
01:32:06,291 --> 01:32:11,051
We are now the children of the plants
2086
01:32:13,723 --> 01:32:15,268
REBECCA-DIANE:
Thank you guys so much.
2087
01:32:15,894 --> 01:32:17,856
I'll see you next week.
2088
01:32:18,023 --> 01:32:19,986
Or tomorrow. I don't remember.