1
00:01:00,640 --> 00:01:02,640
(COMPUTER BEEPS)
2
00:01:20,360 --> 00:01:22,360
(BUTTON CLICKS)
3
00:01:32,360 --> 00:01:35,480
MAN: (FAINTLY) Where?
Where did you see it?
4
00:01:35,480 --> 00:01:39,200
This way?
Did it go in here? In here?
5
00:01:39,200 --> 00:01:41,120
(DOOR OPENING)
6
00:01:41,120 --> 00:01:42,800
Ah, there it is.
7
00:01:42,800 --> 00:01:45,560
(DRAGON CHIRPS)
8
00:01:49,400 --> 00:01:51,640
(FOOTSTEPS)
9
00:01:51,640 --> 00:01:54,440
Who closes the door,
keeps the door.
10
00:01:54,440 --> 00:01:57,160
No... You can't do this.
11
00:01:57,160 --> 00:02:00,000
- No!
- (SUPERNATURAL BLAST)
12
00:02:06,640 --> 00:02:09,880
(FRENETIC ORCHESTRAL MUSIC)
13
00:04:02,200 --> 00:04:04,200
(DOOR CLOSES)
14
00:04:08,400 --> 00:04:12,240
(BELLS CHIMING IN DISTANCE)
15
00:04:14,040 --> 00:04:15,600
MAN: What? No...
16
00:04:15,600 --> 00:04:17,720
No, no, no, no, no, no, no!
17
00:04:17,720 --> 00:04:19,280
No, no...
18
00:04:19,280 --> 00:04:21,360
Oh, bloody alarm!
19
00:04:22,280 --> 00:04:26,320
(FRANTIC OPERATIC MUSIC)
20
00:04:32,920 --> 00:04:35,000
(MUSIC PAUSES)
21
00:04:35,000 --> 00:04:36,400
(SIGHS)
22
00:04:36,400 --> 00:04:38,640
(MUSIC RESUMES)
23
00:04:39,480 --> 00:04:40,640
(MUSIC PAUSES)
24
00:04:40,640 --> 00:04:41,840
No!
25
00:04:41,840 --> 00:04:44,160
(MUSIC RESUMES)
26
00:04:47,320 --> 00:04:49,320
Neville!
27
00:04:51,160 --> 00:04:52,800
(MUSIC PAUSES)
28
00:04:52,800 --> 00:04:54,720
Kidding me!
29
00:04:54,720 --> 00:04:58,200
- (MUSIC RESUMES)
- (TOASTER SPARKS)
30
00:04:59,880 --> 00:05:01,440
(TOASTER CRACKLES)
31
00:05:01,440 --> 00:05:04,280
(MUSIC CONTINUES)
32
00:05:08,160 --> 00:05:11,560
(MAJESTIC OPERATIC MUSIC)
33
00:05:17,640 --> 00:05:19,640
MAN: Thank you.
34
00:05:20,760 --> 00:05:22,760
(SQUELCH!)
35
00:05:23,480 --> 00:05:25,480
What the...?
36
00:05:26,240 --> 00:05:28,240
Oh!
37
00:05:30,120 --> 00:05:32,120
Excuse me. Sorry.
38
00:05:33,640 --> 00:05:35,640
Sorry.
39
00:05:39,800 --> 00:05:41,800
(EXHALES)
40
00:05:42,160 --> 00:05:43,320
Sorry.
41
00:05:43,320 --> 00:05:45,400
Sorry, guys. Excuse me.
42
00:05:47,120 --> 00:05:49,520
Sorry. Hi. Is this
the line for applicants?
43
00:05:49,520 --> 00:05:52,640
- Join the queue.
- Oh, thank you.
44
00:05:54,480 --> 00:05:57,360
Excuse me. Sorry. Are you
here for the barista job?
45
00:05:57,360 --> 00:05:59,920
MAN: Paul? Paul Carpenter?
46
00:05:59,920 --> 00:06:02,480
It is you!
47
00:06:02,480 --> 00:06:05,040
(CHUCKLES) Thought
it wasn't you for a minute.
48
00:06:05,040 --> 00:06:06,880
Here's me calling out
to a stranger.
49
00:06:06,880 --> 00:06:08,040
(CHUCKLES AWKWARDLY)
50
00:06:08,040 --> 00:06:09,560
Monty Smith-Gregg.
51
00:06:09,560 --> 00:06:12,040
Don't you dare tell me
you don't remember me.
52
00:06:12,040 --> 00:06:13,840
- Um...
- You don't? Or you do?
53
00:06:13,840 --> 00:06:16,080
I can't tell
with that funny face of yours.
54
00:06:16,080 --> 00:06:17,760
You always had
that look in class.
55
00:06:17,760 --> 00:06:20,640
I taught 18th-century Ethics
and History of Music.
56
00:06:20,640 --> 00:06:23,360
- At King's.
- Oh, I didn't go to King's.
57
00:06:23,360 --> 00:06:25,200
And other campuses.
58
00:06:25,200 --> 00:06:26,720
I had long hair and a beard.
59
00:06:26,720 --> 00:06:28,520
You used to
sit next to Neville.
60
00:06:28,520 --> 00:06:30,040
- Yes...
- Funny Neville.
61
00:06:30,040 --> 00:06:31,480
With his weak knees.
62
00:06:31,480 --> 00:06:34,560
Plus, I coached you
in football, Mr Forgetty!
63
00:06:34,560 --> 00:06:36,880
This is such a coincidence!
64
00:06:36,880 --> 00:06:39,200
You still got that shirt?
The one with the, uh...
65
00:06:39,200 --> 00:06:41,120
Oh, what did it say?
I should go.
66
00:06:41,120 --> 00:06:43,680
- How's your brother?
- I don't have a brother.
67
00:06:43,680 --> 00:06:47,120
Anyway, must dash. I have
an interview, just like you.
68
00:06:47,120 --> 00:06:48,760
Another coincidence!
69
00:06:48,760 --> 00:06:50,840
- Bye!
- Bye.
70
00:06:53,360 --> 00:06:55,360
Monty?
71
00:06:58,360 --> 00:06:59,520
Oh...
72
00:06:59,520 --> 00:07:02,520
(PHONES CHIMING AND CLICKING)
73
00:07:06,440 --> 00:07:08,960
Oh, great...
74
00:07:08,960 --> 00:07:10,760
- (DOG YAPS)
- Hey!
75
00:07:10,760 --> 00:07:12,760
Wait!
76
00:07:12,760 --> 00:07:15,760
(FRANTIC OPERATIC MUSIC)
77
00:07:15,760 --> 00:07:19,440
Stop! Stop that dog! Hey!
78
00:07:22,320 --> 00:07:24,440
(MUSIC STOPS)
79
00:07:42,000 --> 00:07:44,280
(WHIMSICAL TINKLING MUSIC)
80
00:08:06,680 --> 00:08:09,040
(MUZAK PLAYING FAINTLY)
81
00:08:10,680 --> 00:08:12,080
Hello?
82
00:08:12,080 --> 00:08:16,680
(MUZAK, INDISTINCT SPEECH
ON TV)
83
00:08:16,680 --> 00:08:19,360
MAN: (ON TV) ..Central London organisation...
84
00:08:22,320 --> 00:08:25,760
(INDISTINCT SPEECH ON TV
CONTINUES)
85
00:08:25,760 --> 00:08:29,040
(EERIE MUSIC)
86
00:08:36,520 --> 00:08:39,040
MAN: (ON TV)
With world's best practice...
87
00:08:39,040 --> 00:08:41,720
(SPEECH ON TV CONTINUES
INDISTINCTLY)
88
00:08:41,720 --> 00:08:44,640
Excuse me, but are you here
for the job interview?
89
00:08:44,640 --> 00:08:46,920
It says 'applicants'
on the door, but...
90
00:08:46,920 --> 00:08:50,520
...this is an odd place
for a job interview.
91
00:08:50,520 --> 00:08:53,480
I was actually supposed to
have an interview at a cafe,
92
00:08:53,480 --> 00:08:56,400
which is interesting... mildly.
93
00:08:56,400 --> 00:08:59,320
D-do you know
what they do here?
94
00:08:59,320 --> 00:09:01,480
Or what position...?
WOMAN: I'm sorry.
95
00:09:01,480 --> 00:09:04,080
Is there something I'm doing
to make you want to talk to me?
96
00:09:04,080 --> 00:09:06,520
- Pardon?
- I really need to focus.
97
00:09:06,520 --> 00:09:07,800
Sorry.
98
00:09:07,800 --> 00:09:11,240
Oh, of course. Yeah.
You should focus.
99
00:09:11,240 --> 00:09:14,200
Oh, you... you're watching.
100
00:09:14,200 --> 00:09:16,640
Maybe I...I should
just watch too.
101
00:09:16,640 --> 00:09:19,040
MAN (ON TV):
We've always been there...
102
00:09:19,960 --> 00:09:22,920
...and always will.
103
00:09:22,920 --> 00:09:26,160
Life at JW Wells
as a new recruit
104
00:09:26,160 --> 00:09:27,560
is never dull.
105
00:09:27,560 --> 00:09:28,880
On the contrary,
106
00:09:28,880 --> 00:09:32,600
the jobs can be demanding
and often confronting.
107
00:09:32,600 --> 00:09:34,360
We may not advertise
our services
108
00:09:34,360 --> 00:09:36,320
and shout our name
from the rooftops,
109
00:09:36,320 --> 00:09:39,560
but that is because
we do not need to.
110
00:09:39,560 --> 00:09:42,440
Our reputation is already
well established,
111
00:09:42,440 --> 00:09:44,560
which is why we can
hide in the shadows
112
00:09:44,560 --> 00:09:47,520
waiting for business
to come to us.
113
00:09:47,520 --> 00:09:50,080
Now you know a bit about
what we do here
114
00:09:50,080 --> 00:09:52,320
at JW Wells and Company,
115
00:09:52,320 --> 00:09:54,680
we hope you will join our team.
116
00:09:54,680 --> 00:09:56,880
(MUZAK ON TV CONTINUES)
117
00:09:56,880 --> 00:09:59,440
(WOMAN GIGGLING)
118
00:09:59,440 --> 00:10:02,480
No, you were... you were
outstanding, my dear.
119
00:10:02,480 --> 00:10:03,960
Mr Wells was very impressed.
120
00:10:03,960 --> 00:10:05,640
- We all were.
- That's a relief.
121
00:10:05,640 --> 00:10:07,840
He's a personal hero
of mine, you know.
122
00:10:07,840 --> 00:10:08,960
Yes.
123
00:10:08,960 --> 00:10:12,680
Oh, good luck!
Just have fun with it.
124
00:10:12,680 --> 00:10:15,840
(SOFTLY) These other interviews
are just formalities.
125
00:10:15,840 --> 00:10:18,160
The job is all but yours.
126
00:10:20,040 --> 00:10:23,040
(EXASPERATED SIGH)
Paul Carpenter!
127
00:10:23,040 --> 00:10:25,120
What...? M-me?
128
00:10:26,280 --> 00:10:28,280
How does he know my name?
129
00:10:30,320 --> 00:10:32,320
MAN: Chop-chop!
130
00:10:36,760 --> 00:10:39,480
(PLODDING MUSIC)
131
00:10:39,480 --> 00:10:41,920
So, what is it you do here?
132
00:10:43,280 --> 00:10:45,280
We do what we can.
133
00:10:45,280 --> 00:10:47,360
Right.
134
00:10:48,600 --> 00:10:51,120
- (HUSHED CHATTER)
- (DOOR OPENING)
135
00:10:58,880 --> 00:11:01,760
Mr Wells, ladies and gentlemen
of the board,
136
00:11:01,760 --> 00:11:03,720
this is Paul Carpenter.
137
00:11:03,720 --> 00:11:06,560
Well, I'm glad you found us.
138
00:11:06,560 --> 00:11:09,560
The side entrance
is a bit tricky, but...
139
00:11:09,560 --> 00:11:12,680
Apologies about the lobby
being renovated.
140
00:11:12,680 --> 00:11:17,040
It's all to align with the 'new
dawn' of our great company.
141
00:11:17,040 --> 00:11:20,200
You will be part
of that new dawn too.
142
00:11:20,200 --> 00:11:22,320
- I will be?
- Well, you could be.
143
00:11:22,320 --> 00:11:24,560
It all rather depends
on the next two minutes,
144
00:11:24,560 --> 00:11:25,720
wouldn't you say?
145
00:11:25,720 --> 00:11:28,160
- Right.
- Why don't you tell us
146
00:11:28,160 --> 00:11:29,960
something about yourself, Paul?
147
00:11:29,960 --> 00:11:32,320
Ah... there's not much to tell, really.
148
00:11:32,320 --> 00:11:35,240
I've got four GCSEs
and two A-Levels.
149
00:11:35,240 --> 00:11:37,640
I'm currently
between employment.
150
00:11:37,640 --> 00:11:39,000
Single.
151
00:11:39,000 --> 00:11:40,400
I live with a friend, Neville,
152
00:11:40,400 --> 00:11:42,000
who hasn't paid rent
for 2 months,
153
00:11:42,000 --> 00:11:44,040
but let's not hold
that against him,
154
00:11:44,040 --> 00:11:46,400
even though it means we'll be
evicted unless I get this job.
155
00:11:46,400 --> 00:11:50,320
Well, a job. It's highly
unlikely that I get this job.
156
00:11:50,320 --> 00:11:51,760
Especially if I keep talking.
157
00:11:51,760 --> 00:11:56,360
But I'd like it. Whatever it
is, it seems... interesting.
158
00:11:57,360 --> 00:12:00,240
Anyway, yeah, that's... me.
159
00:12:00,240 --> 00:12:03,720
And what makes you think you'd
be suited to this position?
160
00:12:06,160 --> 00:12:07,160
I dunno.
161
00:12:07,160 --> 00:12:08,920
Well, what made you apply?
162
00:12:08,920 --> 00:12:11,640
Uh, coincidence, really.
163
00:12:11,640 --> 00:12:12,680
Go on.
164
00:12:12,680 --> 00:12:16,200
Well, my alarm didn't go off.
My trousers had a stain.
165
00:12:16,200 --> 00:12:18,440
And my shoelace broke - twice.
166
00:12:18,440 --> 00:12:20,600
A dog stole my scarf.
The toaster blew up.
167
00:12:20,600 --> 00:12:22,960
I ran into someone
who taught me at university
168
00:12:22,960 --> 00:12:24,760
although I don't
remember him at all.
169
00:12:24,760 --> 00:12:27,160
And then I chased the dog,
and here I am.
170
00:12:27,160 --> 00:12:29,480
- Any hobbies?
- Pardon?
171
00:12:29,480 --> 00:12:32,160
What do you do
in your spare time?
172
00:12:32,160 --> 00:12:34,200
Well, all my time is spare...
173
00:12:34,200 --> 00:12:35,640
- ...really.
- Ah.
174
00:12:35,640 --> 00:12:37,360
But I used to paint
model soldiers.
175
00:12:37,360 --> 00:12:39,280
- WOMAN: Which period?
- Medieval.
176
00:12:39,280 --> 00:12:41,080
I also did those fantasy ones.
177
00:12:41,080 --> 00:12:43,240
- Trolls and goblins.
- Goblins?
178
00:12:43,240 --> 00:12:45,920
I tried Napoleonic,
but they were too fiddly.
179
00:12:45,920 --> 00:12:48,120
I see.
180
00:12:48,120 --> 00:12:49,640
I don't do that so much now.
181
00:12:49,640 --> 00:12:54,000
And what do you most admire
about the works of Chekhov?
182
00:12:54,000 --> 00:12:55,920
Ah... (EXHALES) I dunno.
183
00:12:55,920 --> 00:12:58,200
The way he says
"Course laid in, Captain"
184
00:12:58,200 --> 00:12:59,520
is pretty cool.
185
00:12:59,520 --> 00:13:01,200
But mostly he doesn't
get to do much.
186
00:13:01,200 --> 00:13:03,760
- (GROANS)
- Chekhov, the playwright.
187
00:13:04,720 --> 00:13:06,160
Star Trek.
188
00:13:06,160 --> 00:13:07,080
Any languages?
189
00:13:07,080 --> 00:13:09,600
Uh, French and German
at school, but...
190
00:13:09,600 --> 00:13:12,720
...I can't really remember
any of it now.
191
00:13:12,720 --> 00:13:16,080
(SPEAKS IN GERMAN)
192
00:13:16,080 --> 00:13:17,000
Sorry?
193
00:13:17,000 --> 00:13:20,240
Casimir is asking you about
your social life, pumpkin.
194
00:13:21,320 --> 00:13:22,640
(BANGS TABLE)
195
00:13:22,640 --> 00:13:24,080
Pardon?
196
00:13:24,080 --> 00:13:26,520
What are you looking at,
Mr Carpenter?
197
00:13:26,520 --> 00:13:30,240
Oh, sorry.
Uh, it's nothing. It's...
198
00:13:30,240 --> 00:13:32,840
You seem distracted.
199
00:13:33,680 --> 00:13:35,640
It's just the wallpaper.
200
00:13:35,640 --> 00:13:38,800
The cracks are a map of London.
201
00:13:41,760 --> 00:13:43,760
The Tube.
202
00:13:43,760 --> 00:13:46,200
And there's the M25.
203
00:13:46,200 --> 00:13:48,840
There's Hyde Park.
204
00:13:48,840 --> 00:13:52,120
As soon as you see it,
you can't unsee it.
205
00:13:53,680 --> 00:13:56,280
It's like one of those
Magic Eye things.
206
00:14:01,640 --> 00:14:05,480
Well, this has been a truly
forgettable experience.
207
00:14:05,480 --> 00:14:07,320
Shall I see you out,
Mr Carpenter?
208
00:14:07,320 --> 00:14:09,600
- That's OK... Sorry.
- Yes, I shall. Come on.
209
00:14:09,600 --> 00:14:11,280
Well, thanks for
meeting you all.
210
00:14:11,280 --> 00:14:14,680
Um, good to...
I mean, to meet you.
211
00:14:14,680 --> 00:14:16,680
MAN: We heard it. Thank you.
212
00:14:16,680 --> 00:14:18,600
(DOOR OPENS)
213
00:14:18,600 --> 00:14:20,680
(DOOR CLOSES)
214
00:14:29,960 --> 00:14:31,240
(GROANS)
215
00:14:31,240 --> 00:14:33,320
You...
216
00:14:35,360 --> 00:14:37,000
Stay...
217
00:14:37,000 --> 00:14:39,080
Stay.
218
00:14:46,520 --> 00:14:48,520
- (DOOR CLOSES)
- Alright?
219
00:14:49,520 --> 00:14:51,080
Oh, dear.
220
00:14:51,080 --> 00:14:53,520
How is anyone supposed to
get a job in this town?
221
00:14:53,520 --> 00:14:56,760
You should just go abroad.
You know, be a man of letters.
222
00:14:56,760 --> 00:14:59,440
Paul Carpenter -
renaissance man.
223
00:14:59,440 --> 00:15:02,920
Renaissance men usually have
more than £5 to their name.
224
00:15:02,920 --> 00:15:05,160
Any ladies there?
225
00:15:05,160 --> 00:15:06,800
No.
226
00:15:06,800 --> 00:15:09,080
Liar. Spill.
227
00:15:09,080 --> 00:15:10,880
(THUMP!)
228
00:15:10,880 --> 00:15:13,440
PAUL: Neville?
229
00:15:13,440 --> 00:15:16,040
- Hmm?
- What's going on?
230
00:15:16,040 --> 00:15:17,760
Yeah, the couch is gone.
231
00:15:17,760 --> 00:15:19,520
Yes, I noticed that.
232
00:15:19,520 --> 00:15:21,000
I'm moving home.
233
00:15:21,000 --> 00:15:24,360
- What?! Like, right now?
- I'm sorry. I just...
234
00:15:24,360 --> 00:15:27,120
Just, do you ever feel like
you're not meant for
235
00:15:27,120 --> 00:15:29,720
this kind of, you know,
work, rent, bills, bus,
236
00:15:29,720 --> 00:15:31,760
Tube, bills, work, rent
kind of life?
237
00:15:31,760 --> 00:15:33,320
Yes, of course, we all do...
238
00:15:33,320 --> 00:15:35,760
I had this epiphany last night,
I thought, "Neville,
239
00:15:35,760 --> 00:15:37,880
"why are you being
a slave to the system?
240
00:15:37,880 --> 00:15:40,480
"You know, go home,
go back to university,
241
00:15:40,480 --> 00:15:42,400
"just... never leave again."
242
00:15:42,400 --> 00:15:44,440
PAUL: Right.
NEVILLE: And you know what?
243
00:15:44,440 --> 00:15:47,880
As soon as I said it,
I just felt... free.
244
00:15:47,880 --> 00:15:50,560
PAUL: Wow.
I'm really happy for you.
245
00:15:50,560 --> 00:15:53,480
But where does that leave me?
NEVILLE: We're all individuals.
246
00:15:53,480 --> 00:15:55,480
You are free to make
your own choices.
247
00:15:55,480 --> 00:15:57,600
PAUL: Ignoring the fact
I don't have a job
248
00:15:57,600 --> 00:15:59,440
and my parents
have moved to Florida.
249
00:15:59,440 --> 00:16:01,840
- I can't believe this!
- I know, I'll miss you too.
250
00:16:01,840 --> 00:16:04,200
No! How do I find someone
with zero notice?
251
00:16:04,200 --> 00:16:06,000
NEVILLE:
I'll pay for next week.
252
00:16:06,000 --> 00:16:08,720
- PAUL: You're two months behind.
- Maybe you'll get...
253
00:16:08,720 --> 00:16:10,800
(BREEZE BLOWING)
254
00:16:16,320 --> 00:16:18,840
"JW Wells and Co"?
255
00:16:18,840 --> 00:16:20,800
That's where my interview was.
256
00:16:20,800 --> 00:16:23,480
But I didn't give them
this address.
257
00:16:23,480 --> 00:16:24,640
"Dear Mr Carpenter,
258
00:16:24,640 --> 00:16:28,120
"Thank you for your smashing
interview at 9:43am today.
259
00:16:28,120 --> 00:16:31,520
"It was a real highlight and we
were unanimously impressed.
260
00:16:31,520 --> 00:16:32,880
"We are therefore thrilled
261
00:16:32,880 --> 00:16:34,960
"to offer you the position
of Paid Intern.
262
00:16:34,960 --> 00:16:37,640
"It would be most agreeable
if you could make yourself
263
00:16:37,640 --> 00:16:40,440
"available for work
from tomorrow, 9am sharp.
264
00:16:40,440 --> 00:16:43,920
"Please enter through the main
entrance at 70 St Mary..."
265
00:16:43,920 --> 00:16:45,440
Bloody hell.
266
00:16:45,440 --> 00:16:46,480
I got a job!
267
00:16:46,480 --> 00:16:49,400
You see?
All works out in the end.
268
00:16:51,360 --> 00:16:52,960
I got a job!
269
00:16:52,960 --> 00:16:55,040
(ALARM BLARES)
270
00:16:56,040 --> 00:16:58,520
(DRAMATIC OPERATIC MUSIC
BUILDS)
271
00:17:16,280 --> 00:17:19,560
(MAJESTIC OPERATIC MUSIC)
272
00:17:27,440 --> 00:17:29,440
PAUL: Thank you.
273
00:17:31,320 --> 00:17:33,720
(PHONES CHIMING AND BLEEPING)
274
00:17:50,040 --> 00:17:53,120
(SOFT CHORAL MUSIC)
275
00:18:30,120 --> 00:18:32,280
Mr Roden!
276
00:18:36,120 --> 00:18:38,480
Referral, please.
277
00:18:42,720 --> 00:18:44,720
Ew.
278
00:18:46,040 --> 00:18:48,400
Suite 1409.
279
00:18:48,400 --> 00:18:50,800
- (BELL BUZZES)
- (DOOR OPENS)
280
00:18:52,640 --> 00:18:55,400
What's the matter?
Need help sitting?
281
00:18:55,400 --> 00:18:57,880
Oh, I'm... I'm not...
282
00:18:58,800 --> 00:19:00,800
Ah!
283
00:19:01,360 --> 00:19:02,520
Hm?
284
00:19:02,520 --> 00:19:06,000
Well, Rosie, what do we think
of the new lobby?
285
00:19:06,000 --> 00:19:07,600
Oh, Mr Wells,
286
00:19:07,600 --> 00:19:09,120
I was expecting to be pleased,
287
00:19:09,120 --> 00:19:11,600
but this morning, when
I saw it for the first time,
288
00:19:11,600 --> 00:19:14,920
my heart burst with
a new passion for my work.
289
00:19:14,920 --> 00:19:16,880
I can't tell
if you're being serious.
290
00:19:16,880 --> 00:19:21,160
I couldn't be more serious...
about the new lobby.
291
00:19:23,600 --> 00:19:25,240
- Carpenter!
- Hi.
292
00:19:25,240 --> 00:19:27,640
- Wearing a suit, I see.
- Mm.
293
00:19:27,640 --> 00:19:30,160
Very nice.
Making an effort - tick.
294
00:19:30,160 --> 00:19:32,480
Trying to be yourself -
bigger tick.
295
00:19:32,480 --> 00:19:35,280
We're all a big happy family
here, aren't we, Rosie?
296
00:19:36,520 --> 00:19:39,120
- Yes?
- One big happy family.
297
00:19:39,120 --> 00:19:43,040
We're going to tear through
mountains together... Paul?
298
00:19:43,040 --> 00:19:44,720
Paul. Ah, OK.
299
00:19:44,720 --> 00:19:47,520
Well, I love
to tear... mountains.
300
00:19:51,080 --> 00:19:54,160
(DOOR CREAKS AND CLOSES)
301
00:19:54,160 --> 00:19:56,280
Paul Carpenter.
302
00:19:57,880 --> 00:20:00,520
Last chance
to change your mind.
303
00:20:02,320 --> 00:20:03,840
(INTERCOM WHINES)
304
00:20:03,840 --> 00:20:07,960
Mr Tanner,
the new intern's here.
305
00:20:07,960 --> 00:20:10,480
TANNER: (ON INTERCOM)
No, she's here already, Mum.
306
00:20:10,480 --> 00:20:12,200
Uh, I mean 'Rosie'.
307
00:20:12,200 --> 00:20:14,040
Well, they're coming in
thick and fast
308
00:20:14,040 --> 00:20:16,680
'cause there's another one here
with a clueless look
309
00:20:16,680 --> 00:20:18,200
on his face.
310
00:20:18,200 --> 00:20:20,160
I don't suppose
you could fill me in
311
00:20:20,160 --> 00:20:22,480
on what this company
actually does?
312
00:20:33,960 --> 00:20:35,960
TANNER: (ANNOYED) Carpenter...
313
00:20:37,080 --> 00:20:39,560
I was hoping that you'd died.
314
00:20:40,600 --> 00:20:41,880
Well, follow me.
315
00:20:41,880 --> 00:20:44,440
- Chop-chop!
- Dennis!
316
00:20:44,440 --> 00:20:46,000
Shirt.
317
00:20:46,000 --> 00:20:48,040
Oh, yes...
318
00:20:48,040 --> 00:20:51,320
Come on. Hurry up! Come on!
319
00:20:53,440 --> 00:20:55,440
For God's sake...
320
00:20:58,040 --> 00:20:59,600
No, not that way...
321
00:20:59,600 --> 00:21:01,680
(DENNIS MUTTERING)
322
00:21:01,680 --> 00:21:03,160
Why is the...?
323
00:21:03,160 --> 00:21:07,160
(EXASPERATED) Ah, all this was
meant to be done by Christmas!
324
00:21:07,160 --> 00:21:09,960
By Christmas!
325
00:21:09,960 --> 00:21:14,760
Now... interns report to me,
and me only. Is that clear?
326
00:21:14,760 --> 00:21:16,120
OK. Yes.
327
00:21:16,120 --> 00:21:18,280
"Yes, Mr Tanner."
328
00:21:18,280 --> 00:21:22,440
Now, JW Wells
is a highly respected firm.
329
00:21:22,440 --> 00:21:24,160
Oops!
330
00:21:24,160 --> 00:21:28,280
And we expect nothing less than
excellence from our employees.
331
00:21:28,280 --> 00:21:30,920
- Is that clear?
- Of course.
332
00:21:30,920 --> 00:21:33,000
"Of course, Mr Tanner."
333
00:21:34,160 --> 00:21:36,840
Now, in return,
you will be working
334
00:21:36,840 --> 00:21:39,040
for the most innovative company
in history.
335
00:21:39,040 --> 00:21:41,120
Hup!
336
00:21:42,120 --> 00:21:44,120
Don't panic.
337
00:21:49,400 --> 00:21:51,760
All clear, no harm done.
338
00:21:51,760 --> 00:21:53,560
With me, boy.
339
00:21:53,560 --> 00:21:55,640
(TELEPHONES RINGING,
BUSTLING CHATTER)
340
00:21:55,640 --> 00:21:57,560
DENNIS: Now listen
very carefully,
341
00:21:57,560 --> 00:21:59,520
'cause really
all you need to know,
342
00:21:59,520 --> 00:22:02,960
for centuries,
our distinguished firm, JW...
343
00:22:02,960 --> 00:22:04,560
Oh, thank you, thank you.
344
00:22:04,560 --> 00:22:06,920
Our distinguished firm,
JW Wells,
345
00:22:06,920 --> 00:22:08,640
has performed a plethora
346
00:22:08,640 --> 00:22:12,200
of invaluable services
for our clients, including...
347
00:22:12,200 --> 00:22:14,920
- (HUBBUB DROWNS OUT SPEECH)
- I didn't quite hear...
348
00:22:14,920 --> 00:22:17,320
...temporal pausation
or advancement
349
00:22:17,320 --> 00:22:21,480
and, of course, our signature
dish, which is coincidensation.
350
00:22:21,480 --> 00:22:25,680
Now, we have never had
an unhappy client.
351
00:22:25,680 --> 00:22:28,320
- Come on!
- (TYPEWRITERS CLACKING)
352
00:22:28,320 --> 00:22:30,760
DENNIS: And we trust
it will remain that way.
353
00:22:30,760 --> 00:22:35,200
If you decide to stay,
you arrive at 0900,
354
00:22:35,200 --> 00:22:38,480
lunch is at 1300, tea 1500,
355
00:22:38,480 --> 00:22:40,680
and pens down at 5 o'clock.
356
00:22:40,680 --> 00:22:43,720
And I don't care how much
of a suckhole you are,
357
00:22:43,720 --> 00:22:47,240
you never, ever stay
after hours.
358
00:22:47,240 --> 00:22:49,480
- Is that clear?
- Yes.
359
00:22:49,480 --> 00:22:51,720
- Mr Tanner.
- Thank you.
360
00:22:52,640 --> 00:22:55,080
(TUBES SUCTIONING)
361
00:22:57,240 --> 00:23:00,440
You look like the sort of chap
who owns a computer.
362
00:23:00,440 --> 00:23:02,040
Do not bring it to work.
363
00:23:02,040 --> 00:23:04,320
- Hurry along!
- (TUBES SUCTIONING)
364
00:23:04,320 --> 00:23:06,520
They do not function
within these four walls,
365
00:23:06,520 --> 00:23:10,080
and what is more,
they're common.
366
00:23:10,080 --> 00:23:12,520
- Any questions?
- I just didn't quite hear...
367
00:23:12,520 --> 00:23:15,280
No questions. Good.
368
00:23:15,280 --> 00:23:19,120
You may be excited
about working here -
369
00:23:19,120 --> 00:23:21,440
that would be a mistake.
370
00:23:21,440 --> 00:23:25,320
You are the lowest of the low,
Mr Carpenter.
371
00:23:27,240 --> 00:23:29,320
I can't think
of anything lower.
372
00:23:29,320 --> 00:23:31,000
Even the tiniest mites
373
00:23:31,000 --> 00:23:34,040
that inhabit this grotty carpet
upon which we walk
374
00:23:34,040 --> 00:23:36,240
are more important than you.
375
00:23:36,240 --> 00:23:37,800
And, like the mites,
376
00:23:37,800 --> 00:23:40,840
the less you are seen,
the longer you will last.
377
00:23:40,840 --> 00:23:41,920
Right.
378
00:23:41,920 --> 00:23:43,520
"Right, Mr Tanner!"
379
00:23:43,520 --> 00:23:45,600
Mr Tanner.
380
00:23:46,040 --> 00:23:48,000
Now... you'll be sharing
381
00:23:48,000 --> 00:23:50,200
with the other new blob
of insignificance
382
00:23:50,200 --> 00:23:51,520
that arrived today.
383
00:23:51,520 --> 00:23:53,600
Oh. What other blob?
384
00:23:54,440 --> 00:23:56,440
This one.
385
00:23:57,080 --> 00:23:58,800
Sophie Pettingel.
386
00:23:58,800 --> 00:24:00,840
She managed
to get here on time.
387
00:24:00,840 --> 00:24:03,840
Well, wait here. Maybe someone
will find you something to do.
388
00:24:03,840 --> 00:24:08,440
Oh! Why don't you tell Sophie
about your last girlfriend?
389
00:24:08,440 --> 00:24:11,360
Oh, that's right -
you've never had one.
390
00:24:11,360 --> 00:24:16,120
(GUFFAWS WHEEZILY)
391
00:24:16,120 --> 00:24:19,080
(SCOFFS)
That's not true, by the way.
392
00:24:19,080 --> 00:24:20,080
I have had...
393
00:24:20,080 --> 00:24:23,280
We never called each other
boyfriend and girlfriend...
394
00:24:23,280 --> 00:24:25,080
The smell of coffee
makes me sick.
395
00:24:25,080 --> 00:24:28,040
The what? Oh. Sorry.
396
00:24:34,200 --> 00:24:37,200
Ah... Oh, that's hot. Very...
397
00:24:42,040 --> 00:24:44,040
Ah...
398
00:24:44,680 --> 00:24:46,680
(EXHALES)
399
00:25:07,640 --> 00:25:10,040
Looks like
we're up for the same job.
400
00:25:10,040 --> 00:25:11,520
Hm.
401
00:25:11,520 --> 00:25:13,920
I'm pretty sure they've made
a mistake, actually.
402
00:25:13,920 --> 00:25:16,160
All depends on what
they were looking for.
403
00:25:16,160 --> 00:25:17,760
If it was inarticulate,
nervous gits
404
00:25:17,760 --> 00:25:19,560
with little talent
or initiative,
405
00:25:19,560 --> 00:25:21,640
they've struck gold.
406
00:25:22,120 --> 00:25:23,840
With me... I mean.
407
00:25:23,840 --> 00:25:28,440
Not you. You're obviously
talented and... not a git.
408
00:25:34,200 --> 00:25:37,320
Do you have any idea
what they do here?
409
00:25:37,320 --> 00:25:39,120
What was all those typists?
410
00:25:39,120 --> 00:25:41,840
And the big map with the...?
411
00:25:41,840 --> 00:25:44,400
There's a nice pub across
the street, which is good.
412
00:25:44,400 --> 00:25:47,000
It's important, isn't it?
To have after-work drinks.
413
00:25:47,000 --> 00:25:50,000
Or hitting-target drinks.
Or sales drinks.
414
00:25:50,000 --> 00:25:53,160
Or, like... drink drinks.
415
00:25:53,160 --> 00:25:55,840
My dad used to go to the pub
after work every day.
416
00:25:55,840 --> 00:25:58,240
So did my mum, actually.
'Debeef' drinks.
417
00:25:58,240 --> 00:26:00,240
Debrief 'dinks'. Drinks.
418
00:26:00,240 --> 00:26:02,200
Debrief drinks.
419
00:26:02,200 --> 00:26:04,440
Did you work anywhere
before this job?
420
00:26:04,440 --> 00:26:07,160
Um, what kind of question
is that?
421
00:26:07,160 --> 00:26:11,800
Oh, uh, I was just wondering if
all office jobs are like this.
422
00:26:11,800 --> 00:26:14,680
You know, you sort of sit
and wait to be told.
423
00:26:14,680 --> 00:26:19,320
Or maybe you could fill me in
on some work practices.
424
00:26:19,320 --> 00:26:21,040
You know, like when to...
425
00:26:21,040 --> 00:26:22,600
Go to the pub?
426
00:26:22,600 --> 00:26:24,280
What? No.
427
00:26:24,280 --> 00:26:26,120
Um... unless you want to.
428
00:26:26,120 --> 00:26:28,800
But-but not in an
inappropriate way, of course.
429
00:26:28,800 --> 00:26:30,840
If there's a way
to do it... if...
430
00:26:30,840 --> 00:26:33,680
'Cause, I mean, I can't, and
don't want to, by the way, ask.
431
00:26:33,680 --> 00:26:35,720
And neither do you
want to be asked,
432
00:26:35,720 --> 00:26:38,000
or ask me, which is good.
433
00:26:38,000 --> 00:26:39,480
We've got apps for that.
434
00:26:39,480 --> 00:26:42,000
And I'm certainly not gonna
look for you on my app.
435
00:26:42,000 --> 00:26:44,800
- I think you should stop now.
- Yeah, I think you're right.
436
00:26:44,800 --> 00:26:46,360
(YELPS)
SOPHIE: What?!
437
00:26:46,360 --> 00:26:48,440
Shh.
438
00:27:05,760 --> 00:27:07,640
(TROLLEY RATTLING)
439
00:27:07,640 --> 00:27:09,720
(PAUL GASPS)
440
00:27:10,360 --> 00:27:11,920
Did she try and kiss you?
441
00:27:11,920 --> 00:27:13,320
- No.
- No.
442
00:27:13,320 --> 00:27:15,720
Oh. Shame.
443
00:27:15,720 --> 00:27:17,840
Did you see a baby dragon?
444
00:27:20,320 --> 00:27:22,320
Job for you.
445
00:27:25,200 --> 00:27:27,080
You are to go through
these maps
446
00:27:27,080 --> 00:27:30,520
and circle any sites
containing bauxite.
447
00:27:30,520 --> 00:27:32,920
- Got it?
- And what about me?
448
00:27:32,920 --> 00:27:35,000
You help him.
449
00:27:36,360 --> 00:27:39,000
Oh. Look at you.
450
00:27:39,000 --> 00:27:41,160
You're all red in the face.
451
00:27:41,160 --> 00:27:43,560
First days,
they're always hard.
452
00:27:43,560 --> 00:27:48,400
But I'm here - hm? -
if you need a true friend.
453
00:27:50,480 --> 00:27:51,800
(SNIFFS)
454
00:27:51,800 --> 00:27:53,440
Mm.
455
00:27:53,440 --> 00:27:55,920
Anyway, good luck.
456
00:28:03,080 --> 00:28:05,760
So... bauxite is...?
457
00:28:05,760 --> 00:28:06,720
It's a mineral.
458
00:28:06,720 --> 00:28:09,400
They make aluminium
out of it. Listen, Peter.
459
00:28:09,400 --> 00:28:11,320
- Paul.
- Don't take this the wrong way
460
00:28:11,320 --> 00:28:12,720
but I'm not interested in beers
after work
461
00:28:12,720 --> 00:28:15,160
or, "Hi, everyone, this is
my mate Peter from work."
462
00:28:15,160 --> 00:28:17,200
- Paul.
- I'm part of a fast-track
463
00:28:17,200 --> 00:28:18,840
program to
upper level management,
464
00:28:18,840 --> 00:28:21,120
so we won't be sharing this
pokey little hole for long.
465
00:28:21,120 --> 00:28:24,320
But while we are,
do you mind if we just...?
466
00:28:24,320 --> 00:28:25,600
(RAPS DESK)
467
00:28:25,600 --> 00:28:27,200
Yep. Sure.
468
00:28:27,200 --> 00:28:32,600
Yeah. I was just...
checking about the bauxite.
469
00:28:38,480 --> 00:28:42,280
(JAUNTY HARMONIC MUSIC)
470
00:29:21,520 --> 00:29:23,880
(BELLS CHIMING)
471
00:29:23,880 --> 00:29:26,000
Well, that was rewarding.
472
00:29:27,200 --> 00:29:29,200
Didn't spot any bauxite,
did you?
473
00:29:32,920 --> 00:29:34,920
SOPHIE: Coming?
474
00:29:36,560 --> 00:29:38,160
So, what we thinking for lunch?
475
00:29:38,160 --> 00:29:39,720
I could murder a pie.
476
00:29:39,720 --> 00:29:41,560
Oh, I'm a bit of
a pie-murderer myself.
477
00:29:41,560 --> 00:29:44,160
Actually, I might
just grab a coffee.
478
00:29:44,160 --> 00:29:47,000
I thought you
didn't like coffee.
479
00:29:47,000 --> 00:29:49,640
Why did I say that?
I hate coffee.
480
00:29:49,640 --> 00:29:52,560
Sophie Pettingel!
I have a quick job for you.
481
00:29:52,560 --> 00:29:55,440
You can come too if you like,
but don't do anything.
482
00:30:00,560 --> 00:30:02,560
PAUL: I don't suppose
you could fill us in
483
00:30:02,560 --> 00:30:04,640
on what this company
actually does?
484
00:30:07,240 --> 00:30:10,040
This should be very simple. Ah.
485
00:30:10,040 --> 00:30:11,840
That woman is Delia Bryson.
486
00:30:11,840 --> 00:30:14,080
She happens to be sitting...
487
00:30:15,840 --> 00:30:19,320
(HUFFS) Spelling is awful.
488
00:30:19,320 --> 00:30:24,640
Right. Well, this seems to be
a little more complicated.
489
00:30:24,640 --> 00:30:27,480
Delia is reading Atonement
by Ian McEwan.
490
00:30:27,480 --> 00:30:29,120
Sophie, I'll need you
to watch her
491
00:30:29,120 --> 00:30:31,240
and signal me
when she gets to the part
492
00:30:31,240 --> 00:30:33,000
where Cecilia
jumps into the fountain.
493
00:30:33,000 --> 00:30:34,960
- The what?
- I'll be on the other side.
494
00:30:34,960 --> 00:30:38,280
Wait. You want me
to read over her shoulder?
495
00:30:38,280 --> 00:30:40,440
Of course not.
That would be rude.
496
00:30:40,440 --> 00:30:42,520
Just watch her from in there.
497
00:30:53,440 --> 00:30:56,200
How are we supposed to know
what she's reading?
498
00:30:58,000 --> 00:31:00,160
This is ridiculous.
499
00:31:00,160 --> 00:31:02,720
(WHISPERED VOCALISING)
500
00:31:02,720 --> 00:31:05,360
(MYSTERIOUS MUSIC)
501
00:31:17,480 --> 00:31:20,320
(MYSTERIOUS MUSIC SWELLS)
502
00:31:26,160 --> 00:31:27,280
(MAN GRUNTS)
503
00:31:27,280 --> 00:31:29,200
- (WATER SPLASHING)
- (DELIA GASPS)
504
00:31:29,200 --> 00:31:30,400
Oh, my goodness!
505
00:31:30,400 --> 00:31:32,720
Are you alright?
MAN: Yeah.
506
00:31:32,720 --> 00:31:34,240
- Here.
- Oh.
507
00:31:34,240 --> 00:31:37,160
- Oh... (CHUCKLES)
- Oh, thank you so much.
508
00:31:37,160 --> 00:31:40,000
DELIA: Such a bizarre coincidence...
509
00:31:40,000 --> 00:31:42,960
Very well done, Sophie.
510
00:31:42,960 --> 00:31:44,680
His parents
paid a fortune for that.
511
00:31:44,680 --> 00:31:46,800
Those two will think
it was meant to be
512
00:31:46,800 --> 00:31:49,480
and hopefully tell the story
to their grandchildren.
513
00:31:49,480 --> 00:31:51,360
But... so Sophie read her mind?
514
00:31:51,360 --> 00:31:54,440
Sophie is a Seer.
A very rare breed.
515
00:31:54,440 --> 00:31:56,880
That's why she's
in our fast-track program
516
00:31:56,880 --> 00:31:58,960
and you, Paul, are not.
517
00:32:00,760 --> 00:32:03,480
I suppose you'd call us
practical metaphysicians
518
00:32:03,480 --> 00:32:05,840
or paranatural engineers.
519
00:32:05,840 --> 00:32:09,160
In my department,
we hijack a client's instincts
520
00:32:09,160 --> 00:32:10,920
or gut feeling
just long enough
521
00:32:10,920 --> 00:32:13,240
to influence
a correct decision.
522
00:32:13,240 --> 00:32:16,320
Sophie, I have
more clients for you.
523
00:32:16,320 --> 00:32:19,440
Paul, you can go back to...
524
00:32:19,440 --> 00:32:21,240
...whatever it was
you were doing.
525
00:32:21,240 --> 00:32:23,760
- Maps.
- Fast-track.
526
00:32:43,360 --> 00:32:47,640
(TRAFFIC BUZZING,
SIREN BLARING IN DISTANCE)
527
00:33:11,960 --> 00:33:13,520
Bauxite...
528
00:33:13,520 --> 00:33:15,600
Brilliant.
529
00:33:18,760 --> 00:33:20,920
(LOW ELECTRONIC BUZZING)
530
00:33:31,440 --> 00:33:35,120
(LOW ELECTRONIC BUZZING)
531
00:33:44,080 --> 00:33:48,200
(LOW ELECTRONIC BUZZING)
532
00:33:50,720 --> 00:33:51,880
Carpenter!
533
00:33:51,880 --> 00:33:55,720
You focus your eyes
on a point in the distance,
534
00:33:55,720 --> 00:33:58,160
like you're looking
at the horizon.
535
00:33:59,160 --> 00:34:00,640
Yep.
536
00:34:00,640 --> 00:34:06,200
Now lift your hand
just off the map
537
00:34:06,200 --> 00:34:07,840
so you can still feel it
538
00:34:07,840 --> 00:34:10,680
but you're not actually
touching it.
539
00:34:15,240 --> 00:34:20,440
(BARELY AUDIBLE
ELECTRONIC BUZZING)
540
00:34:20,440 --> 00:34:22,480
Yep.
541
00:34:22,480 --> 00:34:26,320
(ELECTRONIC PULSING)
WELLS: Yeah. Mm-hm.
542
00:34:26,320 --> 00:34:27,880
Yeah, it's building.
543
00:34:27,880 --> 00:34:30,640
- (ELECTRICITY CRACKLES)
- (WELLS EXCLAIMS)
544
00:34:31,640 --> 00:34:33,640
That's the Quiver Point.
545
00:34:36,640 --> 00:34:38,720
Come with me.
546
00:34:40,840 --> 00:34:42,840
Countess took you on a mission?
547
00:34:42,840 --> 00:34:45,240
Yes. Well, I didn't really
do anything, but...
548
00:34:45,240 --> 00:34:48,400
Is that what you do here?
Make people fall in love?
549
00:34:48,400 --> 00:34:51,960
Yeah, fall in love, divorce,
discover gravity, move cities,
550
00:34:51,960 --> 00:34:55,000
invent combustion engines,
try a new cafe...
551
00:34:55,000 --> 00:34:56,520
Careful with those!
552
00:34:56,520 --> 00:35:00,960
We control their gut instincts.
If only for a few seconds.
553
00:35:00,960 --> 00:35:02,240
But why?
554
00:35:02,240 --> 00:35:03,360
Yes, exactly!
555
00:35:03,360 --> 00:35:06,200
No credit.
Not nearly enough money.
556
00:35:06,200 --> 00:35:07,800
Never any gratitude.
557
00:35:07,800 --> 00:35:11,360
Why waste our precious time
helping ungrateful sods
558
00:35:11,360 --> 00:35:13,480
who are just
going to die anyway?
559
00:35:16,000 --> 00:35:17,240
(DOOR CLOSES)
560
00:35:17,240 --> 00:35:19,400
(FOOTSTEPS)
561
00:35:37,040 --> 00:35:39,600
We're on the brink, Paul.
562
00:35:39,600 --> 00:35:41,800
On the edge of history.
563
00:35:41,800 --> 00:35:45,320
We were just about to launch
Operation Fine Print -
564
00:35:45,320 --> 00:35:47,400
the most audacious
influence campaign
565
00:35:47,400 --> 00:35:49,320
ever undertaken -
566
00:35:49,320 --> 00:35:52,200
when we hit a bit of a snag.
567
00:35:52,200 --> 00:35:58,200
And now only you, Paul,
can put us back on track.
568
00:35:58,200 --> 00:36:01,440
- Me?
- (CHUCKLES) Yeah, well...
569
00:36:01,440 --> 00:36:03,760
Yeah, but you have
a unique talent.
570
00:36:03,760 --> 00:36:06,160
You're more than
just a Diviner.
571
00:36:07,040 --> 00:36:08,440
I'm a... Diviner?
572
00:36:08,440 --> 00:36:12,480
Your parents must be
so proud of you.
573
00:36:12,480 --> 00:36:16,080
DENNIS: His parents? They're
barely even aware he's alive.
574
00:36:17,520 --> 00:36:20,600
When he was six, his father
lost him at a funfair.
575
00:36:20,600 --> 00:36:23,240
Took him 22 minutes to realise.
576
00:36:23,240 --> 00:36:24,960
Their house
was hardly ever clean
577
00:36:24,960 --> 00:36:27,240
because his mother
spent most of her time
578
00:36:27,240 --> 00:36:28,600
having three affairs.
579
00:36:28,600 --> 00:36:30,280
Dad had no idea.
580
00:36:30,280 --> 00:36:31,840
Who was the third affair?
581
00:36:31,840 --> 00:36:33,920
We don't get to choose
our parents.
582
00:36:33,920 --> 00:36:36,640
Dennis's father looked
like a squashed toad.
583
00:36:36,640 --> 00:36:39,840
My father was
a controlling egomaniac.
584
00:36:39,840 --> 00:36:42,600
You know, he presented
as a warm and gentle leader,
585
00:36:42,600 --> 00:36:45,000
but behind the scenes,
he was evil.
586
00:36:45,920 --> 00:36:47,640
When I was 12,
587
00:36:47,640 --> 00:36:50,720
he sat me down,
put a pen in my hand
588
00:36:50,720 --> 00:36:52,280
and made me write a contract.
589
00:36:52,280 --> 00:36:57,960
"I, Humphrey Wells,
promise very hard
590
00:36:57,960 --> 00:37:00,480
"never to betray my father.
591
00:37:00,480 --> 00:37:04,400
"And if I do,
my soul will be his."
592
00:37:04,400 --> 00:37:07,920
He kept that contract.
Never let it out of his sight.
593
00:37:07,920 --> 00:37:10,720
It imprisoned me,
kept me silent,
594
00:37:10,720 --> 00:37:13,800
forced me to be
the obedient, dutiful son.
595
00:37:13,800 --> 00:37:17,760
It was his insurance policy
against me.
596
00:37:17,760 --> 00:37:21,440
What kind of father needs an
insurance against his own son?!
597
00:37:27,280 --> 00:37:29,680
We're very similar, you and I.
598
00:37:29,680 --> 00:37:30,960
You think?
599
00:37:30,960 --> 00:37:32,560
Mmm.
600
00:37:32,560 --> 00:37:36,000
Undervalued. Underestimated.
601
00:37:36,000 --> 00:37:37,280
(BLOWS NOSE)
602
00:37:37,280 --> 00:37:39,920
I suppose, maybe, in that way.
603
00:37:43,640 --> 00:37:45,800
Can I trust you,
604
00:37:45,800 --> 00:37:49,640
Paul Carpenter of 57
Wrigglesworth Street, Nunhead?
605
00:37:49,640 --> 00:37:51,240
Um...
606
00:37:51,240 --> 00:37:52,760
...I mean, I'm number 59,
607
00:37:52,760 --> 00:37:56,240
but, yes,
I think you can trust me, yes.
608
00:37:59,240 --> 00:38:01,320
I've lost something.
609
00:38:02,400 --> 00:38:04,440
Something not only dear to me,
610
00:38:04,440 --> 00:38:07,400
but immeasurably valuable.
611
00:38:07,400 --> 00:38:11,480
Oh. That's no good.
Where did you last see it?
612
00:38:11,480 --> 00:38:13,120
Well, that's irrelevant.
613
00:38:13,120 --> 00:38:14,760
It's not a watch or a wallet.
614
00:38:14,760 --> 00:38:17,320
It's one of the most powerful
and coveted items
615
00:38:17,320 --> 00:38:18,840
ever to exist.
616
00:38:18,840 --> 00:38:21,480
Oh. Right. Gosh.
617
00:38:21,480 --> 00:38:24,800
The trouble is, it has
the ability to disguise itself.
618
00:38:24,800 --> 00:38:26,760
Like an octopus.
619
00:38:26,760 --> 00:38:29,520
It is not like an octopus.
620
00:38:33,640 --> 00:38:36,120
(WHISPERS) Do you think
we have the right man here?
621
00:38:36,120 --> 00:38:38,840
(MUTTERS)
622
00:38:38,840 --> 00:38:41,600
I need you to find it, Paul.
623
00:38:41,600 --> 00:38:44,040
It's somewhere in this
building. I know that.
624
00:38:44,040 --> 00:38:45,560
But it will refuse to be found,
625
00:38:45,560 --> 00:38:48,960
so you will have to pretend
that you're not looking for it.
626
00:38:48,960 --> 00:38:51,080
Pretend I'm not looking for it.
627
00:38:51,080 --> 00:38:55,080
Yeah, I put all my trust
in you.
628
00:38:55,080 --> 00:38:58,600
Because the thing...
629
00:38:58,600 --> 00:39:01,840
...the thing that I want
you to find... that thing...
630
00:39:01,840 --> 00:39:04,320
It's a door.
631
00:39:04,320 --> 00:39:06,640
Yes, thank you, Dennis.
632
00:39:08,120 --> 00:39:10,640
It's a door. A portable door,
to be specific.
633
00:39:10,640 --> 00:39:11,720
Portable...
634
00:39:11,720 --> 00:39:13,840
You're not to share this
with anyone.
635
00:39:13,840 --> 00:39:16,600
- Even your blossoming romance.
- Oh, we're definitely not...
636
00:39:16,600 --> 00:39:19,440
You must find it. It's crucial
for Operation Fine Print
637
00:39:19,440 --> 00:39:21,640
and the new dawn
of the company.
638
00:39:21,640 --> 00:39:24,360
Would you say everything
hinges on his success?
639
00:39:24,360 --> 00:39:29,160
Yes, I would say everything
hinges on... his success.
640
00:39:29,160 --> 00:39:31,240
Hm?
641
00:39:33,520 --> 00:39:35,360
Find my door.
642
00:39:35,360 --> 00:39:37,160
- OK.
- Good man.
643
00:39:37,160 --> 00:39:39,240
How?
644
00:39:40,680 --> 00:39:42,600
You have the gift.
645
00:39:42,600 --> 00:39:45,160
Fate has brought us together.
646
00:39:45,160 --> 00:39:47,640
This is your time to shine!
647
00:39:50,800 --> 00:39:52,800
So... go shine.
648
00:39:55,360 --> 00:39:57,280
And, Paul...
649
00:39:57,280 --> 00:39:59,480
(BOTH SHUSHING)
650
00:40:04,000 --> 00:40:07,280
(ENTRANCING MUSIC)
651
00:40:11,920 --> 00:40:15,520
Just find the door. Easy.
652
00:40:17,680 --> 00:40:21,480
Here, door! Come on, door!
653
00:40:32,320 --> 00:40:33,960
Are you looking for something?
654
00:40:33,960 --> 00:40:35,560
No.
655
00:40:35,560 --> 00:40:38,880
You look like
you're looking for something.
656
00:40:38,880 --> 00:40:41,040
Don't think so. No.
657
00:40:41,040 --> 00:40:44,080
Not very sure of yourself,
are you?
658
00:40:44,080 --> 00:40:46,360
Do you remember who I am?
659
00:40:48,000 --> 00:40:49,880
Blank.
660
00:40:49,880 --> 00:40:51,920
I'm Nienke Van Spee,
661
00:40:51,920 --> 00:40:54,120
ASTP, KMCC.
662
00:40:54,120 --> 00:40:56,160
- Paul.
- ASTP stands for
663
00:40:56,160 --> 00:40:59,760
'Associate of the Society of
Thaumaturgical Practitioners'.
664
00:40:59,760 --> 00:41:03,080
- Right.
- Say that with a lisp.
665
00:41:03,080 --> 00:41:05,160
- (LAUGHS)
- (LAUGHS AWKWARDLY)
666
00:41:05,160 --> 00:41:06,120
And KMCC
667
00:41:06,120 --> 00:41:09,000
stands for 'Keeper of the
Magician's Code of Conduct'.
668
00:41:09,000 --> 00:41:10,320
Which means you come to me
669
00:41:10,320 --> 00:41:12,520
if you hear of
any illegal use of magic.
670
00:41:12,520 --> 00:41:14,760
Have you? Heard of any?
671
00:41:15,960 --> 00:41:19,120
How are you enjoying
the new job?
672
00:41:19,120 --> 00:41:20,720
Oh, Sophie's a delight.
673
00:41:20,720 --> 00:41:22,840
If you were
to buy her a present,
674
00:41:22,840 --> 00:41:24,920
I would suggest
a small woollen scarf
675
00:41:24,920 --> 00:41:26,240
or a good-quality torch.
676
00:41:26,240 --> 00:41:27,800
And under no circumstances
677
00:41:27,800 --> 00:41:30,200
should you kiss her
after eating licorice.
678
00:41:30,200 --> 00:41:32,920
- Oh, we're not...
- She hates the stuff.
679
00:41:35,200 --> 00:41:38,120
How are you finding Mr Wells?
680
00:41:38,120 --> 00:41:41,480
He's a wonderful boss. Honest.
681
00:41:41,480 --> 00:41:43,880
Eyes down here, pumpkin.
682
00:41:43,880 --> 00:41:47,240
What you see is what you get
with Mr Wells.
683
00:41:47,240 --> 00:41:50,880
No, there's... there's not
a thing I worry about
684
00:41:50,880 --> 00:41:53,680
with Humphrey at the helm.
685
00:41:53,680 --> 00:41:55,800
What are you looking at,
potato face?
686
00:41:55,800 --> 00:41:56,760
Sorry.
687
00:41:56,760 --> 00:41:58,960
Are you working
with him closely?
688
00:41:58,960 --> 00:42:02,240
Not really. No.
689
00:42:02,240 --> 00:42:05,400
Well, I hope
you get that chance.
690
00:42:05,400 --> 00:42:07,880
He seems to really like you.
691
00:42:07,880 --> 00:42:10,320
Which is bewildering to us all.
692
00:42:12,920 --> 00:42:14,600
Bit of a turnip, aren't you?
693
00:42:14,600 --> 00:42:16,400
You certainly didn't
get my vote.
694
00:42:16,400 --> 00:42:18,160
Anyhoo, must toot.
695
00:42:18,160 --> 00:42:20,080
Maybe you'll prove me wrong!
696
00:42:20,080 --> 00:42:21,480
(BELLS CHIMING)
697
00:42:21,480 --> 00:42:24,760
NIENKE: It's five o'clock!
Go home, Paul!
698
00:42:38,400 --> 00:42:40,760
(DOOR CREAKING)
699
00:42:47,640 --> 00:42:50,880
(MYSTERIOUS MUSIC)
700
00:43:11,600 --> 00:43:13,840
(HOUSE CREAKING SOFTLY)
701
00:43:27,880 --> 00:43:29,760
- (RAPID WHOOSHING)
- (YELPS)
702
00:43:29,760 --> 00:43:31,280
Don't panic. It's just a dream.
703
00:43:31,280 --> 00:43:33,080
- Who are you?
- I'm Casimir Suslowicz.
704
00:43:33,080 --> 00:43:34,800
What are you doing
in my bedroom?
705
00:43:34,800 --> 00:43:37,560
This is not your bedroom.
This is a dream of your bedroom
706
00:43:37,560 --> 00:43:39,200
- that I am in.
- Why? How?
707
00:43:39,200 --> 00:43:43,000
It's what I do. I find it's the
best way to get to the truth.
708
00:43:43,000 --> 00:43:44,160
Truth?
709
00:43:44,160 --> 00:43:46,000
Because we've all
been wondering
710
00:43:46,000 --> 00:43:48,680
why Mr Wells hired you.
711
00:43:49,960 --> 00:43:52,760
I can find bauxite on a map.
712
00:43:56,360 --> 00:43:59,000
- Are you...?
- Waiting for the truth? Yes.
713
00:43:59,000 --> 00:44:03,160
This company got out of bauxite
107 years ago.
714
00:44:03,160 --> 00:44:06,480
Why did he hire you?
715
00:44:06,480 --> 00:44:08,600
I don't know what to tell you. Honestly.
716
00:44:08,600 --> 00:44:11,760
I...I think he just saw
some real potential in me
717
00:44:11,760 --> 00:44:13,600
- and he... he...
- (WHOOSHING)
718
00:44:13,600 --> 00:44:15,320
W...
719
00:44:15,320 --> 00:44:16,600
(PAUL GASPS)
720
00:44:16,600 --> 00:44:18,920
What's wrong, Paul?
Foot hurting?
721
00:44:18,920 --> 00:44:22,720
- (SHRIEKS)
- Why were you hired, Paul?
722
00:44:26,720 --> 00:44:28,800
Not sure you can hear me.
723
00:44:28,800 --> 00:44:31,200
(VOICE BOOMING) Can you
hear me now?
724
00:44:31,200 --> 00:44:33,880
Why did he hire you?
725
00:44:33,880 --> 00:44:35,120
(PANTS, GROANS)
726
00:44:35,120 --> 00:44:37,280
- I can't say!
- I can do worse, Paul.
727
00:44:37,280 --> 00:44:39,760
I can do a lot worse
now that I'm in here.
728
00:44:39,760 --> 00:44:41,120
But it's just a dream, right?
729
00:44:41,120 --> 00:44:43,040
(MOCKING) Oh, yes,
it's just a dream!
730
00:44:43,040 --> 00:44:45,600
But things have real-world
consequences, Paul.
731
00:44:45,600 --> 00:44:47,760
I could make you strip off,
732
00:44:47,760 --> 00:44:50,160
go for a little sleepwalk outside.
733
00:44:50,160 --> 00:44:51,560
You wouldn't!
734
00:44:51,560 --> 00:44:53,440
I can make a little bit
of wee come out.
735
00:44:53,440 --> 00:44:55,040
Quite a bit, actually.
736
00:44:55,040 --> 00:44:56,200
OK! Alright!
737
00:44:56,200 --> 00:44:58,840
(MUFFLED) He wants me to find
the portable door!
738
00:44:58,840 --> 00:45:00,920
(WHOOSHING)
739
00:45:01,800 --> 00:45:03,080
So...
740
00:45:03,080 --> 00:45:07,080
...Humphrey has lost
his portable door.
741
00:45:07,080 --> 00:45:09,000
I don't know what it does.
742
00:45:09,000 --> 00:45:11,880
I mean, why does he
want it so badly?
743
00:45:12,880 --> 00:45:14,320
You know the saying
744
00:45:14,320 --> 00:45:17,160
"There is only one way
to the Bank of the Dead"?
745
00:45:17,160 --> 00:45:20,240
No, actually. W-what's the one
way to the Bank of the Dead?
746
00:45:20,240 --> 00:45:21,560
Dying.
747
00:45:21,560 --> 00:45:25,120
Well, it turns out
that's not entirely true.
748
00:45:26,040 --> 00:45:27,880
There is another way.
749
00:45:27,880 --> 00:45:29,960
(GASPS)
750
00:45:30,600 --> 00:45:32,240
Bank of the what?
751
00:45:32,240 --> 00:45:34,480
- (PHONE CHIMES)
- You're still dreaming.
752
00:45:34,480 --> 00:45:36,560
Agh!
753
00:45:47,440 --> 00:45:50,040
(PHONES CHIMING AND CLICKING)
754
00:45:53,000 --> 00:45:55,520
(ROSIE CHATTERING AND LAUGHING)
755
00:45:55,520 --> 00:45:57,040
I could just eat you up.
756
00:45:57,040 --> 00:45:58,920
(CHUCKLES, KISSES)
757
00:45:58,920 --> 00:46:01,000
Oh...
758
00:46:01,960 --> 00:46:03,960
(SOPHIE CLEARS THROAT)
759
00:46:06,640 --> 00:46:09,640
I love office supplies.
760
00:46:14,680 --> 00:46:17,040
I always wanted
to be a Coincidator.
761
00:46:18,040 --> 00:46:19,520
Is that what I am?
762
00:46:19,520 --> 00:46:21,680
(COLDLY) "Is that what I am?"
763
00:46:23,160 --> 00:46:25,360
- (INTERCOM BEEPS)
- She's here.
764
00:46:25,360 --> 00:46:30,160
Right. Just pretend
you're not looking for it.
765
00:46:32,880 --> 00:46:36,760
(FAINT CREAKING)
766
00:47:05,960 --> 00:47:07,960
(DOOR CLOSES)
767
00:47:10,040 --> 00:47:13,320
(MYSTERIOUS MUSIC)
768
00:47:22,320 --> 00:47:24,640
(LOW ELECTRONIC BUZZING)
769
00:47:26,480 --> 00:47:30,120
(FAINT ELECTRONIC BUZZING)
770
00:47:33,680 --> 00:47:36,560
(FAINT ELECTRONIC PULSING)
771
00:47:40,600 --> 00:47:44,640
(ELECTRONIC PULSING
INTENSIFIES)
772
00:47:49,200 --> 00:47:52,080
(LOW ELECTRONIC BUZZING)
773
00:47:54,600 --> 00:47:57,480
(HIGH-PITCHED RINGING)
774
00:48:15,200 --> 00:48:17,200
"Goblins only."
775
00:48:37,200 --> 00:48:40,840
- (DOOR OPENS)
- (GASPS)
776
00:48:40,840 --> 00:48:44,240
DENNIS: Did I give you
permission to be down here?
777
00:48:45,400 --> 00:48:47,160
(HURRIED FOOTSTEPS)
778
00:48:47,160 --> 00:48:51,280
Let me think. Did I give you
permission to be down here?
779
00:48:51,280 --> 00:48:52,920
No, I did not!
780
00:48:52,920 --> 00:48:54,560
Sorry, Mr Tanner. I...
781
00:48:54,560 --> 00:48:57,240
I thought it might be
a good place to look for the...
782
00:48:57,240 --> 00:48:58,600
...you know.
783
00:48:58,600 --> 00:49:00,000
(WHISPERS) The what?
784
00:49:00,000 --> 00:49:01,720
(WHISPERS) Portable door.
785
00:49:01,720 --> 00:49:03,600
The portable door.
786
00:49:03,600 --> 00:49:07,040
Rather a big project
for an intern.
787
00:49:07,040 --> 00:49:09,000
How's it going, by the way?
788
00:49:09,000 --> 00:49:12,120
Um... I think I'll be OK.
789
00:49:12,120 --> 00:49:14,480
If I were you, Carpenter,
790
00:49:14,480 --> 00:49:16,160
I would just give up now
791
00:49:16,160 --> 00:49:20,400
because when you fail -
and undoubtedly you will -
792
00:49:20,400 --> 00:49:25,240
there are no words to describe
what Mr Wells will do to you.
793
00:49:25,240 --> 00:49:26,800
Oh, here's one.
794
00:49:26,800 --> 00:49:28,440
Gut.
795
00:49:28,440 --> 00:49:31,040
Another. Impale.
796
00:49:31,040 --> 00:49:33,000
Marinate.
Oh, they're coming now.
797
00:49:33,000 --> 00:49:35,000
Yes. Fry, poach...
798
00:49:35,000 --> 00:49:36,720
- OK. Thanks.
- Peel, roast...
799
00:49:36,720 --> 00:49:39,840
- I think I get the...
- Disembowel!
800
00:49:47,920 --> 00:49:51,040
(MENACING MUSIC)
801
00:49:53,280 --> 00:49:55,560
(CONTAINERS CLATTERING)
DENNIS: Get...!
802
00:49:59,800 --> 00:50:02,600
I know this is probably
a stupid question,
803
00:50:02,600 --> 00:50:04,520
but who's down there?
804
00:50:04,520 --> 00:50:05,880
Goblins.
805
00:50:05,880 --> 00:50:07,840
We've worked with them
for centuries.
806
00:50:07,840 --> 00:50:10,040
They follow humans.
They watch you at night.
807
00:50:10,040 --> 00:50:12,640
Steal from you.
Sabotage your day.
808
00:50:12,640 --> 00:50:13,840
They're basically obsessed.
809
00:50:13,840 --> 00:50:18,040
And we use that obsession
to arrange coincidences.
810
00:50:20,360 --> 00:50:21,800
Ask the dry cleaner
811
00:50:21,800 --> 00:50:24,040
if you can stick this poster
on their wall.
812
00:50:24,040 --> 00:50:27,320
Her long-lost cousin
will come by in a few days.
813
00:50:30,440 --> 00:50:32,720
SOPHIE: Excuse me. Hi.
814
00:50:32,720 --> 00:50:34,600
Would I be able
to put this poster up?
815
00:50:34,600 --> 00:50:36,640
- My friend lost her dog.
- Course, love.
816
00:50:36,640 --> 00:50:39,400
SOPHIE: Thank you so much.
I really appreciate it.
817
00:50:39,400 --> 00:50:41,760
Alright, you have a lovely day, yeah?
818
00:50:41,760 --> 00:50:43,840
You too, bye.
819
00:51:08,400 --> 00:51:12,120
I'm sure you've noticed. This
company is at war with itself.
820
00:51:12,120 --> 00:51:17,120
Ever since John Wells
mysteriously - suspiciously -
821
00:51:17,120 --> 00:51:18,800
disappeared,
822
00:51:18,800 --> 00:51:20,760
things have changed.
823
00:51:20,760 --> 00:51:25,040
It was the same day Dennis's
father, Arthur, disappeared.
824
00:51:25,040 --> 00:51:28,280
Those two sons
are up to something,
825
00:51:28,280 --> 00:51:30,600
and it's not just renovations.
826
00:51:32,640 --> 00:51:35,600
We're not sure what or when,
827
00:51:35,600 --> 00:51:39,320
we're not even sure why
he hired your scruffy friend,
828
00:51:39,320 --> 00:51:42,000
but it's connected somehow.
829
00:51:43,320 --> 00:51:45,680
I don't think he knows
why he's been hired.
830
00:51:45,680 --> 00:51:50,280
I mean...
he's quite nice, but...
831
00:51:50,280 --> 00:51:53,160
...I can't really tell
when he...
832
00:51:55,160 --> 00:51:57,680
You're a jumble of a human,
aren't you?
833
00:51:59,360 --> 00:52:02,160
You're very good
at reading people.
834
00:52:02,160 --> 00:52:04,680
You could be a great Seer.
835
00:52:04,680 --> 00:52:08,160
But you don't seem
to make sense inside.
836
00:52:09,800 --> 00:52:13,520
It's like you have two
instincts fighting each other.
837
00:52:13,520 --> 00:52:15,600
Is there something
I should know?
838
00:52:17,640 --> 00:52:19,160
I am...
839
00:52:19,160 --> 00:52:21,240
I don't think...
840
00:52:22,560 --> 00:52:24,560
I guess I'm just...
841
00:52:25,960 --> 00:52:29,400
...as you say... a jumble.
842
00:52:34,920 --> 00:52:37,040
SOPHIE: I don't know
what's happening to me.
843
00:52:37,040 --> 00:52:39,840
I'm listening to jazz,
drinking coffee, which I hate.
844
00:52:39,840 --> 00:52:41,080
I'm suddenly loving balloons.
845
00:52:41,080 --> 00:52:43,080
I just don't know
who I am anymore.
846
00:52:43,080 --> 00:52:45,520
DENNIS: That's fascinating.
Am I supposed to care?
847
00:52:45,520 --> 00:52:47,200
SOPHIE: I want
to change my mind.
848
00:52:47,200 --> 00:52:50,280
DENNIS: Well, too bad because
you signed the contract!
849
00:52:51,280 --> 00:52:52,880
PAUL: Everything OK?
850
00:52:52,880 --> 00:52:55,160
What?
851
00:52:55,160 --> 00:52:56,800
It's 4:53.
852
00:52:56,800 --> 00:52:59,040
Seven minutes
to leave the building!
853
00:53:01,120 --> 00:53:03,120
I'm fine.
854
00:53:05,240 --> 00:53:06,680
Coming?
855
00:53:06,680 --> 00:53:08,760
Yep.
856
00:53:10,240 --> 00:53:13,080
Sounded like a heated chat.
With Tanner?
857
00:53:13,080 --> 00:53:16,120
Ugh, it was just a disagreement
about my employment contract.
858
00:53:16,120 --> 00:53:19,200
- You're not leaving, are you?
- Starting to think I should.
859
00:53:19,200 --> 00:53:21,520
That'd be awful. And sad.
860
00:53:21,520 --> 00:53:22,600
Why?
861
00:53:22,600 --> 00:53:25,240
(WHISPERS) 'Cause who
would protect you from...?
862
00:53:25,240 --> 00:53:26,920
Exactly.
863
00:53:26,920 --> 00:53:29,400
Just be glad
you're not a stapler.
864
00:53:34,040 --> 00:53:37,160
I suddenly... really...
865
00:53:37,160 --> 00:53:40,600
...in my heart...
866
00:53:41,640 --> 00:53:43,800
...need...
867
00:53:45,840 --> 00:53:47,480
...liquorice.
868
00:53:47,480 --> 00:53:49,280
You hate liquorice, don't you?
869
00:53:49,280 --> 00:53:52,000
Yes, I did. But now I love it.
870
00:53:55,080 --> 00:53:56,560
Mmm!
871
00:53:56,560 --> 00:53:59,440
(WITH MOUTH FULL)
Mmm, it's so, um... liquorice-y.
872
00:53:59,440 --> 00:54:03,280
(CHUCKLES)
873
00:54:08,560 --> 00:54:09,840
(GAGS)
874
00:54:09,840 --> 00:54:12,440
(COUGHS, RETCHES)
875
00:54:13,680 --> 00:54:14,640
(COUGHS)
876
00:54:14,640 --> 00:54:17,520
- Do you want to get a drink?
- Yes, please. (GAGS)
877
00:54:21,320 --> 00:54:23,920
(MOODY SWING MUSIC PLAYING)
878
00:54:25,520 --> 00:54:28,560
I don't know why I ate that.
How can anyone eat that?
879
00:54:28,560 --> 00:54:30,200
I actually don't mind liquorice.
880
00:54:30,200 --> 00:54:33,000
Yes, but you dress like
a 12-year-old accountant.
881
00:54:33,000 --> 00:54:34,600
Really?
882
00:54:34,600 --> 00:54:36,680
Sorry.
883
00:54:38,360 --> 00:54:42,160
Listen... is everything OK?
884
00:54:42,160 --> 00:54:44,040
Yep.
885
00:54:44,040 --> 00:54:45,960
Fine.
886
00:54:45,960 --> 00:54:48,600
I guess I just thought...
887
00:54:49,480 --> 00:54:51,240
You'd be CEO by now.
888
00:54:51,240 --> 00:54:54,040
Ha. Yes.
889
00:54:54,040 --> 00:54:57,480
I don't know, I'm grateful
for the fast track
890
00:54:57,480 --> 00:54:59,400
and the Countess, but...
891
00:54:59,400 --> 00:55:01,720
...what if the downside
isn't worth it?
892
00:55:01,720 --> 00:55:04,360
Well, what's the downside?
893
00:55:04,360 --> 00:55:05,920
Being miserable all the time?
894
00:55:05,920 --> 00:55:08,720
I'm not miserable.
I'm ambitious.
895
00:55:08,720 --> 00:55:10,400
You wouldn't get it, Paul.
896
00:55:10,400 --> 00:55:12,280
You know, you're happy looking
at maps all day
897
00:55:12,280 --> 00:55:15,000
and you don't need more.
I just, I wish I was...
898
00:55:18,520 --> 00:55:22,080
Oh... my...God.
899
00:55:22,080 --> 00:55:24,080
You are doing more.
900
00:55:24,080 --> 00:55:26,040
- What?
- What you doing?
901
00:55:26,040 --> 00:55:28,800
What? Nothing.
I can't say. It's... Nothing.
902
00:55:30,800 --> 00:55:35,400
Mr Wells has me on a
special task. But I can't say.
903
00:55:35,400 --> 00:55:37,760
It seems pretty important
to him, though.
904
00:55:37,760 --> 00:55:39,560
'Cause I'm the only one who...
905
00:55:39,560 --> 00:55:42,440
- You're the only one who what?
- I can't say.
906
00:55:45,120 --> 00:55:46,600
OK.
907
00:55:46,600 --> 00:55:49,240
Well, just so you know,
be careful.
908
00:55:49,240 --> 00:55:50,360
Of what?
909
00:55:50,360 --> 00:55:53,080
Of him. Humphrey.
He's not normal.
910
00:55:53,080 --> 00:55:56,760
Oh, and Countess is just
your average office manager.
911
00:55:56,760 --> 00:56:00,160
He's not gonna want something
for nothing, Paul.
912
00:56:00,160 --> 00:56:03,080
Seriously, what's with all
the hating on Humphrey Wells?
913
00:56:03,080 --> 00:56:05,360
He doesn't push
innocent people into fountains.
914
00:56:05,360 --> 00:56:07,840
You're so naive.
We know there's more to this
915
00:56:07,840 --> 00:56:10,080
- New Dawn than renovations.
- Who's 'we'?
916
00:56:10,080 --> 00:56:12,520
Plus, Countess thinks he
disappeared his father.
917
00:56:12,520 --> 00:56:14,560
- Well, where's John Wells?
- I dunno.
918
00:56:14,560 --> 00:56:17,120
- Retired.
- Huh.
919
00:56:18,640 --> 00:56:21,160
Just...
920
00:56:21,160 --> 00:56:23,560
...consider yourself warned.
921
00:56:25,920 --> 00:56:27,840
Maybe you're jealous.
922
00:56:27,840 --> 00:56:29,400
Maybe you can't handle the fact
923
00:56:29,400 --> 00:56:31,160
that the CEO loves me
and not you.
924
00:56:31,160 --> 00:56:32,920
Have you always been
this arrogant?
925
00:56:32,920 --> 00:56:34,720
Maybe I'm on
a super fast track.
926
00:56:34,720 --> 00:56:35,880
A super fast track?
927
00:56:35,880 --> 00:56:38,840
You're on a regular fast track.
The truth is hard to hear.
928
00:56:38,840 --> 00:56:41,080
Believe me, you are not.
You fell into this job.
929
00:56:41,080 --> 00:56:43,440
You weren't plucked from
obscurity by the CEO
930
00:56:43,440 --> 00:56:46,440
because they can't find any
other middling-intelligent,
931
00:56:46,440 --> 00:56:49,360
slightly good-looking English
boys in the city of London.
932
00:56:49,360 --> 00:56:51,520
If the CEO is asking you
to find something,
933
00:56:51,520 --> 00:56:54,600
it's because they don't know
what else to do with you.
934
00:56:58,160 --> 00:57:01,640
(MOODY SWING MUSIC
CONTINUES PLAYING)
935
00:57:10,480 --> 00:57:13,400
OK. Well, this was fun.
936
00:57:13,400 --> 00:57:15,480
- Let's do it again.
- Yep.
937
00:57:27,160 --> 00:57:29,160
(DOOR OPENS)
938
00:57:30,680 --> 00:57:32,960
(ROSIE CHORTLES)
939
00:57:32,960 --> 00:57:34,720
Here he is.
940
00:57:34,720 --> 00:57:36,800
The date from hell?
941
00:57:36,800 --> 00:57:38,120
What?
942
00:57:38,120 --> 00:57:40,360
"Let's go for a drink
and yell at each other."
943
00:57:40,360 --> 00:57:43,600
- Whoa, hang on...
- Not cool, Romeo!
944
00:57:43,600 --> 00:57:45,680
(WHISPERS) Not cool.
945
00:57:49,040 --> 00:57:52,360
Paul! Casimir Suslowicz.
946
00:57:52,360 --> 00:57:54,680
We met at your interview.
947
00:57:57,680 --> 00:57:59,680
Well, hope you're adjusting.
948
00:58:00,600 --> 00:58:02,600
Must dash.
949
00:58:04,480 --> 00:58:07,320
PAUL: Right.
Today's the day, Paul.
950
00:58:07,320 --> 00:58:09,480
MONTY: Today is what day?
951
00:58:12,080 --> 00:58:14,800
- I know you.
- I look like a lot of people.
952
00:58:14,800 --> 00:58:17,320
Monty. We met
before my interview.
953
00:58:17,320 --> 00:58:19,720
Who knows? Anyway,
turn around and go back up.
954
00:58:19,720 --> 00:58:22,520
- I was just gonna look down...
- Well, you can't.
955
00:58:22,520 --> 00:58:24,640
- Why not?
- I don't have those details.
956
00:58:24,640 --> 00:58:27,400
All I've been told is "Don't
let anyone in the basement."
957
00:58:27,400 --> 00:58:29,040
But there's just an old closet
down there.
958
00:58:29,040 --> 00:58:31,520
- That's what I said - closet.
- You said basement.
959
00:58:31,520 --> 00:58:34,480
- No, no, I said closet.
- You definitely said basement.
960
00:58:36,760 --> 00:58:39,560
(WHISPERS) Please don't tell
Mr Tanner I said that.
961
00:58:39,560 --> 00:58:40,480
Why not?
962
00:58:40,480 --> 00:58:42,640
He's very creative
with his punishment.
963
00:58:42,640 --> 00:58:45,760
You didn't teach me
History of Music
964
00:58:45,760 --> 00:58:48,120
or coach football, did you?
965
00:58:48,120 --> 00:58:50,240
No.
966
00:58:50,240 --> 00:58:52,760
You were trying to make me
miss my interview.
967
00:58:52,760 --> 00:58:55,120
Yes. As instructed.
968
00:58:58,360 --> 00:59:01,160
I won't tell Mr Tanner
you said basement.
969
00:59:01,160 --> 00:59:03,320
Oh, that's very decent of you.
970
00:59:03,320 --> 00:59:05,400
If you let me go down there.
971
00:59:30,280 --> 00:59:32,280
(ELECTRONIC PULSING)
972
00:59:33,040 --> 00:59:36,320
(MYSTERIOUS MUSIC)
973
00:59:50,120 --> 00:59:53,360
(UNEARTHLY RUMBLING)
974
01:00:04,240 --> 01:00:07,480
(MYSTERIOUS MUSIC CONTINUES)
975
01:00:23,760 --> 01:00:25,760
(MOUSE SQUEAKS)
976
01:00:55,360 --> 01:00:58,040
(MONKEY CACKLES)
977
01:01:20,040 --> 01:01:22,040
(KRAKEN GRUNTS QUIZZICALLY)
978
01:01:33,280 --> 01:01:35,280
(MUSIC STOPS)
979
01:01:48,840 --> 01:01:51,720
- (LOW ELECTRONIC BUZZING)
- (YELPS, GASPS)
980
01:01:53,400 --> 01:01:56,560
(SINISTER MUSIC)
981
01:02:03,320 --> 01:02:07,000
(ELECTRONIC PULSING)
982
01:02:12,120 --> 01:02:14,440
- (LOW ELECTRONIC BUZZING)
- (GASPS)
983
01:02:14,440 --> 01:02:16,760
(SOFT GROWLING)
984
01:02:16,760 --> 01:02:18,840
- (BARKS)
- Agh!
985
01:02:30,480 --> 01:02:32,800
- (LOW ELECTRONIC BUZZING)
- (GASPS)
986
01:02:32,800 --> 01:02:35,000
(SHUSHING)
987
01:02:37,080 --> 01:02:39,080
(GRUNTS)
988
01:02:45,720 --> 01:02:48,160
(GRUNTING)
989
01:02:48,160 --> 01:02:50,240
(STAPLER THUDS)
990
01:03:08,320 --> 01:03:10,600
(FAINT ELECTRONIC BUZZING)
991
01:03:10,600 --> 01:03:14,440
(ELECTRONIC BUZZING
INTENSIFIES AND ABATES)
992
01:03:22,000 --> 01:03:26,080
(LOW ELECTRONIC BUZZING
INTENSIFIES)
993
01:03:28,680 --> 01:03:31,480
(ANGELIC CHORAL MUSIC)
994
01:03:36,360 --> 01:03:39,560
(ANGELIC CHORAL MUSIC SWELLS)
995
01:03:51,960 --> 01:03:53,600
Found you.
996
01:03:53,600 --> 01:03:55,040
(DOORKNOB TWISTING)
997
01:03:55,040 --> 01:03:57,320
(DOOR CREAKING)
998
01:04:34,440 --> 01:04:37,000
(OMINOUS MUSIC)
999
01:04:37,000 --> 01:04:39,680
HUMPHREY: (FAINTLY) Ladies
and gentlemen, my friends,
1000
01:04:39,680 --> 01:04:44,160
if I may get your attention.
Thank you.
1001
01:04:44,160 --> 01:04:47,200
What you're about to see -
1002
01:04:47,200 --> 01:04:50,040
and it's not exaggerating
to say this -
1003
01:04:50,040 --> 01:04:54,000
is going to change
the world forever.
1004
01:04:54,000 --> 01:04:55,920
(MUFFLED CHATTER)
1005
01:04:55,920 --> 01:04:58,360
HUMPHREY: See, for centuries,
1006
01:04:58,360 --> 01:05:02,480
we at JW Wells
have been in the business
1007
01:05:02,480 --> 01:05:07,600
of changing small lives
in small ways.
1008
01:05:07,600 --> 01:05:09,720
Absolutely lovely. (KISSES)
1009
01:05:09,720 --> 01:05:14,600
Now, this has always struck me
as an odd waste of our talents.
1010
01:05:14,600 --> 01:05:18,880
So when my father disappeared,
presumed dead,
1011
01:05:18,880 --> 01:05:21,680
I decided this was our chance.
1012
01:05:21,680 --> 01:05:24,200
Opportunity is right there
in front of us,
1013
01:05:24,200 --> 01:05:26,080
begging to be used.
1014
01:05:26,080 --> 01:05:27,120
(DOOR RATTLING)
1015
01:05:27,120 --> 01:05:30,040
HUMPHREY: We've always
provided a service
1016
01:05:30,040 --> 01:05:31,960
for our customers.
1017
01:05:31,960 --> 01:05:34,440
What if we make them serve us?
1018
01:05:34,440 --> 01:05:38,440
What if we make them
the product?
1019
01:05:38,440 --> 01:05:42,080
Mr Tanner,
let's have the guinea pig.
1020
01:05:42,080 --> 01:05:44,360
Gather round, please.
1021
01:05:44,360 --> 01:05:46,520
I have something to show you.
1022
01:05:48,560 --> 01:05:51,240
HUMPHREY: Sophie, just
a few more quick questions.
1023
01:05:51,240 --> 01:05:52,440
Any phobias?
1024
01:05:52,440 --> 01:05:54,520
Balloons, weirdly.
1025
01:05:54,520 --> 01:05:57,360
- HUMPHREY: Do you like coffee?
- Not at all, sorry.
1026
01:05:57,360 --> 01:05:58,800
Favourite music style?
1027
01:05:58,800 --> 01:06:01,080
I like loads of music,
just not jazz.
1028
01:06:01,080 --> 01:06:02,400
HUMPHREY: What do you think of
1029
01:06:02,400 --> 01:06:04,240
when I say the word
'liquorice'?
1030
01:06:04,240 --> 01:06:06,320
I actually almost gag.
1031
01:06:06,320 --> 01:06:08,280
This is my
fast-track interview...
1032
01:06:08,280 --> 01:06:10,720
OK, hold it right there.
1033
01:06:10,720 --> 01:06:12,360
After that interview,
1034
01:06:12,360 --> 01:06:16,800
we were able to influence
this young consumer.
1035
01:06:16,800 --> 01:06:19,080
SOPHIE: I don't know
what's happening to me.
1036
01:06:19,080 --> 01:06:21,880
I'm listening to jazz,
drinking coffee, which I hate.
1037
01:06:21,880 --> 01:06:23,360
I'm suddenly loving balloons.
1038
01:06:23,360 --> 01:06:25,440
I mean, I just don't know
who I am anymore.
1039
01:06:25,440 --> 01:06:28,280
(SNIGGERS)
1040
01:06:28,280 --> 01:06:30,200
(FORCED LAUGHTER)
1041
01:06:30,200 --> 01:06:32,160
HUMPHREY: Thank you, Dennis.
1042
01:06:32,160 --> 01:06:33,680
PAUL: Wait...
1043
01:06:33,680 --> 01:06:37,280
HUMPHREY: If we can do this
to a well-educated...
1044
01:06:37,280 --> 01:06:39,720
(ELECTRONIC WHIRRING)
HUMPHREY: ..young,
1045
01:06:39,720 --> 01:06:41,840
strong-willed individual,
1046
01:06:41,840 --> 01:06:45,360
imagine what we can do
to the masses.
1047
01:06:47,040 --> 01:06:50,320
Your property prices
will skyrocket.
1048
01:06:50,320 --> 01:06:55,240
Your consumer base
will double, triple, quadruple!
1049
01:06:55,240 --> 01:06:58,880
Your Roger will win
his election in a landslide!
1050
01:06:58,880 --> 01:07:00,360
MAN: How are you doing this?
1051
01:07:00,360 --> 01:07:02,160
HUMPHREY:
With a simple binding contract
1052
01:07:02,160 --> 01:07:03,920
they don't even know
they've signed.
1053
01:07:03,920 --> 01:07:06,680
(WHISPERS) Door!
HUMPHREY: Just like Sophie did.
1054
01:07:06,680 --> 01:07:10,920
I will sell you
the will of the people.
1055
01:07:10,920 --> 01:07:11,920
(WHISPERS) Door!
1056
01:07:11,920 --> 01:07:14,400
HUMPHREY: I will
hand you their desires,
1057
01:07:14,400 --> 01:07:17,760
their gut instincts
on a silver platter.
1058
01:07:17,760 --> 01:07:20,680
Because here at JW Wells,
1059
01:07:20,680 --> 01:07:22,400
influence is...
1060
01:07:22,400 --> 01:07:24,480
DENNIS: Whoop.
1061
01:07:25,840 --> 01:07:27,840
HUMPHREY: Thank you, Dennis.
1062
01:07:30,560 --> 01:07:35,080
Influence is no coincidence.
1063
01:07:35,080 --> 01:07:37,760
(CROWD APPLAUDS)
1064
01:07:37,760 --> 01:07:40,600
(EXCITED CHATTER)
1065
01:07:40,600 --> 01:07:42,240
PAUL: "Knock, knock".
1066
01:07:42,240 --> 01:07:44,320
OK.
1067
01:07:45,520 --> 01:07:46,840
Knock, knock.
1068
01:07:46,840 --> 01:07:48,360
(DOOR WHOOSHING)
1069
01:07:48,360 --> 01:07:51,120
HUMPHREY: Why don't we do it
over some refreshments?
1070
01:07:51,120 --> 01:07:53,600
Mr Tanner? Dennis!
1071
01:07:55,280 --> 01:07:57,280
Supermarket!
1072
01:08:08,760 --> 01:08:11,840
(CHECKOUT SCANNER BEEPING)
1073
01:08:33,040 --> 01:08:36,880
(FRANTIC OPERATIC MUSIC)
1074
01:08:48,120 --> 01:08:50,760
NIENKE: Paul.
1075
01:08:50,760 --> 01:08:54,560
Are you being chased?
PAUL: Uh, no. Fine.
1076
01:08:54,560 --> 01:08:57,120
NIENKE: You're puffing
and you look spooked.
1077
01:08:57,120 --> 01:09:00,640
Ah, no, just...
just I'm keen to get to work.
1078
01:09:00,640 --> 01:09:02,440
So, anyway, thanks for...
1079
01:09:02,440 --> 01:09:04,600
Paul.
1080
01:09:04,600 --> 01:09:09,560
If you do find it,
this is who you come to.
1081
01:09:10,600 --> 01:09:12,600
Right.
1082
01:09:14,240 --> 01:09:16,840
(FRANTIC OPERATIC MUSIC)
1083
01:09:18,440 --> 01:09:20,320
Paul!
1084
01:09:20,320 --> 01:09:22,360
We need to clear the air.
1085
01:09:22,360 --> 01:09:25,760
I'm sorry about
what I said last night.
1086
01:09:25,760 --> 01:09:28,640
But I do think we are
fundamentally different people
1087
01:09:28,640 --> 01:09:31,280
and some people are not meant
to spend time together.
1088
01:09:31,280 --> 01:09:33,760
Hey! What the hell?
1089
01:09:35,520 --> 01:09:37,400
They're filming you. Us.
1090
01:09:37,400 --> 01:09:38,960
- What?
- You.
1091
01:09:38,960 --> 01:09:40,680
They're controlling you, Sophie.
1092
01:09:40,680 --> 01:09:42,080
What are you talking about?
1093
01:09:42,080 --> 01:09:45,000
He said something
about a contract.
1094
01:09:45,000 --> 01:09:47,080
I saw...
1095
01:09:48,360 --> 01:09:50,840
- I found it.
- Found what?
1096
01:09:54,880 --> 01:09:56,880
This.
1097
01:09:57,760 --> 01:09:58,880
(GASPS)
1098
01:09:58,880 --> 01:10:01,080
You found a towel?
1099
01:10:02,160 --> 01:10:04,160
Just watch this.
1100
01:10:05,840 --> 01:10:08,160
- Knock, knock.
- (DOOR WHOOSHING)
1101
01:10:17,960 --> 01:10:19,760
That's a door.
1102
01:10:19,760 --> 01:10:21,520
Yep.
1103
01:10:21,520 --> 01:10:23,600
Ready?
1104
01:10:28,840 --> 01:10:30,840
Supermarket.
1105
01:10:33,360 --> 01:10:35,200
This is not...
1106
01:10:35,200 --> 01:10:36,720
Something's gone wrong.
1107
01:10:36,720 --> 01:10:39,080
- MAN: (ECHOING) Hello?
- Who's that?
1108
01:10:39,080 --> 01:10:42,480
MAN: Wait there. I'm coming!
Please don't...!
1109
01:10:45,200 --> 01:10:46,560
Who was the voice?
1110
01:10:46,560 --> 01:10:50,200
"Announce your destination
before opening."
1111
01:10:50,200 --> 01:10:53,160
OK. My bad.
1112
01:10:53,160 --> 01:10:55,760
- Knock, knock.
- (DOOR WHOOSHING)
1113
01:10:57,720 --> 01:11:00,440
OK. S-s... um...
1114
01:11:00,440 --> 01:11:02,520
My flat.
1115
01:11:04,400 --> 01:11:06,880
See? Portable door.
1116
01:11:12,600 --> 01:11:14,240
This is your flat?
1117
01:11:14,240 --> 01:11:16,280
Yeah.
1118
01:11:16,280 --> 01:11:18,360
You're actually quite neat.
1119
01:11:19,520 --> 01:11:21,520
What...?
1120
01:11:25,000 --> 01:11:28,240
So it goes
wherever you want to go.
1121
01:11:28,240 --> 01:11:32,600
This has just become
the best job in the world.
1122
01:11:32,600 --> 01:11:34,480
Before you do that,
can we just...?
1123
01:11:34,480 --> 01:11:36,800
- Knock, knock.
- I have to tell you what I saw.
1124
01:11:36,800 --> 01:11:38,880
- Amazing!
- It was an interview with you.
1125
01:11:38,880 --> 01:11:40,800
- There were people watching...
- Come on!
1126
01:11:40,800 --> 01:11:44,040
THURSTON HARRIS:
♪ Little Bitty Pretty One
1127
01:11:44,040 --> 01:11:45,760
SOPHIE: Come up here!
1128
01:11:45,760 --> 01:11:47,840
Whoa!
1129
01:11:49,960 --> 01:11:52,960
(INDISTINCT CHATTER
AND LAUGHTER)
1130
01:11:52,960 --> 01:11:54,200
(LAUGHS)
1131
01:11:54,200 --> 01:11:56,520
We're on top of the world!
1132
01:11:59,320 --> 01:12:00,880
Close your eyes.
1133
01:12:00,880 --> 01:12:03,560
No - your ears.
1134
01:12:03,560 --> 01:12:08,600
♪ Mm, mm-mm, mm, mm, mm-mm... ♪
1135
01:12:08,600 --> 01:12:10,680
(SOPHIE CHUCKLES)
1136
01:12:11,440 --> 01:12:13,360
- Fiji?
- No!
1137
01:12:13,360 --> 01:12:15,160
- Jamaica?
- Warmer.
1138
01:12:15,160 --> 01:12:18,680
♪ Little bitty pretty one
Come on and talk to me
1139
01:12:18,680 --> 01:12:21,440
♪ Lovey dovey, lovey one... ♪
1140
01:12:21,440 --> 01:12:25,080
Whoo!
1141
01:12:25,080 --> 01:12:33,080
♪ Oh, oh, whoa-whoa, whoa-oh
1142
01:12:33,080 --> 01:12:34,600
♪ Oh-oh-oh... ♪
1143
01:12:34,600 --> 01:12:35,600
Really?
1144
01:12:35,600 --> 01:12:37,640
- ♪ Tell you a story... ♪
- (SHRIEKS)
1145
01:12:37,640 --> 01:12:40,000
♪ Happened a long time ago
1146
01:12:40,000 --> 01:12:41,680
♪ Little bitty pretty one... ♪
1147
01:12:41,680 --> 01:12:43,160
I'm busy this week.
1148
01:12:43,160 --> 01:12:46,000
You should be able
to handle these clients, yes?
1149
01:12:46,000 --> 01:12:54,600
♪ Oh, oh, whoa-whoa, whoa-oh
1150
01:12:54,600 --> 01:12:56,480
♪ Oh-oh-oh, whoa, oh, oh
1151
01:12:56,480 --> 01:12:59,000
♪ Little bitty pretty one
1152
01:12:59,000 --> 01:13:01,720
♪ Come on and talk to me
1153
01:13:01,720 --> 01:13:04,240
♪ Lovey dovey, lovey one
1154
01:13:04,240 --> 01:13:08,000
♪ Come sit down on my knee
1155
01:13:08,000 --> 01:13:13,920
♪ Mm, mm-mm, mm, mm, mm-mm... ♪
1156
01:13:14,960 --> 01:13:17,320
Look at that. Amazing.
1157
01:13:17,320 --> 01:13:19,000
It's so cool.
1158
01:13:19,000 --> 01:13:20,480
It is so beautiful here.
1159
01:13:20,480 --> 01:13:22,960
So, what's your favourite place
that we've been to?
1160
01:13:22,960 --> 01:13:25,640
My favourite place
that we've been to...
1161
01:13:25,640 --> 01:13:28,040
That's a really hard question.
I don't know.
1162
01:13:28,040 --> 01:13:30,440
Why do I always
have to answer first?
1163
01:13:30,440 --> 01:13:33,200
(PLAYFUL BANTER AND LAUGHTER)
1164
01:13:35,360 --> 01:13:38,200
(TENDER MUSIC)
1165
01:13:43,880 --> 01:13:45,960
PAUL: Did I mention I was
the South East Junior
1166
01:13:45,960 --> 01:13:47,960
Ballroom champion
three years running?
1167
01:13:47,960 --> 01:13:49,320
SOPHIE:
You failed to actually.
1168
01:13:49,320 --> 01:13:52,080
PAUL: Three years, I'm serious.
SOPHIE: You hid it so well.
1169
01:13:52,080 --> 01:13:53,560
PAUL: I didn't want
to show off.
1170
01:13:53,560 --> 01:13:56,280
SOPHIE: Don't be like that,
you're actually really good.
1171
01:14:20,560 --> 01:14:22,600
(WOMAN EXCLAIM IN ASTONISHMENT)
1172
01:14:22,600 --> 01:14:24,760
(WOMEN EXCLAIM)
1173
01:14:24,760 --> 01:14:27,160
I don't believe it!
1174
01:14:27,160 --> 01:14:30,280
(BOTH LAUGH)
1175
01:14:30,280 --> 01:14:33,560
(JOYOUS MUSIC)
1176
01:14:51,880 --> 01:14:53,880
ROSIE: Ooh!
1177
01:14:59,400 --> 01:15:02,560
(WONDROUS MUSIC SWELLS)
1178
01:15:13,160 --> 01:15:15,160
(PAUL EXCLAIMS)
1179
01:15:18,440 --> 01:15:21,680
PAUL: What if I told you
I can read minds now, too?
1180
01:15:21,680 --> 01:15:23,720
SOPHIE: (SCEPTICALLY) Really?
1181
01:15:23,720 --> 01:15:25,560
What am I thinking?
1182
01:15:25,560 --> 01:15:27,880
"Gosh, Paul is handsome
and interesting."
1183
01:15:27,880 --> 01:15:29,960
(SOPHIE CHUCKLES)
1184
01:15:35,280 --> 01:15:37,280
Maybe we should stay here.
1185
01:15:38,640 --> 01:15:42,760
Eh? Just eat fresh seafood
every day.
1186
01:15:42,760 --> 01:15:45,640
Yeah... Except I hate fish.
1187
01:15:45,640 --> 01:15:49,040
But you don't know yourself,
do you? Maybe you love it.
1188
01:15:54,200 --> 01:15:56,760
Or we could just take
the portable door for lunch,
1189
01:15:56,760 --> 01:15:58,840
somewhere different every day.
1190
01:16:01,400 --> 01:16:03,760
And we could build
a little house.
1191
01:16:04,840 --> 01:16:06,840
Over there.
1192
01:16:13,720 --> 01:16:16,240
I like you.
1193
01:16:16,240 --> 01:16:18,080
I really do, quite a lot,
1194
01:16:18,080 --> 01:16:22,000
which is weird
because you're such a...
1195
01:16:29,000 --> 01:16:33,400
But ever since I signed that
stupid fast-track contract...
1196
01:16:33,400 --> 01:16:35,200
...I feel like
they're in control
1197
01:16:35,200 --> 01:16:38,160
of that whole part of me.
1198
01:16:38,160 --> 01:16:41,080
My instinct and...
1199
01:16:43,240 --> 01:16:45,240
...my heart.
1200
01:16:48,520 --> 01:16:51,240
I don't trust my own feelings.
1201
01:16:53,960 --> 01:16:57,520
I guess I don't know if what
I'm feeling for you is real.
1202
01:17:01,200 --> 01:17:04,280
Well, then we have to find
this thing that you signed.
1203
01:17:05,240 --> 01:17:06,520
Why?
1204
01:17:06,520 --> 01:17:08,400
We could reverse it somehow.
1205
01:17:08,400 --> 01:17:11,240
So then you'd know
who you really are
1206
01:17:11,240 --> 01:17:15,800
and how you really feel
about pies and jazz.
1207
01:17:15,800 --> 01:17:17,880
And especially...
1208
01:17:19,240 --> 01:17:20,840
...liquorice.
1209
01:17:20,840 --> 01:17:23,040
But how do we reverse it?
1210
01:17:23,040 --> 01:17:26,480
Well, I dunno.
But we have to try.
1211
01:17:29,560 --> 01:17:31,720
- Knock, knock.
- (DOOR WHOOSHING)
1212
01:17:33,720 --> 01:17:35,440
(DOOR OPENS)
1213
01:17:35,440 --> 01:17:37,440
We should check
Humphrey's office first.
1214
01:17:37,440 --> 01:17:39,520
After work.
1215
01:17:44,240 --> 01:17:45,400
Interns!
1216
01:17:45,400 --> 01:17:48,240
There's a rumour going around
and I hope it's...
1217
01:17:49,200 --> 01:17:50,600
Why are you dressed like that?
1218
01:17:50,600 --> 01:17:52,240
- We're not.
- Theme party.
1219
01:17:52,240 --> 01:17:54,400
- Tonight.
- Last night. Uh... beach theme.
1220
01:17:54,400 --> 01:17:56,640
It was a good party.
So much fun.
1221
01:18:00,000 --> 01:18:03,440
(TENSE MUSIC)
1222
01:18:03,440 --> 01:18:07,280
Do you have any idea
what thin ice you are on?
1223
01:18:09,320 --> 01:18:13,440
I'm going to say this once,
and then you're on your own.
1224
01:18:13,440 --> 01:18:17,320
Fold it up, put it outside
Mr Wells's door,
1225
01:18:17,320 --> 01:18:21,440
walk away
and never, never come back.
1226
01:18:22,680 --> 01:18:25,000
And if you're lucky...
1227
01:18:25,000 --> 01:18:27,840
...he'll be too busy
to bother killing you.
1228
01:18:33,120 --> 01:18:35,560
He knows.
But he didn't do anything.
1229
01:18:35,560 --> 01:18:37,640
He's right. Is he right?
We should leave.
1230
01:18:37,640 --> 01:18:39,120
We have to find your contract.
1231
01:18:39,120 --> 01:18:41,000
- And what? Rip it up?
- I dunno.
1232
01:18:41,000 --> 01:18:42,840
But we have to do something.
1233
01:18:42,840 --> 01:18:44,440
We'll come back tonight.
1234
01:18:44,440 --> 01:18:46,520
OK.
1235
01:18:49,840 --> 01:18:53,720
(BELLS CHIMING)
1236
01:18:55,080 --> 01:18:57,160
- Good evening.
- Goodnight.
1237
01:19:11,720 --> 01:19:14,840
(OMINOUS MUSIC)
1238
01:19:20,280 --> 01:19:25,760
(RHYTHMIC STOMPING)
1239
01:19:34,360 --> 01:19:36,360
(DOOR WHOOSHING)
1240
01:19:36,880 --> 01:19:39,120
(DOOR CREAKING OPEN)
1241
01:19:41,160 --> 01:19:43,160
(DOOR CLOSES)
1242
01:19:44,800 --> 01:19:47,040
SOPHIE: Didn't you say
'Humphrey's office'?
1243
01:19:47,040 --> 01:19:48,280
PAUL: I did.
1244
01:19:48,280 --> 01:19:51,160
SOPHIE: This is not
Humphrey's office.
1245
01:19:51,160 --> 01:19:53,280
Those are a lot of printers.
1246
01:19:53,280 --> 01:19:55,440
Door wanted us to come here.
1247
01:19:55,440 --> 01:19:59,680
So, what,
it has a personality now?
1248
01:19:59,680 --> 01:20:02,960
- (GASPS) Oh, shit!
- (GASPS) What is it?
1249
01:20:02,960 --> 01:20:05,440
It's gone.
1250
01:20:05,440 --> 01:20:08,080
Just... be careful.
1251
01:20:09,240 --> 01:20:11,720
(PRINTER WHIRRS)
1252
01:20:11,720 --> 01:20:14,240
(PRINTER WHIRRING)
PAUL: The last time I was here,
1253
01:20:14,240 --> 01:20:16,760
these printers
were all printing,
1254
01:20:16,760 --> 01:20:18,840
but I don't know what.
1255
01:20:20,320 --> 01:20:22,280
They're terms and conditions.
1256
01:20:22,280 --> 01:20:25,480
Those things you click 'agree'
but never read.
1257
01:20:25,480 --> 01:20:27,280
(PRINTER CONTINUES WHIRRING)
1258
01:20:27,280 --> 01:20:29,760
"Operation Fine Print."
1259
01:20:29,760 --> 01:20:31,400
Humphrey's mentioned that.
1260
01:20:31,400 --> 01:20:33,000
(DISTANT SCREAMING)
1261
01:20:33,000 --> 01:20:35,400
Was that a bad scream
or a good scream?
1262
01:20:36,440 --> 01:20:38,440
I'm hoping good?
1263
01:20:41,760 --> 01:20:43,760
I mean, they're all different.
1264
01:20:44,640 --> 01:20:47,120
This one's a gym membership.
1265
01:20:48,280 --> 01:20:49,920
This is a train ticket.
1266
01:20:49,920 --> 01:20:54,400
A rental agreement. But why
is JW Wells collecting them?
1267
01:20:54,400 --> 01:20:56,560
(EERIE MUSIC)
1268
01:20:56,560 --> 01:20:59,000
Maybe this is what I signed.
1269
01:21:08,040 --> 01:21:11,680
(LOW GROWLING)
1270
01:21:29,320 --> 01:21:31,200
SOPHIE: We have to
get to Humphrey's...
1271
01:21:31,200 --> 01:21:33,600
- (GUTTURAL SNARL)
- What was that?!
1272
01:21:33,600 --> 01:21:36,120
(DISTANT PATTERING)
1273
01:21:37,760 --> 01:21:39,760
I actually don't know.
1274
01:21:44,560 --> 01:21:46,080
(WHISPERS) Sophie!
1275
01:21:46,080 --> 01:21:48,880
(DISTANT SNARLING)
1276
01:21:48,880 --> 01:21:52,000
(FAINT CLANGING,
VOICES MUTTERING)
1277
01:21:52,000 --> 01:21:54,360
I'm happy to not find out
what that is
1278
01:21:54,360 --> 01:21:56,640
and just, you know,
stick to the plan.
1279
01:21:56,640 --> 01:21:58,600
(FAINT GRUNTING AND CLAMOURING)
1280
01:21:58,600 --> 01:22:00,240
We should at least look.
1281
01:22:00,240 --> 01:22:01,920
Should we, though?
1282
01:22:01,920 --> 01:22:04,600
One, two...
1283
01:22:04,600 --> 01:22:06,880
...three!
1284
01:22:06,880 --> 01:22:09,920
(CLATTERING AND COMMOTION)
1285
01:22:09,920 --> 01:22:12,640
(FAINT HYSTERICAL LAUGHTER)
1286
01:22:12,640 --> 01:22:16,000
(DISTANT VOICES
MUTTERING, HOLLERING)
1287
01:22:30,560 --> 01:22:33,840
(DIALTONE BEEPING)
1288
01:22:35,160 --> 01:22:38,240
(GUTTURAL MURMURING)
1289
01:22:38,240 --> 01:22:40,760
(DISTANT CLUNKING
AND CLATTERING)
1290
01:22:50,080 --> 01:22:53,400
(SUSPENSEFUL MUSIC BUILDS)
1291
01:22:56,160 --> 01:22:58,160
- Knock, knock.
- (DOOR WHOOSHING)
1292
01:23:02,080 --> 01:23:04,080
Humphrey's office.
1293
01:23:05,080 --> 01:23:07,080
(MENACING MUSIC)
1294
01:23:12,840 --> 01:23:14,840
PAUL: It's not listening to us.
1295
01:23:17,240 --> 01:23:19,400
(FAINT DRIPPING)
1296
01:23:20,640 --> 01:23:22,720
SOPHIE: "Ripae mortuorum."
1297
01:23:26,400 --> 01:23:28,640
"Bank of the Dead."
1298
01:23:29,920 --> 01:23:31,880
"One way."
1299
01:23:31,880 --> 01:23:33,600
That was in my dream.
1300
01:23:33,600 --> 01:23:35,440
He said something about that.
1301
01:23:35,440 --> 01:23:37,200
I think I saw that.
1302
01:23:37,200 --> 01:23:39,280
In the fine print.
1303
01:23:46,320 --> 01:23:48,600
Here. "Bank of the Dead."
1304
01:23:48,600 --> 01:23:49,840
"By clicking 'agree',
1305
01:23:49,840 --> 01:23:52,120
"I consent to signing
my soul, my entire soul,
1306
01:23:52,120 --> 01:23:54,680
"and therefore all desires,
instincts and needs,
1307
01:23:54,680 --> 01:23:56,200
"over to JW Wells and Company
1308
01:23:56,200 --> 01:23:58,760
"to be held in the Bank
of the Dead for perpetuity.
1309
01:23:58,760 --> 01:24:01,880
"Forever and a day. In
all territories and universes."
1310
01:24:01,880 --> 01:24:04,480
Operation Fine Print.
1311
01:24:04,480 --> 01:24:07,800
- Humphrey and Dennis.
- They're stealing souls.
1312
01:24:07,800 --> 01:24:11,360
They stole my soul.
1313
01:24:11,360 --> 01:24:13,680
And now Humphrey's
gonna control the instincts
1314
01:24:13,680 --> 01:24:16,000
of anyone who signs this
or clicks 'agree'.
1315
01:24:16,000 --> 01:24:18,200
I mean, that could be
millions of people.
1316
01:24:18,200 --> 01:24:20,280
(GUTTURAL SNARLING)
1317
01:24:21,240 --> 01:24:23,360
PAUL: (NERVOUSLY) Sophie?
1318
01:24:24,880 --> 01:24:27,360
Maybe we should...
walk over here.
1319
01:24:27,360 --> 01:24:28,760
Yeah?
1320
01:24:28,760 --> 01:24:31,400
Just walk.
1321
01:24:31,400 --> 01:24:33,760
Don't make any sudden moves.
1322
01:24:33,760 --> 01:24:35,600
(UNEARTHLY GROWLING)
1323
01:24:35,600 --> 01:24:37,680
Nothing to panic about.
1324
01:24:37,680 --> 01:24:39,800
Just over here.
1325
01:24:41,640 --> 01:24:44,680
Slowly. Slowly.
1326
01:24:46,000 --> 01:24:48,000
Go.
1327
01:24:49,840 --> 01:24:51,840
(GATE CLANGS SHUT)
1328
01:24:52,680 --> 01:24:54,880
This has to be the way out.
1329
01:24:54,880 --> 01:24:56,840
(STARTLED SCREECHING)
1330
01:24:56,840 --> 01:24:59,440
(GRUNTING)
SOPHIE: Paul?
1331
01:24:59,440 --> 01:25:02,080
(SOPHIE SCREAMS)
1332
01:25:02,080 --> 01:25:04,840
(SNARLING AND GROWLING)
1333
01:25:04,840 --> 01:25:06,720
(SCREECHING)
1334
01:25:06,720 --> 01:25:09,400
PAUL: Sophie, go! Through here!
1335
01:25:09,400 --> 01:25:12,120
(SNARLING)
PAUL: Go, go, go, go, go!
1336
01:25:14,080 --> 01:25:16,240
(SNARLING AND CLANGING
CONTINUES FAINTLY)
1337
01:25:16,240 --> 01:25:18,160
PAUL: You OK?
SOPHIE: Yeah.
1338
01:25:18,160 --> 01:25:21,360
Yeah. Are you OK?
1339
01:25:21,360 --> 01:25:23,440
Yeah.
1340
01:25:27,800 --> 01:25:31,320
DENNIS: Did I give you
permission to be down here?
1341
01:25:31,320 --> 01:25:34,360
Let me think. No, I did not.
1342
01:25:34,360 --> 01:25:36,800
Mr Tanner,
the whole place is crawling
1343
01:25:36,800 --> 01:25:39,240
with the most disgusting,
hideous things.
1344
01:25:39,240 --> 01:25:41,880
Now, that is truly offensive.
1345
01:25:41,880 --> 01:25:43,920
These things are the reason...
1346
01:25:43,920 --> 01:25:47,400
(FURIOUSLY) ..you are forbidden
to be down here after hours!
1347
01:25:47,400 --> 01:25:50,640
It's not as if
you weren't warned!
1348
01:25:50,640 --> 01:25:52,200
You're a Goblin?
1349
01:25:52,200 --> 01:25:55,160
DENNIS: Ha!
How kind of you to notice.
1350
01:25:55,160 --> 01:25:56,480
(SCOFFS)
1351
01:25:56,480 --> 01:25:58,920
You humans are so stupid.
1352
01:25:58,920 --> 01:26:01,560
I've looked out for you
your whole life, Carpenter.
1353
01:26:01,560 --> 01:26:03,040
If it wasn't for the Goblins,
1354
01:26:03,040 --> 01:26:05,680
you'd still be picking fleas
off each other's back
1355
01:26:05,680 --> 01:26:09,400
and clubbing your food to death
with a jawbone.
1356
01:26:10,800 --> 01:26:14,720
And yet you ignored
my simple advice.
1357
01:26:14,720 --> 01:26:16,240
Now...
1358
01:26:16,240 --> 01:26:18,440
...hand it over.
1359
01:26:18,440 --> 01:26:20,800
HUMPHREY: Dennis! Enough!
1360
01:26:21,840 --> 01:26:23,800
Mr Wells!
1361
01:26:23,800 --> 01:26:26,240
I expected so much more
from you, Paul.
1362
01:26:26,240 --> 01:26:29,640
It's after hours, Mr Wells.
I have it under control.
1363
01:26:29,640 --> 01:26:33,720
Oh, what would you have done?
Drooled them into submission?
1364
01:26:33,720 --> 01:26:34,840
You greasy,
1365
01:26:34,840 --> 01:26:37,080
- thug-nosed parasite.
- Give me the bag.
1366
01:26:37,080 --> 01:26:39,040
- Call off your toads.
- How dare you!
1367
01:26:39,040 --> 01:26:41,080
- Call them off!
- I'm not afraid of you.
1368
01:26:41,080 --> 01:26:43,560
This is my domain down here!
1369
01:26:43,560 --> 01:26:45,640
(GOBLINS GUFFAWING)
1370
01:26:45,640 --> 01:26:47,480
Careful, Dennis.
1371
01:26:47,480 --> 01:26:50,960
You ought to think
very carefully.
1372
01:26:50,960 --> 01:26:52,560
A gutter-living Goblin
1373
01:26:52,560 --> 01:26:54,920
challenging a Great Wizard?
1374
01:26:54,920 --> 01:26:58,040
Now, Mr Great Wizard,
1375
01:26:58,040 --> 01:26:59,920
you'd be nothing without us.
1376
01:26:59,920 --> 01:27:03,480
Who would line up
your clients? Hm?
1377
01:27:03,480 --> 01:27:06,320
Who would do
your grunt work? Eh?
1378
01:27:06,320 --> 01:27:07,880
And what would you do?
1379
01:27:07,880 --> 01:27:09,920
No jobs, nowhere to live.
1380
01:27:09,920 --> 01:27:13,520
No unlimited supply
of delicious pigeons.
1381
01:27:13,520 --> 01:27:16,000
(DENNIS SHOUTS)
1382
01:27:16,000 --> 01:27:18,920
- (GOBLINS GASPING, GROANING)
- Turn them back.
1383
01:27:18,920 --> 01:27:20,680
- Turn them back!
- Knock, knock.
1384
01:27:20,680 --> 01:27:22,240
- The door.
- Say somewhere.
1385
01:27:22,240 --> 01:27:24,320
Say nothing!
1386
01:27:29,520 --> 01:27:32,880
Who closes the door,
keeps the door.
1387
01:27:34,080 --> 01:27:37,680
(BOTH GRUNT AND GROAN)
1388
01:27:47,040 --> 01:27:49,640
I tried to say somewhere
but Humphrey stopped me.
1389
01:28:08,760 --> 01:28:11,280
- MAN: (DISTANTLY) Who are you?
- (GASPS)
1390
01:28:13,240 --> 01:28:15,840
- MAN: Do you have it?
- We have to get out of here!
1391
01:28:15,840 --> 01:28:17,920
MAN: Stay where you are.
1392
01:28:19,000 --> 01:28:20,760
PAUL: Whoa...
SOPHIE: Careful, Paul!
1393
01:28:20,760 --> 01:28:22,240
MAN: You can't get anywhere!
1394
01:28:22,240 --> 01:28:24,240
Unless you have it,
you can't leave!
1395
01:28:24,240 --> 01:28:26,640
- What's going on, Paul?
- (BOTH GASP)
1396
01:28:26,640 --> 01:28:28,880
- Who are you?
- You don't have it, do you?
1397
01:28:28,880 --> 01:28:30,760
The portable door.
1398
01:28:30,760 --> 01:28:32,920
- We did, but...
- Oh!
1399
01:28:35,240 --> 01:28:37,040
Wait! How do we get out of...?
1400
01:28:37,040 --> 01:28:39,160
PAUL: Wait!
SOPHIE: We have to get out!
1401
01:28:39,160 --> 01:28:41,160
Who closes the door,
keeps the door.
1402
01:28:41,160 --> 01:28:44,880
PAUL: What does that mean -
"who closes the door"?
1403
01:28:44,880 --> 01:28:47,920
Humphrey closed the door.
So he keeps it?
1404
01:28:47,920 --> 01:28:50,800
We're surrounded by doors, so
one of these must be a way out.
1405
01:28:50,800 --> 01:28:52,200
(SNEEZES)
1406
01:28:52,200 --> 01:28:53,520
Bless you.
1407
01:28:53,520 --> 01:28:55,000
You're in the Nether.
1408
01:28:55,000 --> 01:28:57,480
There are no doors
out of the Nether.
1409
01:28:58,800 --> 01:29:01,200
You're John Wells.
1410
01:29:03,280 --> 01:29:05,320
You've got Humphrey's soul.
1411
01:29:06,200 --> 01:29:07,600
How did you know that?
1412
01:29:07,600 --> 01:29:10,600
You made him sign his soul over
to you. That's the contract.
1413
01:29:10,600 --> 01:29:12,800
He was an evil child. Awful.
1414
01:29:12,800 --> 01:29:14,680
I needed insurance.
1415
01:29:14,680 --> 01:29:17,920
So you can control him, then?
You can make him let us out.
1416
01:29:17,920 --> 01:29:20,920
You don't think I would've
thought of that years ago?
1417
01:29:20,920 --> 01:29:23,160
I have the contract,
but it's pointless
1418
01:29:23,160 --> 01:29:25,240
if I can't get it to the Bank.
1419
01:29:26,360 --> 01:29:28,360
The Bank of the Dead...
1420
01:29:29,760 --> 01:29:32,040
Now, wait a minute.
1421
01:29:32,040 --> 01:29:34,760
You have a contract
for Humphrey Wells' soul?
1422
01:29:34,760 --> 01:29:37,080
And if we get it to the Bank,
he's yours?
1423
01:29:37,080 --> 01:29:38,440
Uh-huh.
1424
01:29:38,440 --> 01:29:41,560
You have indeed found the root
to the problem.
1425
01:29:41,560 --> 01:29:43,640
So we're here forever?
1426
01:29:44,800 --> 01:29:46,800
Yep.
1427
01:29:47,240 --> 01:29:49,240
I can find a way out.
1428
01:29:50,640 --> 01:29:52,240
It's what I do.
1429
01:29:52,240 --> 01:29:55,000
There are no doors
out of the Nether. Only in.
1430
01:30:02,920 --> 01:30:05,600
(DRAMATIC MUSIC BUILDS)
1431
01:30:08,960 --> 01:30:12,400
I don't like this any more than
you do, but it has to be done.
1432
01:30:12,400 --> 01:30:14,720
Must, must, you dogs!
1433
01:30:14,720 --> 01:30:16,320
Haul your case,
1434
01:30:16,320 --> 01:30:19,280
you horrid little corgi!
1435
01:30:24,520 --> 01:30:26,520
(PUFFS)
1436
01:30:27,400 --> 01:30:29,400
So Humphrey used
the portable door
1437
01:30:29,400 --> 01:30:31,200
to get my soul
to the Bank of the Dead.
1438
01:30:31,200 --> 01:30:33,040
- (DOOR CLOSING)
- And to trap me.
1439
01:30:33,040 --> 01:30:35,960
But then it went missing,
so he needed Paul to find it.
1440
01:30:35,960 --> 01:30:37,400
(DOOR OPENING)
1441
01:30:37,400 --> 01:30:39,480
Nope.
1442
01:30:42,200 --> 01:30:43,320
(DOOR OPENING)
1443
01:30:43,320 --> 01:30:45,400
How did he trap you here?
1444
01:30:46,440 --> 01:30:48,440
He tricked me.
1445
01:30:48,440 --> 01:30:52,240
My baby dragon
was used to lure me in.
1446
01:30:52,240 --> 01:30:55,600
A very simple trick, really.
I shouldn't have fallen for it.
1447
01:30:55,600 --> 01:30:57,920
So cruel.
1448
01:30:57,920 --> 01:30:59,880
He left me with my books.
1449
01:30:59,880 --> 01:31:02,560
- Why?
- Something to read.
1450
01:31:02,560 --> 01:31:04,440
I mean, why here?
1451
01:31:04,440 --> 01:31:08,520
It's the only place
to hold a Great Wizard.
1452
01:31:08,520 --> 01:31:10,520
I'll be here forever.
1453
01:31:10,520 --> 01:31:12,120
It's different for you.
1454
01:31:12,120 --> 01:31:13,680
(DOOR CLOSING)
1455
01:31:13,680 --> 01:31:16,000
You'll run out of food
and water in a few days
1456
01:31:16,000 --> 01:31:18,480
and die a messy death.
1457
01:31:18,480 --> 01:31:22,080
And I'll be stuck with a couple
of decomposing corpses
1458
01:31:22,080 --> 01:31:24,160
and no place to put 'em.
1459
01:31:31,760 --> 01:31:32,920
(PAUL SCREAMS)
1460
01:31:32,920 --> 01:31:35,000
(GRUNTS)
1461
01:31:41,480 --> 01:31:43,480
I'm OK!
1462
01:31:50,800 --> 01:31:53,560
(MYSTERIOUS MUSIC)
1463
01:32:10,040 --> 01:32:11,920
(FAINT ELECTRONIC BUZZING)
1464
01:32:11,920 --> 01:32:15,480
(ELECTRONIC BUZZING
INTENSIFYING)
1465
01:32:19,720 --> 01:32:23,240
(ELECTRONIC BUZZING,
HIGH-PITCHED RINGING)
1466
01:32:30,240 --> 01:32:33,280
Found something!
1467
01:32:33,280 --> 01:32:35,760
This one actually
goes somewhere.
1468
01:32:40,160 --> 01:32:42,160
JOHN: Not possible.
1469
01:32:51,160 --> 01:32:54,200
(MAJESTIC MUSIC)
1470
01:32:54,200 --> 01:32:57,160
(GIGGLES)
1471
01:32:57,160 --> 01:32:59,080
I'm free!
1472
01:32:59,080 --> 01:33:00,240
I'm f...!
1473
01:33:00,240 --> 01:33:03,280
Paul Carpenter, you may
be more than just a Diviner.
1474
01:33:03,280 --> 01:33:05,080
Maybe you're a...
1475
01:33:05,080 --> 01:33:06,800
Yeah, let's go down a bit.
1476
01:33:06,800 --> 01:33:08,960
Maybe I'm a what?
1477
01:33:08,960 --> 01:33:11,080
I really wish
he'd finish his sentence.
1478
01:33:11,080 --> 01:33:13,560
- (DOOR OPENS)
- (GASPS)
1479
01:33:15,120 --> 01:33:17,720
Mr Wells! You're alive!
1480
01:33:17,720 --> 01:33:19,240
Yes, very much, Rosie.
1481
01:33:19,240 --> 01:33:21,280
Unfortunately
you might be too late.
1482
01:33:21,280 --> 01:33:23,240
Right! Now it's up to you two.
1483
01:33:23,240 --> 01:33:24,920
Take this
to the Bank of the Dead.
1484
01:33:24,920 --> 01:33:27,320
That will give me control
of Humphrey.
1485
01:33:27,320 --> 01:33:29,400
Actually, I'll come with you.
1486
01:33:29,400 --> 01:33:30,480
Um...
1487
01:33:30,480 --> 01:33:32,880
Uh, Rosie, get your husband.
1488
01:33:34,800 --> 01:33:37,280
(DRAMATIC MUSIC)
1489
01:33:41,920 --> 01:33:43,920
Just follow me.
1490
01:33:45,800 --> 01:33:48,080
DENNIS:
...you disgusting little trolls!
1491
01:33:48,080 --> 01:33:49,400
(SHOUTING AND COMMOTION)
1492
01:33:49,400 --> 01:33:52,160
SOPHIE: Those are the
contracts. All those souls.
1493
01:33:52,160 --> 01:33:54,920
The door must be nearby.
1494
01:33:54,920 --> 01:33:56,720
HUMPHREY: Dennis,
make them move!
1495
01:33:56,720 --> 01:33:59,720
Or do they need more
incentives? I'm very creative.
1496
01:33:59,720 --> 01:34:03,560
DENNIS: Come now, come along.
You heard Mr Wells.
1497
01:34:03,560 --> 01:34:04,720
You heard Mr...
1498
01:34:04,720 --> 01:34:06,560
You! What do you think
you're doing?!
1499
01:34:06,560 --> 01:34:09,040
Tea break is over.
What do you think this is?
1500
01:34:09,040 --> 01:34:10,640
Fortnum and bloody Mason?!
1501
01:34:10,640 --> 01:34:12,960
And you!
Get off your lardy arse!
1502
01:34:12,960 --> 01:34:15,760
Come along now. Everybody!
Come along!
1503
01:34:15,760 --> 01:34:19,120
This is not Paris! (CURSES)
1504
01:34:19,120 --> 01:34:21,400
It's not a garden party!
1505
01:34:21,400 --> 01:34:23,320
JOHN: The Bank is open.
1506
01:34:23,320 --> 01:34:25,400
Your contract will be inside.
1507
01:34:25,400 --> 01:34:26,960
SOPHIE: Where's Humphrey?
1508
01:34:26,960 --> 01:34:28,680
I'll take care of him.
1509
01:34:28,680 --> 01:34:31,720
You just take that contract
into the Bank.
1510
01:34:31,720 --> 01:34:34,080
Once it's deposited, he's mine.
1511
01:34:34,080 --> 01:34:35,920
HUMPHREY: Well, well, well...
1512
01:34:35,920 --> 01:34:38,240
DENNIS: Hurry it up!
Keep moving!
1513
01:34:39,280 --> 01:34:41,400
(EXPLOSION, DEBRIS SCATTERING)
1514
01:34:41,400 --> 01:34:42,560
(DENNIS GROANS)
1515
01:34:42,560 --> 01:34:45,080
(GOBLINS EXCLAIMING)
1516
01:34:47,400 --> 01:34:49,480
DENNIS: It's Mr Wells!
1517
01:34:50,480 --> 01:34:52,520
Hello, Father.
1518
01:34:53,640 --> 01:34:55,800
(SCREAMING, GASPING)
1519
01:34:56,600 --> 01:34:58,520
Go!
1520
01:34:58,520 --> 01:35:01,240
DENNIS: The Bank waits
for no man. Get back to work.
1521
01:35:01,240 --> 01:35:03,240
- (EXPLOSION)
- (GOBLINS SCREAMING)
1522
01:35:03,240 --> 01:35:05,320
(GRUNTS)
1523
01:35:06,960 --> 01:35:09,760
(DRAMATIC MUSIC BUILDS)
1524
01:35:11,600 --> 01:35:13,280
Keep calm!
1525
01:35:13,280 --> 01:35:15,120
Back to work!
1526
01:35:15,120 --> 01:35:17,440
Get up! Get up there! Get up!
1527
01:35:19,000 --> 01:35:21,400
- (GRUNTS)
- (SCREAMING)
1528
01:35:22,640 --> 01:35:24,840
- Sophie!
- Paul, Paul, the door!
1529
01:35:24,840 --> 01:35:26,400
Get it to the Bank!
1530
01:35:26,400 --> 01:35:29,000
Get him!
SOPHIE: The door! Paul!
1531
01:35:30,200 --> 01:35:32,120
(GOBLINS SNARLING)
PAUL: Get off!
1532
01:35:32,120 --> 01:35:36,040
Get off! It's unseemly!
Get off that man!
1533
01:35:37,520 --> 01:35:39,520
(EXPLOSION)
1534
01:35:47,320 --> 01:35:49,320
(CROCKERY CLATTERING)
1535
01:35:54,440 --> 01:35:56,440
(GLASS SHATTERING)
1536
01:35:58,840 --> 01:36:01,360
Paul!
1537
01:36:01,360 --> 01:36:03,320
SOPHIE: (THINKS)
Countess, we need you.
1538
01:36:03,320 --> 01:36:05,160
Humphrey is stealing
millions of souls
1539
01:36:05,160 --> 01:36:07,280
and now he's going to
kill John Wells!
1540
01:36:07,280 --> 01:36:09,360
- (GROWLING)
- (SCREAMS)
1541
01:36:10,440 --> 01:36:13,400
Eric? Are you alright?
1542
01:36:13,400 --> 01:36:15,400
(YELPS)
PAUL: Sophie!
1543
01:36:15,400 --> 01:36:17,480
Get off!
1544
01:36:21,920 --> 01:36:23,920
(GOBLIN GRUNTS)
1545
01:36:24,760 --> 01:36:26,040
You OK?
1546
01:36:26,040 --> 01:36:28,120
(GRUNTS)
1547
01:36:29,320 --> 01:36:30,320
(SNARLING)
1548
01:36:30,320 --> 01:36:32,360
- Mr Tanner!
- Yes?
1549
01:36:32,360 --> 01:36:33,880
PAUL: Help!
1550
01:36:33,880 --> 01:36:36,640
Don't do it, Dennis!
1551
01:36:36,640 --> 01:36:39,560
No. No, Sir Humphrey, of
course not. No, no, no, no...
1552
01:36:39,560 --> 01:36:42,320
Sorry about this, Paul.
Just obeying orders.
1553
01:36:42,320 --> 01:36:43,720
Comfort slot.
1554
01:36:43,720 --> 01:36:44,920
It's Monty!
1555
01:36:44,920 --> 01:36:48,520
And if I had my way, I'd shtonk
that Humphrey in the uhab.
1556
01:36:48,520 --> 01:36:49,920
PAUL: What?
1557
01:36:49,920 --> 01:36:51,240
Paul!
1558
01:36:51,240 --> 01:36:53,320
Mum!
1559
01:36:54,200 --> 01:36:57,240
ROSIE: Mr Wells! It's Arthur!
1560
01:37:07,080 --> 01:37:10,240
(ARTHUR GROWLS)
1561
01:37:14,560 --> 01:37:16,640
(ROARS IN GOBLIN DIALECT)
1562
01:37:18,240 --> 01:37:20,160
(EXHALES)
1563
01:37:20,160 --> 01:37:21,520
Arthur!
1564
01:37:21,520 --> 01:37:24,560
Rosie! My love!
1565
01:37:28,680 --> 01:37:32,240
Oh... Dad, you're back!
1566
01:37:33,600 --> 01:37:35,600
(ANGRILY) Dennis!
1567
01:37:36,480 --> 01:37:38,480
(HUSHED GASPING)
1568
01:37:41,400 --> 01:37:44,520
Ooh, have we been weakened
by the Nether?
1569
01:37:45,520 --> 01:37:48,200
Paul! Run!
1570
01:37:49,040 --> 01:37:50,680
Look out, Paul!
1571
01:37:50,680 --> 01:37:52,760
(PAUL GRUNTS)
1572
01:37:54,120 --> 01:37:57,640
(DRAMATIC MUSIC BUILDS)
1573
01:37:57,640 --> 01:38:00,840
Humphrey... Humphrey,
this is completely against
1574
01:38:00,840 --> 01:38:02,280
the Magician's Code of Conduct.
1575
01:38:02,280 --> 01:38:04,960
- Not one step closer.
- (PAUL GROANING)
1576
01:38:04,960 --> 01:38:08,640
Seems my father's not as
powerful as he thought he was.
1577
01:38:08,640 --> 01:38:10,440
What are you going to do,
Humphrey?
1578
01:38:10,440 --> 01:38:11,600
You'll have to kill us all.
1579
01:38:11,600 --> 01:38:13,080
Please, Humphrey,
stop this now.
1580
01:38:13,080 --> 01:38:15,680
All I ever wanted
was to think big.
1581
01:38:16,720 --> 01:38:18,960
You weren't brave enough.
1582
01:38:18,960 --> 01:38:21,840
This company was behind
the moon landing,
1583
01:38:21,840 --> 01:38:24,000
the splitting of the atom!
1584
01:38:24,000 --> 01:38:25,520
For what?
1585
01:38:25,520 --> 01:38:27,480
Are humans
still ruining everything?
1586
01:38:27,480 --> 01:38:28,840
Of course they are.
1587
01:38:28,840 --> 01:38:31,840
Do they realise
what we do for them?
1588
01:38:31,840 --> 01:38:33,920
Of course they don't.
1589
01:38:41,120 --> 01:38:43,920
I will continue my plan alone,
1590
01:38:43,920 --> 01:38:49,000
now that the traitors
have been smoked out.
1591
01:38:49,000 --> 01:38:52,400
Yeah, rebellion's over.
You're all going to the Nether.
1592
01:38:52,400 --> 01:38:54,240
But first...
1593
01:38:54,240 --> 01:38:56,320
You.
1594
01:38:56,960 --> 01:38:58,960
Bring it over.
1595
01:39:00,800 --> 01:39:03,480
- (SOPHIE GROANS)
- No!
1596
01:39:06,080 --> 01:39:08,080
Now, Carpenter.
1597
01:39:10,600 --> 01:39:15,200
I want you to bring
that damn contract over to me.
1598
01:39:17,680 --> 01:39:22,720
I want you to bring my soul
over to me.
1599
01:39:22,720 --> 01:39:28,320
And I will hold it in front
of my father's fading eyes
1600
01:39:28,320 --> 01:39:31,760
and I want to tear it
to shreds.
1601
01:39:31,760 --> 01:39:33,520
(JOHN MURMURING WEAKLY)
1602
01:39:33,520 --> 01:39:36,640
Because the last thing
you will see
1603
01:39:36,640 --> 01:39:39,160
is the end
of your hold over me.
1604
01:39:39,160 --> 01:39:40,600
I...
1605
01:39:40,600 --> 01:39:44,480
What? What?
No. Sorry. Can't understand.
1606
01:39:44,480 --> 01:39:48,000
Did anyone understand what...?
No? (CHUCKLES)
1607
01:39:48,000 --> 01:39:51,160
Carpenter. Let's have it.
1608
01:39:51,160 --> 01:39:53,040
- NIENKE: No, Paul.
- Come on.
1609
01:39:53,040 --> 01:39:56,240
CASIMIR:
Paul, don't do it, please.
1610
01:39:56,240 --> 01:39:58,160
COUNTESS:
You can't give it to him.
1611
01:39:58,160 --> 01:40:01,040
Get moving.
Don't listen to them.
1612
01:40:01,040 --> 01:40:03,120
SOPHIE: Paul...
1613
01:40:03,560 --> 01:40:06,240
Paul.
1614
01:40:06,240 --> 01:40:08,600
If you can hear me,
touch your ear.
1615
01:40:10,240 --> 01:40:13,040
In the Nether,
with all those doors...
1616
01:40:13,040 --> 01:40:14,560
Keep on keeping on!
1617
01:40:14,560 --> 01:40:18,760
...what if you didn't find
the way out?
1618
01:40:18,760 --> 01:40:20,920
What if you created it?
1619
01:40:22,920 --> 01:40:25,560
The Bank is right below you.
1620
01:40:29,160 --> 01:40:31,920
Make your own door, Paul.
1621
01:40:31,920 --> 01:40:35,040
Keep going! Come on!
1622
01:40:38,640 --> 01:40:42,560
(ETHEREAL CHORAL MUSIC)
1623
01:40:42,560 --> 01:40:45,920
(LOW RUMBLING,
MYSTICAL WHOOSHING)
1624
01:40:49,760 --> 01:40:53,000
(ETHEREAL CHORAL MUSIC BUILDS)
1625
01:41:08,040 --> 01:41:10,040
(EXHALES SOFTLY)
1626
01:41:21,200 --> 01:41:23,240
He's... vanished.
1627
01:41:23,240 --> 01:41:25,320
Where did he go?
1628
01:41:26,440 --> 01:41:28,440
(GROANS)
1629
01:41:45,280 --> 01:41:48,440
(MUZAK PLAYING FAINTLY)
1630
01:41:52,480 --> 01:41:55,240
(MUZAK PLAYING)
1631
01:42:02,880 --> 01:42:05,240
WOMAN: Next, please.
1632
01:42:08,840 --> 01:42:11,200
Mr Carpenter.
1633
01:42:11,200 --> 01:42:16,600
You're not due here
for 142 years.
1634
01:42:16,600 --> 01:42:18,360
Um...
1635
01:42:18,360 --> 01:42:20,680
I'd like to make a deposit.
1636
01:42:41,480 --> 01:42:43,480
Actually...
1637
01:42:44,400 --> 01:42:46,720
...I'd like to make a trade.
1638
01:42:49,680 --> 01:42:51,680
(STAMP CLICKS)
1639
01:42:51,680 --> 01:42:55,360
(SOPHIE GASPS)
NIENKE: Mr Wells, he's done it.
1640
01:42:55,360 --> 01:42:57,080
You've got his soul.
1641
01:42:57,080 --> 01:42:59,160
Quickly.
1642
01:43:00,000 --> 01:43:01,600
- The door.
- The door!
1643
01:43:01,600 --> 01:43:03,720
NIENKE: Sophie, quickly,
get the door.
1644
01:43:05,680 --> 01:43:08,000
- SOPHIE: Knock, knock.
- (DOOR WHOOSHING)
1645
01:43:09,960 --> 01:43:13,800
(GOBLINS MUTTERING
AND GRUMBLING)
1646
01:43:29,600 --> 01:43:31,600
No.
1647
01:43:33,160 --> 01:43:34,600
No.
1648
01:43:34,600 --> 01:43:36,360
(WHIMPERING) Please...
1649
01:43:36,360 --> 01:43:39,520
(HUMPHREY SOBS SOFTLY)
1650
01:43:41,280 --> 01:43:43,400
(SOBBING) Please... please...
1651
01:43:43,400 --> 01:43:46,200
(SOBS)
1652
01:43:55,680 --> 01:43:57,360
Dad, please...
1653
01:43:57,360 --> 01:43:59,200
Please...
1654
01:43:59,200 --> 01:44:00,800
(HUMPHREY SOBBING)
1655
01:44:00,800 --> 01:44:03,040
- John.
- You must.
1656
01:44:05,120 --> 01:44:07,120
Go.
1657
01:44:10,240 --> 01:44:12,280
(SOBBING)
1658
01:44:18,840 --> 01:44:22,040
JOHN: Sophie,
will you get the door, please?
1659
01:44:26,160 --> 01:44:29,120
(CHEERING AND LAUGHTER)
1660
01:44:35,800 --> 01:44:37,680
(LIVELY CHATTER)
1661
01:44:37,680 --> 01:44:39,720
(STIRRING MUSIC)
1662
01:44:39,720 --> 01:44:41,440
SOPHIE: What are you doing?
1663
01:44:41,440 --> 01:44:44,480
This door will never
be opened again.
1664
01:44:44,480 --> 01:44:46,640
But what about Paul?
1665
01:44:48,120 --> 01:44:50,120
How do we get him back?
1666
01:44:52,440 --> 01:44:53,880
Sophie...
1667
01:44:53,880 --> 01:44:55,960
(SOFT WHOOSHING)
1668
01:45:06,160 --> 01:45:09,120
(ALL CHEER)
1669
01:45:15,280 --> 01:45:17,280
Oh, um...
1670
01:45:17,280 --> 01:45:20,520
...I think this belongs to you?
1671
01:45:31,440 --> 01:45:33,880
(CHEERING AND LAUGHTER)
1672
01:45:36,320 --> 01:45:38,600
Dad! Mum! No!
1673
01:45:40,600 --> 01:45:42,600
We did it, Paul.
1674
01:45:44,760 --> 01:45:46,760
Not quite.
1675
01:45:51,920 --> 01:45:53,920
Forgot one.
1676
01:46:08,600 --> 01:46:10,600
Take a seat.
1677
01:46:12,080 --> 01:46:14,080
Dennis!
1678
01:46:15,920 --> 01:46:19,000
ARTHUR: Don't worry about
my turncoat, backstabbing son.
1679
01:46:19,000 --> 01:46:21,440
He won't bother you again,
will you, Den...?
1680
01:46:21,440 --> 01:46:23,520
(SNEEZES)
1681
01:46:24,480 --> 01:46:27,080
Sorry about that. (SNIFFLES)
1682
01:46:27,080 --> 01:46:29,920
Humphrey had to choose stapler,
didn't he?
1683
01:46:29,920 --> 01:46:34,800
Now, first order of business -
what to do with you two.
1684
01:46:35,880 --> 01:46:37,560
Paul,
1685
01:46:37,560 --> 01:46:40,560
with your... skillset,
1686
01:46:40,560 --> 01:46:44,720
we think you're most suited
to a junior position
1687
01:46:44,720 --> 01:46:46,360
in Lost and Found.
1688
01:46:46,360 --> 01:46:47,560
Oh, great.
1689
01:46:47,560 --> 01:46:49,880
PAUL: (THINKS)
You've got to be kidding me.
1690
01:46:49,880 --> 01:46:53,840
The past few years have been
a blight on our great firm.
1691
01:46:53,840 --> 01:46:55,840
Are you listening
to my thoughts?
1692
01:46:55,840 --> 01:46:58,360
JOHN: ..capturing of souls
is strictly against...
1693
01:46:58,360 --> 01:47:00,240
PAUL: (THINKS) Sophie?
NIENKE: It is indeed.
1694
01:47:00,240 --> 01:47:02,920
You have a tiny weird bug
on your forehead.
1695
01:47:05,640 --> 01:47:07,640
Sorry.
1696
01:47:09,000 --> 01:47:11,760
All souls have been returned...
1697
01:47:11,760 --> 01:47:15,040
PAUL: So now you can
hear my thoughts?
1698
01:47:16,080 --> 01:47:17,480
I can't block you out?
1699
01:47:17,480 --> 01:47:19,880
JOHN: ..ever.
COUNTESS: Absolutely.
1700
01:47:19,880 --> 01:47:21,760
- JOHN: Good...
- OK, then.
1701
01:47:21,760 --> 01:47:26,000
Can I ask, now that you have
full control of your instincts,
1702
01:47:26,000 --> 01:47:27,400
your heart,
1703
01:47:27,400 --> 01:47:31,120
do you still feel that way
for me?
1704
01:47:31,120 --> 01:47:33,000
JOHN: And, Sophie,
1705
01:47:33,000 --> 01:47:37,440
with your impressive abilities
and your natural talents,
1706
01:47:37,440 --> 01:47:41,040
you'll be fast-tracked
to the position of VP
1707
01:47:41,040 --> 01:47:44,240
in the Department
of Coincidensation.
1708
01:47:47,160 --> 01:47:50,600
Do you like the sound of that,
Sophie?
1709
01:47:50,600 --> 01:47:53,440
PAUL:
So, do you... feel the same?
1710
01:47:53,440 --> 01:47:55,000
JOHN: Sophie, do you?
1711
01:47:55,000 --> 01:47:57,760
Yes. I do.
1712
01:47:59,480 --> 01:48:01,480
Excellent.
1713
01:48:02,280 --> 01:48:04,880
(STIRRING MUSIC SWELLS)
1714
01:48:32,560 --> 01:48:36,680
(CLEANER HUMMING)
1715
01:48:49,920 --> 01:48:52,240
Housekeeping. Knock, knock.
1716
01:48:53,560 --> 01:48:56,760
(FRANTIC OPERATIC MUSIC PLAYS)
1717
01:50:22,280 --> 01:50:25,520
(WHIMSICAL ORCHESTRAL MUSIC)
1718
01:51:20,360 --> 01:51:23,440
(FRENETIC ORCHESTRAL MUSIC)
1719
01:54:04,640 --> 01:54:08,120
THURSTON HARRIS:
♪ Little Bitty Pretty One
1720
01:54:08,120 --> 01:54:16,440
♪ Mm, mm-mm, mm, mm, mm-mm
1721
01:54:16,440 --> 01:54:19,360
♪ Mm-mm-mm, mm-mm, mm, mm
1722
01:54:19,360 --> 01:54:27,640
♪ Mm, mm-mm, mm, mm, mm-mm
1723
01:54:27,640 --> 01:54:30,360
♪ Mm-mm-mm, mm-mm, mm, mm
1724
01:54:30,360 --> 01:54:36,600
♪ Mm, mm-mm, mm, mm, mm-mm... ♪
1725
01:54:36,600 --> 01:54:40,160
(TELEPHONE RINGING)
1726
01:54:40,160 --> 01:54:43,080
- (RINGING CONTINUES)
- ♪ Little bitty pretty one
1727
01:54:43,080 --> 01:54:46,040
♪ Come on and talk to me... ♪
1728
01:54:46,040 --> 01:54:48,680
- (RINGING CONTINUES)
- ♪ Lovey dovey, lovey one
1729
01:54:48,680 --> 01:54:52,120
♪ Come sit down on my knee
1730
01:54:52,120 --> 01:54:54,440
♪ Oh, oh, whoa-whoa, whoa-oh
1731
01:54:54,440 --> 01:54:57,440
♪ Oh, oh,
whoa-whoa, whoa-oh... ♪
1732
01:54:57,440 --> 01:55:00,280
(RINGING CONTINUES)
1733
01:55:03,360 --> 01:55:06,000
Uh, Lost and Found?
Paul speaking.